Book 1 The Hunger Games

PART I

“THE TRIBUTES”

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“OKapler 1

When I wake up, the other side of the bed is cold. My
fingers stretch out, seeking Prim’s warmth but finding
only the rough canvas cover of the mattress. She
must have had bad dreams and climbed in with our
mother. Of course, she did. This is the day of the
reaping.

I prop myself up on one elbow. There’s enough light in
the bedroom to see them. My little sister, Prim, curled
up on her side, cocooned in my mother’s body, their
cheeks pressed together. In sleep, my mother looks
younger, still worn but not so beaten-down. Prim’s
face is as fresh as a raindrop, as lovely as the
primrose for which she was named. My mother was
very beautiful once, too. Or so they tell me.

Sitting at Prim’s knees, guarding her, is the world’s
ugliest cat. Mashed-in nose, half of one ear missing,
eyes the color of rotting squash. Prim named him
Buttercup, insisting that his muddy yellow coat
matched the bright flower. I le hates me. Or at least
distrusts me. Even though it was years ago, I think he
still remembers how I tried to drown him in a bucket
when Prim brought him home. Scrawny kitten, belly
swollen with worms, crawling with fleas. The last
thing I needed was another mouth to feed. But Prim
begged so hard, cried even, I had to let him stay. It
turned out okay. My mother got rid of the vermin and
he’s a born mouser. Even catches the occasional rat.
Sometimes, when I clean a kill, I feed Buttercup the
entrails. He has stopped hissing at me.

Entrails. No hissing. This is the closest we will ever
come to love.

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I swing my legs off the bed and slide into my hunting
boots. Supple leather that has molded to my feet. I
pull on trousers, a shirt, tuck my long dark braid up
into a cap, and grab my forage bag. On the table,
under a wooden bowl to protect it from hungry rats
and cats alike, sits a perfect little goat cheese
wrapped in basil leaves. Prim’s gift to me on reaping
day. I put the cheese carefully in my pocket as I slip
outside.

Our part of District 12, nicknamed the Seam, is
usually crawling with coal miners heading out to the
morning shift at this hour. Men and women with
hunched shoulders, swollen knuckles, many who
have long since stopped trying to scrub the coal dust
out of their broken nails, the lines of their sunken
faces. But today the black cinder streets are empty.
Shutters on the squat gray houses are closed. The
reaping isn’t until two. May as well sleep in. If you
can.

Our house is almost at the edge of the Seam. I only
have to pass a few gates to reach the scruffy field
called the Meadow. Separating the Meadow from the
woods, in fact enclosing all of District 12, is a high
chain-link fence topped with barbed-wire loops. In
theory, it’s supposed to be electrified twenty-four
hours a day as a deterrent to the predators that live
in the woods —packs of wild dogs, lone cougars,
bears — that used to threaten our streets. But since
we're lucky to get two or three hours of electricity in
the evenings, it’s usually safe to touch. Even so, I
always take a moment to listen carefully for the hum
that means the fence is live. Right now, it’s silent as a
stone. Concealed by a clump of bushes, I flatten out
on my belly and slide under a two-foot stretch that’s
been loose for years. There are several other weak
spots in the fence, but this one is so close to home I
almost always enter the woods here.

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As soon as I’m in the trees, I retrieve a bow and
sheath of arrows from a hollow log. Electrified or not,
the fence has been successful at keeping the flesh-
eaters out of District 12. Inside the woods they roam
freely, and there are added concerns like venomous
snakes, rabid animals, and no real paths to follow.
But there’s also food if you know how to find it. My
father knew and he taught me some before he was
blown to bits in a mine explosion. There was nothing
even to bury. I was eleven then. Five years later, I still
wake up screaming for him to run.

Even though trespassing in the woods is illegal and
poaching carries the severest of penalties, more
people would risk it if they had weapons. But most
are not bold enough to venture out with just a knife.
My bow is a rarity, crafted by my father along with a
few others that I keep well hidden in the woods,
carefully wrapped in waterproof covers. My father
could have made good money selling them, but if the
officials found out he would have been publicly
executed for inciting a rebellion. Most of the
Peacekeepers turn a blind eye to the few of us who
hunt because they’re as hungry for fresh meat as
anybody is. In fact, they’re among our best
customers. But the idea that someone might be
arming the Seam would never have been allowed.

In the fall, a few brave souls sneak into the woods to
harvest apples. But always in sight of the Meadow.
Always close enough to run back to the safety of
District 12 if trouble arises.“District Twelve. Where
you can starve to death in safety,” I mutter. Then I
glance quickly over my shoulder. Even here, even in
the middle of nowhere, you worry someone might
overhear you.

When I was younger, I scared my mother to death,
the things I would blurt out about District 12, about

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the people who rule our country, Panem, from the far-
off city called the Capitol. Eventually I understood
this would only lead us to more trouble. So I learned
to hold my tongue and to turn my features into an
indifferent mask so that no one could ever read my
thoughts. Do my work quietly in school. Make only
polite small talk in the public market. Discuss little
more than trades in the Hob, which is the black
market where I make most of my money. Even at
home, where I am less pleasant, I avoid discussing
tricky topics. Like the reaping, or food shortages, or
the Hunger Games. Prim might begin to repeat my
words and then where would we be?

In the woods waits the only person with whom I can
be myself. Gale. I can feel the muscles in my face
relaxing, my pace quickening as I climb the hills to
our place, a rock ledge overlooking a valley. A thicket
of berry bushes protects it from unwanted eyes. The
sight of him waiting there brings on a smile. Gale
says I never smile except in the woods.

“Hey, Catnip,” says Gale. My real name is Katniss,
but when I first told him, I had barely whispered it.
So he thought I’d said Catnip. Then when this crazy
lynx started following me around the woods looking
for handouts, it became his official nickname for me. I
finally had to kill the lynx because he scared off
game. I almost regretted it because he wasn’t bad
company. But I got a decent price for his pelt.

“Look what I shot,” Gale holds up a loaf of bread with
an arrow stuck in it, and I laugh. It’s real bakery
bread, not the flat, dense loaves we make from our
grain rations. I take it in my hands, pull out the
arrow, and hold the puncture in the crust to my nose,
inhaling the fragrance that makes my mouth flood
with saliva. Fine bread like this is for special
occasions.

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“Mm, still warm,” I say. He must have been at the
bakery at the crack of dawn to trade for it. “What did
it cost you?”

“Just a squirrel. Think the old man was feeling
sentimental this morning,” says Gale. “Even wished
me luck.”

“Well, we all feel a little closer today, don’t we?” I say,
not even bothering to roll my eyes. “Prim left us a
cheese.” I pull it out.

His expression brightens at the treat. “Thank you,
Prim. We'll have a real feast.” Suddenly he falls into a
Capitol accent as he mimics Effie Trinket, the
maniacally upbeat woman who arrives once a year to
read out the names at the leaping. “I almost forgot!
Happy Hunger Games!” He plucks a few blackberries
from the bushes around us. “And may the odds —”
He tosses a berry in a high arc toward me.

I catch it in my mouth and break the delicate skin
with my teeth. The sweet tartness explodes across my
tongue. “—be ever in your favor!” I finish with equal
verve. We have to joke about it because the
alternative is to be scared out of your wits. Besides,
the Capitol accent is so affected, almost anything
sounds funny in it.

I watch as Gale pulls out his knife and slices the
bread. He could be my brother. Straight black hair,
olive skin, we even have the same gray eyes. But we’re
not related, at least not closely. Most of the families
who work the mines resemble one another this way.

That’s why my mother and Prim, with their light hair
and blue eyes, always look out of place. They are. My
mother’s parents were part of the small merchant
class that caters to officials, Peacekeepers, and the

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occasional Seam customer. They ran an apothecary
shop in the nicer part of District 12. Since almost no
one can afford doctors, apothecaries are our healers.
My father got to know my mother because on his
hunts he would sometimes collect medicinal herbs
and sell them to her shop to be brewed into remedies.
She must have really loved him to leave her home for
the Seam. I try to remember that when all I can see is
the woman who sat by, blank and unreachable, while
her children turned to skin and bones. I try to forgive
her for my father’s sake. But to be honest, I’m not the
forgiving type.

Gale spreads the bread slices with the soft goat
cheese, carefully placing a basil leaf on each while I
strip the bushes of their berries. We settle back ina
nook in the rocks. From this place, we are invisible
but have a clear view of the valley, which is teeming
with summer life, greens to gather, roots to dig, fish
iridescent in the sunlight. The day is glorious, with a
blue sky and soft breeze. The food’s wonderful, with
the cheese seeping into the warm bread and the
berries bursting in our mouths. Everything would be
perfect if this really was a holiday, if all the day off
meant was roaming the mountains with Gale,
hunting for tonight’s supper. But instead we have to
be standing in the square at two o’clock waiting for
the names to be called out.

“We could do it, you know,” Gale says quietly.
“What?” I ask.

“Leave the district. Run off. Live in the woods. You
and I, we could make it,” says Gale.

I don’t know how to respond. The idea is so
preposterous.

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“If we didn’t have so many kids,” he adds quickly.

They’re not our kids, of course. But they might as well
be. Gale’s two little brothers and a sister. Prim. And
you may as well throw in our mothers, too, because
how would they live without us? Who would fill those
mouths that are always asking for more? With both of
us hunting daily, there are still nights when game has
to be swapped for lard or shoelaces or wool, still
nights when we go to bed with our stomachs

growling.

“I never want to have kids,” I say.

“I might. If I didn’t live here,” says Gale.
“But you do,” I say, irritated.

“Forget it,” he snaps back.

The conversation feels all wrong. Leave? How could I
leave Prim, who is the only person in the world I’m
certain I love? And Gale is devoted to his family. We
can’t leave, so why bother talking about it? And even
if we did ... even if we did ... where did this stuff
about having kids come from? There’s never been
anything romantic between Gale and me. When we
met, I was a skinny twelve-year-old, and although he
was only two years older, he already looked like a
man. It took a long time for us to even become
friends, to stop haggling over every trade and begin
helping each other out.

Besides, if he wants kids, Gale won’t have any trouble
finding a wife. He’s good-looking, he’s strong enough
to handle the work in the mines, and he can hunt.
You can tell by the way the girls whisper about him
when he walks by in school that they want him. It

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makes me jealous but not for the reason people would
think. Good hunting partners are hard to find.

“What do you want to do?” I ask. We can hunt, fish,
or gather.

“Let’s fish at the lake. We can leave our poles and
gather in the woods. Get something nice for tonight,”
he says.

Tonight. After the reaping, everyone is supposed to
celebrate. And a lot of people do, out of relief that
their children have been spared for another year. But
at least two families will pull their shutters, lock their
doors, and try to figure out how they will survive the
painful weeks to come.

We make out well. The predators ignore us on a day
when easier, tastier prey abounds. By late morning,
we have a dozen fish, a bag of greens and, best of all,
a gallon of strawberries. I found the patch a few years
ago, but Gale had the idea to string mesh nets around
it to keep out the animals.

On the way home, we swing by the Hob, the black
market that operates in an abandoned warehouse
that once held coal. When they came up with a more
efficient system that transported the coal directly
from the mines to the trains, the Hob gradually took
over the space. Most businesses are closed by this
time on reaping day, but the black market’s still fairly
busy. We easily trade six of the fish for good bread,
the other two for salt. Greasy Sae, the bony old
woman who sells bowls of hot soup from a large
kettle, takes half the greens off our hands in
exchange for a couple of chunks of paraffin. We might
do a tad better elsewhere, but we make an effort to
keep on good terms with Greasy Sae. She’s the only
one who can consistently be counted on to buy wild

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dog. We don’t hunt them on purpose, but if you’re
attacked and you take out a dog or two, well, meat is
meat. “Once it’s in the soup, I'll call it beef,” Greasy
Sae says with a wink. No one in the Seam would turn
up their nose at a good leg of wild dog, but the
Peacekeepers who come to the Hob can afford to be a
little choosier.

When we finish our business at the market, we go to
the back door of the mayor’s house to sell half the
strawberries, knowing he has a particular fondness
for them and can afford our price. The mayor’s
daughter, Madge, opens the door. She’s in my year at
school. Being the mayor’s daughter, you’d expect her
to be a snob, but she’s all right. She just keeps to
herself. Like me. Since neither of us really has a
group of friends, we seem to end up together a lot at
school. Eating lunch, sitting next to each other at
assemblies, partnering for sports activities. We rarely
talk, which suits us both just fine.

Today her drab school outfit has been replaced by an
expensive white dress, and her blonde hair is done up
with a pink ribbon. Reaping clothes.

“Pretty dress,” says Gale.

Madge shoots him a look, trying to see if it’s a
genuine compliment or if he’s just being ironic. Itisa
pretty dress, but she would never be wearing it
ordinarily. She presses her lips together and then
smiles. “Well, if I end up going to the Capitol, I want
to look nice, don’t I?”

Now it’s Gale’s turn to be confused. Does she mean

it? Or is she messing with him? I’m guessing the
second.

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“You won't be going to the Capitol,” says Gale coolly.
His eyes land on a small, circular pin that adorns her
dress. Real gold. Beautifully crafted. It could keep a
family in bread for months. “What can you have? Five
entries? I had six when I was just twelve years old.”

“That’s not her fault,” I say.

“No, it’s no one’s fault. Just the way it is,” says Gale.
Madge’s face has become closed off. She puts the
money for the berries in my hand. “Good luck,
Katniss.” “You, too,” I say, and the door closes.

We walk toward the Seam in silence. I don’t like that
Gale took a dig at Madge, but he’s right, of course.
The reaping system is unfair, with the poor getting
the worst of it. You become eligible for the reaping the
day you turn twelve. That year, your name is entered
once. At thirteen, twice. And so on and so on until
you reach the age of eighteen, the final year of
eligibility, when your name goes into the pool seven
times. That’s true for every citizen in all twelve
districts in the entire country of Panem.

But here’s the catch. Say you are poor and starving
as we were. You can opt to add your name more times
in exchange for tesserae. Each tessera is worth a
meager year’s supply of grain and oil for one person.
You may do this for each of your family members as
well. So, at the age of twelve, I had my name entered
four times. Once, because I had to, and three times
for tesserae for grain and oil for myself, Prim, and my
mother. In fact, every year I have needed to do this.
And the entries are cumulative. So now, at the age of
sixteen, my name will be in the reaping twenty times.
Gale, who is eighteen and has been either helping or
single-handedly feeding a family of five for seven
years, will have his name in forty-two times.

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You can see why someone like Madge, who has never
been at risk of needing a tessera, can set him off. The
chance of her name being drawn is very slim
compared to those of us who live in the Seam. Not
impossible, but slim. And even though the rules were
set up by the Capitol, not the districts, certainly not
Madge’s family, it’s hard not to resent those who don’t
have to sign up for tesserae.

Gale knows his anger at Madge is misdirected. On
other days, deep in the woods, I’ve listened to him
rant about how the tesserae are just another tool to
cause misery in our district. A way to plant hatred
between the starving workers of the Seam and those
who can generally count on supper and thereby
ensure we will never trust one another. “It’s to the
Capitol’s advantage to have us divided among
ourselves,” he might say if there were no ears to hear
but mine. If it wasn’t reaping day. If a girl with a gold
pin and no tesserae had not made what I’m sure she
thought was a harmless comment.

As we walk, I glance over at Gale’s face, still
smoldering underneath his stony expression. His
rages seem pointless to me, although I never say so.
It’s not that I don’t agree with him. I do. But what
good is yelling about the Capitol in the middle of the
woods? It doesn’t change anything. It doesn’t make
things fair. It doesn’t fill our stomachs. In fact, it
scares off the nearby game. I let him yell though.
Better he does it in the woods than in the district.

Gale and I divide our spoils, leaving two fish, a couple
of loaves of good bread, greens, a quart of
strawberries, salt, paraffin, and a bit of money for
each.

“See you in the square,” I say.

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“Wear something pretty,” he says flatly.

At home, I find my mother and sister are ready to go.
My mother wears a fine dress from her apothecary
days. Prim is in my first reaping outfit, a skirt and
ruffled blouse. It’s a bit big on her, but my mother
has made it stay with pins. Even so, she’s having
trouble keeping the blouse tucked in at the back.

A tub of warm water waits for me. I scrub off the dirt
and sweat from the woods and even wash my hair. To
my surprise, my mother has laid out one of her own
lovely dresses for me. A soft blue thing with matching
shoes.

“Are you sure?” I ask. I’m trying to get past rejecting

offers of help from her. For a while, I was so angry, I

wouldn’t allow her to do anything for me. And this is

something special. Her clothes from her past are very
precious to her.

“Of course. Let’s put your hair up, too,” she says. I let
her towel-dry it and braid it up on my head. I can
hardly recognize myself in the cracked mirror that
leans against the wall.

“You look beautiful,” says Prim in a hushed voice.

“And nothing like myself,” I say. I hug her, because I
know these next few hours will be terrible for her. Her
first reaping. She’s about as safe as you can get, since
she’s only entered once. I wouldn’t let her take out
any tesserae. But she’s worried about me. That the
unthinkable might happen.

I protect Prim in every way I can, but I’m powerless
against the reaping. The anguish I always feel when
she’s in pain wells up in my chest and threatens to
register on my (ace. I notice her blouse has pulled out

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of her skirt in the back again and force myself to stay
calm. “Tuck your tail in, little duck,” I say, smoothing
the blouse back in place.

Prim giggles and gives me a small“Quack.”

“Quack yourself,” I say with a light laugh. The kind
only Prim can draw out of me. “Come on, let’s eat,” I
say and plant a quick kiss on the top of her head.

The fish and greens are already cooking in a stew, but
that will be for supper. We decide to save the
strawberries and bakery bread for this evening’s meal,
to make it special we say. Instead we drink milk from
Prim’s goat, Lady, and eat the rough bread made from
the tessera grain, although no one has much appetite

anyway.

At one o’clock, we head for the square. Attendance is
mandatory unless you are on death’s door. This
evening, officials will come around and check to see if
this is the case. If not, you'll be imprisoned.

It’s too bad, really, that they hold the reaping in the
square — one of the few places in District 12 that can
be pleasant. The square’s surrounded by shops, and
on public market days, especially if there’s good
weather, it has a holiday feel to it. But today, despite
the bright banners hanging on the buildings, there’s
an air of grimness. The camera crews, perched like
buzzards on rooftops, only add to the effect.

People file in silently and sign in. The reaping is a
good opportunity for the Capitol to keep tabs on the
population as well. Twelve- through eighteen-year-
olds are herded into roped areas marked off by ages,
the oldest in the front, the young ones, like Prim,
toward the back. Family members line up around the
perimeter, holding tightly to one another’s hands. But

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there are others, too, who have no one they love at
stake, or who no longer care, who slip among the
crowd, taking bets on the two kids whose names will
be drawn. Odds are given on their ages, whether
they’re Seam or merchant, if they will break down and
weep. Most refuse dealing with the racketeers but
carefully, carefully. These same people tend to be
informers, and who hasn’t broken the law? I could be
shot on a daily basis for hunting, but the appetites of
those in charge protect me. Not everyone can claim
the same.

Anyway, Gale and I agree that if we have to choose
between dying of hunger and a bullet in the head, the
bullet would be much quicker.

The space gets tighter, more claustrophobic as people
arrive. The square’s quite large, but not enough to
hold District 12’s population of about eight thousand.
Latecomers are directed to the adjacent streets, where
they can watch the event on screens as it’s televised
live by the state.

I find myself standing in a clump of sixteens from the
Seam. We all exchange terse nods then focus our
attention on the temporary stage that is set up before
the Justice Building. It holds three chairs, a podium,
and two large glass balls, one for the boys and one for
the girls. I stare at the paper slips in the girls’ ball.
Twenty of them have Katniss Everdeen written on
them in careful handwriting.

Two of the three chairs fill with Madge’s father, Mayor
Undersee, who’s a tall, balding man, and Effie
Trinket, District 12’s escort, fresh from the Capitol
with her scary white grin, pinkish hair, and spring
green suit. They murmur to each other and then look
with concern at the empty seat.

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Just as the town clock strikes two, the mayor steps
up to the podium and begins to read. It’s the same
story every year. He tells of the history of Panem, the
country that rose up out of the ashes of a place that
was once called North America. He lists the disasters,
the droughts, the storms, the fires, the encroaching
seas that swallowed up so much of the land, the
brutal war for what little sustenance remained. The
result was Panem, a shining Capitol ringed by
thirteen districts, which brought peace and prosperity
to its citizens. Then came the Dark Days, the uprising
of the districts against the Capitol. Twelve were
defeated, the thirteenth obliterated. The Treaty of
Treason gave us the new laws to guarantee peace
and, as our yearly reminder that the Dark Days must
never be repeated, it gave us the Hunger Games.

The rules of the Hunger Games are simple. In
punishment for the uprising, each of the twelve
districts must provide one girl and one boy, called
tributes, to participate. The twenty-four tributes will
be imprisoned in a vast outdoor arena that could hold
anything from a burning desert to a frozen wasteland.
Over a period of several weeks, the competitors must
fight to the death. The last tribute standing wins.

Taking the kids from our districts, forcing them to kill
one another while we watch — this is the Capitol’s
way of reminding us how totally we are at their
mercy. How little chance we would stand of surviving
another rebellion.

Whatever words they use, the real message is
clear.“Look how we take your children and sacrifice
them and there’s nothing you can do. If you lift a
finger, we will destroy every last one of you. Just as
we did in District Thirteen.”

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To make it humiliating as well as torturous, the
Capitol requires us to treat the Hunger Games as a
festivity, a sporting event pitting every district against
the others. The last tribute alive receives a life of ease
back home, and their district will be showered with
prizes, largely consisting of food. All year, the Capitol
will show the winning district gifts of grain and oil
and even delicacies like sugar while the rest of us
battle starvation.

“It is both a time for repentance and a time for
thanks,” intones the mayor.

Then he reads the list of past District 12 victors. In
seventy-four years, we have had exactly two. Only one
is still alive. Haymitch Abernathy, a paunchy, middle-
aged man, who at this moment appears hollering
something unintelligible, staggers onto the stage, and
falls into the third chair. He’s drunk. Very. The crowd
responds with its token applause, but he’s confused
and tries to give Effie Trinket a big hug, which she
barely manages to fend off.

The mayor looks distressed. Since all of this is being
televised, right now District 12 is the laughingstock of
Panem, and he knows it. He quickly tries to pull the
attention back to the reaping by introducing Effie
Trinket.

Bright and bubbly as ever, Effie Trinket trots to the
podium and gives her signature, “Happy Hunger
Games! And may the odds be ever in your favor!” Her
pink hair must be a wig because her curls have
shifted slightly off-center since her encounter with
Haymitch. She goes on a bit about what an honor it is
to be here, although everyone knows she’s just aching
to get bumped up to a better district where they have
proper victors, not drunks who molest you in front of
the entire nation.

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Through the crowd, I spot Gale looking back at me
with a ghost of a smile. As reapings go, this one at
least has a slight entertainment factor. But suddenly I
am thinking of Gale and his forty-two names in that
big glass ball and how the odds are not in his favor.
Not compared to a lot of the boys. And maybe he’s
thinking the same thing about me because his face
darkens and he turns away. “But there are still
thousands of slips,” I wish I could whisper to him.

It’s time for the drawing. Effie Trinket says as she
always does, “Ladies first!”and crosses to the glass
ball with the girls’ names. She reaches in, digs her
hand deep into the ball, and pulls out a slip of paper.
The crowd draws in a collective breath and then you
can hear a pin drop, and I’m feeling nauseous and so
desperately hoping that it’s not me, that it’s not me,
that it’s not me.

Effie Trinket crosses back to the podium, smoothes
the slip of paper, and reads out the name in a clear

voice. And it’s not me.

It’s Primrose Everdeen.

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(CTapler 2

One time, when I was in a blind in a tree, waiting
motionless for game to wander by, I dozed off and fell
ten feet to the ground, landing on my back. It was as
if the impact had knocked every wisp of air from my
lungs, and I lay there struggling to inhale, to exhale,
to do anything.

That’s how I feel now, trying to remember how to
breathe, unable to speak, totally stunned as the name
bounces around the inside of my skull. Someone is
gripping my arm, a boy from the Seam, and I think
maybe I started to fall and he caught me.

There must have been some mistake. This can’t be
happening. Prim was one slip of paper in thousands!
Her chances of being chosen so remote that I’d not
even bothered to worry about her. Hadn’t I done
everything? Taken the tesserae, refused to let her do
the same? One slip. One slip in thousands. The odds
had been entirely in her favor. But it hadn’t mattered.

Somewhere far away, I can hear the crowd
murmuring unhappily as they always do when a
twelve-year-old gets chosen because no one thinks
this is fair. And then I see her, the blood drained from
her face, hands clenched in fists at her sides, walking
with stiff, small steps up toward the stage, passing
me, and I see the back of her blouse has become
untucked and hangs out over her skirt. It’s this
detail, the untucked blouse forming a ducktail, that
brings me back to myself.

“Prim!” The strangled cry comes out of my throat, and
my muscles begin to move again. “Prim!” I don’t need

20| Page The Hunger Games — Suzanne Collins

to shove through the crowd. The other kids make way
immediately allowing me a straight path to the stage.
I reach her just as she is about to mount the steps.
With one sweep of my arm, I push her behind me.

“I volunteer!” I gasp. “I volunteer as tribute!”

There’s some confusion on the stage. District 12
hasn’t had a volunteer in decades and the protocol
has become rusty. The rule is that once a tribute’s
name has been pulled from the ball, another eligible
boy, if a boy’s name has been read, or girl, if a girl’s
name has been read, can step forward to take his or
her place. In some districts, in which winning the
reaping is such a great honor, people are eager to risk
their lives, the volunteering is complicated. But in
District 12, where the wordtribute is pretty much
synonymous with the word corpse, volunteers are all
but extinct.

“Lovely!” says Effie Trinket. “But I believe there’s a
small matter of introducing the reaping winner and
then asking for volunteers, and if one does come forth
then we, um ...” she trails off, unsure herself.

“What does it matter?” says the mayor. He’s looking
at me with a pained expression on his face. He
doesn’t know me really, but there’s a faint recognition
there. Iam the girl who brings the strawberries. The
girl his daughter might have spoken of on occasion.
The girl who five years ago stood huddled with her
mother and sister, as he presented her, the oldest
child, with a medal of valor. A medal for her father,
vaporized in the mines. Does he remember that?
“What does it matter?” he repeats gruffly. “Let her
come forward.”

21|Page The Hunger Games — Suzanne Collins

Prim is screaming hysterically behind me. She’s
wrapped her skinny arms around me like a vice. “No,
Katniss! No! You can’t go!”

“Prim, let go,” I say harshly, because this is upsetting
me and I don’t want to cry. When they televise the
replay of the reapings tonight, everyone will make
note of my tears, and Ill be marked as an easy target.
A weakling. I will give no one that satisfaction. “Let
go!”

I can feel someone pulling her from my back. I turn
and see Gale has lifted Prim off the ground and she’s
thrashing in his arms. “Up you go, Catnip,” he says,
in a voice he’s fighting to keep steady, and then he
carries Prim off toward my mother. I steel myself and
climb the steps.

“Well, bravo!” gushes Effie Trinket. “That’s the spirit
of the Games!” She’s pleased to finally have a district
with a little action going on in it. “What’s your name?”

I swallow hard. “Katniss Everdeen,” I say.

“I bet my buttons that was your sister. Don’t want her
to steal all the glory, do we? Come on, everybody!
Let’s give a big round of applause to our newest
tribute!” trills Effie Trinket.

To the everlasting credit of the people of District 12,
not one person claps. Not even the ones holding
betting slips, the ones who are usually beyond caring.
Possibly because they know me from the Hob, or
knew my father, or have encountered Prim, who no
one can help loving. So instead of acknowledging
applause, I stand there unmoving while they take part
in the boldest form of dissent they can manage.
Silence. Which says we do not agree. We do not
condone. All of this is wrong.

22|Page The Hunger Games — Suzanne Collins

Then something unexpected happens. At least, I don’t
expect it because I don’t think of District 12 asa
place that cares about me. But a shift has occurred
since I stepped up to take Prim’s place, and now it
seems I have become someone precious. At first one,
then another, then almost every member of the crowd
touches the three middle fingers of their left hand to
their lips and holds it out to me. It is an old and
rarely used gesture of our district, occasionally seen
at funerals. It means thanks, it means admiration, it
means good-bye to someone you love.

Now I am truly in danger of crying, but fortunately
Haymitch chooses this time to come staggering across
the stage to congratulate me. “Look at her. Look at
this one!” he hollers, throwing an arm around my
shoulders. He’s surprisingly strong for such a wreck.
“T like her!” His breath reeks of liquor and it’s been a
long time since he’s bathed. “Lots of ... “ He can’t
think of the word for a while. “Spunk!” he says
triumphantly. “More than you!” he releases me and
starts for the front of the stage. “More than you!” he
shouts, pointing directly into a camera.

Is he addressing the audience or is he so drunk he
might actually be taunting the Capitol? I’ll never
know because just as he’s opening his mouth to
continue, Haymitch plummets off the stage and
knocks himself unconscious.

He’s disgusting, but I’m grateful. With every camera
gleefully trained on him, I have just enough time to
release the small, choked sound in my throat and
compose myself. I put my hands behind my back and
stare into the distance.

I can see the hills I climbed this morning with Gale.
For a moment, I yearn for something ... the idea of us
leaving the district ... making our way in the woods ...

23| Page The Hunger Games — Suzanne Collins

but I know I was right about not running off. Because
who else would have volunteered for Prim?

Haymitch is whisked away on a stretcher, and Effie
Trinket is trying to get the ball rolling again. “What an
exciting day!” she warbles as she attempts to
straighten her wig, which has listed severely to the
right. “But more excitement to come! It’s time to
choose our boy tribute!” Clearly hoping to contain her
tenuous hair situation, she plants one hand on her
head as she crosses to the ball that contains the boys’
names and grabs the first slip she encounters. She
zips back to the podium, and I don’t even have time to
wish for Gale’s safety when she’s reading the name.
“Peeta Mellark.”

Peeta Mellark!

Oh, no, I think.Not him. Because I recognize this
name, although I have never spoken directly to its
owner. Peeta Mellark.

No, the odds are not in my favor today. I watch him
as he makes his way toward the stage. Medium
height, stocky build, ashy blond hair that falls in
waves over

his forehead. The shock of the moment is registering
on his face, you can see his struggle to remain
emotionless, but his blue eyes show the alarm I’ve
seen so often in prey. Yet he climbs steadily onto the
stage and takes his place.

Effie Trinket asks for volunteers, but no one steps
forward. He has two older brothers, I know, I’ve seen
them in the bakery, but one is probably too old now
to volunteer and the other won’t. This is standard.
Family devotion only goes so far for most people on
reaping day. What I did was the radical thing.

24|Page The Hunger Games — Suzanne Collins

The mayor begins to read the long, dull Treaty of
Treason as he does every year at this point — it’s
required — but I’m not listening to a word.

Why him? I think. Then I try to convince myself it
doesn’t matter. Peeta Mellark and I are not friends.
Not even neighbors. We don’t speak. Our only real
interaction happened years ago. He’s probably
forgotten it. But I haven’t and I know I never will... .

It was during the worst time. My father had been
killed in the mine accident three months earlier in the
bitterest January anyone could remember. The
numbness of his loss had passed, and the pain would
hit me out of nowhere, doubling me over, racking my
body with sobs. Where are you? I would cry out in my
mind. Where have you gone? Of course, there was
never any answer.

The district had given us a small amount of money as
compensation for his death, enough to cover one
month of grieving at which time my mother would be
expected to get a job. Only she didn’t. She didn’t do
anything but sit propped up in a chair or, more often,
huddled under the blankets on her bed, eyes fixed on
some point in the distance. Once in a while, she’d
stir, get up as if moved by some urgent purpose, only
to then collapse back into stillness. No amount of
pleading from Prim seemed to affect her.

I was terrified. I suppose now that my mother was
locked in some dark world of sadness, but at the
time, all I knew was that I had lost not only a father,
but a mother as well. At eleven years old, with Prim
just seven, I took over as head of the family. There
was no choice. I bought our food at the market and
cooked it as best I could and tried to keep Prim and
myself looking presentable. Because if it had become
known that my mother could no longer care for us,

25|Page The Hunger Games — Suzanne Collins

the district would have taken us away from her and
placed us in the community home. I’d grown up
seeing those home kids at school. The sadness, the
marks of angry hands on their faces, the
hopelessness that curled their shoulders forward. I
could never let that happen to Prim. Sweet, tiny Prim
who cried when I cried before she even knew the
reason, who brushed and plaited my mother’s hair
before we left for school, who still polished my father’s
shaving mirror each night because he’d hated the
layer of coal dust that settled on everything in the
Seam. The community home would crush her like a
bug. So I kept our predicament a secret.

But the money ran out and we were slowly starving to
death. There’s no other way to put it. I kept telling
myself if I could only hold out until May, just May
8th, I would turn twelve and be able to sign up for the
tesserae and get that precious grain and oil to feed
us. Only there were still several weeks to go. We could
well be dead by then.

Starvation’s not an uncommon fate in District 12.
Who hasn’t seen the victims? Older people who can’t
work. Children from a family with too many to feed.
Those injured in the mines. Straggling through the
streets. And one day, you come upon them sitting
motionless against a wall or lying in the Meadow, you
hear the wails from a house, and the Peacekeepers
are called in to retrieve the body. Starvation is never
the cause of death officially. It’s always the flu, or
exposure, or pneumonia. But that fools no one.

On the afternoon of my encounter with Peeta Mellark,
the rain was falling in relentless icy sheets. I had
been in town, trying to trade some threadbare old
baby clothes of Prim’s in the public market, but there
were no takers. Although I had been to the Hob on
several occasions with my father, I was too frightened

26 |Page The Hunger Games — Suzanne Collins

to venture into that rough, gritty place alone. The rain
had soaked through my father’s hunting jacket,
leaving me chilled to the bone. For three days, we’d
had nothing but boiled water with some old dried
mint leaves I’d found in the back of a cupboard. By
the time the market closed, I was shaking so hard I
dropped my bundle of baby clothes in a mud puddle.
I didn’t pick it up for fear I would keel over and be
unable to regain my feet. Besides, no one wanted
those clothes.

I couldn’t go home. Because at home was my mother
with her dead eyes and my little sister, with her
hollow cheeks and cracked lips. I couldn’t walk into
that room with the smoky fire from the damp
branches I had scavenged at the edge of the woods
after the coal had run out, my bands empty of any
hope.

I found myself stumbling along a muddy lane behind
the shops that serve the wealthiest townspeople. The
merchants live above their businesses, so I was
essentially in their backyards. I remember the
outlines of garden beds not yet planted for the spring,
a goat or two in a pen, one sodden dog tied to a post,
hunched defeated in the muck.

All forms of stealing are forbidden in District 12.
Punishable by death. But it crossed my mind that
there might be something in the trash bins, and those
were fair game. Perhaps a bone at the butcher’s or
rotted vegetables at the grocer’s, something no one
but my family was desperate enough to eat.
Unfortunately, the bins had just been emptied.

When I passed the baker’s, the smell of fresh bread
was so overwhelming I felt dizzy. The ovens were in
the back, and a golden glow spilled out the open
kitchen door. I stood mesmerized by the heat and the

27|Page The Hunger Games — Suzanne Collins

luscious scent until the rain interfered, running its
icy fingers down my back, forcing me back to life. I
lifted the lid to the baker’s trash bin and found it
spotlessly, heartlessly bare.

Suddenly a voice was screaming at me and I looked
up to see the baker’s wife, telling me to move on and
did I want her to call the Peacekeepers and how sick
she was of having those brats from the Seam pawing
through her trash. The words were ugly and I had no
defense. As I carefully replaced the lid and backed
away, I noticed him, a boy with blond hair peering out
from behind his mother’s back. I’d seen him at
school. He was in my year, but I didn’t know his
name. He stuck with the town kids, so how would I?
His mother went back into the bakery, grumbling, but
he must have been watching me as I made my way
behind the pen that held their pig and leaned against
the far side of an old apple tree. The realization that
Pd have nothing to take home had finally sunk in. My
knees buckled and I slid down the tree trunk to its
roots. It was too much. I was too sick and weak and
tired, oh, so tired. Let them call the Peacekeepers and
take us to the community home, I thought. Or better
yet, let me die right here in the rain.

There was a clatter in the bakery and I heard the
woman screaming again and the sound of a blow, and
I vaguely wondered what was going on. Feet sloshed
toward me through the mud and I thought, It’s her.
She’s coming to drive me away with a stick. But it
wasn't her. It was the boy. In his arms, he carried two
large loaves of bread that must have fallen into the
fire because the crusts were scorched black.

His mother was yelling, “Feed it to the pig, you stupid

creature! Why not? No one decent will buy burned
bread!”

28| Page The Hunger Games — Suzanne Collins

He began to tear off chunks from the burned parts
and toss them into the trough, and the front bakery
bell rung and the mother disappeared to help a
customer.

The boy never even glanced my way, but I was
watching him. Because of the bread, because of the
red weal that stood out on his cheekbone. What had
she hit him with?

My parents never hit us. I couldn’t even imagine it.
The boy took one look back to the bakery as if
checking that the coast was clear, then, his attention
back on the pig, he threw a loaf of bread in my
direction. The second quickly followed, and he
sloshed back to the bakery, closing the kitchen door
tightly behind him.

I stared at the loaves in disbelief. They were fine,
perfect really, except for the burned areas. Did he
mean for me to have them? He must have. Because
there they were at my feet. Before anyone could
witness what had happened I shoved the loaves up
under my shirt, wrapped the hunting jacket tightly
about me, and walked swiftly away. The heat of the
bread burned into my skin, but I clutched it tighter,
clinging to life.

By the time I reached home, the loaves had cooled
somewhat, but the insides were still warm. When I
dropped them on the table, Prim’s hands reached to
tear off a chunk, but I made her sit, forced my mother
to join us at the table, and poured warm tea. I
scraped off the black stuff and sliced the bread. We
ate an entire loaf, slice by slice. It was good hearty
bread, filled with raisins and nuts.

I put my clothes to dry at the fire, crawled into bed,
and fell into a dreamless sleep. It didn’t occur to me

29|Page The Hunger Games — Suzanne Collins

until the next morning that the boy might have
burned the bread on purpose. Might have dropped
the loaves into the flames, knowing it meant being
punished, and then delivered them to me. But I
dismissed this. It must have been an accident. Why
would he have done it? He didn’t even know me. Still,
just throwing me the bread was an enormous
kindness that would have surely resulted in a beating
if discovered. 1 couldn’t explain his actions.

We ate slices of bread for breakfast and headed to
school. It was as if spring had come overnight. Warm
sweet air. Fluffy clouds. At school, I passed the boy in
the hall, his cheek had swelled up and his eye had
blackened. He was with his friends and didn’t
acknowledge me in any way. But as I collected Prim
and started for home that afternoon, I found him
staring at me from across the school yard. Our eyes
met for only a second, then he turned his head away.
I dropped my gaze, embarrassed, and that’s when I
saw it. The first dandelion of the year. A bell went off
in my head. I thought of the hours spent in the woods
with my father and I knew how we were going to
survive.

To this day, I can never shake the connection between
this boy, Peeta Mellark, and the bread that gave me
hope, and the dandelion that reminded me that I was
not doomed. And more than once, I have turned in
the school hallway and caught his eyes trained on
me, only to quickly flit away. I feel like I owe him
something, and I hate owing people. Maybe if I had
thanked him at some point, I’d be feeling less
conflicted now. I thought about it a couple of times,
but the opportunity never seemed to present itself.
And now it never will. Because we’re going to be
thrown into an arena to fight to the death. Exactly
how am I supposed to work in a thank-you in there?

30] Page The Hunger Games — Suzanne Collins

Somehow it just won’t seem sincere if I’m trying to slit
his throat.

The mayor finishes the dreary Treaty of Treason and
motions for Peeta and me to shake hands. His are as
solid and warm as those loaves of bread. Peeta looks
me right in the eye and gives my hand what I think is
meant to be a reassuring squeeze. Maybe it’s just a
nervous spasm.

We turn back to face the crowd as the anthem of
Panem plays.

Oh, well, I think.There will be twenty-four of us. Odds
are someone else will kill him before I do.

Of course, the odds have not been very dependable of
late.

31|Page The Hunger Games — Suzanne Collins

(OKapler 3

The moment the anthem ends, we are taken into
custody. I don’t mean we’re handcuffed or anything,
but a group of Peacekeepers marches us through the
front door of the Justice Building. Maybe tributes
have tried to escape in the past. I’ve never seen that
happen though.

Once inside, I’m conducted to a room and left alone.
It’s the richest place I’ve ever been in, with thick, deep
carpets and a velvet couch and chairs. I know velvet
because my mother has a dress with a collar made of
the stuff. When I sit on the couch, I can’t help
running my fingers over the fabric repeatedly. It helps
to calm me as I try to prepare for the next hour. The
time allotted for the tributes to say goodbye to their
loved ones. I cannot afford to get upset, to leave this
room with puffy eyes and a red nose. Crying is not an
option. There will be more cameras at the train
station.

My sister and my mother come first. I reach out to
Prim and she climbs on my lap, her arms around my
neck, head on my shoulder, just like she did when
she was a toddler. My mother sits beside me and
wraps her arms around us. For a few minutes, we say
nothing. Then I start telling them all the things they
must remember to do, now that I will not be there to
do them for them.

Prim is not to take any tesserae. They can get by, if
they’re careful, on selling Prim’s goat milk and cheese
and the small apothecary business my mother now
runs for the people in the Seam. Gale will get her the
herbs she doesn’t grow herself, but she must be very

32|Page The Hunger Games — Suzanne Collins

careful to describe them because he’s not as familiar
with them as I am. He'll also bring them game — he
and I made a pact about this a year or so ago — and
will probably not ask for compensation, but they
should thank him with some kind of trade, like milk
or medicine.

I don’t bother suggesting Prim learn to hunt. I tried to
teach her a couple of times and it was disastrous. The
woods terrified her, and whenever I shot something,
she’d get teary and talk about how we might be able
to heal it if we got it home soon enough. But she
makes out well with her goat, so I concentrate on
that.

When I am done with instructions about fuel, and
trading, and staying in school, I turn to my mother
and grip her arm, hard. “Listen to me. Are you
listening to me?” She nods, alarmed by my intensity.
She must know what’s coming. “You can’t leave
again,” I say.

My mother’s eyes find the floor. “I know. I won't. I
couldn’t help what—”

“Well, you have to help it this time. You can’t clock
out and leave Prim on her own. There’s no me now to
keep you both alive. It doesn’t matter what happens.
Whatever you see on the screen. You have to promise
me you'll fight through it!” My voice has risen to a
shout. In it is all the anger, all the fear I felt at her
abandonment.

She pulls her arm from my grasp, moved to anger
herself now. “I was ill. I could have treated myself if
Pd had the medicine I have now.”

That part about her being ill might be true. I’ve seen
her bring back people suffering from immobilizing

33 | Page The Hunger Games — Suzanne Collins

sadness since. Perhaps it is a sickness, but it’s one
we can’t afford.

“Then take it. And take care of her!” I say.

“Tl be all right, Katniss,” says Prim, clasping my face
in her hands. “But you have to take care, too. You’re
so fast and brave. Maybe you can win.”

I can’t win. Prim must know that in her heart. The
competition will be far beyond my abilities. Kids from
wealthier districts, where winning is a huge honor,
who've been trained their whole lives for this. Boys
who are two to three times my size. Girls who know
twenty different ways to kill you with a knife. Oh,
there'll be people like me, too. People to weed out
before the real fun begins.

“Maybe,” I say, because I can hardly tell my mother to
carry on if I’ve already given up myself. Besides, it
isn’t in my nature to go down without a fight, even
when things seem insurmountable. “Then we’d be
rich as Haymitch.”

“I don’t care if we’re rich. I just want you to come
home. You will try, won’t you? Really, really try?” asks
Prim.

“Really, really try. I swear it,” I say. And I know,
because of Prim, Ill have to.

And then the Peacekeeper is at the door, signaling our
time is up, and we're all hugging one another so hard
it hurts and all I’m saying is “I love you. I love you
both.” And they’re saying it back and then the
Peacekeeper orders them out and the door closes. I
bury my head in one of the velvet pillows as if this
can block the whole thing out.

34|Page The Hunger Games — Suzanne Collins

Someone else enters the room, and when I look up,
I’m surprised to see it’s the baker, Peeta Mellark’s
father. I can’t believe he’s come to visit me. After all,
I'll be trying to kill his son soon. But we do know each
other a bit, and he knows Prim even better. When she
sells her goat cheeses at the Hob, she puts two of
them aside for him and he gives her a generous
amount of bread in return. We always wait to trade
with him when his witch of a wife isn’t around
because he’s so much nicer. I feel certain he would
never have hit his son the way she did over the
burned bread. But why has he come to see me?

The baker sits awkwardly on the edge of one of the
plush chairs. He’s a big, broad-shouldered man with
burn scars from years at the ovens. He must have
just said goodbye to his son.

He pulls a white paper package from his jacket pocket
and holds it out to me. I open it and find cookies.
These are a luxury we can never afford.

“Thank you,” I say. The baker’s not a very talkative
man in the best of times, and today he has no words
at all. “I had some of your bread this morning. My
friend Gale gave you a squirrel for it.” He nods, as if
remembering the squirrel. “Not your best trade,” I say.
He shrugs as if it couldn’t possibly matter.

Then I can’t think of anything else, so we sit in silence
until a Peacemaker summons him. He rises and
coughs to clear his throat. “I’ll keep an eye on the
little girl. Make sure she’s eating.”

I feel some of the pressure in my chest lighten at his
words. People deal with me, but they are genuinely
fond of Prim. Maybe there will be enough fondness to
keep her alive.

35|Page The Hunger Games — Suzanne Collins

My next guest is also unexpected. Madge walks
straight to me. She is not weepy or evasive, instead
there’s an urgency about her tone that surprises me.
“They let you wear one thing from your district in the
arena. One thing to remind you of home. Will you
wear this?” She holds out the circular gold pin that
was on her dress earlier. I hadn’t paid much attention
to it before, but now I see it’s a small bird in flight.

“Your pin?” I say. Wearing a token from my district is
about the last thing on my mind.

“Here, IIl put it on your dress, all right?” Madge
doesn’t wait for an answer, she just leans in and fixes
the bird to my dress. “Promise you'll wear it into the
arena, Katniss?” she asks. “Promise?”

“Yes,” I say. Cookies. A pin. I’m getting all kinds of
gifts today. Madge gives me one more. A kiss on the
cheek. Then she’s gone and I’m left thinking that
maybe Madge really has been my friend all along.

Finally, Gale is here and maybe there is nothing
romantic between us, but when he opens his arms I
don’t hesitate to go into them. His body is familiar to
me — the way it moves, the smell of wood smoke,
even the sound of his heart beating I know from quiet
moments on a hunt — but this is the first time I
really feel it, lean and hard-muscled against my own.

“Listen,” he says. “Getting a knife should be pretty
easy, but you’ve got to get your hands on a bow.
That’s your best chance.”

“They don’t always have bows,” I say, thinking of the

year there were only horrible spiked maces that the
tributes had to bludgeon one another to death with.

36 |Page The Hunger Games — Suzanne Collins

“Then make one,” says Gale. “Even a weak bow is
better than no bow at all.”

I have tried copying my father’s bows with poor
results. It’s not that easy. Even he had to scrap his
own work sometimes.

“I don’t even know if there’ll be wood,” I say. Another
year, they tossed everybody into a landscape of
nothing but boulders and sand and scruffy bushes. I
particularly hated that year. Many contestants were
bitten by venomous snakes or went insane from
thirst.

“There’s almost always some wood,” Gale says. “Since
that year half of them died of cold. Not much
entertainment in that.”

It’s true. We spent one Hunger Games watching the
players freeze to death at night. You could hardly see
them because they were just huddled in balls and
had no wood for fires or torches or anything. It was
considered very anti-climactic in the Capitol, all those
quiet, bloodless deaths. Since then, there’s usually
been wood to make fires.

“Yes, there’s usually some,” I say.

“Katniss, it’s just hunting. You’re the best hunter I
know,” says Gale.

“It’s not just hunting. They’re armed. They think,” I
say.

“So do you. And you’ve had more practice. Real
practice,” he says. “You know how to kill.”

“Not people,” I say.

37| Page The Hunger Games — Suzanne Collins

“How different can it be, really?” says Gale grimly.

The awful thing is that if I can forget they’re people, it
will be no different at all.

The Peacekeepers are back too soon and Gale asks for
more time, but they’re taking him away and I start to
panic. “Don’t let them starve!” I cry out, clinging to
his hand.

“I won’t! You know I won’t! Katniss, remember I —” he
says, and they yank us apart and slam the door and
Ill never know what it was he wanted me to
remember.

It’s a short ride from the Justice Building to the train
station. I’ve never been in a car before. Rarely even
ridden in wagons. In the Seam, we travel on foot.

I’ve been right not to cry. The station is swarming
with reporters with their insectlike cameras trained
directly on my face. But I’ve had a lot of practice at
wiping my face clean of emotions and I do this now. I
catch a glimpse of myself on the television screen on
the wall that’s airing my arrival live and feel gratified
that I appear almost bored.

Peeta Mellark, on the other hand, has obviously been
crying and interestingly enough does not seem to be
trying to cover it up. I immediately wonder if this will
be his strategy in the Games. To appear weak and
frightened, to reassure the other tributes that he is no
competition at all, and then come out fighting. This
worked very well for a girl, Johanna Mason, from
District 7 a few years back. She seemed like such a
sniveling, cowardly fool that no one bothered about
her until there were only a handful of contestants left.
It turned out she could kill viciously. Pretty clever, the
way she played it. But this seems an odd strategy for

38] Page The Hunger Games — Suzanne Collins

Peeta Mellark because he’s a baker’s son. All those
years of having enough to eat and hauling bread trays
around have made him broad-shouldered and strong.
It will take an awful lot of weeping to convince anyone
to overlook him.

We have to stand for a few minutes in the doorway of
the train while the cameras gobble up our images,
then we’re allowed inside and the doors close
mercifully behind us. The train begins to move at
once.

The speed initially takes my breath away. Of course,
I’ve never been on a train, as travel between the
districts is forbidden except for officially sanctioned
duties. For us, that’s mainly transporting coal. But
this is no ordinary coal train. It’s one of the high-
speed Capitol models that average 250 miles per
hour. Our journey to the Capitol will take less than a
day.

In school, they tell us the Capitol was built in a place
once called the Rockies. District 12 was in a region
known is Appalachia. Even hundreds of years ago,
they mined coal here. Which is why our miners have
to dig so deep.

Somehow it all comes back to coal at school. Besides
basic reading and math most of our instruction is
coal-related. Except for the weekly lecture on the
history of Panem. It’s mostly a lot of blather about
what we owe the Capitol. I know there must be more
than they’re telling us, an actual account of what
happened during the rebellion. But I don’t spend
much time thinking about it. Whatever the truth is, I
don’t see how it will help me get food on the table.

The tribute train is fancier than even the room in the
Justice Building. We are each given our own

39|Page The Hunger Games — Suzanne Collins

chambers that have a bedroom, a dressing area, and
a private bathroom with hot and cold running water.
We don’t have hot water at home, unless we boil it.

There are drawers filled with fine clothes, and Effie
Trinket tells me to do anything I want, wear anything
I want, everything is at my disposal. Just be ready for
supper in an hour. I peel off my mother’s blue dress
and take a hot shower. I’ve never had a shower
before. It’s like being in a summer rain, only warmer.
I dress in a dark green shirt and pants.

At the last minute, I remember Madge’s little gold pin.
For the first time, I get a good look at it. It’s as if
someone fashioned a small golden bird and then
attached a ring around it. The bird is connected to the
ring only by its wing tips. I suddenly recognize it. A
mockingjay.

They’re funny birds and something of a slap in the
face to the Capitol. During the rebellion, the Capitol
bred a series of genetically altered animals as
weapons. The common term for them was muttations,
or sometimesmuttsfor short. One was a special bird
called a jabberjay that had the ability to memorize
and repeat whole human conversations. They were
homing birds, exclusively male, that were released
into regions where the Capitol’s enemies were known
to be hiding. After the birds gathered words, they’d fly
back to centers to be recorded. It took people awhile
to realize what was going on in the districts, how
private conversations were being transmitted. Then,
of course, the rebels fed the Capitol endless lies, and
the joke was on it. So the centers were shut down and
the birds were abandoned to die off in the wild.

Only they didn’t die off. Instead, the jabberjays mated
with female mockingbirds creating a whole new
species that could replicate both bird whistles and

40|Page The Hunger Games — Suzanne Collins

human melodies. They had lost the ability to
enunciate words but could still mimic a range of
human vocal sounds, from a child’s high-pitched
warble to a man’s deep tones. And they could re-
create songs. Not just a few notes, but whole songs
with multiple verses, if you had the patience to sing
them and if they liked your voice.

My father was particularly fond of mockingjays. When
we went hunting, he would whistle or sing
complicated songs to them and, after a polite pause,
they’d always sing back. Not everyone is treated with
such respect. But whenever my father sang, all the
birds in the area would fall silent and listen. His voice
was that beautiful, high and clear and so filled with
life it made you want to laugh and cry at the same
time. I could never bring myself to continue the
practice after he was gone. Still, there’s something
comforting about the little bird. It’s like having a piece
of my father with me, protecting me. I fasten the pin
onto my shirt, and with the dark green fabric as a
background, I can almost imagine the mockingjay
flying through the trees.

Effie Trinket comes to collect me for supper. I follow
her through the narrow, rocking corridor into a dining
room with polished paneled walls. There’s a table
where all the dishes are highly breakable. Peeta
Mellark sits waiting for us, the chair next to him
empty.

“Where’s Haymitch?” asks Effie Trinket brightly.

“Last time I saw him, he said he was going to take a
nap,” says Peeta.

“Well, it’s been an exhausting day,” says Effie Trinket.
I think she’s relieved by Haymitch’s absence, and who
can blame her?

41|Page The Hunger Games — Suzanne Collins

The supper comes in courses. A thick carrot soup,
green salad, lamb chops and mashed potatoes, cheese
and fruit, a chocolate cake. Throughout the meal,
Effie Trinket keeps reminding us to save space
because there’s more to come. But I’m stuffing myself
because I’ve never had food like this, so good and so
much, and because probably the best thing I can do
between now and the Games is put on a few pounds.

“At least, you two have decent manners,” says Effie as
we're finishing the main course. “The pair last year
ate everything with their hands like a couple of
savages. It completely upset my digestion.”

The pair last year were two kids from the Seam who’d
never, not one day of their lives, had enough to eat.
And when they did have food, table manners were
surely the last thing on their minds. Peeta’s a baker’s
son. My mother taught Prim and I to eat properly, so
yes, I can handle a fork and knife. But I hate Effie
Trinket’s comment so much I make a point of eating
the rest of my meal with my fingers. Then I wipe my
hands on the tablecloth. This makes her purse her
lips tightly together.

Now that the meal’s over, I’m fighting to keep the food
down. I can see Peeta’s looking a little green, too.
Neither of our stomachs is used to such rich fare. But
if I can hold down Greasy Sae’s concoction of mice
meat, pig entrails, and tree bark — a winter specialty
— I’m determined to hang on to this.

We go to another compartment to watch the recap of
the reapings across Panem. They try to stagger them
throughout the day so a person could conceivably
watch the whole thing live, but only people in the
Capitol could really do that, since none of them have
to attend reapings themselves.

42|Page The Hunger Games — Suzanne Collins

One by one, we see the other reapings, the names
called, (the volunteers stepping forward or, more
often, not. We examine the faces of the kids who will
be our competition. A few stand out in my mind. A
monstrous boy who lunges forward to volunteer from
District 2. A fox-faced girl with sleek red hair from
District 5. A boy with a crippled foot from District 10.
And most hauntingly, a twelve-year-old girl from
District 11. She has dark brown skin and eyes, but
other than that, she’s very like Prim in size and
demeanor. Only when she mounts the stage and they
ask for volunteers, all you can hear is the wind
whistling through the decrepit buildings around her.
There’s no one willing to take her place.

Last of all, they show District 12. Prim being called,
me running forward to volunteer. You can’t miss the
desperation in my voice as I shove Prim behind me, as
if I’m afraid no one will hear and they'll take Prim
away. But, of course, they do hear. I see Gale pulling
her off me and watch myself mount the stage. The
commentators are not sure what to say about the
crowd’s refusal to applaud. The silent salute. One
says that District 12 has always been a bit backward
but that local customs can be charming. As if on cue,
Haymitch falls off the stage, and they groan comically.
Peeta’s name is drawn, and he quietly takes his place.
We shake hands. They cut to the anthem again, and
the pro-gram ends.

Effie Trinket is disgruntled about the state her wig
was in. “Your mentor has a lot to learn about
presentation. A lot about televised behavior.”

Peeta unexpectedly laughs. “He was drunk,” says
Peeta.“He’s drunk every year.”

“Every day,” I add. I can’t help smirking a little. Effie
Trinket makes it sound like Haymitch just has

43 |Page The Hunger Games — Suzanne Collins

somewhat rough manners that could be corrected
with a few tips from her.

“Yes,” hisses Effie Trinket. “How odd you two find it
amusing. You know your mentor is your lifeline to the
world in these Games. The one who advises you, lines
up your sponsors, and dictates the presentation of
any gifts. Haymitch can well be the difference between
your life and your death!”

Just then, Haymitch staggers into the compartment.
“I miss supper?” he says in a slurred voice. Then he
vomits all over the expensive carpet and falls in the
mess.

“So laugh away!” says Effie Trinket. She hops in her

pointy shoes around the pool of vomit and flees the
room.

44|Page The Hunger Games — Suzanne Collins

(Ohapler 4

For a few moments, Peeta and I take in the scene of
our mentor trying to rise out of the slippery vile stuff
from his stomach. The reek of vomit and raw spirits
almost brings my dinner up. We exchange a glance.
Obviously Haymitch isn’t much, but Effie Trinket is
right about one thing, once we’re in the arena he’s all
we've got. As if by some unspoken agreement, Peeta
and I each take one of Haymitch’s arms and help him
to his feet.

“I tripped?” Haymitch asks. “Smells bad.” He wipes
his hand on his nose, smearing his face with vomit.

“Let’s get you back to your room,” says Peeta. “Clean
you up a bit.”

We half-lead half-carry Haymitch back to his
compartment. Since we can’t exactly set him down on
the embroidered bedspread, we haul him into the
bathtub and turn the shower on him. He hardly
notices.

“It’s okay,” Peeta says to me. “I'll take it from here.”

I can’t help feeling a little grateful since the last thing
I want to do is strip down Haymitch, wash the vomit
out of his chest hair, and tuck him into bed. Possibly
Peeta is trying to make a good impression on him, to
be his favorite once the Games begin. But judging by
the state he’s in, Haymitch will have no memory of
this tomorrow.

“All right,” I say. “I can send one of the Capitol people
to help you.” There’s any number on the train.

45|Page The Hunger Games — Suzanne Collins

Cooking lor us. Waiting on us. Guarding us. Taking
care of us is their job.

“No. I don’t want them,” says Peeta.

I nod and head to my own room. I understand how
Peeta feels. I can’t stand the sight of the Capitol
people myself. But making them deal with Haymitch
might be a small form of revenge. So I’m pondering
the reason why he insists on taking care of Haymitch
and all of a sudden I think, It’s because he’s being
kind. Just as he was kind to give me the bread.

The idea pulls me up short. A kind Peeta Mellark is
far more dangerous to me than an unkind one. Kind
people have a way of working their way inside me and
rooting there. And I can’t let Peeta do this. Not where
we're going. So I decide, from this moment on, to have
as little as possible to do with the baker’s son.

When I get back to my room, the train is pausing at a
platform to refuel. I quickly open the window, toss the
cookies Peeta’s father gave me out of the train, and
slam the glass shut. No more. No more of either of
them.

Unfortunately, the packet of cookies hits the ground
and bursts open in a patch of dandelions by the
track. I only see the image for a moment, because the
train is off again, but it’s enough. Enough to remind
me of that other dandelion in the school yard years
ago ...

I had just turned away from Peeta Mellark’s bruised
face when I saw the dandelion and I knew hope
wasn't lost. I plucked it carefully and hurried home. I
grabbed a bucket and Prim’s hand and headed to the
Meadow and yes, it was dotted with the golden-
headed weeds. After we’d harvested those, we

46|Page The Hunger Games — Suzanne Collins

scrounged along inside the fence for probably a mile
until we’d filled the bucket with the dandelion greens,
stems, and flowers. That night, we gorged ourselves
on dandelion salad and the rest of the bakery bread.

“What else?” Prim asked me. “What other food can we
find?”

“All kinds of things,” I promised her. “I just have to
remember them.”

My mother had a book she’d brought with her from
the apothecary shop. The pages were made of old
parchment and covered in ink drawings of plants.
Neat handwritten blocks told their names, where to
gather them, when they came in bloom, their medical
uses. But my father added other entries to the book.
Plants for eating, not healing. Dandelions, pokeweed,
wild onions, pines. Prim and I spent the rest of the
night poring over those pages.

The next day, we were off school. For a while I hung
around the edges of the Meadow, but finally I worked
up the courage to go under the fence. It was the first
time I’d been there alone, without my father’s
weapons to protect me. But I retrieved the small bow
and arrows he’d made me from a hollow tree. I
probably didn’t go more than twenty yards into the
woods that day. Most of the time, I perched up in the
branches of an old oak, hoping for game to come by.
After several hours, I had the good luck to killa
rabbit.

Pd shot a few rabbits before, with my father’s
guidance. But this ld done on my own.

We hadn’t had meat in months. The sight of the
rabbit seemed to stir something in my mother. She
roused herself, skinned the carcass, and made a stew

47|Page The Hunger Games — Suzanne Collins

with the meat and some more greens Prim had
gathered. Then she acted confused and went back to
bed, but when the stew was done, we made her eat a
bowl.

The woods became our savior, and each day I went a
bit farther into its arms. It was slow-going at first, but
I was determined to feed us. I stole eggs from nests,
caught fish in nets, sometimes managed to shoot a
squirrel or rabbit for stew, and gathered the various
plants that sprung up beneath my feet. Plants are
tricky. Many are edible, but one false mouthful and
you're dead. I checked and double-checked the plants
I harvested with my father’s pictures. I kept us alive.

Any sign of danger, a distant howl, the inexplicable
break of a branch, sent me flying back to the fence at
first. Then I began to risk climbing trees to escape the
wild dogs that quickly got bored and moved on. Bears
and cats lived deeper in, perhaps disliking the sooty
reek of our district.

On May 8th, I went to the Justice Building, signed up
for my tesserae, and pulled home my first batch of
grain and oil in Prim’s toy wagon. On the eighth of
every month, I wasentitled to do the same. I couldn’t
stop hunting and gathering, of course. The grain was
not enough to live on, and there were other things to
buy, soap and milk and thread. What we didn’t
absolutely have to eat, I began to trade at the Hob. It
was frightening to enter that place without my father
at my side, but people had respected him, and they
accepted me. Game was game after all, no matter
who’d shot it. I also sold at the back doors of the
wealthier clients in town, trying to remember what my
father had told me and learning a few new tricks as
well. The butcher would buy my rabbits but not
squirrels. The baker enjoyed squirrel but would only
trade for one if his wife wasn’t around. The Head

48 | Page The Hunger Games — Suzanne Collins

Peacekeeper loved wild turkey. The mayor had a
passion for strawberries.

In late summer, I was washing up in a pond when I
noticed the plants growing around me. Tall with
leaves like arrowheads. Blossoms with three white
petals. I knelt down in the water, my fingers digging
into the soft mud, and I pulled up handfuls of the
roots. Small, bluish tubers that don’t look like much
but boiled or baked are as good as any potato.
“Katniss,” I said aloud. It’s the plant I was named for.
And I heard my father’s voice joking, “As long as you
can find yourself, you'll never starve.” I spent hours
stirring up the pond bed with my toes and a stick,
gathering the tubers that floated to the top. That
night, we feasted on fish and katniss roots until we
were all, for the first time in months, full.

Slowly, my mother returned to us. She began to clean
and cook and preserve some of the food I brought in
for winter. People traded us or paid money for her
medical remedies. One day, I heard her singing.

Prim was thrilled to have her back, but I kept
watching, waiting for her to disappear on us again. I
didn’t trust her. And some small gnarled place inside
me hated her for her weakness, for her neglect, for
the months she had put us through. Prim forgave her,
but I had taken a step back from my mother, put up a
wall to protect myself from needing her, and nothing
was ever the same between us again.

Now I was going to die without that ever being set
right. I thought of how I had yelled at her today in the
Justice Building. I had told her I loved her, too,
though. So maybe it would all balance out.

For a while I stand staring out the train window,
wishing I could open it again, but unsure of what

49|Page The Hunger Games — Suzanne Collins

would happen at such high speed. In the distance, I
see the lights of another district. 7? 10? I don’t know.
I think about the people in their houses, settling in
for bed. I imagine my home, with its shutters drawn
tight. What are they doing now, my mother and Prim?
Were they able to eat supper? The fish stew and the
strawberries? Or did it lay untouched on their plates?
Did they watch the recap of the day’s events on the
battered old TV that sits on the table against the
wall? Surely, there were more tears. Is my mother
holding up, being strong for Prim? Or has she already
started to slip away, leaving the weight of the world
on my sister’s fragile shoulders?

Prim will undoubtedly sleep with my mother tonight.
The thought of that scruffy old Buttercup posting
himself on the bed to watch over Prim comforts me. If
she cries, he will nose his way into her arms and curl
up there until she calms down and falls asleep. I’m so
glad I didn’t drown him.

Imagining my home makes me ache with loneliness.
This day has been endless. Could Gale and I have
been eating blackberries only this morning? It seems
like a lifetime ago. Like a long dream that deteriorated
into a nightmare. Maybe, if I go to sleep, I will wake
up back in District 12, where I belong.

Probably the drawers hold any number of nightgowns,
but I just strip off my shirt and pants and climb into
bed in my underwear. The sheets are made of soft,
silky fabric. A thick fluffy comforter gives immediate
warmth.

If m going to cry, now is the time to do it. By
morning, I'll be able to wash the damage done by the
tears from my face. But no tears come. I’m too tired or
too numb to cry. The only thing I feel is a desire to be

50| Page The Hunger Games — Suzanne Collins

somewhere else. So I let the train rock me into
oblivion.

Gray light is leaking through the curtains when the
rapping rouses me. I hear Effie Trinket’s voice, calling
me to rise. “Up, up, up! It’s going to be a big, big, big
day!” I try and imagine, for a moment, what it must
be like inside that woman’s head. What thoughts fill
her waking hours? What dreams come to her at
night? I have no idea.

I put the green outfit back on since it’s not really
dirty, just slightly crumpled from spending the night
on the floor. My fingers trace the circle around the
little gold mockingjay and I think of the woods, and of
my father, and of my mother and Prim waking up,
having to get on with things.

I slept in the elaborate braided hair my mother did for
the reaping and it doesn’t look too bad, so I just leave
it up. It doesn’t matter. We can’t be far from the
Capitol now. And once we reach the city, my stylist
will dictate my look for the opening ceremonies
tonight anyway. I just hope I get one who doesn’t
think nudity is the last word in fashion.

As I enter the dining car, Effie Trinket brushes by me
with a cup of black coffee. She’s muttering obscenities
under her breath. Haymitch, his face puffy and red
from the previous day’s indulgences, is chuckling.
Peeta holds a roll and looks somewhat embarrassed.

“Sit down! Sit down!” says Haymitch, waving me over.
The moment I slide into my chair I’m served an
enormous platter of food. Eggs, ham, piles of fried
potatoes. A tureen of fruit sits in ice to keep it chilled.
The basket of rolls they set before me would keep my
family going for a week. There’s an elegant glass of
orange juice. At least, I think it’s orange juice. I’ve

51|Page The Hunger Games — Suzanne Collins

only even tasted an orange once, at New Year’s when
my father bought one as a special treat. A cup of
coffee. My mother adores coffee, which we could
almost never afford, but it only tastes bitter and thin
to me. A rich brown cup of something I’ve never seen.

“They call it hot chocolate,” says Peeta. “It’s good.”

I take a sip of the hot, sweet, creamy liquid and a
shudder runs through me. Even though the rest of
the meal beckons, I ignore it until I’ve drained my
cup. Then I stuff down every mouthful I can hold,
which is a substantial amount, being careful to not
overdo it on the richest stuff. One time, my mother
told me that I always eat like TIl never see food again.
And I said, “I won’t unless I bring it home.” That shut
her up.

When my stomach feels like it’s about to split open, I
lean back and take in my breakfast companions.
Peeta is still eating, breaking off bits of roll and
dipping them in hot chocolate. Haymitch hasn’t paid
much attention to his platter, but he’s knocking back
a glass of red juice that he keeps thinning with a clear
liquid from a bottle. Judging by the fumes, it’s some
kind of spirit. I don’t know Haymitch, but I’ve seen
him often enough in the Hob, tossing handfuls of
money on the counter of the woman who sells white
liquor. He’ll be incoherent by the time we reach the
Capitol.

I realize I detest Haymitch. No wonder the District 12
tributes never stand a chance. It isn’t just that we’ve
been underfed and lack training. Some of our tributes
have still been strong enough to make a go of it. But
we rarely get sponsors and he’s a big part of the
reason why. The rich people who back tributes —
either because they’re betting on them or simply for

52|Page The Hunger Games — Suzanne Collins

the bragging rights of picking a winner — expect
someone classier than Haymitch to deal with.

“So, you’re supposed to give us advice,” I say to
Haymitch.

“Here’s some advice. Stay alive,” says Haymitch, and
then bursts out laughing. I exchange a look with
Peeta before I remember I’m having nothing more to
do with him. I’m surprised to see the hardness in his
eyes. He generally seems so mild.

“That’s very funny,” says Peeta. Suddenly he lashes
out at the glass in Haymitch’s hand. It shatters on the
floor, sending the bloodred liquid running toward the
back of the train. “Only not to us.”

Haymitch considers this a moment, then punches
Peeta in the jaw, knocking him from his chair. When
he turns back to reach for the spirits, I drive my knife
into the table between his hand and the bottle, barely
missing his fingers. I brace myself to deflect his hit,
but it doesn’t come. Instead he sits back and squints
at us.

“Well, what’s this?” says Haymitch. “Did I actually get
a pair of fighters this year?”

Peeta rises from the floor and scoops up a handful of
ice from under the fruit tureen. He starts to raise it to
the red mark on his jaw.

“No,” says Haymitch, stopping him. “Let the bruise
show. The audience will think you’ve mixed it up with
another tribute before you’ve even made it to the
arena.”

“That’s against the rules,” says Peeta.

53 | Page The Hunger Games — Suzanne Collins

“Only if they catch you. That bruise will say you
fought, you weren’t caught, even better,” says
Haymitch. He turns to me. “Can you hit anything
with that knife besides a table?”

The bow and arrow is my weapon. But I’ve spent a
fair amount of time throwing knives as well.
Sometimes, if I’ve wounded an animal with an arrow,
it’s better to get a knife into it, too, before I approach
it. I realize that if I want Haymitch’s attention, this is
my moment to make an impression. I yank the knife
out of the table, get a grip on the blade, and then
throw it into the wall across the room. I was actually
just hoping to get a good solid stick, but it lodges in
the seam between two panels, making me look a lot
better than I am.

“Stand over here. Both of you,” says Haymitch,
nodding to the middle of the room. We obey and he
circles us, prodding us like animals at times,
checking our muscles, examining our faces.“Well,
you're not entirely hopeless. Seem fit. And once the
stylists get hold of you, you'll be attractive enough.”

Peeta and I don’t question this. The Hunger Games
aren’t a beauty contest, but the best-looking tributes
always seem to pull more sponsors.

“All right, lll make a deal with you. You don’t
interfere with my drinking, and I'll stay sober enough
to help you,” says Haymitch. “But you have to do
exactly what I say.”

It’s not much of a deal but still a giant step forward
from ten minutes ago when we had no guide at all.

“Fine,” says Peeta.

54| Page The Hunger Games — Suzanne Collins

“So help us,” I say. “When we get to the arena, what’s
the best strategy at the Cornucopia for someone—”

“One thing at a time. In a few minutes, we'll be
pulling into the station. You'll be put in the hands of
your stylists. You’re not going to like what they do to
you. But no matter what it is, don’t resist,” says
Haymitch.

“But —” I begin.

“No buts. Don’t resist,” says Haymitch. He takes the
bottle of spirits from the table and leaves the car. As
the door swings shut behind him, the car goes dark.
There are still a few lights inside, but outside it’s as if
night has fallen again. I realize we must be in the
tunnel that runs up through the mountains into the
Capitol. The mountains form a natural barrier
between the Capitol and the eastern districts. It is
almost impossible to enter from the east except
through the tunnels. This geographical advantage was
a major factor in the districts losing the war that led
to my being a tribute today. Since the rebels had to
scale the mountains, they were easy targets for the
Capitol’s air forces.

Peeta Mellark and I stand in silence as the train
speeds along. The tunnel goes on and on and I think
of the tons of rock separating me from the sky, and
my chest tightens. I hate being encased in stone this
way. It reminds me of the mines and my father,
trapped, unable to reach sunlight, buried forever in
the darkness.

The train finally begins to slow and suddenly bright
light floods the compartment. We can’t help it. Both
Peeta and I run to the window to see what we’ve only
seen on television, the Capitol, the ruling city of
Panem. The cameras haven’t lied about its grandeur.

55|Page The Hunger Games — Suzanne Collins

If anything, they have not quite captured the
magnificence of the glistening buildings in a rainbow
of hues that tower into the air, the shiny cars that roll
down the wide paved streets, the oddly dressed people
with bizarre hair and painted faces who have never
missed a meal. All the colors seem artificial, the pinks
too deep, the greens too bright, the yellows painful to
the eyes, like the flat round disks of hard candy we
can never afford to buy at the tiny sweet shop in
District 12.

The people begin to point at us eagerly as they
recognize a tribute train rolling into the city. I step
away from the window, sickened by their excitement,
knowing they can’t wait to watch us die. But Peeta
holds his ground, actually waving and smiling at the
gawking crowd. He only stops when the train pulls
into the station, blocking us from their view.

He sees me staring at him and shrugs. “Who knows?”
he says. “One of them may be rich.”

I have misjudged him. I think of his actions since the
reaping began. The friendly squeeze of my hand. His
father showing up with the cookies and promising to
feed Prim ... did Peeta put him up to that? His tears
at the station. Volunteering to wash Haymitch but
then challenging him this morning when apparently
the nice-guy approach had failed. And now the
waving at the window, already trying to win the
crowd.

All of the pieces are still fitting together, but I sense
he has a plan forming. He hasn’t accepted his death.
He is already fighting hard to stay alive. Which also
means that kind Peeta Mellark, the boy who gave me
the bread, is fighting hard to kill me.

56|Page The Hunger Games — Suzanne Collins

(Oapler 5

R-i-i-i-p! I grit my teeth as Venia, a woman with aqua
hair and gold tattoos above her eyebrows, yanks a
strip of Fabric from my leg tearing out the hair
beneath it. “Sorry!” she pipes in her silly Capitol
accent. “Youre just so hairy!”

Why do these people speak in such a high pitch? Why
do their jaws barely open when they talk? Why do the
ends of their sentences go up as if they’re asking a
question? Odd vowels, clipped words, and always a
hiss on the letter s ... no wonder it’s impossible not to
mimic them.

Venia makes what’s supposed to be a sympathetic
face.“Good news, though. This is the last one.

Ready?” Iget a grip on the edges of the table I’m seated
on and nod. The final swathe of my leg hair is
uprooted in a painful jerk.

I’ve been in the Remake Center for more than three
hours and I still haven’t met my stylist. Apparently he
has no interest in seeing me until Venia and the other
members of my prep team have addressed some
obvious problems. This has included scrubbing down
my body with a gritty loam that has removed not only
dirt but at least three layers of skin, turning my nails
into uniform shapes, and primarily, ridding my body
of hair. My legs, arms, torso, underarms, and parts of
my eyebrows have been stripped of the Muff, leaving
me like a plucked bird, ready for roasting. I don’t like
it. My skin feels sore and tingling and intensely
vulnerable. But I have kept my side of the bargain
with Haymitch, and no objection has crossed my lips.

57|Page The Hunger Games — Suzanne Collins

“You're doing very well,” says some guy named
Flavius. He gives his orange corkscrew locks a shake
and applies a fresh coat of purple lipstick to his
mouth. “If there’s one thing we can’t stand, it’s a
whiner. Grease her down!”

Venia and Octavia, a plump woman whose entire
body has been dyed a pale shade of pea green, rub me
down with a lotion that first stings but then soothes
my raw skin. Then they pull me from the table,
removing the thin robe I’ve been allowed to wear off
and on. I stand there, completely naked, as the three
circle me, wielding tweezers to remove any last bits of
hair. I know I should be embarrassed, but they’re so
unlike people that I’m no more self-conscious than if
a trio of oddly colored birds were pecking around my
feet.

The three step back and admire their work.
“Excellent! You almost look like a human being now!”
says Flavius, and they all laugh.

I force my lips up into a smile to show how grateful I
am. “Thank you,” I say sweetly. “We don’t have much
cause to look nice in District Twelve.”

This wins them over completely. “Of course, you
don’t, you poor darling!” says Octavia clasping her
hands together in distress for me.

“But don’t worry,” says Venia. “By the time Cinna is
through with you, you’re going to be absolutely
gorgeous!”

“We promise! You know, now that we’ve gotten rid of

all the hair and filth, you’re not horrible at all!” says
Flavius encouragingly. “Let’s call Cinna!”

58|Page The Hunger Games — Suzanne Collins

They dart out of the room. It’s hard to hate my prep
team. They’re such total idiots. And yet, in an odd
way, I know they’re sincerely trying to help me.

I look at the cold white walls and floor and resist the
impulse to retrieve my robe. But this Cinna, my
stylist, will surely make me remove it at once. Instead
my hands go to my hairdo, the one area of my body
my prep team had been told to leave alone. My fingers
stroke the silky braids my mother so carefully
arranged. My mother. I left her blue dress and shoes
on the floor of my train car, never thinking about
retrieving them, of trying to hold on to a piece of her,
of home. Now I wish I had.

The door opens and a young man who must be Cinna
enters. m taken aback by how normal he looks. Most
of the stylists they interview on television are so dyed,
stenciled, and surgically altered they’re grotesque.
But Cinna’s close-cropped hair appears to be its
natural shade of brown. He’s in a simple black shirt
and pants. The only concession to self-alteration
seems to be metallic gold eyeliner that has been
applied with a light hand. It brings out the flecks of
gold in his green eyes. And, despite my disgust with
the Capitol and their hideous fashions, I can’t help
thinking how attractive it looks.

“Hello, Katniss. I’m Cinna, your stylist,” he says ina
quiet voice somewhat lacking in the Capitol’s
affectations.

“Hello,” I venture cautiously.
“Just give me a moment, all right?” he asks. He walks
around my naked body, not touching me, but taking

in every inch of it with his eyes. I resist the impulse to
cross my arms over my chest. “Who did your hair?”

59|Page The Hunger Games — Suzanne Collins

“My mother,” I say.

“It’s beautiful. Classic really. And in almost perfect
balance with your profile. She has very clever fingers,”
he says.

I had expected someone flamboyant, someone older
trying desperately to look young, someone who viewed
me as a piece of meat to be prepared for a platter.
Cinna has met none of these expectations.

“You're new, aren’t you? I don’t think I’ve seen you
before,” I say. Most of the stylists are familiar,
constants in the ever-changing pool of tributes. Some
have been around my whole life.

“Yes, this is my first year in the Games,” says Cinna.

“So they gave you District Twelve,” I say. Newcomers
generally end up with us, the least desirable district.

“I asked for District Twelve,” he says without further
explanation. “Why don’t you put on your robe and
we'll have a chat.”

Pulling on my robe, I follow him through a door into a
sitting room. Two red couches face off over a low
table. Three walls are blank, the fourth is entirely
glass, providing a window to the city. I can see by the
light that it must be around noon, although the
sunny sky has turned overcast. Cinna invites me to
sit on one of the couches and takes his place across
from me. He presses a button on the side of the table.
The top splits and from below rises a second tabletop
that holds our lunch. Chicken and chunks of oranges
cooked in a creamy sauce laid on a bed of pearly
white grain, tiny green peas and onions, rolls shaped
like flowers, and for dessert, a pudding the color of
honey.

60] Page The Hunger Games — Suzanne Collins

I try to imagine assembling this meal myself back
home. Chickens are too expensive, but I could make
do with a wild turkey. ld need to shoot a second
turkey to trade for an orange. Goat’s milk would have
to substitute for cream. We can grow peas in the
garden. I’d have to get wild onions from the woods. I
don’t recognize the grain, our own tessera ration
cooks down to an unattractive brown mush. Fancy
rolls would mean another trade with the baker,
perhaps for two or three squirrels. As for the pudding,
I can’t even guess what’s in it. Days of hunting and
gathering for this one meal and even then it would be
a poor substitution for the Capitol version.

What must it be like, I wonder, to live in a world
where food appears at the press of a button? How
would I spend the hours I now commit to combing the
woods for sustenance if it were so easy to come by?
What do they do all day, these people in the Capitol,
besides decorating their bodies and waiting around
for a new shipment of tributes to roll in and die for
their entertainment?

I look up and find Cinna’s eyes trained on mine. “How
despicable we must seem to you,” he says.

Has he seen this in my face or somehow read my
thoughts? He’s right, though. The whole rotten lot of
them is despicable.

“No matter,” says Cinna. “So, Katniss, about your
costume for the opening ceremonies. My partner,
Portia, is the stylist for your fellow tribute, Peeta. And
our current thought is to dress you in complementary
costumes,” says Cinna. “As you know, it’s customary
to reflect the flavor of the district.”

For the opening ceremonies, you’re supposed to wear
something that suggests your district’s principal

61] Page The Hunger Games — Suzanne Collins

industry. District 11, agriculture. District 4, fishing.
District 3, factories. This means that coming from
District 12, Peeta and I will be in some kind of coal
miner’s getup. Since the baggy miner’s jumpsuits are
not particularly becoming, our tributes usually end
up in skimpy outfits and hats with headlamps. One
year, our tributes were stark naked and covered in
black powder to represent coal dust. It’s always
dreadful and does nothing to win favor with the
crowd. I prepare myself for the worst.

“So, TIl be in a coal miner outfit?” I ask, hoping it
won't be indecent.

“Not exactly. You see, Portia and I think that coal
miner thing’s very overdone. No one will remember
you in that. And we both see it as our job to make the
District Twelve tributes unforgettable,” says Cinna.

TIl be naked for sure, I think.

“So rather than focus on the coal mining itself, we’re
going to focus on the coal,” says Cinna. Naked and
covered in black dust, I think. “And what do we do
with coal? We burn it,” says Cinna.

“You're not afraid of fire, are you, Katniss?” He sees
? ?
my expression and grins.

A few hours later, I am dressed in what will either be
the most sensational or the deadliest costume in the
opening ceremonies. I’m in a simple black unitard
that covers me from ankle to neck. Shiny leather
boots lace up to my knees. But it’s the fluttering cape
made of streams of orange, yellow, and red and the
matching headpiece that define this costume. Cinna
plans to light them on fire just before our chariot rolls
into the streets.

62| Page The Hunger Games — Suzanne Collins

“It’s not real flame, of course, just a little synthetic
fire Portia and I came up with. You'll be perfectly
safe,” he says. But I’m not convinced I won’t be
perfectly barbecued by the time we reach the city’s
center.

My face is relatively clear of makeup, just a bit of
highlighting here and there. My hair has been
brushed out and then braided down my back in my
usual style. “I want the audience to recognize you
when you’re in the arena,” says Cinna
dreamily.“Katniss, the girl who was on fire.”

It crosses my mind that Cinna’s calm and normal
demeanor masks a complete madman.

Despite this morning’s revelation about Peeta’s
character, I’m actually relieved when he shows up,
dressed in an identical costume. He should know
about fire, being a baker’s son and all. His stylist,
Portia, and her team accompany him in, and everyone
is absolutely giddy with excitement over what a
splash we'll make. Except Cinna. He just seems a bit
weary as he accepts congratulations.

We’re whisked down to the bottom level of the
Remake Center, which is essentially a gigantic stable.
The opening ceremonies are about to start. Pairs of
tributes are being loaded into chariots pulled by
teams of four horses. Ours are coal black. The
animals are so well trained, no one even needs to
guide their reins. Cinna and Portia direct us into the
chariot and carefully arrange our body positions, the
drape of our capes, before moving off to consult with
each other.

“What do you think?” I whisper to Peeta. “About the
fire?”

63 | Page The Hunger Games — Suzanne Collins

“TI rip off your cape if you'll rip off mine,” he says
through gritted teeth.

“Deal,” I say. Maybe, if we can get them off soon
enough, well avoid the worst burns. It’s bad though.
They'll throw us into the arena no matter what
condition we’re in. “I know we promised Haymitch
we'd do exactly what they said, but I don’t think he
considered this angle.”

“Where is Haymitch, anyway? Isn’t he supposed to
protect us from this sort of thing?” says Peeta.

“With all that alcohol in him, it’s probably not
advisable to have him around an open flame,” I say.

And suddenly we’re both laughing. I guess we’re both
so nervous about the Games and more pressingly,
petrified of being turned into human torches, we’re
not acting sensibly.

The opening music begins. It’s easy to hear, blasted
around the Capitol. Massive doors slide open
revealing the crowd-lined streets. The ride lasts about
twenty minutes and ends up at the City Circle, where
they will welcome us, play the anthem, and escort us
into the Training Center, which will be our
home/prison until the Games begin.

The tributes from District 1 ride out in a chariot
pulled by snow-white horses. They look so beautiful,
spray-painted silver, in tasteful tunics glittering with
jewels. District 1 makes luxury items for the Capitol.
You can hear the roarofthe crowd. They are always
favorites.

District 2 gets into position to follow them. In no time
at all, we are approaching the door and I can see that
between the overcast sky and evening hour the light

64] Page The Hunger Games — Suzanne Collins

is turning gray. The tributes from District 11 are just
rolling out when Cinna appears with a lighted torch.
“Here we go then,” he says, and before we can react
he sets our capes on fire. I gasp, waiting for the heat,
but there is only a faint tickling sensation. Cinna
climbs up before us and ignites our headdresses. He
lets out a sign of relief. “It works.” Then he gently
tucks a hand under my chin. “Remember, heads high.
Smiles. They’re going to love you!”

Cinna jumps off the chariot and has one last idea. He
shouts something up at us, but the music drowns
him out. He shouts again and gestures.

“What’s he saying?” I ask Peeta. For the first time, I
look at him and realize that ablaze with the fake
flames, he is dazzling. And I must be, too.

“I think he said for us to hold hands,” says Peeta. He
grabs my right hand in his left, and we look to Cinna
for confirmation. He nods and gives a thumbs-up,

and that’s the last thing I see before we enter the city.

The crowd’s initial alarm at our appearance quickly
changes to cheers and shouts of “District Twelve!”
Every head is turned our way, pulling the focus from
the three chariots ahead of us. At first, I’m frozen, but
then I catch sight of us on a large television screen
and am floored by how breathtaking we look. In the
deepening twilight, the firelight illuminates our faces.
We seem to be leaving a trail of fire off the flowing
capes. Cinna was right about the minimal makeup,
we both look more attractive but utterly recognizable.

Remember, heads high. Smiles. They’re going to love
you! I hear Cinna’s voice in my head. I lift my chin a
bit higher, put on my most winning smile, and wave
with my free hand. I’m glad now I have Peeta to clutch
for balance, he is so steady, solid as a rock. As I gain

65|Page The Hunger Games — Suzanne Collins

confidence, I actually blow a few kisses to the crowd.
The people of the Capitol are going nuts, showering
us with flowers, shouting our names, our first names,
which they have bothered to find on the program.

The pounding music, the cheers, the admiration work
their way into my blood, and I can’t suppress my
excitement. Cinna has given me a great advantage. No
one will forget me. Not my look, not my name.
Katniss. The girl who was on fire.

For the first time, I feel a flicker of hope rising up in
me. Surely, there must be one sponsor willing to take
me on! And with a little extra help, some food, the
right weapon, why should I count myself out of the
Games?

Someone throws me a red rose. I catch it, give ita
delicate sniff, and blow a kiss back in the general
direction of the giver. A hundred hands reach up to
catch my kiss, as if it were a real and tangible thing.

“Katniss! Katniss!” I can hear my name being called
from all sides. Everyone wants my kisses.

It’s not until we enter the City Circle that I realize I
must have completely stopped the circulation in
Peeta’s hand. That’s how tightly I’ve been holding it. I
look down at our linked fingers as I loosen my grasp,
but he regains his grip on me. “No, don’t let go of me,”
he says. The firelight flickers off his blue eyes.
“Please. I might fall out of this thing.”

“Okay,” I say. So I keep holding on, but I can’t help
feeling strange about the way Cinna has linked us
together. It’s not really fair to present us as a team
and then lock us into the arena to kill each other.

66 |Page The Hunger Games — Suzanne Collins

The twelve chariots fill the loop of the City Circle. On
the buildings that surround the Circle, every window
is packed with the most prestigious citizens of the
Capitol. Our horses pull our chariot right up to
President Snow’s mansion, and we come to a halt.
The music ends with a flourish.

The president, a small, thin man with paper-white
hair, gives the official welcome from a balcony above
us. It is traditional to cut away to the faces of the
tributes during the speech. But I can see on the
screen that we are getting way more than our share of
airtime. The darker it becomes, the more difficult it is
to take your eyes off our flickering. When the national
anthem plays, they do make an effort to do a quick
cut around to each pair of tributes, but the camera
holds on the District 12 chariot as it parades around
the circle one final time and disappears into the
Training Center.

The doors have only just shut behind us when we’re
engulfed by the prep teams, who are nearly
unintelligible as they babble out praise. As I glance
around, I notice a lot of the other tributes are
shooting us dirty looks, which confirms what I’ve
suspected, we’ve literally outshone them all. Then
Cinna and Portia are there, helping us down from the
chariot, carefully removing our flaming capes and
headdresses. Portia extinguishes them with some
kind of spray from a canister.

I realize I’m still glued to Peeta and force my stiff
fingers to open. We both massage our hands.

“Thanks for keeping hold of me. I was getting a little
shaky there,” says Peeta.

“It didn’t show,” I tell him. “I’m sure no one noticed.”

67|Page The Hunger Games — Suzanne Collins

‘Tm sure they didn’t notice anything but you. You
should wear flames more often,” he says. “They suit
you.” And then he gives me a smile that seems so
genuinely sweet with just the right touch of shyness
that unexpected warmth rushes through me.

A warning bell goes off in my head. Don’t be so
stupid. Peeta is planning how to kill you, I remind
myself.He is luring you in to make you easy prey. The
more likable he is, the more deadly he is.

But because two can play at this game, I stand on
tiptoe and kiss his cheek. Right on his bruise.

68 | Page The Hunger Games — Suzanne Collins

The Training Center has a tower designed exclusively
for the tributes and their teams. This will be our
home until the actual Games begin. Each district has
an entire floor. You simply step onto an elevator and
press the number of your district. Easy enough to
remember.

I’ve ridden the elevator a couple of times in the
Justice Building back in District 12. Once to receive
the medal for my father’s death and then yesterday to
say my final goodbyes to my friends and family. But
that’s a dark and creaky thing that moves like a snail
and smells of sour milk. The walls of this elevator are
made of crystal so that you can watch the people on
the ground floor shrink to ants as you shoot up into
the air. It’s exhilarating and I’m tempted to ask Effie
Trinket if we can ride it again, but somehow that
seems childish.

Apparently, Effie Trinket’s duties did not conclude at
the station. She and Haymitch will be overseeing us
right into the arena. In a way, that’s a plus because at
least she can be counted on to corral us around to
places on time whereas we haven’t seen Haymitch
since he agreed to help us on the train. Probably
passed out somewhere. Effie Trinket, on the other
hand, seems to be flying high. We’re the first team
she’s ever chaperoned that made a splash at the
opening ceremonies. She’s complimentary about not
just our costumes but how we conducted ourselves.
And, to hear her tell it, Effie knows everyone who’s
anyone in the Capitol and has been talking us up all
day, trying to win us sponsors.

69 | Page The Hunger Games — Suzanne Collins

“I’ve been very mysterious, though,” she says, her
eyes squint half shut. “Because, of course, Haymitch
hasn’t bothered to tell me your strategies. But I’ve
done my best with what I had to work with. How
Katniss sacrificed herself for her sister. How you’ve
both successfully struggled to overcome the
barbarism of your district.”

Barbarism? That’s ironic coming from a woman
helping to prepare us for slaughter. And what’s she
basing our success on? Our table manners?

“Everyone has their reservations, naturally. You being
from the coal district. But I said, and this was very
clever of me, I said, ‘Well, if you put enough pressure
on coal it turns to pearls!” Effie beams at us so
brilliantly that we have no choice but to respond
enthusiastically to her cleverness even though it’s
wrong.

Coal doesn’t turn to pearls. They grow in shellfish.
Possibly she meant coal turns to diamonds, but that’s
untrue, too. I’ve heard they have some sort of
machine in District 1 that can turn graphite into
diamonds. But we don’t mine graphite in District 12.
That was part of District 13’s job until they were
destroyed.

I wonder if the people she’s been plugging us to all
day either know or care.

“Unfortunately, I can’t seal the sponsor deals for you.
Only Haymitch can do that,” says Effie grimly. “But
don’t worry, I'll get him to the table at gunpoint if
necessary.”

Although lacking in many departments, Effie Trinket
has a certain determination I have to admire.

70| Page The Hunger Games — Suzanne Collins

My quarters are larger than our entire house back
home. They are plush, like the train car, but also
have so many automatic gadgets that I’m sure I won’t
have time to press all the buttons. The shower alone
has a panel with more than a hundred options you
can choose regulating water temperature, pressure,
soaps, shampoos, scents, oils, and massaging
sponges. When you step out on a mat, heaters come
on that blow-dry your body. Instead of struggling with
the knots in my wet hair, I merely place my hand ona
box that sends a current through my scalp,
untangling, parting, and drying my hair almost
instantly. It floats down around my shoulders in a
glossy curtain.

I program the closet for an outfit to my taste. The
windows zoom in and out on parts of the city at my
command. You need only whisper a type of food from
a gigantic menu into a mouthpiece and it appears,
hot and steamy, before you in less than a minute. I
walk around the room eating goose liver and puffy
bread until there’s a knock on the door. Effie’s calling
me to dinner.

Good. I’m starving.

Peeta, Cinna, and Portia are standing out ona
balcony that overlooks the Capitol when we enter the
dining room. I’m glad to see the stylists, particularly
after I hear that Haymitch will be joining us. A meal
presided over by just

Effie and Haymitch is bound to be a disaster. Besides,
dinner isn’t really about food, it’s about planning out
our strategies, and Cinna and Portia have already
proven how valuable they are.

A silent young man dressed in a white tunic offers us
all stemmed glasses of wine. I think about turning it

71|Page The Hunger Games — Suzanne Collins

down, but I’ve never had wine, except the homemade
stuff my mother uses for coughs, and when will I get
a chance to try it again? I take a sip of the tart, dry
liquid and secretly think it could be improved by a
few spoonfuls of honey.

Haymitch shows up just as dinner is being served. It
looks as if he’s had his own stylist because he’s clean
and groomed and about as sober as I’ve ever seen
him. He doesn’t refuse the offer of wine, but when he
starts in on his soup, I realize it’s the first time I’ve
ever seen him eat. Maybe he really will pull himself
together long enough to help us.

Cinna and Portia seem to have a civilizing effect on
Haymitch and Effie. At least they’re addressing each
other decently. And they both have nothing but praise
for our stylists’opening act. While they make small
talk, I concentrate on the meal. Mushroom soup,
bitter greens with tomatoes the size of peas, rare roast
beef sliced as thin as paper, noodles in a green sauce,
cheese that melts on your tongue served with sweet
blue grapes. The servers, all young people dressed in
white tunics like the one who gave us wine, move
wordlessly to and from the table, keeping the platters
and glasses full.

About halfway through my glass of wine, my head
starts feeling foggy, so I change to water instead. I
don’t like the feeling and hope it wears off soon. How
Haymitch can stand walking around like this full-time
is a mystery.

I try to focus on the talk, which has turned to our
interview costumes, when a girl sets a gorgeous-
looking cake on the table and deftly lights it. It blazes
up and then the flames flicker around the edges
awhile until it finally goes out. I have a moment of
doubt. “What makes it burn? Is it alcohol?” I say,

72|Page The Hunger Games — Suzanne Collins

looking up at the girl. “That’s the last thing I wa —
oh! I know you!”

I can’t place a name or time to the girl’s face. But I’m
certain of it. The dark red hair, the striking features,
the porcelain white skin. But even as I utter the
words, I feel my insides contracting with anxiety and
guilt at the sight of her, and while I can’t pull it up, I
know some bad memory is associated with her. The
expression of terror that crosses her face only adds to
my confusion and unease. She shakes her head in
denial quickly and hurries away from the table.

When I look back, the four adults are watching me
like hawks.

“Don’t be ridiculous, Katniss. How could you possibly
know an Avox?” snaps Effie. “The very thought.”

“What’s an Avox?” I ask stupidly.

“Someone who committed a crime. They cut her
tongue so she can’t speak,” says Haymitch. “She’s
probably a traitor of some sort. Not likely you’d know
her.”

“And even if you did, you’re not to speak to one of
them unless it’s to give an order,” says Effie. “Of
course, you don’t really know her.”

But I do know her. And now that Haymitch has
mentioned the word traitor I remember from where.
The disapproval is so high I could never admit it. “No,
I guess not, I just —” I stammer, and the wine is not
helping.

Peeta snaps his fingers. “Delly Cartwright. That’s who
it is. I kept thinking she looked familiar as well. Then
I realized she’s a dead ringer for Delly.”

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Delly Cartwright is a pasty-faced, lumpy girl with
yellowish hair who looks about as much like our
server as a beetle does a butterfly. She may also be
the friendliest person on the planet — she smiles
constantly at everybody in school, even me. I have
never seen the girl with the red hair smile. But I jump
on Peeta’s suggestion gratefully. “Of course, that’s
who I was thinking of. It must be the hair,” I say.

“Something about the eyes, too,” says Peeta.

The energy at the table relaxes. “Oh, well. If that’s all
it is,” says Cinna. “And yes, the cake has spirits, but
all the alcohol has burned off. I ordered it specially in
honor of your fiery debut.”

We eat the cake and move into a sitting room to
watch the replay of the opening ceremonies that’s
being broadcast. A few of the other couples make a
nice impression, but none of them can hold a candle
to us. Even our own party lets out an “Ahh!” as they
show us coming out of the Remake Center.

“Whose idea was the hand holding?” asks Haymitch.
“Cinna’s,” says Portia.

“Just the perfect touch of rebellion,” says
Haymitch.“Very nice.”

Rebellion? I have to think about that one a moment.
But when I remember the other couples, standing
stiffly apart, never touching or acknowledging each
other, as if their fellow tribute did not exist, as if the
Games had already begun, I know what Haymitch
means. Presenting ourselves not as adversaries but as
friends has distinguished us as much as the fiery
costumes.

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“Tomorrow morning is the first training session. Meet
me for breakfast and I'll tell you exactly how I want
you to play it,”"says Haymitch to Peeta and I. “Now go
get some sleep while the grown-ups talk.”

Peeta and I walk together down the corridor to our
rooms. When we get to my door, he leans against the
frame, not blocking my entrance exactly but insisting
I pay attention to him.“So, Delly Cartwright. Imagine
finding her lookalike here.”

He’s asking for an explanation, and I’m tempted to
give him one. We both know he covered for me. So
here I am in his debt again. If I tell him the truth
about the girl, somehow that might even things up.
How can it hurt really? Even if he repeated the story,
it couldn’t do me much harm. It was just something I
witnessed. And he lied as much as I did about Delly
Cartwright.

I realize I do want to talk to someone about the girl.
Someone who might be able to help me figure out her
story.

Gale would be my first choice, but it’s unlikely TIl ever
see Gale again. I try to think if telling Peeta could give
him any possible advantage over me, but I don’t see
how. Maybe sharing a confidence will actually make
him believe I see him as a friend.

Besides, the idea of the girl with her maimed tongue
frightens me. She has reminded me why I’m here. Not
to model flashy costumes and eat delicacies. But to
die a bloody death while the crowds urge on my killer.

To tell or not to tell? My brain still feels slow from the

wine. I stare down the empty corridor as if the
decision lies there.

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Peeta picks up on my hesitation. “Have you been on
the roof yet?” I shake my head. “Cinna showed me.
You can practically see the whole city. The wind’s a
bit loud, though.”

I translate this into “No one will overhear us
talking”in my head. You do have the sense that we
might be under surveillance here. “Can we just go
up?”

“Sure, come on,” says Peeta. I follow him to a flight of
stairs that lead to the roof. There’s a small dome-
shaped room with a door to the outside. As we step
into the cool, windy evening air, I catch my breath at
the view. The Capitol twinkles like a vast field of
fireflies. Electricity in District 12 comes and goes,
usually we only have it a few hours a day. Often the
evenings are spent in candlelight. The only time you
can count on it is when they’re airing the Games or
some important government message on television
that it’s mandatory to watch. But here there would be
no shortage. Ever.

Peeta and I walk to a railing at the edge of the roof. I
look straight down the side of the building to the
street, which is buzzing with people. You can hear
their cars, an occasional shout, and a strange
metallic tinkling. In District 12, we’d all be thinking
about bed right now.

“I asked Cinna why they let us up here. Weren’t they
worried that some of the tributes might decide to
jump right over the side?” says Peeta.

“What’d he say?” I ask.

“You can’t,” says Peeta. He holds out his hand into
seemingly empty space. There’s a sharp zap and he

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jerks it back.“Some kind of electric field throws you
back on the roof.”

“Always worried about our safety,” I say. Even though
Cinna has shown Peeta the roof, I wonder if we’re
supposed to be up here now, so late and alone. I’ve
never seen tributes on the Training Center roof
before. But that doesn’t mean we're not being taped.
“Do you think they’re watching us now?”

“Maybe,” he admits. “Come see the garden.”

On the other side of the dome, they’ve built a garden
with flower beds and potted trees. From the branches
hang hundreds of wind chimes, which account for the
tinkling I heard. Here in the garden, on this windy
night, it’s enough to drown out two people who are
trying not to be heard. Peeta looks at me expectantly.

I pretend to examine a blossom. “We were hunting in
the woods one day. Hidden, waiting for game,” I
whisper.

“You and your father?” he whispers back.

“No, my friend Gale. Suddenly all the birds stopped
singing at once. Except one. As if it were giving a
warning call. And then we saw her. I’m sure it was
the same girl. A boy was with her. Their clothes were
tattered. They had dark circles under their eyes from
no sleep. They were running as if their lives depended
on it,” I say.

For a moment I’m silent, as I remember how the sight
of this strange pair, clearly not from District 12,
fleeing through the woods immobilized us. Later, we
wondered if we could have helped them escape.
Perhaps we might have. Concealed them. If we’d
moved quickly. Gale and I were taken by surprise,

77 |Page The Hunger Games — Suzanne Collins

yes, but we’re both hunters. We know how animals
look at bay. We knew the pair was in trouble as soon
as we saw them. But we only watched.

“The hovercraft appeared out of nowhere,” I continue
to Peeta. “I mean, one moment the sky was empty and
the next it was there. It didn’t make a sound, but they
saw it. A net dropped down on the girl and carried her
up, fast, so fast like the elevator. They shot some sort
of spear through the boy. It was attached to a cable
and they hauled him up as well. But I’m certain he
was dead. We heard the girl scream once. The boy’s
name, I think. Then it was gone, the hovercraft.
Vanished into thin air. And the birds began to sing
again, as if nothing had happened.”

“Did they see you?” Peeta asked.

“I don’t know. We were under a shelf of rock,” I reply.
But I do know. There was a moment, after the
birdcall, but before the hovercraft, where the girl had
seen us. She’d locked eyes with me and called out for
help. But neither Gale or I had responded.

“You’re shivering,” says Peeta.

The wind and the story have blown all the warmth
from my body. The girl’s scream. Had it been her last?

Peeta takes off his jacket and wraps it around my
shoulders. I start to take a step back, but then I let
him, deciding for a moment to accept both his jacket
and his kindness. A friend would do that, right?

“They were from here?” he asks, and he secures a
button at my neck.

78| Page The Hunger Games — Suzanne Collins

I nod. They’d had that Capitol look about them. The
boy and the girl.

“Where do you suppose they were going?” he asks.

“I don’t know that,” I say. District 12 is pretty much
the end of the line. Beyond us, there’s only
wilderness. If you don’t count the ruins of District 13
that still smolder from the toxic bombs. They show it
on television occasionally, just to remind us. “Or why
they would leave here.” Haymitch had called the
Avoxes traitors. Against what? It could only be the
Capitol. But they had everything here. No cause to
rebel.

“Td leave here,” Peeta blurts out. Then he looks
around nervously. It was loud enough to hear above
the chimes. He laughs.“I’d go home now if they let me.
But you have to admit, the food’s prime.”

He’s covered again. If that’s all you’d heard it would
just sound like the words of a scared tribute, not
someone contemplating the unquestionable goodness
of the Capitol.

“It’s getting chilly. We better go in,” he says. Inside
the dome, it’s warm and bright. His tone is
conversational. “Your friend Gale. He’s the one who
took your sister away at the reaping?”

“Yes. Do you know him?” I ask.

“Not really. I hear the girls talk about him a lot. I
thought he was your cousin or something. You favor

each other,” he says.

“No, we’re not related,” I say.

79|Page The Hunger Games — Suzanne Collins

Peeta nods, unreadable. “Did he come to say good-bye
to your”

“Yes,” I say, observing him carefully. “So did your
father. He brought me cookies.”

Peeta raises his eyebrows as if this is news. But after
watching him lie so smoothly, I don’t give this much
weight.“Really? Well, he likes you and your sister. I
think he wishes he had a daughter instead of a
houseful of boys.”

The idea that I might ever have been discussed,
around the dinner table, at the bakery fire, just in
passing in Peeta’s house gives me a start. It must
have been when the mother was out of the room.

“He knew your mother when they were kids,” says
Peeta.

Another surprise. But probably true. “Oh, yes. She
grew up in town,” I say. It seems impolite to say she
never mentioned the baker except to compliment his
bread.

Were at my door. I give back his jacket. “See you in
the morning then.”

“See you,” he says, and walks off down the hall.

When I open my door, the redheaded girl is collecting
my unitard and boots from where I left them on the
floor before my shower. I want to apologize for
possibly getting her in trouble earlier. But I remember
I’m not supposed to speak to her unless I’m giving her
an order.

“Oh, sorry,” I say. “I was supposed to get those back
to Cinna. I’m sorry. Can you take them to him?”

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She avoids my eyes, gives a small nod, and heads out
the door.

Pd set out to tell her I was sorry about dinner. But I
know that my apology runs much deeper. That I’m
ashamed I never tried to help her in the woods. That I
let the Capitol kill the boy and mutilate her without
lifting a finger.

Just like I was watching the Games.

I kick off my shoes and climb under the covers in my
clothes. The shivering hasn’t stopped. Perhaps the girl
doesn’t even remember me. But I know she does. You
don’t forget the face of the person who was your last
hope. I pull the covers up over my head as if this will
protect me from the redheaded girl who can’t speak.
But I can feel her eyes staring at me, piercing through
walls and doors and bedding.

I wonder if shell enjoy watching me die.

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Kapler 7

My slumbers are filled with disturbing dreams. The
face of the redheaded girl intertwines with gory
images from earlier Hunger Games, with my mother
withdrawn and unreachable, with Prim emaciated
and terrified. I bolt up screaming for my father to run
as the mine explodes into a million deadly bits of
light.

Dawn is breaking through the windows. The Capitol
has a misty, haunted air. My head aches and I must
have bitten into the side of my cheek in the night. My
tongue probes the ragged flesh and I taste blood.

Slowly, I drag myself out of bed and into the shower. I
arbitrarily punch buttons on the control board and
end up hopping from foot to foot as alternating jets of
icy cold and steaming hot water assault me. Then I’m
deluged in lemony foam that I have to scrape off with
a heavy bristled brush. Oh, well. At least my blood is
flowing.

When I’m dried and moisturized with lotion, I find an
outfit has been left for me at the front of the closet.
Tight black pants, a long-sleeved burgundy tunic, and
leather shoes. I put my hair in the single braid down
my back. This is the first time since the morning of
the reaping that I resemble myself. No fancy hair and
clothes, no flaming capes. Just me. Looking like I
could be headed for the woods. It calms me.

Haymitch didn’t give us an exact time to meet for
break-last and no one has contacted me this
morning, but I’m hungry so I head down to the dining
room, hoping there will be food. I’m not disappointed.

82| Page The Hunger Games — Suzanne Collins

While the table is empty, a long board off to the side
has been laid with at least twenty dishes. A young
man, an Avox, stands at attention by the spread.
When I ask if I can serve myself, he nods assent. I
load a plate with eggs, sausages, batter cakes covered
in thick orange preserves, slices of pale purple melon.
As I gorge myself, I watch the sun rise over the
Capitol. I have a second plate of hot grain smothered
in beef stew. Finally, I fill a plate with rolls and sit at
the table, breaking oil bits and dipping them into hot
chocolate, the way Peeta did on the train.

My mind wanders to my mother and Prim. They must
be up. My mother getting their breakfast of mush.
Prim milking her goat before school. Just two
mornings ago, I was home. Can that be right? Yes,
just two. And now how empty the house feels, even
from a distance. What did they say last night about
my fiery debut at the Games? Did it give them hope,
or simply add to their terror when they saw the reality
of twenty-four tributes circled together, knowing only
one could live?

Haymitch and Peeta come in, bid me good morning,
fill their plates. It makes me irritated that Peeta is
wearing exactly the same outfit I am. I need to say
something to Cinna. This twins act is going to blow
up in out faces once the Games begin. Surely, they
must know this. Then I remember Haymitch telling
me to do exactly what the stylists tell me to do. If it
was anyone but Cinna, I might be tempted to ignore
him. But after last night’s triumph, I don’t have a lot
of room to criticize his choices.

I’m nervous about the training. There will be three
days in which all the tributes practice together. On
the last afternoon, we'll each get a chance to perform
in private before the Gamemakers. The thought of
meeting the other tributes face-to-face makes me

83 | Page The Hunger Games — Suzanne Collins

queasy. I turn the roll I have just taken from the
basket over and over in my hands, but my appetite is
gone.

When Haymitch has finished several platters of stew,
he pushes back his plate with a sigh. He takes a flask
from his pocket and takes a long pull on it and leans
his elbows on the table. “So, let’s get down to
business. Training. First off, if you like, I'll coach you
separately. Decide now.”

“Why would you coach us separately?” I ask.

“Say if you had a secret skill you might not want the
other to know about,” says Haymitch.

I exchange a look with Peeta. “I don’t have any secret
skills,” he says. “And I already know what yours is,
right? I mean, I’ve eaten enough of your squirrels.”

I never thought about Peeta eating the squirrels I
shot. Somehow I always pictured the baker quietly
going off and frying them up for himself. Not out of
greed. But because town families usually eat
expensive butcher meat. Beef and chicken and horse.

“You can coach us together,” I tell Haymitch. Peeta
nods.

“All right, so give me some idea of what you can
do,”says Haymitch.

“I can’t do anything,” says Peeta. “Unless you count
baking bread.”

“Sorry, I don’t. Katniss. I already know you’re handy
with a knife,” says Haymitch.

84|Page The Hunger Games — Suzanne Collins

“Not really. But I can hunt,” I say. “With a bow and
arrow.”

“And you’re good?” asks Haymitch.

I have to think about it. I’ve been putting food on the
table for four years. That’s no small task. I’m not as
good as my father was, but he’d had more practice.
I’ve better aim than Gale, but I’ve had more practice.
He’s a genius with traps and snares.“I’m all right,” I
say.

“She’s excellent,” says Peeta. “My father buys her
squirrels. He always comments on how the arrows
never pierce the body. She hits every one in the eye.
It’s the same with the rabbits she sells the butcher.
She can even bring down deer.”

This assessment of my skills from Peeta takes me
totally by surprise. First, that he ever noticed.
Second, that he’s talking me up. “What are you
doing?” I ask him suspiciously.

“What are you doing? If he’s going to help you, he has
to know what you’re capable of. Don’t underrate
yourself,” says Peeta.

I don’t know why, but this rubs me the wrong way.
“What about you? I’ve seen you in the market. You
can lift hundred-pound bags of flour,” I snap at him.
“Tell him that. That’s not nothing.”

“Yes, and I’m sure the arena will be full of bags of
flour for me to chuck at people. It’s not like being able
to use a weapon. You know it isn’t,” he shoots back.

“He can wrestle,” I tell Haymitch. “He came in second
in our school competition last year, only after his
brother.”

85| Page The Hunger Games — Suzanne Collins

“What use is that? How many times have you seen
someone wrestle someone to death?” says Peeta in
disgust.

“There’s always hand-to-hand combat. All you need is
to come up with a knife, and you'll at least stand a
chance. If I get jumped, I’m dead!” I can hear my voice
rising in anger.

“But you won't! You'll be living up in some tree eating
raw squirrels and picking off people with arrows. You
know what my mother said to me when she came to
say good-bye, as if to cheer me up, she says maybe
District Twelve will finally have a winner. Then I
realized, she didn’t mean me, she meant you!” bursts
out Peeta.

“Oh, she meant you,” I say with a wave of dismissal.

“She said, ‘She’s a survivor, that one.’Sheis,” says
Peeta.

That pulls me up short. Did his mother really say that
about me? Did she rate me over her son? I see the
pain in Peeta’s eyes and know he isn’t lying.

Suddenly I’m behind the bakery and I can feel the
chill of the rain running down my back, the
hollowness in my belly. I sound eleven years old when
I speak. “But only because someone helped me.”

Peeta’s eyes flicker down to the roll in my hands, and
I know he remembers that day, too. But he just
shrugs. “People will help you in the arena. They'll be
tripping over each other to sponsor you.”

“No more than you,” I say.

86| Page The Hunger Games — Suzanne Collins

Peeta rolls his eyes at Haymitch. “She has no idea.
The effect she can have.” He runs his fingernail along
the wood grain in the table, refusing to look at me.

What on earth does he mean? People help me? When
we were dying of starvation, no one helped me! No one
except Peeta. Once I had something to barter with,
things changed. I’m a tough trader. Or am IP What
effect do I have? That I’m weak and needy? Is he
suggesting that I got good deals because people pitied
me? I try to think if this is true. Perhaps some of the
merchants were a little generous in their trades, but I
always attributed that to their long-standing
relationship with my father. Besides, my game is first-
class. No one pitied me!

I glower at the roll sure he meant to insult me.

After about a minute of this, Haymitch says, “Well,
then. Well, well, well. Katniss, there’s no guarantee
they'll be bows and arrows in the arena, but during
your private session with the Gamemakers, show
them what you can do. Until then, stay clear of
archery. Are you any good at trapping?”

“I know a few basic snares,” I mutter.

“That may be significant in terms of food,” says
Haymitch. “And Peeta, she’s right, never
underestimate strength in the arena. Very often,
physical power tilts the advantage to a player. In the
Training Center, they will have weights, but don’t
reveal how much you can lift in front of the other
tributes. The plan’s the same for both of you. You go
to group training. Spend the time trying to learn
something you don’t know. Throw a spear. Swing a
mace. Learn to tie a decent knot. Save showing what
youre best at until your private sessions. Are we
clear?” says Haymitch. Peeta and I nod.

87 | Page The Hunger Games — Suzanne Collins

“One last thing. In public, I want you by each other’s
side every minute,” says Haymitch. We both start to
object, but Haymitch slams his hand on the table.
“Every minute! It’s not open for discussion! You
agreed to do as I said! You will be together, you will
appear amiable to each other. Now get out. Meet Effie
at the elevator at ten for training.”

I bite my lip and stalk back to my room, making sure
Peeta can hear the door slam. I sit on the bed, hating
Haymitch, hating Peeta, hating myself for mentioning
that day long ago in the rain.

It’s such a joke! Peeta and I going along pretending to
be friends! Talking up each other’s strengths,
insisting the other take credit for their abilities.
Because, in fact, at some point, we’re going to have to
knock it off and accept we’re bitter adversaries. Which
Pd be prepared to do right now if it wasn’t for
Haymitch’s stupid instruction that we stick together
in training. It’s my own fault, I guess, for telling him
he didn’t have to coach us separately. But that didn’t
mean I wanted to do everything with Peeta. Who, by
the way, clearly doesn’t want to be partnering up with
me, either.

I hear Peeta’s voice in my head.She has no idea. The
effect she can have. Obviously meant to demean me.
Right? but a tiny part of me wonders if this was a
compliment. That he meant I was appealing in some
way. It’s weird, how much he’s noticed me. Like the
attention he’s paid to my hunting. And apparently, I
have not been as oblivious to him as I imagined,
either. The flour. The wrestling. I have kept track of
the boy with the bread.

It’s almost ten. I clean my teeth and smooth back my
hair again. Anger temporarily blocked out my
nervousness about meeting the other tributes, but

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now I can feel my anxiety rising again. By the time I
meet Effie and Peeta at the elevator, I catch myself
biting my nails. I stop at once.

The actual training rooms are below ground level of
our building. With these elevators, the ride is less
than a minute. The doors open into an enormous
gymnasium filled with various weapons and obstacle
courses. Although it’s not yet ten, we’re the last ones
to arrive. The other tributes are gathered in a tense
circle. They each have a cloth square with their
district number on it pinned to their shirts. While
someone pins the number12on my back, I do a quick
assessment. Peeta and I are the only two dressed
alike.

As soon as we join the circle, the head trainer, a tall,
athletic woman named Atala steps up and begins to
explain the training schedule. Experts in each skill
will remain at their stations. We will be free to travel
from area to area as we choose, per our mentor’s
instructions. Some of the stations teach survival
skills, others fighting techniques. We are forbidden to
engage in any combative exercise with another
tribute. There are assistants on hand if we want to
practice with a partner.

When Atala begins to read down the list of the skill
stations, my eyes can’t help flitting around to the
other tributes. It’s the first time we’ve been
assembled, on level ground, in simple clothes. My
heart sinks. Almost all of the boys and at least half of
the girls are bigger than I am, even though many of
the tributes have never been fed properly. You can see
it in their bones, their skin, the hollow look in their
eyes. I may be smaller naturally, but overall my
family’s resourcefulness has given me an edge in that
area. I stand straight, and while I’m thin, I’m strong.
The meat and plants from the woods combined with
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the exertion it took to get them have given me a
healthier body than most of those I see around me.

The exceptions are the kids from the wealthier
districts, the volunteers, the ones who have been fed
and trained throughout their lives for this moment.
The tributes from 1, 2, and 4 traditionally have this
look about them. It’s technically against the rules to
train tributes before they reach the Capitol but it
happens every year. In District 12, we call them the
Career Tributes, or just the Careers. And like as not,
the winner will be one of them.

The slight advantage I held coming into the Training
Center, my fiery entrance last night, seems to vanish
in the presence of my competition. The other tributes
were jealous of us, but not because we were amazing,
because our stylists were. Now I see nothing but
contempt in the glances of the Career Tributes. Each
must have fifty to a hundred pounds on me. They
project arrogance and brutality. When Atala releases
us, they head straight for the deadliest-looking
weapons in the gym and handle them with ease.

I’m thinking that it’s lucky I’m a fast runner when
Peeta nudges my arm and I jump. He is still beside
me, per Haymitch’s instructions. His expression is
sober. “Where would you like to start?”

I look around at the Career Tributes who are showing
off, clearly trying to intimidate the field. Then at the
others, the underfed, the incompetent, shakily having
their first lessons with a knife or an ax.

“Suppose we tie some knots,” I say.

“Right you are,” says Peeta. We cross to an empty
station where the trainer seems pleased to have
students. You get the feeling that the knot-tying class

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is not the Hunger games hot spot. When he realizes I
know something about snares, he shows us a simple,
excellent trap that will leave a human competitor
dangling by a leg from a tree. We concentrate on this
one skill for an hour until both of us have mastered
it. Then we move on to camouflage. Peeta genuinely
seems to enjoy this station, swirling a combination of
mud and clay and berry juices around on his pale
skin, weaving disguises from vines and leaves. The
trainer who runs the camouflage station is full of
enthusiasm at his work.

“T do the cakes,” he admits to me.

“The cakes?” I ask. I’ve been preoccupied with
watching the boy from District 2 send a spear
through a dummy’s heart from fifteen yards. “What
cakes?”

“At home. The iced ones, for the bakery,” he says.

He means the ones they display in the windows.
Fancy cakes with flowers and pretty things painted in
frosting. They’re for birthdays and New Year’s Day.
When we're in the square, Prim always drags me over
to admire them, although we’d never be able to afford
one. There’s little enough beauty in District 12,
though, so I can hardly deny her this.

I look more critically at the design on Peeta’s arm. The
alternating pattern of light and dark suggests
sunlight falling through the leaves in the woods. I
wonder how he knows this, since I doubt he’s ever
been beyond the fence. Has he been able to pick this
up from just that scraggly old apple tree in his
backyard? Somehow the whole thing — his skill,
those inaccessible cakes, the praise of the camouflage
expert — annoys me.

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“It’s lovely. If only you could frost someone to death,”!
say.

“Don’t be so superior. You can never tell what you'll
find in the arena. Say it’s actually a gigantic cake —”
begins Peeta.

“Say we move on,” I break in.

So the next three days pass with Peeta and I going
quietly from station to station. We do pick up some
valuable skills, from starting fires, to knife throwing,
to making shelter. Despite Haymitch’s order to appear
mediocre, Peeta excels in hand-to-hand combat, and I
sweep the edible plants test without blinking an eye.
We steer clear of archery and weightlifting though,
wanting to save those for our private sessions.

The Gamemakers appeared early on the first day.
Twenty or so men and women dressed in deep purple
robes. They sit in the elevated stands that surround
the gymnasium, sometimes wandering about to watch
us, jotting down notes, other times eating at the
endless banquet that has been set for them, ignoring
the lot of us. But they do seem to be keeping their eye
on the District 12 tributes. Several times I’ve looked
up to find one fixated on me. They consult with the
trainers during our meals as well. We see them all
gathered together when we come back.

Breakfast and dinner are served on our floor, but at
lunch the twenty-four of us eat in a dining room off
the gymnasium. Food is arranged on carts around the
room and you serve yourself. The Career Tributes
tend to gather rowdily around one table, as if to prove
their superiority, that they have no fear of one
another and consider the rest of us beneath notice.
Most of the other tributes sit alone, like lost sheep. No
one says a word to us. Peeta and I eat together, and

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since Haymitch keeps dogging us about it, try to keep
up a friendly conversation during the meals.

It’s not easy to find a topic. Talking of home is
painful. Talking of the present unbearable. One day,
Peeta empties our breadbasket and points out how
they have been careful to include types from the
districts along with the refined bread of the Capitol.
The fish-shaped loaf tinted green with seaweed from
District 4. The crescent moon roll dotted with seeds
from District 11. Somehow, although it’s made from
the same stuff, it looks a lot more appetizing than the
ugly drop biscuits that are the standard fare at home.

“And there you have it,” says Peeta, scooping the
breads back in the basket.

“You certainly know a lot,” I say.

“Only about bread,” he says. “Okay, now laugh as if
I’ve said something funny.”

We both give a somewhat convincing laugh and ignore
the stares from around the room.

“All right, I'll keep smiling pleasantly and you
talk,”says Peeta. It’s wearing us both out, Haymitch’s
direction to be friendly. Because ever since I slammed
my door, there’s been a chill in the air between us.
But we have our orders.

“Did I ever tell you about the time I was chased by a
bear?” I ask.

“No, but it sounds fascinating,” says Peeta.

I try and animate my face as I recall the event, a true
story, in which I’d foolishly challenged a black bear
over the rights to a beehive. Peeta laughs and asks

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questions right on cue. He’s much better at this than
Iam.

On the second day, while we’re taking a shot at spear
throwing, he whispers to me. “I think we have a
shadow.”

I throw my spear, which I’m not too bad at actually, if
I don’t have to throw too far, and see the little girl
from District 11 standing back a bit, watching us.
She’s the twelve-year-old, the one who reminded me
so of Prim in stature. Up close she looks about ten.
She has bright, dark, eyes and satiny brown skin and
stands tilted up on her toes with her arms slightly
extended to her sides, as if ready to take wing at the
slightest sound. It’s impossible not to think of a bird.

I pick up another spear while Peeta throws. “I think
her name’s Rue,” he says softly.

I bite my lip. Rue is a small yellow flower that grows
in the Meadow. Rue. Primrose. Neither of them could
tip the scale at seventy pounds soaking wet.

“What can we do about it?” I ask him, more harshly
than I intended.

“Nothing to do,” he says back. “Just making
conversation.”

Now that I know she’s there, it’s hard to ignore the
child. She slips up and joins us at different stations.
Like me, she’s clever with plants, climbs swiftly, and
has good aim. She can hit the target every time with a
slingshot. But what is a slingshot against a 220-
pound male with a sword?

Back on the District 12 floor, Haymitch and Effie grill
us throughout breakfast and dinner about every

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moment of the day. What we did, who watched us,
how the other tributes size up. Cinna and Portia
aren’t around, so there’s no one to add any sanity to
the meals. Not that Haymitch and Effie are fighting
anymore. Instead they seem to be of one mind,
determined to whip us into shape. Full of endless
directions about what we should do and not do in
training. Peeta is more patient, but I become fed up
and surly.

When we finally escape to bed on the second night,
Peeta mumbles, “Someone ought to get Haymitch a
drink.”

I make a sound that is somewhere between a snort
and a laugh. Then catch myself. It’s messing with my
mind too much, trying to keep straight when we’re
supposedly friends and when we're not. At least when
we get into the arena, IIl know where we stand.
“Don’t. Don’t let’s pretend when there’s no one
around.”

“All right, Katniss,” he says tiredly. After that, we only
talk in front of people.

On the third day of training, they start to call us out
of lunch for our private sessions with the
Gamemakers. District by district, first the boy, then
the girl tribute. As usual, District 12 is slated to go
last. We linger in the dining room, unsure where else
to go. No one comes back once they have left. As the
room empties, the pressure to appear friendly
lightens. By the time they call Rue, we are left alone.
We sit in silence until they summon Peeta. He rises.

“Remember what Haymitch said about being sure to

throw the weights.” The words come out of my mouth
without permission.

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“Thanks. I will,” he says. “You ... shoot straight.”

I nod. I don’t know why I said anything at all.
Although if I’m going to lose, I’d rather Peeta win than
the others. Better for our district, for my mother and
Prim.

After about fifteen minutes, they call my name. I
smooth my hair, set my shoulders back, and walk
into the gymnasium. Instantly, I know I’m in trouble.
They’ve been here too long, the Gamemakers. Sat
through twenty-three other demonstrations. Had too
much to wine, most of them. Want more than
anything to go home.

There’s nothing I can do but continue with the plan. I
walk to the archery station. Oh, the weapons! I’ve
been itching to get my hands on them for days! Bows
made of wood and plastic and metal and materials I
can’t even name. Arrows with feathers cut in flawless
uniform lines. I choose a bow, string it, and sling the
matching quiver of arrows over my shoulder. There’s
a shooting range, but it’s much too limited. Standard
bull’s-eyes and human silhouettes. I walk to the
center of the gymnasium and pick my first target. The
dummy used for knife practice. Even as I pull back on
the bow I know something is wrong. The string’s
tighter than the one I use at home. The arrow’s more
rigid. I miss the dummy by a couple of inches and
lose what little attention I had been commanding. For
a moment, I’m humiliated, then I head back to the
bull’s-eye. I shoot again and again until I get the feel
of these new weapons.

Back in the center of the gymnasium, I take my initial
position and skewer the dummy right through the
heart. Then I sever the rope that holds the sandbag
for boxing, and the bag splits open as it slams to the
ground. Without pausing, I shoulder-roll forward,

96| Page The Hunger Games — Suzanne Collins

come up on one knee, and send an arrow into one of
the hanging lights high above the gymnasium floor. A
shower of sparks bursts from the fixture.

It’s excellent shooting. I turn to the Gamemakers. A
few are nodding approval, but the majority of them
are fixated on a roast pig that has just arrived at their
banquet table.

Suddenly I am furious, that with my life on the line,
they don’t even have the decency to pay attention to
me. That I’m being upstaged by a dead pig. My heart
starts to pound, I can feel my face burning. Without
thinking, I pull an arrow from my quiver and send it
straight at the Gamemakers’ table. I hear shouts of
alarm as people stumble back. The arrow skewers the
apple in the pig’s mouth and pins it to the wall
behind it. Everyone stares at me in disbelief.

“Thank you for your consideration,” I say. Then I give

a slight bow and walk straight toward the exit without
being dismissed.

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(Oapler 9

As I stride toward the elevator, I fling my bow to one
side and my quiver to the other. I brush past the
gaping Avoxes who guard the elevators and hit the
number twelve button with my fist. The doors slide
together and I zip upward. I actually make it back to
my floor before the tears start running down my
cheeks. I can hear the others calling me from the
sitting room, but I fly down the hall into my room,
bolt the door, and fling myself onto my bed. Then I
really begin to sob.

Now I’ve done it! Now I’ve ruined everything! If ’'d
stood even a ghost of chance, it vanished when I sent
that arrow flying at the Gamemakers. What will they
do to me now? Arrest me? Execute me? Cut my
tongue and turn me into an Avox so I can wait on the
future tributes of Panem? What was I thinking,
shooting at the Gamemakers? Of course, I wasn’t, I
was shooting at that apple because I was so angry at
being ignored. I wasn’t trying to kill one of them. If I
were, they’d be dead!

Oh, what does it matter? It’s not like I was going to
win the Games anyway. Who cares what they do to
me? What really scares me is what they might do to
my mother and Prim, how my family might suffer now
because of my impulsiveness. Will they take their few
belongings, or send my mother to prison and Prim to
the community home, or kill them? They wouldn’t kill
them, would they? Why not? What do they care?

I should have stayed and apologized. Or laughed, like
it was a big joke. Then maybe I would have found

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some leniency. But instead I stalked out of the place
in the most disrespectful manner possible.

Haymitch and Effie are knocking on my door. I shout
for them to go away and eventually they do. It takes
at least an hour for me to cry myself out. Then I just
lay curled up on the bed, stroking the silken sheets,
watching the sun set over the artificial candy Capitol.

At first, I expect guards to come for me. But as time
passes, it seems less likely. I calm down. They still
need a girl tribute from District 12, don’t they? If the
Gamemakers want to punish me, they can do it
publicly. Wait until I’m in the arena and sic starving
wild animals on me. You can bet they'll make sure I
don’t have a bow and arrow to defend myself.

Before that though, they'll give me a score so low, no
one in their right mind would sponsor me. That’s
what will happen tonight. Since the training isn’t
open to viewers, the Gamemakers announce a score
for each player. It gives the audience a starting place
for the betting that will continue throughout the
Games. The number, which is between one and
twelve, one being irredeemably bad and twelve being
unattainably high, signifies the promise of the tribute.
The mark is not a guarantee of which person will win.
It’s only an indication of the potential a tribute
showed in training. Often, because of the variables in
the actual arena, high-scoring tributes go down
almost immediately. And a few years ago, the boy who
won the Games only received a three. Still, the scores
can help or hurt an individual tribute in terms of
sponsorship. I had been hoping my shooting skills
might get me a six or a seven, even if I’m not
particularly powerful. Now I’m sure I'll have the
lowest score of the twenty-four. If no one sponsors
me, my odds of staying alive decrease to almost zero.

99|Page The Hunger Games — Suzanne Collins

When Effie taps on the door to call me to dinner, I
decide I may as well go. The scores will be televised
tonight. It’s not like I can hide what happened forever.
I go to the bathroom and wash my face, but it’s still
red and splotchy.

Everyone’s waiting at the table, even Cinna and
Portia. I wish the stylists hadn’t shown up because
for some reason, I don’t like the idea of disappointing
them. It’s as if I’ve thrown away all the good work
they did on the opening ceremonies without a
thought. I avoid looking at anyone as I take tiny
spoonfuls of fish soup. The saltiness reminds me of
my tears.

The adults begin some chitchat about the weather
forecast, and I let my eyes meet Peeta’s. He raises his
eyebrows. A question. What happened? I just give my
head a small shake. Then, as they’re serving the main
course, I hear Haymitch say, “Okay, enough small
talk, just how bad were you today?”

Peeta jumps in. “I don’t know that it mattered. By the
time I showed up, no one even bothered to look at me.
They were singing some kind of drinking song, I
think. So, I threw around some heavy objects until
they told me I could go.”

That makes me feel a bit better. It’s not like Peeta
attacked the Gamemakers, but at least he was
provoked, too.

“And you, sweetheart?” says Haymitch.

Somehow Haymitch calling me sweetheart ticks me

off enough that I’m at least able to speak. “I shot an
arrow at the Gamemakers.”

100 | Page The Hunger Games — Suzanne Collins

Everyone stops eating. “You what?” The horror in
Effie’s voice confirms my worse suspicions.

“I shot an arrow at them. Not exactly at them. In their
direction. It’s like Peeta said, I was shooting and they
were ignoring me and I just ... I just lost my head, so I
shot an apple out of their stupid roast pig’s mouth!” I
say defiantly.

“And what did they say?” says Cinna carefully.

“Nothing. Or I don’t know. I walked out after that,” I
say.

“Without being dismissed?” gasps Effie.

“I dismissed myself,” I said. I remember how I
promised Prim that I really would try to win and I feel
like a ton of coal has dropped on me.

“Well, that’s that,’says Haymitch. Then he butters a
roll.

“Do you think they'll arrest me?” I ask. “Doubt it. Be a
pain to replace you at this stage,”says Haymitch.

“What about my family?”Isay. “Will they punish
them?”

“Don’t think so. Wouldn’t make much sense. See
they’d have to reveal what happened in the Training
Center for it to have any worthwhile effect on the
population. People would need to know what you did.
But they can’t since it’s secret, so it’d be a waste of
effort,” says Haymitch. “More likely they'll make your
life hell in the arena.”

“Well, they’ve already promised to do that to us any
way,” says Peeta.

101 | Page The Hunger Games — Suzanne Collins

“Very true,” says Haymitch. And I realize the
impossible has happened. They have actually cheered
me up. Haymitch picks up a pork chop with his
fingers, which makes Effie frown, and dunks it in his
wine. He rips off a hunk of meat and starts to
chuckle.“What were their faces like?”

I can feel the edges of my mouth tilting up. “Shocked.
Terrified. Uh, ridiculous, some of them.” An image
pops into my mind. “One man tripped backward into
a bowl of punch.”

Haymitch guffaws and we all start laughing except
Effie, although even she is suppressing a smile. “Well,
it serves them right. It’s their job to pay attention to
you. And just because you come from District Twelve
is no excuse to ignore you.” Then her eyes dart
around as if she’s said something totally
outrageous.“I’m sorry, but that’s what I think,” she
says to no one in particular.

“TIl get a very bad score,” I say.

“Scores only matter if they’re very good, no one pays
much attention to the bad or mediocre ones. For all

they know, you could be hiding your talents to get a
low score on purpose. People use that strategy,” said
Portia.

“I hope that’s how people interpret the four Ill
probably get,” says Peeta. “If that. Really, is anything
less impressive than watching a person pick up a
heavy ball and throw it a couple of yards. One almost
landed on my foot.”

I grin at him and realize that I’m starving. I cut off a
piece of pork, dunk it in mashed potatoes, and start
eating. It’s okay. My family is safe. And if they are
safe, no real harm has been done.

102 | Page The Hunger Games — Suzanne Collins

After dinner, we go to sitting room to watch the scores
announced on television. First they show a photo of
the tribute, then flash their score below it. The Career
Tributes naturally get in the eight-to-ten range. Most
of the other players average a five. Surprisingly, little
Rue comes up with a seven. I don’t know what she
showed the judges, but she’s so tiny it must have
been impressive.

District 12 comes up last, as usual. Peeta pulls an
eight so at least a couple of the Gamemakers must
have been watching him. I dig my fingernails into my
palms as my face comes up, expecting the worst.
Then they’re flashing the number eleven on the
screen.

Eleven!

Effie Trinket lets out a squeal, and everybody is
slapping me on the back and cheering and
congratulating me. But it doesn’t seem real.

“There must be a mistake. How ... how could that
happen?” I ask Haymitch.

“Guess they liked your temper,” he says. “They’ve got
a show to put on. They need some players with some
heat.”

“Katniss, the girl who was on fire,” says Cinna and
gives me a hug. “Oh, wait until you see your interview
dress.” “More flames?” I ask. “Of a sort,” he says
mischievously.

Peeta and I congratulate each other, another awkward
moment. We’ve both done well, but what does that
mean for the other? I escape to my room as quickly as
possible and burrow down under the covers. The
stress of the day, particularly the crying, has worn me

103 |Page The Hunger Games — Suzanne Collins

out. I drift off, reprieved, relieved, and with the
number eleven still flashing behind my eyelids.

At dawn, I lie in bed for a while, watching the sun
come up on a beautiful morning. It’s Sunday. A day
off at home. I wonder if Gale is in the woods yet.
Usually we devote all of Sunday to stocking up for the
week. Rising early, hunting and gathering, then
trading at the Hob. I think of Gale without me. Both
of us can hunt alone, but we’re better as a pair.
Particularly if we’re trying for bigger game. But also in
the littler things, having a partner lightened the load,
could even make the arduous task of filling my
family’s table enjoyable.

I had been struggling along on my own for about six
months when I first ran into Gale in the woods. It was
a Sunday in October, the air cool and pungent with
dying things. I’d spent the morning competing with
the squirrels for nuts and the slightly warmer
afternoon wading in shallow ponds harvesting
katniss. The only meat I’d shot was a squirrel that
had practically run over my toes in its quest for
acorns, but the animals would still be afoot when the
snow buried my other food sources. Having strayed
farther afield than usual, I was hurrying back home,
lugging my burlap sacks when I came across a dead
rabbit. It was hanging by its neck in a thin wire a foot
above my head. About fifteen yards away was
another. I recognized the twitch-up snares because
my father had used them. When the prey is caught,
it’s yanked into the air out of the reach of other
hungry animals. I’d been trying to use snares all
summer with no success, so I couldn’t help dropping
my sacks to examine this one. My fingers were just on
the wire above one of the rabbits when a voice rang
out. “That’s dangerous.”

104|Page The Hunger Games — Suzanne Collins

I jumped back several feet as Gale materialized from
behind a tree. He must have been watching me the
whole time. He was only fourteen, but he cleared six
feet and was as good as an adult to me. I’d seen him
around the Seam and at school. And one other time.
He’d lost his father in the same blast that killed mine.
In January, I’d stood by while he received his medal
of valor in the Justice Building, another oldest child
with no father. I remembered his two little brothers
clutching his mother, a woman whose swollen belly
announced she was just days away from giving birth.

“What’s your name?” he said, coming over and
disengaging the rabbit from the snare. He had
another three hanging from his belt.

“Katniss,” I said, barely audible.

“Well, Catnip, stealing’s punishable by death, or
hadn’t you heard?” he said.

“Katniss,” I said louder. “And I wasn’t stealing it. I
just wanted to look at your snare. Mine never catch
anything.”

He scowled at me, not convinced. “So where’d you get
the squirrel?”

“I shot it.” I pulled my bow off my shoulder. I was still
using the small version my father had made me, but
Pd been practicing with the full-size one when I could.
I was hoping that by spring I might be able to bring
down some bigger game.

Gale’s eyes fastened on the bow. “Can I see that?” I

handed it over. “Just remember, stealing’s punishable
by death.”

105| Page The Hunger Games — Suzanne Collins

That was the first time I ever saw him smile. It
transformed him from someone menacing to someone
you wished you knew. But it took several months
before I returned that smile.

We talked hunting then. I told him I might be able to
get him a bow if he had something to trade. Not food.
I wanted knowledge. I wanted to set my own snares
that caught a belt of fat rabbits in one day. He agreed
something might be worked out. As the seasons went
by, we grudgingly began to share our knowledge, our
weapons, our secret places that were thick with wild
plums or turkeys. He taught me snares and fishing. I
showed him what plants to eat and eventually gave
him one of our precious bows. And then one day,
without either of us saying it, we became a team.
Dividing the work and the spoils. Making sure that
both our families had food.

Gale gave me a sense of securityl’dlacked since my
father’s death. His companionship replaced the long
solitary hours in the woods. I became a much better
hunter when I didn’t have to look over my shoulder
constantly, when someone was watching my back.
But he turned into so much more than a hunting
partner. He became my confidante, someone with
whom I could share thoughts I could never voice
inside the fence. In exchange, he trusted me with his.
Being out in the woods with Gale ... sometimes I was
actually happy.

I call him my friend, but in the last year it’s seemed
too casual a word for what Gale is to me. A pang of
longing shoots through my chest. If only he was with
me now! But, of course, I don’t want that. I don’t want
him in the arena where he’d be dead in a few days. I
just ... I just miss him. And I hate being so alone.
Does he miss me? He must.

106 | Page The Hunger Games — Suzanne Collins

I think of the eleven flashing under my name last
night. I know exactly what he’d say to me. “Well,
there’s some room for improvement there.” And then
he’d give me a smile and I'd return it without
hesitating now.

I can’t help comparing what I have with Gale to what
I’m pretending to have with Peeta. How I never
question Gale’s motives while I do nothing but doubt
the latter’s. It’s not a fair comparison really. Gale and
I were thrown together by a mutual need to survive.
Peeta and I know the other’s survival means our own
death. How do you sidestep that?

Effie’s knocking at the door, reminding me there’s
another “big, big, big day!” ahead. Tomorrow night
will be our televised interviews. I guess the whole
team will have their hands full readying us for that.

I get up and take a quick shower, being a bit more
careful about the buttons I hit, and head down to the
dining room. Peeta, Effie, and Haymitch are huddled
around the table talking in hushed voices. That
seems odd, but hunger wins out over curiosity and I
load up my plate with breakfast before I join them.

The stew’s made with tender chunks of lamb and
dried plums today. Perfect on the bed of wild rice. I’ve
shoveled about halfway through the mound when I
realize no one’s talking. I take a big gulp of orange
juice and wipe my mouth. “So, what’s going on?
You're coaching us on interviews today, right?”

“That’s right,” says Haymitch.
“You don’t have to wait until I’m done. I can listen

and cat at the same time,” I say.

107 |Page The Hunger Games — Suzanne Collins

“Well, there’s been a change of plans. About our
current approach,” says Haymitch.

“What’s that?” I ask. I’m not sure what our current
approach is. Trying to appear mediocre in front of the

other tributes is the last bit of strategy I remember.

Haymitch shrugs. “Peeta has asked to be coached
separately.”

108 | Page The Hunger Games — Suzanne Collins

(Oapler 9

Betrayal. That’s the first thing I feel, which is
ludicrous. For there to be betrayal, there would have
had to been trust first. Between Peeta and me. And
trust has not been part of the agreement. We’re
tributes. But the boy who risked a beating to give me
bread, the one who steadied me in the chariot, who
covered for me with the redheaded Avox girl, who
insisted Haymitch know my hunting skills ... was
there some part of me that couldn’t help trusting
him?

On the other hand, I’m relieved that we can stop the
pretense of being friends. Obviously, whatever thin
connection we’d foolishly formed has been severed.
And high time, too. The Games begin in two days, and
trust will only be a weakness. Whatever triggered
Peeta’s decision — and I suspect it had to do with my
outperforming him in training — I should be nothing
but grateful for it. Maybe he’s finally accepted the fact
that the sooner we openly acknowledge that we are
enemies, the better.

“Good,” I say. “So what’s the schedule?”

“You'll each have four hours with Effie for
presentation and four with me for content,” says
Haymitch. “You start with Effie, Katniss.”

I can’t imagine what Effie will have to teach me that
could take four hours, but she’s got me working down
to the last minute. We go to my rooms and she puts
me inafull-length gown and high-heeled shoes, not
the ones TIl he wearing for the actual interview, and
instructs me on walking. The shoes are the worst

109 | Page The Hunger Games — Suzanne Collins

part. I’ve never worn high heels and can’t get used to
essentially wobbling around on the balls of my feet.
But Effie runs around in them full-time, and I’m
determined that if she can do it, so can I. The dress
poses another problem. It keeps tangling around my
shoes so, of course, I hitch it up, and then Effie
swoops down on me like a hawk, smacking my hands
and yelling, “Not above the ankle!” When I finally
conquer walking, there’s still sitting, posture —
apparently I have a tendency to duck my head — eye
contact, hand gestures, and smiling. Smiling is
mostly about smiling more. Effie makes me say a
hundred banal phrases starting with a smile, while
smiling, or ending with a smile. By lunch, the
muscles in my cheeks are twitching from overuse.

“Well, that’s the best I can do,” Effie says with a sigh.
“Just remember, Katniss, you want the audience to
like you.”

“And you don’t think they will?” I ask.

“Not if you glare at them the entire time. Why don’t
you save that for the arena? Instead, think of yourself
among friends,”says Effie.

“They’re betting on how long I'll live!” I burst
out.“They’re not my friends!”

“Well, try and pretend!” snaps Effie. Then she
composes herself and beams at me. “See, like this. I’m
smiling at you even though you're aggravating me.”

“Yes, it feels very convincing,” I say. “I’m going to eat.”
1 kick off my heels and stomp down to the dining
room, hiking my skirt up to my thighs.

Peeta and Haymitch seem in pretty good moods, so
I’m thinking the content session should be an

110 | Page The Hunger Games — Suzanne Collins

improvement over the morning. I couldn’t be more
wrong. After lunch, Haymitch takes me into the
sitting room, directs me to the couch, and then just
frowns at me for a while.

“What?” I finally ask.

‘Tm trying to figure out what to do with you,” he
says.“How we’re going to present you. Are you going
to be charming? Aloof? Fierce? So far, you’re shining
like a star. You volunteered to save your sister. Cinna
made you look unforgettable. Youve got the top
training score. People are intrigued, but no one knows
who you are. The impression you make tomorrow will
decide exactly what I can get you in terms of
sponsors,” says Haymitch.

Having watched the tribute interviews all my life, I
know there’s truth to what he’s saying. If you appeal
to the crowd, either by being humorous or brutal or
eccentric, you gain favor.

“What’s Peeta’s approach? Or am I not allowed to
ask?” I say.

“Likable. He has a sort of self-deprecating humor
naturally,” says Haymitch. “Whereas when you open
your mouth, you come across more as sullen and
hostile.”

“I do not!” I say.
“Please. I don’t know where you pulled that cheery,
wavy girl on the chariot from, but I haven’t seen her

before or since,” says Haymitch.

“And you’ve given me so many reasons to be cheery,” I
counter.

111|Page The Hunger Games — Suzanne Collins

“But you don’t have to please me. I’m not going to
sponsor you. So pretend I’m the audience,” says
Haymitch. “Delight me.”

“Fine!” I snarl. Haymitch takes the role of the
interviewer and I try to answer his questions in a
winning fashion. But I can’t. I’m too angry with
Haymitch for what he said and that I even have to
answer the questions. All I can think is how unjust
the whole thing is, the Hunger Games. Why am I
hopping around like some trained dog trying to please
people I hate? The longer the interview goes on, the
more my fury seems to rise to the surface, until I’m
literally spitting out answers at him.

“All right, enough,” he says. “We’ve got to find another
angle. Not only are you hostile, I don’t know anything
about you. I’ve asked you fifty questions and still have
no sense of your life, your family, what you care
about. They want to know about you, Katniss.”

“But I don’t want them to! They’re already taking my
future! They can’t have the things that mattered to
me in the past!” I say.

“Then lie! Make something up!” says Haymitch.

‘Tm not good at lying,” I say.

“Well, you better learn fast. You’ve got about as much
charm as a dead slug,” says Haymitch.

Ouch. That hurts. Even Haymitch must know he’s
been too harsh because his voice softens. “Here’s an

idea. Try acting humble.”

“Humble,” I echo.

112 | Page The Hunger Games — Suzanne Collins

“That you can’t believe a little girl from District Twelve
has done this well. The whole thing’s been more than
you ever could have dreamed of. Talk about Cinna’s
clothes. How nice the people are. How the city amazes
you. If you won’t talk about yourself, at least
compliment the audience. Just keep turning it back
around, all right. Gush.”

The next hours are agonizing. At once, it’s clear I
cannot gush. We try me playing cocky, but I just don’t
have the arrogance. Apparently, I’m too “vulnerable”
for ferocity. Pm not witty. Funny. Sexy. Or
mysterious.

By the end of the session, I am no one at all.
Haymitch started drinking somewhere around witty,
and a nasty edge has crept into his voice. “I give up,
sweetheart. Just answer the questions and try not to
let the audience see how openly you despise them.”

I have dinner that night in my room, ordering an
outrageous number of delicacies, eating myself sick,
and then taking out my anger at Haymitch, at the
Hunger Games, at every living being in the Capitol by
smashing dishes around my room. When the girl with
the red hair comes in to turn down my bed, her eyes
widen at the mess. “Just leave it!” I yell at her. “Just
leave it alone!”

I hate her, too, with her knowing reproachful eyes
that call me a coward, a monster, a puppet of the
Capitol, both now and then. For her, justice must
finally be happening. At least my death will help pay
for the life of the boy in the woods.

But instead of fleeing the room, the girl closes the
door behind her and goes to the bathroom. She comes

back with a damp cloth and wipes my face gently

113 |Page The Hunger Games — Suzanne Collins

then cleans the blood from a broken plate off my
hands. Why is she doing this? Why am I letting her?

“I should have tried to save you,” I whisper.

She shakes her head. Does this mean we were right to
stand by? That she has forgiven me?

“No, it was wrong,” I say.

She taps her lips with her fingers then points to my
chest. I think she means that I would just have ended
up an Avox, too. Probably would have. An Avox or
dead.

I spend the next hour helping the redheaded girl
clean the room. When all the garbage has been
dropped down a disposal and the food cleaned away,
she turns down my bed. I crawl in between the sheets
like a five-year-old and let her tuck me in. Then she
goes. I want her to stay until I fall asleep. To be there
when I wake up. I want the protection of this girl,
even though she never had mine.

In the morning, it’s not the girl but my prep team who
are hanging over me. My lessons with Effie and
Haymitch are over. This day belongs to Cinna. He’s
my last hope. Maybe he can make me look so
wonderful, no one will care what comes out of my
mouth.

The team works on me until late afternoon, turning
my skin to glowing satin, stenciling patterns on my
arms, painting flame designs on my twenty perfect
nails. Then Venia goes to work on my hair, weaving
strands of red into a pattern that begins at my left
ear, wraps around my head, and then falls in one
braid down my right shoulder. They erase my face
with a layer of pale makeup and draw my features

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back out. Huge dark eyes, full red lips, lashes that
throw off bits of light when I blink. Finally, they cover
my entire body in a powder that makes me shimmer
in gold dust.

Then Cinna enters with what I assume is my dress,
but I can’t really see it because it’s covered. “Close
your eyes,” he orders.

I can feel the silken inside as they slip it down over
my naked body, then the weight. It must be forty
pounds. I clutch Octavia’s hand as I blindly step into
my shoes, glad to find they are at least two inches
lower than the pair Effie had me practice in. There’s
some adjusting and fidgeting. Then silence.

“Can I open my eyes?” I ask.
“Yes,” says Cinna. “Open them.”

The creature standing before me in the full-length
mirror has come from another world. Where skin
shimmers and eyes flash and apparently they make
their clothes from jewels. Because my dress, oh, my
dress is entirely covered in reflective precious gems,
red and yellow and white with bits of blue that accent
the tips of the flame design. The slightest movement
gives the impression I am engulfed in tongues of fire.

I am not pretty. I am not beautiful. I am as radiant as
the sun.

For a while, we all just stare at me. “Oh, Cinna,” I
finally whisper. “Thank you.”

“Twirl for me,” he says. I hold out my arms and spin
in a circle. The prep team screams in admiration.

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Cinna dismisses the team and has me move around
in the dress and shoes, which are infinitely more
manageable than Effie’s. The dress hangs in sucha
way that I don’t have to lift the skirt when I walk,
leaving me with one less thing to worry about.

“So, all ready for the interview then?” asks Cinna. I
can see by his expression that he’s been talking to
Haymitch. That he knows how dreadful I am.

‘Tm awful. Haymitch called me a dead slug. No
matter what we tried, I couldn’t do it. I just can’t be
one of those people he wants me to be,” I say.

Cinna thinks about this a moment. “Why don’t you
just be yourself?”

“Myself? That’s no good, either. Haymitch says I’m
sullen and hostile,” I say.

“Well, you are ... around Haymitch,” says Cinna with
a grin. “I don’t find you so. The prep team adores you.
You even won over the Gamemakers. And as for the
citizens of the Capitol, well, they can’t stop talking
about you. No one can help but admire your spirit.”

My spirit. This is a new thought. I’m not sure exactly
what it means, but it suggests I’m a fighter. In a sort
of brave way. It’s not as if I’m never friendly. Okay,
maybe I don’t go around loving everybody I meet,
maybe my smiles are hard to come by, but I do care
for some people.

Cinna takes my icy hands in his warm ones.
“Suppose, when you answer the questions, you think
youre addressing a friend back home. Who would
your best friend be?” asks Cinna.

116| Page The Hunger Games — Suzanne Collins

“Gale,” I say instantly. “Only it doesn’t make sense,
Cinna. I would never be telling Gale those things
about me. He already knows them.”

“What about me? Could you think of me as a friend?”
asks Cinna.

Of all the people I’ve met since I left home, Cinna is
by far my favorite. I liked him right off and he hasn’t
disappointed me yet. “I think so, but —”

“TI be sitting on the main platform with the other
stylists. Youl be able to look right at me. When
you're asked a question, find me, and answer it as
honestly as possible,” says Cinna.

“Even if what I think is horrible?” I ask. Because it
might be, really.

“Especially if what you think is horrible,” says
Cinna.“You'll try it?”

I nod. It’s a plan. Or at least a straw to grasp at.

Too soon it’s time to go. The interviews take place on
a stage constructed in front of the Training Center.
Once I leave my room, it will be only minutes until I’m
in front of the crowd, the cameras, all of Panem.

As Cinna turns the doorknob, I stop his hand. “Cinna
...” Pm completely overcome with stage fright.

“Remember, they already love you,” he says gently.
“Just be yourself.”

We meet up with the rest of the District 12 crowd at
the elevator. Portia and her gang have been hard at
work. Peeta looks striking in a black suit with flame
accents. While we look well together, it’s a relief not to

117 | Page The Hunger Games — Suzanne Collins

be dressed identically. Haymitch and Effie are all
fancied up for the occasion. I avoid Haymitch, but
accept Effie’s compliments. Effie can be tiresome and
clueless, but she’s not destructive like Haymitch.

When the elevator opens, the other tributes are being
lined up to take the stage. All twenty-four of us sit in
a big arc throughout the interviews. I'll be last, or
second to last since the girl tribute precedes the boy
from each district. How I wish I could be first and get
the whole thing out of the way! Now TIl have to listen
to how witty, funny, humble, fierce, and charming
everybody else is before I go up. Plus, the audience
will start to get bored, just as the Gamemakers did.
And I can’t exactly shoot an arrow into the crowd to
get their attention.

Right before we parade onto the stage, Haymitch
comes up behind Peeta and me and growls,
“Remember, you're still a happy pair. So act like it.”

What? I thought we abandoned that when Peeta
asked for separate coaching. But I guess that was a
private, not a public thing. Anyway, there’s not much
chance for interaction now, as we walk single-file to
our seats and take our places.

Just stepping on the stage makes my breathing rapid
and shallow. I can feel my pulse pounding in my
temples. It’s a relief to get to my chair, because
between the heels and my legs shaking, I’m afraid Ill
trip. Although evening is falling, the City Circle is
brighter than a summer’s day. An elevated seating
unit has been set up for prestigious guests, with the
stylists commanding the front row. The cameras will
turn to them when the crowd is reacting to their
handiwork. A large balcony off a building to the right
has been reserved for the Gamemakers. Television
crews have claimed most of the other balconies. But

118 | Page The Hunger Games — Suzanne Collins

the City Circle and the avenues that feed into it are
completely packed with people. Standing room only.
At homes and community halls around the country,
every television set is turned on. Every citizen of
Panem is tuned in. There will be no blackouts tonight.

Caesar Flickerman, the man who has hosted the
interviews for more than forty years, bounces onto the
stage. It’s a little scary because his appearance has
been virtually unchanged during all that time. Same
face under a coating of pure white makeup. Same
hairstyle that he dyes a different color for each
Hunger Games. Same ceremonial suit, midnight blue
dotted with a thousand tiny electric bulbs that
twinkle like stars. They do surgery in the Capitol, to
make people appear younger and thinner. In District
12, looking old is something of an achievement since
so many people die early. You see an elderly person
you want to congratulate them on their longevity, ask
the secret of survival. A plump person is envied
because they aren’t scraping by like the majority of
us. But here it is different. Wrinkles aren’t desirable.
A round belly isn’t a sign of success.

This year, Caesar’s hair is powder blue and his
eyelids and lips are coated in the same hue. He looks
freakish but less frightening than he did last year
when his color was crimson and he seemed to be
bleeding. Caesar tells a few jokes to warm up the
audience but then gets down to business.

The girl tribute from District 1, looking provocative in
a see-through gold gown, steps up the center of the
stage to join Caesar for her interview. You can tell her
mentor didn’t have any trouble coming up with an
angle for her. With that flowing blonde hair, emerald
green eyes, her body tall and lush ... she’s sexy all the
way.

119 | Page The Hunger Games — Suzanne Collins

Each interview only lasts three minutes. Then a
buzzer goes off and the next tribute is up. I’ll say this
for Caesar, he really does his best to make the
tributes shine. He’s friendly, tries to set the nervous
ones at ease, laughs at lame jokes, and can turn a
weak response into a memorable one by the way he
reacts.

I sit like a lady, the way Effie showed me, as the
districts slip by. 2, 3, 4. Everyone seems to be playing
up some angle. The monstrous boy from District 2 is
a ruthless killing machine. The fox-faced girl from
District 5 sly and elusive. I spotted Cinna as soon as
he took his place, but even his presence cannot relax
me. 8, 9, 10. The crippled boy from 10 is very quiet.
My palms are sweating like crazy, but the jeweled
dress isn’t absorbent and they skid right of if I try to
dry them. 11.

Rue, who is dressed in a gossamer gown complete
with wings, flutters her way to Caesar. A hush falls
over the crowd at the sight of this magical wisp of a
tribute. Caesar’s very sweet with her, complimenting
her seven in training, an excellent score for one so
small. When he asks her what her greatest strength
in the arena will be, she doesn’t hesitate. “I’m very
hard to catch,”she says in a tremulous voice. “And if
they can’t catch me, they can’t kill me. So don’t count
me out.”

“I wouldn’t in a million years,” says Caesar
encouragingly.

The boy tribute from District 11, Thresh, has the
same dark skin as Rue, but the resemblance stops
there. He’s one of the giants, probably six and a half
feet tall and built like an ox, but I noticed he rejected
the invitations from the Career Tributes to join their
crowd. Instead he’s been very solitary, speaking to no

120 | Page The Hunger Games — Suzanne Collins

one, showing little interest in training. Even so, he
scored a ten and it’s not hard to imagine he
impressed the Gamemakers. He ignores Caesar’s
attempts at banter and answers with a yes or no or
just remains silent.

If only I was his size, I could get away with sullen and
hostile and it would be just fine! I bet half the
sponsors are at least considering him.If I had any
money, I’d bet on him myself.

And then they’re calling Katniss Everdeen, and I feel
myself, as ifin a dream, standing and making my way
center stage. I shake Caesar’s outstretched hand, and
he has the good grace not to immediately wipe his off
on his suit.

“So, Katniss, the Capitol must be quite a change from
District Twelve. What’s impressed you most since you
arrived here?”asks Caesar.

What? What did he say? It’s as if the words make no
sense.

My mouth has gone as dry as sawdust. I desperately
find Cinna in the crowd and lock eyes with him. I
imagine the words coming from his lips. “What’s
impressed you most since you arrived here?” I rack
my brain for something that made me happy here. Be
honest, I think.Be honest.

“The lamb stew,” I get out.

Caesar laughs, and vaguely I realize some of the
audience has joined in.

“The one with the dried plums?” asks Caesar. I nod.
“Oh, I eat it by the bucketful.” He turns sideways to
the audience in horror, hand on his stomach. “It

121|Page The Hunger Games — Suzanne Collins

doesn’t show, does it?” They shout reassurances to
him and applaud. This is what I mean about Caesar.
He tries to help you out.

“Now, Katniss,” he says confidentially, “When you
came out in the opening ceremonies, my heart
actually stopped. What did you think of that
costume?”

Cinna raises one eyebrow at me. Be honest. “You
mean after I got over my fear of being burned alive?” I
ask.

Big laugh. A real one from the audience.
“Yes. Start then,” says Caesar.

Cinna, my friend, I should tellhimanyway.‘“I thought
Cinna was brilliant and it was the most gorgeous
costume I’d ever seen and I couldn’t believe I was
wearing it. I can’t believe I’m wearing this, either.” I
lift up my skirt to spread it out. “I mean, look at it!”

As the audience oohs and ahs, I see Cinna make the
tiniest circular motion with his finger. But I know
what he’s saying. Twirl for me.

I spin in a circle once and the reaction is immediate.
“Oh, do that again!” says Caesar, and so I lift up my
arms and spin around and around letting the skirt fly
out, letting the dress engulf me in flames. The
audience breaks into cheers. When I stop, I clutch

Caesar’s arm.

“Don’t stop!” he says.

122|Page The Hunger Games — Suzanne Collins

“I have to, I’m dizzy!” I’m also giggling, which I think
I’ve done maybe never in my lifetime. But the nerves
and the spinning have gotten to me.

Caesar wraps a protective arm around me. “Don’t
worry, I’ve got you. Can’t have you following in your
mentor’s footsteps.”

Everyone’s hooting as the cameras find Haymitch,
who is by now famous for his head dive at the
reaping, and he waves them away good-naturedly and
points back to me.

“It’s all right,” Caesar reassures the crowd. “She’s safe
with me. So, how about that training score. E-le-ven.
Give us a hint what happened in there.”

I glance at the Gamemakers on the balcony and bite
my lip. “Um ... all I can say, is I think it was a first.”

The cameras are right on the Gamemakers, who are
chuckling and nodding.

“You're killing us,” says Caesar as if in actual
pain.“Details. Details.”

I address the balcony. “I’m not supposed to talk about
it, right?”

The Gamemaker who fell in the punch bowl shouts
out,“She’s not!”

“Thank you,” I say. “Sorry. My lips are sealed.”
“Let’s go back then, to the moment they called your
sister’s name at the reaping,” says Caesar. His mood

is quieter now. “And you volunteered. Can you tell us
about her?”

123 |Page The Hunger Games — Suzanne Collins

No. No, not all of you. But maybe Cinna. I don’t think
I’m imagining the sadness on his face. “Her name’s
Prim. She’s just twelve. And I love her more than
anything.”

You could hear a pin drop in the City Circle now.

“What did she say to you? After the reaping?” Caesar
asks.

Be honest. Be honest. I swallow hard. “She asked me
to try really hard to win.” The audience is frozen,
hanging on my every word.

“And what did you say?” prompts Caesar gently.

But instead of warmth, I feel an icy rigidity take over
my body. My muscles tense as they do before a kill.
When I speak, my voice seems to have dropped an
octave. “I swore I would.”

“I bet you did,” says Caesar, giving me a squeeze. The
buzzer goes off. “Sorry we’re out of time. Best of luck,
Katniss Everdeen, tribute from District Twelve.”

The applause continues long after I’m seated. I look to
Cinna for reassurance. He gives me a subtle thumbs-

up.

I’m still in a daze for the first part of Peeta’s interview.
He has the audience from the get-go, though; I can
hear them laughing, shouting out. He plays up the
baker’s son thing, comparing the tributes to the
breads from their districts. Then has a funny
anecdote about the perils of the Capitol showers. “Tell
me, do I still smell like roses?” he asks Caesar, and
then there’s a whole run where they take turns
sniffing each other that brings down the house. I’m

124|Page The Hunger Games — Suzanne Collins

coming back into focus when Caesar asks him if he
has a girlfriend back home.

Peeta hesitates, then gives an unconvincing shake of
his head.

“Handsome lad like you. There must be some special
girl. Come on, what’s her name?” says Caesar.

Peeta sighs. “Well, there is this one girl. ’'ve hada
crush on her ever since I can remember. But I’m
pretty sure she didn’t know I was alive until the
reaping.”

Sounds of sympathy from the crowd. Unrequited love
they can relate to.

“She have another fellow?” asks Caesar.

“I don’t know, but a lot of boys like her,” says Peeta.
“So, here’s what you do. You win, you go home. She
can’t turn you down then, eh?” says Caesar

encouragingly.

“I don’t think it’s going to work out. Winning... won’t
help in my case,” says Peeta.

“Why ever not?” says Caesar, mystified.

Peeta blushes beet red and stammersout. “Because...
because... she came here with me.”

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PART I

“THE GAMES”

126|Page The Hunger Games — Suzanne Collins

| Kapler 10

For a moment, the cameras hold on Peeta’s downcast
eyes as what he says sinks in. Then I can see my face,
mouth half open in a mix of surprise and protest,
magnified on every screen as I realize, Me! He means
me! I press my lips together and stare at the floor,
hoping this will conceal the emotions starting to boil
up inside of me.

“Oh, that is a piece of bad luck,” says Caesar, and
there’s a real edge of pain in his voice. The crowd is
murmuring in agreement, a few have even given
agonized cries.

“It’s not good,” agrees Peeta.

“Well, I don’t think any of us can blame you. It’d be
hard not to fall for that young lady,” says Caesar.
“She didn’t know?”

Peeta shakes his head. “Not until now.”

I allow my eyes to flicker up to the screen long
enough to see that the blush on my cheeks is
unmistakable.

“Wouldn’t you love to pull her back out here and get a
response?” Caesar asks the audience. The crowd
screams assent.“Sadly, rules are rules, and Katniss
Everdeen’s time has been spent. Well, best of luck to
you, Peeta Mellark, and I think I speak for all of
Panem when I say our hearts go with yours.”

The roar of the crowdis deafening. Peeta has
absolutely wiped the rest of us off the map with his

127|Page The Hunger Games — Suzanne Collins

declaration of love for me. When the audience finally
settles down, he chokes out a quiet “Thank you” and
returns to his seat. We stand for the anthem. I have
to raise my head out of the required respect and
cannot avoid seeing that every screen is now
dominated by a shot of Peeta and me, separated by a
few feet that in the viewers’heads can never be
breached. Poor tragic us.

But I know better.

After the anthem, the tributes file back into the
Training Center lobby and onto the elevators. I make
sure to veer into a car that does not contain Peeta.
The crowd slows our entourages of stylists and
mentors and chaperones, so we have only each other
for company. No one speaks. My elevator stops to
deposit four tributes before Iam alone and then find
the doors opening on the twelfth floor. Peeta has only
just stepped from his car when I slam my palms into
his chest. He loses his balance and crashes into an
ugly urn filled with fake flowers. The urn tips and
shatters into hundreds of tiny pieces. Peeta lands in
the shards, and blood immediately flows from his
hands.

“What was that for?” he says, aghast.

“You had no right! No right to go saying those things
about me!” I shout at him.

Now the elevators open and the whole crew is there,
Effie, Haymitch, Cinna, and Portia.

“What’s going on?” says Effie, a note of hysteria in her
voice. “Did you fall?”

“After she shoved me,” says Peeta asEffie and Cinna
help him up.
128 | Page The Hunger Games — Suzanne Collins

Haymitch turns on me. “Shoved him?”

“This was your idea, wasn’t it? Turning me into some
kind of fool in front of the entire country?” I answer.

“It was my idea,” says Peeta, wincing as he pulls
spikes of pottery from his palms. “Haymitch just
helped me with it.”

“Yes, Haymitch is very helpful. To you!” I say.

“You are a fool,” Haymitch says in disgust. “Do you
think he hurt you? That boy just gave you something
you could never achieve on your own.”

“He made me look weak!” I say.

“He made you look desirable! And let’s face it, you can
use all the help you can get in that department. You
were about as romantic as dirt until he said he
wanted you. Now they all do. You’re all they’re talking
about. The star-crossed lovers from District Twelve!”
says Haymitch.

“But we’re not star-crossed lovers!” I say.

Haymitch grabs my shoulders and pins me against
the wall. “Who cares? It’s all a big show. It’s all how
you're perceived. The most I could say about you after
your interview was that you were nice enough,
although that in itself was a small miracle. Now I can
say you’re a heartbreaker. Oh, oh, oh, how the boys
back home fall longingly at your feet. Which do you
think will get you more sponsors?”

The smell of wine on his breath makes me sick. I

shove his hands off my shoulders and step away,
trying to clear my head.

129|Page The Hunger Games — Suzanne Collins

Cinna comes over and puts his arm around me. “He’s
right, Katniss.”

I don’t know what to think. “I should have been told,
so I didn’t look so stupid.”

“No, your reaction was perfect. If you’d known, it
wouldn’t have read as real,” says Portia.

“She’s just worried about her boyfriend,” says Peeta
eruffly, tossing away a bloody piece of the urn.

My cheeks burn again at the thought of Gale. “I don’t
have a boyfriend.”

“Whatever,” says Peeta. “But I bet he’s smart enough
to know a bluff when he sees it. Besides you didn’t
say you loved me. So what does it matter?”

The words are sinking in. My anger fading. I’m torn
now between thinking I’ve been used and thinking I’ve
been given an edge. Haymitch is right. I survived my
interview, but what was I really? A silly girl spinning
in a sparkling, dress. Giggling. The only moment of
any substance I hail was when I talked about Prim.
Compare that with Thresh, his silent, deadly power,
and I’m forgettable. Silly and sparkly and forgettable.
No, not entirely forgettable, I have my eleven in
training.

But now Peeta has made me an object of love. Not
just his. To hear him tell it I have many admirers.
And iftheaudience really thinks we're in love ... I
remember howstrongly they responded to his
confession. Star-crossed lovers. Haymitch is right,
they eat that stuff up in the Capitol. Suddenly I’m
worried that I didn’t react properly.

130 | Page The Hunger Games — Suzanne Collins

“After he said he loved me, did you thinkI could be in
love with him, too?” I ask.

“I did,” says Portia. “The way you avoidedlooking at
the cameras, the blush.”

They others chime in, agreeing.

“You're golden, sweetheart. You’re going to have
sponsors lined up around the block,” says Haymitch.

I’m embarrassed about my reaction. I force myself to
acknowledge Peeta. “I’m sorry I shoved you.”

“Doesn’t matter,” he shrugs. “Although it’s technically
illegal.”

“Are your hands okay?” I ask. “They'll be all right,” he
says.

In the silence that follows, delicious smells of our
dinner waft in from the dining room. “Come on, let’s
eat,” says Haymitch. We all follow him to the table
and take our places. But then Peeta is bleeding too
heavily, and Portia leads him off for medical
treatment. We start the cream and rose-petal soup
without them. By the time we've finished, they’re
back. Peeta’s hands are wrapped in bandages. I can’t
help feeling guilty. Tomorrow we will be in the arena.
He has done me a favor and I have answered with an
injury. Will I never stop owing him?

After dinner, we watch the replay in the sitting room.
I seem frilly and shallow, twirling and giggling in my
dress, although the others assure me I am charming.
Peeta actually is charming and then utterly winning
as the boy in love.Andthere I am, blushing and
confused, madebeautiful by Cinna’s hands, desirable

131|Page The Hunger Games — Suzanne Collins

by Peeta’s confession, tragic by circumstance, and by
all accounts, unforgettable.

When the anthem finishes and the screen goes dark,
a hush falls on the room. Tomorrow at dawn, we will
be roused and prepared for the arena. The actual
Games don’t start until ten because so many of the
Capitol residents rise late. But Peeta and I must make
an early start. There is no telling how far we will
travel to the arena that has been prepared for this
year’s Games.

I know Haymitch and Effie will not be going with us.
As soon as they leave here, they'll be at the Games
Headquarters, hopefully madly signing up our
sponsors, working out a strategy on how and when to
deliver the gifts to us. Cinna and Portia will travel
with us to the very spot from which we will be
launched into the arena. Still final good-byes must be
said here.

Effie takes both of us by the hand and, with actual
tears in her eyes, wishes us well. Thanks us for being
the best tributes it has ever been her privilege to
sponsor. And then, because it’s Effie and she’s
apparently required by law to say something awful,
she adds “I wouldn’t be at all surprised if I finally get
promoted to a decent district next year!”

Then she kisses us each on the cheek and hurries
out, overcome with either the emotional parting or the
possible improvement of her fortunes.

Haymitch crosses his arms and looks us both over.

“Any final words of advice?” asks Peeta.

“When the gong sounds, get the hell out of there.
You're neither of you up to the blood bath at the

132 |Page The Hunger Games — Suzanne Collins

Cornucopia. Just clear out, put as much distance as
you can between yourselves and the others, and find
a source of water,” he says.“Got it?”

“And after that?” I ask.

“Stay alive,” says Haymitch. It’s the same advice he
gave us on the train, but he’s not drunk and laughing
this time. And we only nod. What else is there to say?

When I head to my room, Peeta lingers to talk to
Portia. I’m glad. Whatever strange words of parting we
exchange can wait until tomorrow. My covers are
drawn back, but there is no sign of the redheaded
Avox girl. I wish I knew her name. I should have
asked it. She could write it down maybe. Or act it out.
But perhaps that would only result in punishment for
her.

I take a shower and scrub the gold paint, the
makeup, the scent of beauty from my body. All that
remains of the design-team’s efforts are the flames on
my nails. I decide to keep them as reminder of who I
am to the audience. Katniss, the girl who was on fire.
Perhaps it will give me something to hold on to in the
days to come.

I pull on a thick, fleecy nightgown and climb into bed.
It takes me about five seconds to realize IIl never fall
asleep. And I need sleep desperately because in the
arena every moment I give in to fatigue will be an
invitation to death.

It’s no good. One hour, two, three pass, and my
eyelids refuse to get heavy. I can’t stop trying to
imagine exactly what terrain IIl be thrown into.
Desert? Swamp? A frigid wasteland? Above all I am
hoping for trees, which may afford me some means of
concealment and food and shelter, Often there are

133 |Page The Hunger Games — Suzanne Collins

trees because barren landscapes are dull and the
Games resolve too quickly without them. But what
will the climate be like? What traps have the
Gamemakers hid den to liven up the slower
moments? And then there are my fellow tributes ...

The more anxious I am to find sleep, the more it
eludes me. Finally, I am too restless to even stay in
bed. I pace the floor, heart beating too fast, breathing
too short. My room feels like a prison cell. If I don’t
get air soon, I’m going to start to throw things again. I
run down the hall to the door to the roof. It’s not only
unlocked but ajar. Perhaps someone forgot to close it,
but it doesn’t matter. The energy field enclosing the
roof prevents any desperate form of escape. And I’m
not looking to escape, only to fill my lungs with air. I
want to see the sky and the moon on the last night
that no one will be hunting me.

The roof is not lit at night, but as soon as my bare feel
reach its tiled surface I see his silhouette, black
against the lights that shine endlessly in the Capitol.
There’s quite a commotion going on down in the
streets, music and singing and car horns, none of
which I could hear through the thick glass window
panels in my room. I could slip away now, without
him noticing me; he wouldn’t hear me over the din,
But the night air’s so sweet, I can’t bear returning to
that stuffy cage of a room. And what difference does it
make? Whether we speak or not?

My feet move soundlessly across the tiles. I’m only
yard behind him when I say, “You should be getting
some sleep.”

He starts but doesn’t turn. I can see him give his

head a slight shake. “I didn’t want to miss the party.
It’s for us, after all.”

134|Page The Hunger Games — Suzanne Collins

I come up beside him and lean over the edge of the
rail. The wide streets are full of dancing people. I
squint to make out their tiny figures in more detail.
“Are they in costumes?”

“Who could tell?” Peeta answers. “With all the crazy
clothes they wear here. Couldn’t sleep, either?”

“Couldn’t turn my mind off,” I say.
“Thinking about your family?” he asks.

“No,” I admit a bit guiltily. “All I can do is wonder
about tomorrow. Which is pointless, of course.” In the
light from below, I can see his face now, the awkward
way he holds his bandaged hands. “I really am sorry
about your hands.”

“It doesn’t matter, Katniss,” he says. “I’ve never been
a contender in these Games anyway.”

“That’s no way to be thinking,” I say.

“Why not? It’s true. My best hope is to not disgrace
myself and ...” He hesitates.

“And what?” I say.

“I don’t know how to say it exactly. Only ... I want to
die as myself. Does that make any sense?” he asks. I
shake my head. How could he die as anyone but
himself? “I don’t want them to change me in there.
Turn me into some kind of monster that I’m not.”

I bite my lip feeling inferior. While I’ve been
ruminating on the availability of trees, Peeta has been
struggling with how to maintain his identity. His
purity of self. “Do you mean you won’t kill anyone?” I
ask.

135|Page The Hunger Games — Suzanne Collins

“No, when the time comes, I’m sure [ll kill just like
everybody else. I can’t go down without a fight. Only I
keep wishing I could think of a way to ... to show the
Capitol they don’t own me. That I’m more than just a
piece in their Games,” says Peeta.

“But you're not,” I say. “None of us are. That’s how
the Games work.”

“Okay, but within that framework, there’s still you,
there’s still me,” he insists. “Don’t you see?”

“A little. Only ... no offense, but who cares, Peeta?”I
say.

“I do. I mean, what else am I allowed to care about at
this point?” he asks angrily. He’s locked those blue
eyes on mine now, demanding an answer.

I take a step back. “Care about what Haymitch said.
About staying alive.”

Peeta smiles at me, sad and mocking. “Okay. Thanks
for the tip, sweetheart.”

It’s like a slap in the face. His use of Haymitch’s
patronizing endearment. “Look, if you want to spend
the last hours of your life planning some noble death
in the arena, that’s your choice. I want to spend mine
in District Twelve.”

“Wouldn’t surprise me if you do,” says Peeta. “Give
my mother my best when you make it back, will you?”

“Count on it,” I say. Then I turn and leave the roof. I
spend the rest of the night slipping in and out of a
doze, imagining the cutting remarks I will make to
Peeta Mellark in the morning. Peeta Mellark. We will
see how high and mighty he is when he's faced with

136| Page The Hunger Games — Suzanne Collins

life and death. He'll probably turn into one of those
raging beast tributes, the kind who tries to eat
someone's heart after they've killed them. There was a
guy like that a few years ago from District 6 called
Titus. He went completely savage and the
Gamemakers had to have him stunned with electric
guns to collect the bodies of the players he'd killed
before he ate them. There are no rules in the arena,
but cannibalism doesn't play well with the Capitol
audience, so they tried to head it off. There was some
speculation that the avalanche that finally took Titus
out was specifically engineered to ensure the victor
was not a lunatic.

I don't see Peeta in the morning. Cinna comes to me
before dawn, gives me a simple shift to wear, and
guides me to the roof. My final dressing and
preparations will be alone in the catacombs under the
arena itself. A hovercraft appears out of thin air, just
like the one did in the woods the day I saw the
redheaded Avox girl captured, and a ladder drops
down. I place my hands and feet on the lower rungs
and instantly it's as if I'm frozen. Some sort of current
glues me to the ladder while I'm lifted safely inside.

I expect the ladder to release me then, but I'm still
stuck when a woman in a white coat approaches me
carrying a syringe. "This is just your tracker, Katniss.
The stiller you are, the more efficiently I can place it,"
she says.

Still? I'm a statue. But that doesn't prevent me from
feeling the sharp stab of pain as the needle inserts
the metal tracking device deep under the skin on the
inside of my forearm. Now the Gamemakers will
always be able to trace my whereabouts in the arena.
Wouldn’t want to lose a tribute.

137 |Page The Hunger Games — Suzanne Collins

As soon as the tracker’s in place, the ladder releases
me. The woman disappears and Cinna is retrieved
from the roof, An Avox boy comes in and directs us to
a room where breakfast has been laid out. Despite the
tension in my stomach,leat as much as I can,
although none of the delectable food makes any
impression on me. I’m so nervous, I could be eating
coal dust. The one thing that distracts me at all is the
view from the windows as we sail over the city and
then to the wilderness beyond. This is what birds see.
Only they’re free and safe. The very opposite of me.

The ride lasts about half an hour before the windows
black out, suggesting that we’re nearing the arena.
The hovercraft lands and Cinna and I go back to the
ladder, only this time it leads down into a tube
underground, into the catacombs that lie beneath the
arena. We follow instructions to my destination, a
chamber for my preparation. In the Capitol, they call
it the Launch Room. In the districts, it’s referred to as
the Stockyard. The place animals go before slaughter.

Everything is brand-new, I will be the first and only
tribute to use this Launch Room. The arenas are
historic sites, preserved after the Games. Popular
destinations for Capitol residents to visit, to vacation.
Go for a month, rewatch the Games, tour the
catacombs, visit the sites where the deaths took
place. You can even take part in reenactments. They
say the food is excellent.

I struggle to keep my breakfast down as I shower and
clean my teeth. Cinna does my hair in my simple
trademark braid down my back. Then the clothes
arrive, the same for every tribute. Cinna has had no
say in my outfit, does not even know what will be in
the package, but he helps me dress in the
undergarments, simple tawny pants, light green
blouse, sturdy brown belt, and thin, hooded black

138 | Page The Hunger Games — Suzanne Collins

jacket that falls to my thighs. “The material in the
jacket’s designed to reflect body heat. Expect some
cool nights,”he says.

The boots, worn over skintight socks, are better than I
could have hoped for. Soft leather not unlike my ones
at home. These have a narrow flexible rubber sole
with treads though. Good for running.

I think I’m finished when Cinna pulls the gold
mockingjay pin from his pocket. I had completely
forgotten about it.

“Where did you get that?” I ask.

“Off the green outfit you wore on the train,” he says. I
remember now taking it off my mother’s dress,
pinning it to the shirt. “It’s your district token, right?”
I nod and he fastens it on my shirt. “It barely cleared
the review board. Some thought the pin could be used
as a weapon, giving you an unfair advantage. But
eventually, they let it through,” says Cinna. “They
eliminated a ring from that District One girl, though.
If you twisted the gemstone, a spike popped out.
Poisoned one. She claimed she had no knowledge the
ring transformed and there was no way to prove she
did. But she lost her token. There, you’re all set. Move
around. Make sure everything feels comfortable.”

I walk, run in a circle, swing my arms about. “Yes, it’s
fine. Fits perfectly.”

“Then there’s nothing to do but wait for the call,” says
Cinna. “Unless you think you could eat any more>?”

I turn down food but accept a glass of water that I

take tiny sips of as we wait on a couch. I don’t want
to chew on my nails or lips, so I find myself gnawing
on the inside of my cheek. It still hasn’t fully healed

139| Page The Hunger Games — Suzanne Collins

from a few days ago. Soon the taste of blood fills my
mouth.

Nervousness seeps into terror as I anticipate what is
to come. I could be dead, flat-out dead, in an hour.
Not even. My fingers obsessively trace the hard little
lump on my forearm where the woman injected the
tracking device. I press on it, even though it hurts, I
press on it so hard a small bruise begins to form.

“Do you want to talk, Katniss?” Cinna asks.

I shake my head but after a moment hold out my
hand to him. Cinna encloses it in both of his. And
this is how we sit until a pleasant female voice
announces it’s time to prepare for launch.

Still clenching one of Cinna’s hands, I walk over and
stand on the circular metal plate. “Remember what
Haymitch said. Run, find water. The rest will follow,”
he says. I nod. “And remember this. I’m not allowed to
bet, but if I could, my money would be on you.”

“Truly?” I whisper.

“Truly,” says Cinna. He leans down and kisses me on
the forehead. “Good luck, girl on fire.” And then a
glass cylinder is lowering around me, breaking our
handhold, cutting him off from me. He taps his
fingers under his chin. Head high.

I lift my chin and stand as straight as I can. The
cylinder begins to rise. For maybe fifteen seconds, I’m
in darkness and then I can feel the metal plate
pushing me out of the cylinder, into the open air. For
a moment, my eyes are dazzled by the bright sunlight
and I’m conscious only of a strong wind with the
hopeful smell of pine trees.

140|Page The Hunger Games — Suzanne Collins

Then I hear the legendary announcer, Claudius
Templesmith, as his voice booms all around me.

“Ladies and gentlemen, let the Seventy-fourth Hunger
Games begin!”

141|Page The Hunger Games — Suzanne Collins

Sixty seconds. That’s how long we’re required to stand
on our metal circles before the sound of a gong
releases us. Step off before the minute is up, and land
mines blow your legs off. Sixty seconds to take in the
ring of tributes all equidistant from the Cornucopia, a
giant golden horn shaped like a cone with a curved
tail, the mouth of which is at least twenty feet high,
spilling over with the things that will give us life here
in the arena. Food, containers of water, weapons,
medicine, garments, fire starters. Strewn around the
Cornucopia are other supplies, their value decreasing
the farther they are from the horn. For instance, only
a few steps from my feet lays a three-foot square of
plastic. Certainly it could be of some use ina
downpour. But there in the mouth, I can see a tent
pack that would protect from almost any sort of
weather. If I had the guts to go in and fight for it
against the other twenty-three tributes. Which I have
been instructed not to do.

Were on a flat, open stretch of ground. A plain of
hard-packed dirt. Behind the tributes across from me,
I can see nothing, indicating either a steep downward
slope or even cliff. To my right lies a lake. To my left
and back, spars piney woods. This is where Haymitch
would want me to go. Immediately.

I hear his instructions in my head. “Just clear out,
put as much distance as you can between yourselves
and the others, and find a source of water.”

But it’s tempting, so tempting, when I see the bounty
waiting there before me. And I know that if I don’t get

it, someone else will. That the Career Tributes who

142|Page The Hunger Games — Suzanne Collins

survive the bloodbath will divide up most of these life-
sustaining spoils. Something catches my eye. There,
resting on a mound of blanket rolls, is a silver sheath
of arrows and a bow, already strung, just waiting to
be engaged. That’s mine, I think.It’s meant for me.

I’m fast. I can sprint faster than any of the girls in our
school although a couple can beat me in distance
races. But this forty-yard length, this is what Iam
built for. I know I can get it, I know I can reach it
first, but then the question is how quickly can I get
out of there? By the time I’ve scrambled up the packs
and grabbed the weapons, others will have reached
the horn, and one or two I might be able to pick off,
but say there’s a dozen, at that close range, they
could take me down with the spears and the clubs. Or
their own powerful fists.

Still, I won’t be the only target. I’m betting many of
the other tributes would pass up a smaller girl, even
one who scored an eleven in training, to take out their
more fierce adversaries.

Haymitch has never seen me run. Maybe if he had
he’d tell me to go for it. Get the weapon. Since that’s
the very weapon that might be my salvation. And I
only see one bow in that whole pile. I know the
minute must be almost up and will have to decide
what my strategy will be and I find myself positioning
my feet to run, not away into the stir rounding forests
but toward the pile, toward the bow. When suddenly I
notice Peeta, he’s about five tributes to my right, quite
a fair distance, still I can tell he’s looking at me and I
think he might be shaking his head. But the sun’s in
my eyes, and while I’m puzzling over it the gong rings
out.

And I’ve missed it! I’ve missed my chance! Because
those extra couple of seconds I’ve lost by not being

143 |Page The Hunger Games — Suzanne Collins

ready are enough to change my mind about going in.
My feet shuffle for a moment, confused at the
direction my brain wants to take and then I lunge
forward, scoop up the sheet of plastic and a loaf of
bread. The pickings are so small and I’m so angry
with Peeta for distracting me that I sprint in twenty
yards to retrieve a bright orange backpack that could
hold anything because I can’t stand leaving with
virtually nothing.

A boy, I think from District 9, reaches the pack at the
same time I do and for a brief time we grapple for it
and then he coughs, splattering my face with blood. I
stagger back, repulsed by the warm, sticky spray.
Then the boy slips to the ground. That’s when I see
the knife in his back. Already other tributes have
reached the Cornucopia and are spreading out to
attack. Yes, the girl from District 2, ten yards away,
running toward me, one hand clutching a half-dozen
knives. I’ve seen her throw in training. She never
misses. And I’m her next target.

All the general fear I’ve been feeling condenses into at
immediate fear of this girl, this predator who might
kill me in seconds. Adrenaline shoots through me and
I sling the pack over one shoulder and run full-speed
for the woods. I can hear the blade whistling toward
me and reflexively hike the pack up to protect my
head. The blade lodges in the pack. Both straps on
my shoulders now, I make for the trees. Somehow I
know the girl will not pursue me. That she'll be drawn
back into the Cornucopia before all the good stuff is
gone. A grin crosses my face.Thanks for the knife, I
think.

At the edge of the woods I turn for one instant to
survey the field. About a dozen or so tributes are
hacking away at one another at the horn. Several lie
dead already on the ground. Those who have taken

144|Page The Hunger Games — Suzanne Collins

flight are disappearing into the trees or into the void
opposite me. I continue running until the woods have
hidden me from the other tributes then slow into a
steady jog that I think I can maintain for a while. For
the next few hours, I alternate between jogging and
walking, putting as much distance as I can between
myself and my competitors. I lost my bread during
the struggle with the boy from District 9 but managed
to stuff my plastic in my sleeve so as I walk I fold it
neatly and tuck it into a pocket. I also free the knife
— it’s a fine one with a long sharp blade, serrated
near the handle, which will make it handy for sawing
through things — and slide it into my belt. I don’t
dare stop to examine the contents of the pack yet. I
just keep moving, pausing only to check for pursuers.

I can go a long time. I know that from my days in the
woods. But I will need water. That was Haymitch’s
second instruction, and since I sort of botched the
first, I keep a sharp eye out for any sign of it. No luck.

The woods begin to evolve, and the pines are
intermixed with a variety of trees, some I recognize,
some completely foreign to me. At one point, I hear a
noise and pull my knife, thinking I may have to
defend myself, but I’ve only startled a rabbit. “Good to
see you,” I whisper. If there’s one rabbit, there could
be hundreds just waiting to be snared.

The ground slopes down. I don’t particularly like this.
Valleys make me feel trapped. I want to be high, like
in the hills around District 12, where I can see my
enemies approaching. But I have no choice but to
keep going.

Funny though, I don’t feel too bad. The days of
gorging myself have paid off. I’ve got staying power
even though I’m short on sleep. Being in the woods is
rejuvenating. I’m glad for the solitude, even though

145|Page The Hunger Games — Suzanne Collins

it’s an illusion, because I’m probably on-screen right
now. Not consistently but off and on. There are so
many deaths to show the first day that a tribute
trekking through the woods isn’t much to look at. But
theyll show me enough to let people know I’m alive,
uninjured and on the move. One of the heaviest days
of betting is the opening, when the initial casualties
come in. But that can’t compare to what happens as
the field shrinks to a handful of players.

It’s late afternoon when I begin to hear the cannons.
Each shot represents a dead tribute. The fighting
must have finally stopped at the Cornucopia. They
never collect the bloodbath bodies until the killers
have dispersed. On the opening day, they don’t even
fire the cannons until the initial fighting’s over
because it’s too hard to keep track of the fatalities. I
allow myself to pause, panting, as I count the shots.
One ... two ... three ... on and on until they reach
eleven. Eleven dead in all. Thirteen left to play. My
fingernails scrape at the dried blood the boy from
District 9 coughed into my face. He’s gone, certainly. I
wonder about Peeta. Has he lasted through the day?
I'll know in a few hours. When they project the dead’s
images into the sky for the rest of us to see.

All of a sudden, I’m overwhelmed by the thought that
Peeta may be already lost, bled white, collected, and
in the process of being transported back to the
Capitol to be cleaned up, redressed, and shipped in a
simple wooden box back to District 12. No longer
here. Heading home. I try hard to remember if I saw
him once the action started. But the last image I can
conjure up is Peeta shaking his head as the gong rang
out.

Maybe it’s better, if he’s gone already. He had no
confidence he could win. And I will not end up with

146|Page The Hunger Games — Suzanne Collins

the unpleasant task of killing him. Maybe it’s better if
he’s out of this for good.

I slump down next to my pack, exhausted. I need to
go through it anyway before night falls. See what I
have to work with. As I unhook the straps, I can feel
it’s sturdily made although a rather unfortunate
color. This orange will practically glow in the dark. I
make a mental note to camouflage it first thing
tomorrow.

I flip open the flap. What I want most, right at this
moment, is water. Haymitch’s directive to immediately
find water was not arbitrary. I won’t last long without
it. For a few days, Ill be able to function with
unpleasant symptomsof dehydration, but after that
I'll deteriorate into helplessness and be dead ina
week, tops. I carefully lay out the provisions. One thin
black sleeping bag that reflects body heal. A pack of
crackers. A pack of dried beef strips. A bottle of
iodine. A box of wooden matches. A small coil of wire.
A pair of sunglasses. And a half-gallon plastic bottle
with a cap for carrying water that's bone dry.

No water. How hard would it have been for them to fill
up the bottle? I become aware of the dryness in my
throat and mouth, the cracks in my lips. I've been
moving all day long. It's been hot and I've sweat a lot.
I do this at home, but there are always streams to
drink from, or snow to melt if it should come to it.

As I refill my pack I have an awful thought. The lake.
The one I saw while I was waiting for the gong to
sound. What if that's the only water source in the
arena? That way they'll guarantee drawing us in to
fight. The lake is a full day's journey from where I sit
now, a much harder journey with nothing to drink.
And then, even if I reach it, it's sure to be heavily
guarded by some of the Career Tributes. I'm about to

147 | Page The Hunger Games — Suzanne Collins

panic when I remember the rabbit I startled earlier
today. It has to drink, too. I just have to find out
where.

Twilight is closing in and I am ill at ease. The trees
are too thin to offer much concealment. The layer of
pine needles that muffles my footsteps also makes
tracking animals harder when I need their trails to
find water. And I'm still heading downhill, deeper and
deeper into a valley that seems endless.

I’m hungry, too, but I don’t dare break into my
precious store of crackers and beef yet. Instead, I take
my knife and go to work on a pine tree, cutting away
the outer bark and scraping off a large handful of the
softer inner bark. I slowly chew the stuff as I walk
along. After a week of the finest food in the world, it’s
a little hard to choke down. But I’ve eaten plenty of
pine in my life. I'll adjust quickly.

In another hour, it’s clear I’ve got to find a place to
camp. Night creatures are coming out. I can hear the
occasional hoot or howl, my first clue that I'll be
competing with natural predators for the rabbits. As
to whether I'll be viewed as a source of food, it’s too
soon to tell. There could be any number of animals
stalking me at this moment.

But right now, I decide to make my fellow tributes a
priority. I’m sure many will continue hunting through
the night. Those who fought it out at the Cornucopia
will have food, an abundance of water from the lake,
torches or flashlights, and weapons they’re itching to
use. I can only hope I’ve traveled far and fast enough
to be out of range.

Before settling down, I take my wire and set two
twitch-up snares in the brush. I know it’s risky to be
setting traps, but food will go so fast out here. And I

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can’t set snares on the run. Still, I walk another five
minutes before making camp.

I pick my tree carefully. A willow, not terribly tall but
set in a clump of other willows, offering concealment
in those long, flowing tresses. I climb up, sticking to
the stronger branches close to the trunk, and find a
sturdy fork for my bed. It takes some doing, but I
arrange the sleeping bag in a relatively comfortable
manner. I place my backpack in the foot of the bag,
then slide in after it. As a precaution, I remove my
belt, loop it all the way around the branch and my
sleeping bag, and refasten it at my waist. Now if I roll
over in my sleep, I won’t go crashing to the ground.
I’m small enough to tuck the top of the bag over my
head, but I put on my hood as well. As night falls, the
air is cooling quickly. Despite the risk I took in getting
the backpack, I know now it was the right choice.
This sleeping bag, radiating back and preserving my
body heat, will be invaluable. I’m sure there are
several other tributes whose biggest concern right
now is how to stay warm whereas I may actually be
able to get a few hours of sleep. If only I wasn’t so
thirsty ...

Night has just come when I hear the anthem that
proceeds the death recap. Through the branches I can
see the seal of the Capitol, which appears to be
floating in the sky. I’m actually viewing another
screen, an enormous one that’s transported by of one
of their disappearing hovercraft. The anthem fades
out and the sky goes dark for a moment. At home, we
would be watching full coverage of each and every
killing, but that’s thought to give an unfair advantage
to the living tributes. For instance, if I got my hands
on the bow and shot someone, my secret would be
revealed to all. No, here in the arena, all we see are
the same photographs they showed when they
televised our training scores. Simple head shots. But
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now instead of scores they post only district numbers.
I take a deep breath as the face of the eleven dead
tributes begin and tick them off one by one on my
fingers.

The first to appear is the girl from District 3. That
means that the Career Tributes from 1 and 2 have all
survived. No surprise there. Then the boy from 4. I
didn’t expect that one, usually all the Careers make it
through the first day. The boy from District 5 ... I
guess the fox-faced girl made it. Both tributes from 6
and 7. The boy from 8. Both from 9. Yes, there’s the
boy who I fought for the backpack. I’ve run through
my fingers, only one more dead tribute to go. Is it
Peeta? No, there’s the girl from District 10. That’s it.
The Capitol seal is back with a final musical flourish.
Then darkness and the sounds of the forest resume.

I’m relieved Peeta’s alive. I tell myself again that if I
get killed, his winning will benefit my mother and
Prim the most. This is what I tell myself to explain the
conflicting emotions that arise when I think of Peeta.
The gratitude that he gave me an edge by professing
his love for me in the interview. The anger at his
superiority on the roof. The dread that we may come
face-to-face at any moment in this arena.

Eleven dead, but none from District 12. I try to work
out who is left. Five Career Tributes. Foxface. Thresh
and Rue. Rue ... so she made it through the first day
after all. I can’t help feeling glad. That makes ten of
us. The other three Ill figure out tomorrow. Now when
it is dark, and I have traveled far, and I am nestled
high in this tree, now I must try and rest.

I haven’t really slept in two days, and then there’s
been the long day’s journey into the arena. Slowly, I
allow my muscles to relax. My eyes to close. The last
thing I think is it’s lucky I don’t snore... .

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Snap! The sound of a breaking branch wakes me.
How long have I been asleep? Four hours? Five? The
tip of my nose is icy cold. Snap! Snap! What’s going
on? This is not the sound of a branch under
someone’s foot, but the sharp crack of one coming
from a tree. Snap! Snap! I judge it to be several
hundred yards to my right. Slowly, noiselessly, I turn
myself in that direction. For a few minutes, there’s
nothing but blackness and some scuffling. Then I see
a spark and a small fire begins to bloom. A pair of
hands warms over flames, but I can’t make out more
than that.

I have to bite my lip not to scream every foul name I
know at the fire starter. What are they thinking? A
fire TI just at nightfall would have been one thing.
Those who battled at the Cornucopia, with their
superior strength and surplus of supplies, they
couldn’t possibly have been near enough to spot the
flames then. But now, when they’ve probably been
combing the woods for hours looking for victims. You
might as well be waving a flag and shouting, “Come
and get me!”

And here I am a stone’s throw from the biggest idiot
in the Games. Strapped in a tree. Not daring to flee
since my general location has just been broadcast to
any killer who cares. I mean, I know it’s cold out here
and not everybody has a sleeping bag. But then you
grit your teeth and stick it out until dawn!

I lay smoldering in my bag for the next couple of
hours really thinking that if I can get out of this tree, I
won't have the least problem taking out my new
neighbor. My instinct has been to flee, not fight. But
obviously this person’s a hazard. Stupid people are
dangerous. And this one probably doesn’t have much
in the way of weapons while I’ve got this excellent
knife.

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The sky is still dark, but I can feel the first signs of
dawn approaching. I’m beginning to think we —
meaning the person whose death I’m now devising
and me — we might actually have gone unnoticed.
Then I hear it. Several pairs of feet breaking into a
run. The fire starter must have dozed off. They’re on
her before she can escape. I know it’s a girl now, I can
tell by the pleading, the agonized scream that follows.
Then there’s laughter and congratulations from
several voices. Someone cries out, “Twelve down and
eleven to go!” which gets a round of appreciative
hoots.

So they're fighting in a pack. I’m not really surprised.
Often alliances are formed in the early stages of the
Games. The strong band together to hunt down the
weak then, when the tension becomes too great, begin
to turn on one another. I don’t have to wonder too
hard who has made this alliance. It’ll be the
remaining Career Tributes from Districts 1, 2, and 4.
Two boys and three girls. The ones who lunched
together.

For a moment, I hear them checking the girl for
supplies. I can tell by their comments they’ve found
nothing good. I wonder if the victim is Rue but
quickly dismiss the thought. She’s much too bright to
be building a fire like that.

“Better clear out so they can get the body before it
starts stinking.” I’m almost certain that’s the brutish
boy from District 2. There are murmurs of assent and
then, to my horror, I hear the pack heading toward
me. They do not know I’m here. How could they? And
I’m well concealed in the clump of trees. At least while
the sun stays down. Then my black sleeping bag will
turn from camouflage to trouble. If they just keep
moving, they will pass me and be gone in a minute.

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But the Careers stop in the clearing about ten yards
from my tree. They have flashlights, torches. I can see
an arm here, a boot there, through the breaks in the
branches. I turn to stone, not even daring to breathe.
Have they spotted me? No, not yet. I can tell from
their words their minds are elsewhere.

“Shouldn’t we have heard a cannon by now?”

‘Td say yes. Nothing to prevent them from going in
immediately.”

“Unless she isn’t dead.”

“She’s dead. I stuck her myself.”

“Then where’s the cannon?”

“Someone should go back. Make sure the job’s done.”

“Yeah, we don’t want to have to track her down
twice.”

“I said she’s dead!”
An argument breaks out until one tribute silences the
others. “We’re wasting time! I’ll go finish her and let’s

move on!”

I almost fall out of the tree. The voice belongs to
Peeta.

153 | Page The Hunger Games — Suzanne Collins

the ¢ e 2

Thank goodness, I had the foresight to belt myself in.
I’ve rolled sideways off the fork and I’m facing the
ground, held in place by the belt, one hand, and my
feet straddling the pack inside my sleeping bag,
braced against the trunk. There must have been some
rustling when I tipped sideways, but the Careers have
been too caught up in their own argument to catch it.

“Go on, then, Lover Boy,” says the boy from District
2.“See for yourself.”

I just get a glimpse of Peeta, lit by a torch, heading
back to the girl by the fire. His face is swollen with
bruises, there’s a bloody bandage on one arm, and
from the sound of his gait he’s limping somewhat. I
remember him shaking him his head, telling me not
to go into the fight for the supplies, when all along, all
along he’d planned to throw himself into the thick of
things. Just the opposite of what Haymitch had mid
him to do.

Okay, I can stomach that. Seeing all those supplies
was tempting. But this ... this other thing. This
teaming up with the Career wolf pack to hunt down
the rest of us. No one from District 12 would think of
doing such a thing! Career tributes are overly vicious,
arrogant, better fed, but only because they’re the
Capitol’s lapdogs.

Universally, solidly hated by all but those from their
own districts. I can imagine the things they’re saying
about him back home now. And Peeta had the gall to
talk to me about disgrace?

154|Page The Hunger Games — Suzanne Collins

Obviously, the noble boy on the rooftop was playing
just one more game with me. But this will be his last.
I will eagerly watch the night skies for signs of his
death, if I don’t kill him first myself.

The Career tributes are silent until he gets out of ear
shot, then use hushed voices.

“Why don’t we just kill him now and get it over with?”

“Let him tag along. What’s the harm? And he’s handy
with that knife.”

Is he? That’s news. What a lot of interesting things
I’m learning about my friend Peeta today.

“Besides, he’s our best chance of finding her.”

It takes me a moment to register that the “her” they’re
referring to is me.

“Why? You think she bought into that sappy romance
stuff?”

“She might have. Seemed pretty simpleminded to me.
Every time I think about her spinning around in that
dress, I want to puke.”

“Wish we knew how she got that eleven.”

“Bet you Lover Boy knows.”

The sound of Peeta returning silences them.

“Was she dead?” asks the boy from District 2.

“No. But she is now,” says Peeta. Just then, the
cannon fires. “Ready to move on?”

155|Page The Hunger Games — Suzanne Collins

The Career pack sets off at a run just as dawn begins
to break, and birdsong fills the air. I remain in my
awkward position, muscles trembling with exertion
for a while longer, then hoist myself back onto my
branch. I need to get down, to get going, but fora
moment I lie there, digesting what I’ve heard. Not only
is Peeta with the Careers, he’s helping them find me.
The simpleminded girl who has to be taken seriously
because of her eleven. Because she can use a bow
and arrow. Which Peeta knows better than anyone.

But he hasn’t told them yet. Is he saving that
information because he knows it’s all that keeps him
alive? Is he still pretending to love me for the
audience? What is going on in his head?

Suddenly, the birds fall silent. Then one gives a high-
pitched warning call. A single note. Just like the one
Gale and I heard when the redheaded Avox girl was
caught. High above the dying campfire a hovercraft
materializes. A set of huge metal teeth drops down.
Slowly, gently, the dead tribute girl is lifted into the
hovercraft. Then it vanishes. The birds resume their
song.

“Move,” I whisper to myself. I wriggle out of my
sleeping bag, roll it up, and place it in the pack. I take
a deep breath. While I’ve been concealed by darkness
and the sleeping bag and the willow branches, it has
probably been difficult for the cameras to get a good
shot of me. I know they must be tracking me now
though. The minute I hit the ground, I’m guaranteed
a close-up.

The audience will have been beside themselves,
knowing I was in the tree, that I overheard the
Careers talking, that I discovered Peeta was with
them. Until I work out exactly how I want to play that,

156| Page The Hunger Games — Suzanne Collins

I'd better at least act on top of things. Not perplexed.
Certainly not confused or frightened.

No, I need to look one step ahead of the game.

So as I slide out of the foliage and into the dawn light,
I pause a second, giving the cameras time to lock on
me. Then I cock my head slightly to the side and give
a knowing smile. There! Let them figure out what that
means!

I’m about to take off when I think of my snares.
Maybe it’s imprudent to check them with the others
so close. But have to. Too many years of hunting, I
guess. And the lure of possible meat. I’m rewarded
with one fine rabbit. In no time, I’ve cleaned and
gutted the animal, leaving the head, feet, tail, skin,
and innards, under a pile of leaves. I’m wishing for a
fire — eating raw rabbit can give you rabbit fever, a
lesson I learned the hard way — when I think of the
dead tribute. I hurry back to her camp. Sure enough,
the coals of her dying fire are still hot. I cut up the
rabbit, fashion a spit out of branches, and set it over
the coals.

I’m glad for the cameras now. I want sponsors to see I
can hunt, that I’m a good bet because I won’t be lured
into traps as easily as the others will by hunger.
While the rabbit cooks, I grind up part of a charred
branch and set about camouflaging my orange pack.
The black tones it down, but I feel a layer of mud
would definitely help. Of course, to have mud, I’d
need water ...

I pull on my gear, grab my spit, kick some dirt over
the coals, and take off in the opposite direction the
Careers went. I eat half the rabbit as I go, then wrap
up the leftovers in my plastic for later. The meat stops

157 | Page The Hunger Games — Suzanne Collins

the grumbling in my stomach but does little to
quench my thirst. Water is my top priority now.

As I hike along, I feel certain I’m still holding the
screen in the Capitol, so I’m careful to continue to
hide my emotions. But what a good time Claudius
Templesmith must be having with his guest
commentators, dissecting Peeta’s behavior, my
reaction. What to make of it all? Has Peeta revealed
his true colors? How does this affect the betting odds?
Will we lose sponsors? Do we even have sponsors?
Yes, I feel certain we do, or at least did.

Certainly Peeta has thrown a wrench into our star-
crossed lover dynamic. Or has he? Maybe, since he
hasn’t spoken much about me, we can still get some
mileage out of it. Maybe people will think it’s
something we plotted together if I seem like it amuses
me now.

The sun rises in the sky and even through the canopy
it seems overly bright. I coat my lips in some grease
from the rabbit and try to keep from panting, but it’s
no use. It’s only been a day and I’m dehydrating fast.
I try and think of everything I know about finding
water. It runs downhill, so, in fact, continuing down
into this valley isn’t a bad thing. If I could just locate
a game trail or spot a particularly green patch of
vegetation, these might help me along, but nothing
seems to change. There’s just the slight gradual slope,
the birds, the sameness to the trees.

As the day wears on, I know I’m headed for trouble.
What little urine I’ve been able to pass is a dark
brown, my head is aching, and there’s a dry patch on
my tongue that refuses to moisten. The sun hurts my
eyes so I dig out my sunglasses, but when I put them
on they do something funny to my vision, so I just
stuff them back in my pack.

158 | Page The Hunger Games — Suzanne Collins

It’s late afternoon when I think I’ve found help. I spot
a cluster of berry bushes and hurry to strip the fruit,
to suck the sweet juices from the skins. But just as
I’m holding them to my lips, I get a hard look at them.
What I thought were blueberries have a slightly
different shape, and when I break one open the
insides are bloodred. I don’t recognize these berries,
perhaps they are edible, but I’m guessing this is some
evil trick on the part of the Gamemakers. Even the
plant instructor in the Training Center made a point
of telling us to avoid berries unless you were 100
percent sure they weren’t toxic. Something I already
knew, but I’m so thirsty it takes her reminder to give
me the strength to fling them away.

Fatigue is beginning to settle on me, but it’s not the
usual tiredness that follows a long hike. I have to stop
and rest frequently, although I know the only cure for
what ails me requires continued searching. I try a
new tactic — climbing a tree as high as I dare in my
shaky state — to look for any signs of water. But as
far as I can see in any direction, there’s the same
unrelenting stretch of forest.

Determined to go on until nightfall, I walk until I’m
stumbling over my own feet.

Exhausted, I haul myself up into a tree and belt
myself in. I’ve no appetite, but I suck on a rabbit bone
just to give my mouth something to do. Night falls,
the anthem plays, and high in the sky I see the
picture of the girl, who was apparently from District
8. The one Peeta went back to finish off.

My fear of the Career pack is minor compared to my
burning thirst. Besides, they were heading away from
me and by now they, too, will have to rest. With the
scarcity of water, they may even have had to return to
the lake for refills.

159| Page The Hunger Games — Suzanne Collins

Maybe, that is the only course for me as well.

Morning brings distress. My heads throbs with every
beat of my heart. Simple movements send stabs of
pain through my joints. I fall, rather than jump from
the tree. It takes several minutes for me to assemble
my gear. Somewhere inside me, I know this is wrong.
I should be acting with more caution, moving with
more urgency. But my mind seems foggy and forming
a plan is hard. I lean back against the trunk of my
tree, one finger gingerly stroking the sandpaper
surface of my tongue, as I assess my options. How
can I get water?

Return to the lake. No good. I’d never make it.
Hope for rain. There’s not a cloud in the sky.

Keep looking. Yes, this is my only chance. But then,
another thought hits me, and the surge of anger that
follows brings me to me senses.

Haymitch! He could send me water! Press a button
and have it delivered to me in a silver parachute in
minutes. I know I must have sponsors, at least one or
two who could afford a pint of liquid for me. Yes, it’s
pricey, but these people, they’re made of money. And
theyll be betting on me as well. Perhaps Haymitch
doesn’t realize how deep my need is.

I say in a voice as loud as I dare. “Water.” I wait,
hopefully, for a parachute to descend from the sky.
But nothing is forthcoming.

Something is wrong. Am I deluded about having
sponsors? Or has Peeta’s behavior made them all
hang back? No, I don’t believe it. There’s someone out
there who wants to buy me water only Haymitch is
refusing to let it go through. As my mentor, he gets to

160 | Page The Hunger Games — Suzanne Collins

control the flow of gifts from the sponsors. I know he
hates me. He’s made that clear enough. But enough
to let me die? From this? He can’t do that, can he? If
a mentor mistreats his tributes, hel be held
accountable by the viewers, by the people back in
District 12. Even Haymitch wouldn’t risk that, would
he? Say what you will about my fellow traders in the
Hob, but I don’t think they’d welcome him back there
if he let me die this way. And then where would he get
his liquor? So ... what? Is he trying to make me suffer
for defying him? Is he directing all the sponsors
toward Peeta? Is he just too drunk to even notice
what’s going on at the moment? Somehow I don’t
believe that and I don’t believe he’s trying to kill me
off by neglect, either. He has, in fact, in his own
unpleasant way, genuinely been trying to prepare me
for this. Then what is going on?

I bury my face in my hands. There’s no danger of
tears now, I couldn’t produce one to save my life.
What is Haymitch doing? Despite my anger, hatred,
and suspicions, a small voice in the back of my head
whispers an answer.

Maybe he’s sending you a message,it says. A
message. Saying what? Then I know. There’s only one
good reason Haymitch could be withholding water
from me. Because he knows I’ve almost found it.

I grit my teeth and pull myself to my feet. My
backpack seems to have tripled in weight. I find a
broken branch that will do for a walking stick and I
start off. The sun’s beating down, even more searing
than the first two days. I feel like an old piece of
leather, drying and cracking in the heat. every step is
an effort, but I refuse to stop. I refuse to sit down. If I
sit, there’s a good chance I won’t be able to get up
again, that I won’t even remember my task.

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What easy prey I am! Any tribute, even tiny Rue,
could take me right now, merely shove me over and
kill me with my own knife, and I’d have little strength
to resist. But if anyone is in my part of the woods,
they ignore me. The truth is, I feel a million miles
from another living soul.

Not alone though. No, they’ve surely got a camera
tracking me now. I think back to the years of
watching tributes starve, freeze, bleed, and dehydrate
to death. Unless there’s a really good fight going on
somewhere, I’m being featured.

My thoughts turn to Prim. It’s likely she won’t be
watching me live, but they'll show updates at the
school during lunch. For her sake, I try to look as
least desperate as I can.

But by afternoon, I know the end is coming. My legs
are shaking and my heart too quick. I keep forgetting,
exactly what I’m doing. I’ve stumbled repeatedly and
managed to regain my feet, but when the stick slides
out from under me, I finally tumble to the ground
unable to get up. I let my eyes close.

I have misjudged Haymitch. He has no intention of
helping me at all.

This is all right, I think.This is not so bad here. The
air is less hot, signifying evening’s approach. There’s
a slight, sweet scent that reminds me of lilies. My
fingers stroke the smooth ground, sliding easily
across the top. This is an okay place to die, I think.

My fingertips make small swirling patterns in the
cool, slippery earth. Jove mud, I think. How many
times I’ve tracked game with the help of its soft,
readable surface. Good for bee stings, too. Mud. Mud.
Mud! My eyes fly open and I dig my fingers into the

162 | Page The Hunger Games — Suzanne Collins

earth. It is mud! My nose lifts in the air. And those
are lilies! Pond lilies!

I crawl now, through the mud, dragging myself
toward the scent. Five yards from where I fell, I crawl
through a tangle of plants into a pond. Floating on
the top, yellow flowers in bloom, are my beautiful
lilies.

It’s all I can do not to plunge my face into the water
and gulp down as much as I can hold. But I have jus
enough sense left to abstain. With trembling hands, I
get out my flask and fill it with water. I add what I
remember to be the right number of drops of iodine
for purifying it. The half an hour of waiting is agony,
but I do it. At least,

I think it’s a half an hour, but it’s certainly as long as
I can stand.

Slowly, easy now, I tell myself. I take one swallow and
make myself wait. Then another. Over the next couple
of hours, I drink the entire half gallon. Then a second.
I prepare another before I retire to a tree where I
continue sipping, eating rabbit, and even indulge in
one of my precious crackers. By the time the anthem
plays, I feel remarkably better. There are no faces
tonight, no tributes died today. Tomorrow I'll stay
here, resting, camouflaging my backpack with mud,
catching some of those little fish I saw as I sipped,
digging up the roots of the pond lilies to make a nice
meal. I snuggle down in my sleeping bag, hanging on
to my water bottle for dear life, which, of course, it is.

A few hours later, the stampede of feet shakes me

from slumber. I look around in bewilderment. It’s not
yet dawn, but my stinging eyes can see it.

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It would be hard to miss the wall of fire descending on
me.

164 |Page The Hunger Games — Suzanne Collins

My first impulse is to scramble from the tree, but I’m
belted in. Somehow my fumbling fingers release the
buckle and I fall to the ground in a heap, still snarled
in my sleeping bag. There’s no time for any kind of
packing. Fortunately, my backpack and water bottle
are already in the bag. I shove in the belt, hoist the
bag over my shoulder, and flee.

The world has transformed to flame and smoke.
Burning branches crack from trees and fall in
showers of sparks at my feet. All I can do is follow the
others, the rabbits and deer and I even spot a wild
dog pack shooting through the woods. I trust their
sense of direction because their instincts are sharper
than mine. But they are much faster, flying through
the underbrush so gracefully as my boots catch on
roots and fallen tree limbs, that there’s no way I can
keep apace with them.

The heat is horrible, but worse than the heat is the
smoke, which threatens to suffocate me at any
moment. I pull the top of my shirt up over my nose,
grateful to find it soaked in sweat, and it offers a thin
veil of protection. And I run, choking, my bag banging
against my back, my face cut with branches that
materialize from the gray haze without warning,
because I know I am supposed to run.

This was no tribute’s campfire gone out of control, no
accidental occurrence. The flames that bear down on
me have an unnatural height, a uniformity that
marks them as human-made, machine-made,
Gamemaker-made. Things have been too quiet today.
No deaths, perhaps no fights at all. The audience in
the Capitol will be getting bored, claiming that these
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Games are verging on dullness. This is the one thing
the Games must not do.

It’s not hard to follow the Gamemakers’ motivation.
There is the Career pack and then there are the rest
of us, probably spread far and thin across the arena.
This fire is designed to flush us out, to drive us
together. It may not be the most original device I’ve
seen, but it’s very, very effective.

I hurdle over a burning log. Not high enough. The tail
end of my jacket catches on fire and I have to stop to
rip it from my body and stamp out the flames. But I
don’t dare leave the jacket, scorched and smoldering
as it is, I take the risk of shoving it in my sleeping
bag, hoping the lack of air will quell what I haven’t
extinguished. This is all I have, what I carry on my
back, and it’s little enough to survive with.

In a matter of minutes, my throat and nose are
burning. The coughing begins soon after and my
lungs begin to feel as if they are actually being
cooked. Discomfort turns to distress until each breath
sends a searing pain through my chest. I manage to
take cover under a stone outcropping just as the
vomiting begins, and I lose my meager supper and
whatever water has remained in my stomach.
Crouching on my hands and knees, I retch until
there’s nothing left to come up.

I know I need to keep moving, but I’m trembling and
light-headed now, gasping for air. I allow myself about
a spoonful of water to rinse my mouth and spit then
take a few swallows from my bottle. You get one
minute, I tell myself.One minute to rest. I take the
time to reorder my supplies, wad up the sleeping bag,
and messily stuff everything into the backpack. My
minute’s up. I know it’s time to move on, but the
smoke has clouded my thoughts. The swift-footed

166 | Page The Hunger Games — Suzanne Collins

animals that were my compass have left me behind. I
know I haven’t been in this part of the woods before,
there were no sizable rocks like the one I’m sheltering
against on my earlier travels. Where are the
Gamemakers driving me? Back to the lake? Toa
whole new terrain filled with new dangers? I had just
found a few hours of peace at the pond when this
attack began. Would there be any way I could travel
parallel to the fire and work my way back there, to a
source of water at least? The wall of fire must have an
end and it won’t burn indefinitely. Not because the
Gamemakers couldn’t keep it fueled but because,
again, that would invite accusations of boredom from
the audience. If I could get back behind the fire line, I
could avoid meeting up with the Careers. I’ve just
decided to try and loop back around, although it will
require miles of travel away from the inferno and then
a very circuitous route back, when the first fireball
blasts into the rock about two feet from my head. I
spring out from under my ledge, energized by renewed
fear.

The game has taken a twist. The fire was just to get
us moving, now the audience will get to see some real
fun. When I hear the next hiss, I flatten on the
ground, not taking time to look. The fireball hits a
tree off to my left, engulfing it in flames. To remain
still is death. I’m barely on my feet before the third
ball hits the ground where I was lying, sending a
pillar of fire up behind me. Time loses meaning now
as I frantically try to dodge the attacks. I can’t see
where they’re being launched from, but it’s not a
hovercraft. The angles are not extreme enough.
Probably this whole segment of the woods has been
armed with precision launchers that are concealed in
trees or rocks. Somewhere, in a cool and spotless
room, a Gamemaker sits at a set of controls, fingers
on the triggers that could end my life in a second. All
that is needed is a direct hit.

167 | Page The Hunger Games — Suzanne Collins

Whatever vague plan I had conceived regarding
returning to my pond is wiped from my mind as I
zigzag and dive and leap to avoid the fireballs. Each
one is only the size of an apple, but packs
tremendous power on contact. Every sense I have
goes into overdrive as the need to survive takes over.
There’s no time to judge if a move is the correct one.
When there’s a hiss, I act or die.

Something keeps me moving forward, though. A
lifetime of watching the Hunger Games lets me know
that certain areas of the arena are rigged for certain
attacks. And that if I can just get away from this
section, I might be able to move out of reach of the
launchers. I might also then fall straight into a pit of
vipers, but I can’t worry about that now.

How long I scramble along dodging the fireballs I can’t
say, but the attacks finally begin to abate. Which is
good, because I’m retching again. This time it’s an
acidic substance that scalds my throat and makes its
way into my nose as well. I’m forced to stop as my
body convulses, trying desperately to rid itself of the
poisons I’ve been sucking in during the attack. I wait
for the next hiss, the next signal to bolt. It doesn’t
come. The force of the retching has squeezed tears
out of my stinging eyes. My clothes are drenched in
sweat. Somehow, through the smoke and vomit, I
pick up the scent of singed hair. My hand fumbles to
my braid and finds a fireball has seared off at least
six inches of it. Strands of blackened hair crumble in
my fingers. I stare at them, fascinated by the
transformation, when the hissing registers.

My muscles react, only not fast enough this time. The
fireball crashes into the ground at my side, but not
before it skids across my right calf. Seeing my pants
leg on fire sends me over the edge. I twist and scuttle
backward on my hands and feet, shrieking, trying to
168 | Page The Hunger Games — Suzanne Collins

remove myself from the horror. When I finally regain
enough sense, I roll the leg back and forth on the
ground, which stifles the worst of it. But then,
without thinking, I rip away the remaining fabric with
my bare hands.

I sit on the ground, a few yards from the blaze set off
by the fireball. My calf is screaming, my hands
covered in red welts. I’m shaking too hard to move. If
the Gamemakers want to finish me off, now is the
time.

I hear Cinna’s voice, carrying images of rich fabric
and sparkling gems. “Katniss, the girl who was on
fire.” What a good laugh the Gamemakers must be
having over that one. Perhaps, Cinna’s beautiful
costumes have even brought on this particular
torture for me. I know he couldn’t have foreseen this,
must be hurting for me because, in fact, I believe he
cares about me. But all in all, maybe showing up
stark naked in that chariot would have been safer for
me.

The attack is now over. The Gamemakers don’t want
me dead. Not yet anyway. Everyone knows they could
destroy us all within seconds of the opening gong. The
real sport of the Hunger Games is watching the
tributes kill one another. Every so often, they do kill a
tribute just to remind the players they can. But
mostly, they manipulate us into confronting one
another face-to-face. Which means, if I am no longer
being fired at, there is at least one other tribute close
at hand.

I would drag myself into a tree and take cover now if I
could, but the smoke is still thick enough to kill me. I
make myself stand and begin to limp away from the

wall of flames that lights up the sky. It does not seem

169 | Page The Hunger Games — Suzanne Collins

to be pursuing me any longer, except with its stinking
black clouds.

Another light, daylight, begins to softly emerge. Swirls
of smoke catch the sunbeams. My visibility is poor. I
can see maybe fifteen yards in any direction. A tribute
could easily be concealed from me here. I should draw
my knife as a precaution, but I doubt my ability to
hold it for long. The pain in my hands can in no way
compete with that in my calf. I hate burns, have
always hated them, even a small one gotten from
pulling a pan of bread from the oven. It is the worst
kind of pain to me, but I have never experienced
anything like this.

I’m so weary I don’t even notice I’m in the pool until
I’m ankle-deep. It’s spring-fed, bubbling up out of a
crevice in some rocks, and blissfully cool. I plunge my
hands into the shallow water and feel instant relief.
Isn’t that what my mother always says? The first
treatment for a burn is cold water? That it draws out
the heat? But she means minor burns. Probably she’d
recommend it for my hands. But what of my calf?
Although I have not yet had the courage to examine
it, I’m guessing that it’s an injury in a whole different
class.

I lie on my stomach at edge of the pool for a while,
dangling my hands in the water, examining the little
flames on my fingernails that are beginning to chip
off. Good. I’ve had enough fire for a lifetime.

I bathe the blood and ash from my face. I try to recall
all I know about burns. They are common injuries in
the Seam where we cook and heat our homes with
coal. Then there are the mine accidents... . A family
once brought in an unconscious young man pleading
with my mother to help him. The district doctor who’s
responsible for treating the miners had written him

170 | Page The Hunger Games — Suzanne Collins

off, told the family to take him home to die. But they
wouldn’t accept this. He lay on our kitchen table,
senseless to the world. I got a glimpse of the wound
on his thigh, gaping, charred flesh, burned clear
down to the bone, before I ran from the house. I went
to the woods and hunted the entire day, haunted by
the gruesome leg, memories of my father’s death.
What’s funny was, Prim, who’s scared of her own
shadow, stayed and helped. My mother says healers
are born, not made. They did their best, but the man
died, just like the doctor said he would.

My leg is in need of attention, but I still can’t look at
it. What if it’s as bad as the man’s and I can see my
bone? Then I remember my mother saying that ifa
burn’s severe, the victim might not even feel pain
because the nerves would be destroyed. Encouraged
by this, I sit up and swing my leg in front of me.

I almost faint at the sight of my calf. The flesh is a
brilliant red covered with blisters. I force myself to
take deep, slow breaths, feeling quite certain the
cameras are on my face. I can’t show weakness at this
injury. Not if I want help. Pity does not get you aid.
Admiration at your refusal to give in does. I cut the
remains of the pant leg off at the knee and examine
the injury more closely. The burned area is about the
size of my hand. None of the skin is blackened. I
think it’s not too bad to soak. Gingerly I stretch out
my leg into the pool, propping the heel of my boot on
a rock so the leather doesn’t get too sodden, and sigh,
because this does offer some relief. I know there are
herbs, if I could find them, that would speed the
healing, but I can’t quite call them to mind. Water
and time will probably be all I have to work with.

Should I be moving on? The smoke is slowly clearing
but still too heavy to be healthy. If I do continue away
from the fire, won’t I be walking straight into the
171|Page The Hunger Games — Suzanne Collins

weapons of the Careers? Besides, every time I lift my
leg from the water, the pain rebounds so intensely I
have to slide it back in. My hands are slightly less
demanding. They can handle small breaks from the
pool. So I slowly put my gear back in order. First I fill
my bottle with the pool water, treat it, and when
enough time has passed, begin to rehydrate my body.
After a time, I force myself to nibble on a cracker,
which helps settle my stomach. I roll up my sleeping
bag. Except for a few black marks, it’s relatively
unscathed. My jacket’s another matter. Stinking and
scorched, at least a foot of the back beyond repair. I
cut off the damaged area leaving me with a garment
that comes just to the bottom of my ribs. But the
hood’s intact and it’s far better than nothing.

Despite the pain, drowsiness begins to take over. I’d
take to a tree and try to rest, except I’d be too easy to
spot. Besides, abandoning my pool seems impossible.
I neatly arrange my supplies, even settle my pack on
my shoulders, but I can’t seem to leave. I spot some
water plants with edible roots and make a small meal
with my last piece of rabbit. Sip water. Watch the sun
make its slow arc across the sky. Where would I go
anyway that is any safer than here? I lean back on
my pack, overcome by drowsiness. If the Careers
want me, let them find me,I think before drifting into
a stupor. Let them find me.

And find me, they do. It’s lucky I’m ready to move on
because when I hear the feet, I have less than a
minute head start. Evening has begun to fall. The
moment I awake, I’m up and running, splashing
across the pool, flying into the underbrush. My leg
slows me down, but I sense my pursuers are not as
speedy as they were before the fire, either. I hear their
coughs, their raspy voices calling to one another.

172 | Page The Hunger Games — Suzanne Collins

Still, they are closing in, just like a pack of wild dogs,
and so I do what I have done my whole life in such
circumstances. I pick a high tree and begin to climb.
If running hurt, climbing is agonizing because it
requires not only exertion but direct contact of my
hands on the tree bark. I’m fast, though, and by the
time they’ve reached the base of my trunk, I’m twenty
feet up. For a moment, we stop and survey one
another. I hope they can’t hear the pounding of my
heart.

This could be it, I think. What chance do I have
against them? All six are there, the five Careers and
Peeta, and my only consolation is they’re pretty beat-
up, too. Even so, look at their weapons. Look at their
faces, grinning and snarling at me, a sure kill above
them. It seems pretty hopeless. But then something
else registers. They’re bigger and stronger than I am,
no doubt, but they’re also heavier. There’s a reason
it’s me and not Gale who ventures up to pluck the
highest fruit, or rob the most remote bird nests. I
must weigh at least fifty or sixty pounds less than the
smallest Career.

Now I smile. “How’s everything with you?” I call down
cheerfully.

This takes them aback, but I know the crowd will love
it.

“Well enough,” says the boy from District
2.“Yourself?”

“It’s been a bit warm for my taste,” I say. I can almost
hear the laughter from the Capitol. “The air’s better

up here. Why don’t you come on up?”

“Think I will,” says the same boy.

173 |Page The Hunger Games — Suzanne Collins

“Here, take this, Cato,” says the girl from District 1,
and she offers him the silver bow and sheath of
arrows. My bow! My arrows! Just the sight of them
makes me so angry I want to scream, at myself, at
that traitor Peeta for distracting me from having
them. I try to make eye contact with him now, but he
seems to be intentionally avoiding my gaze as he
polishes his knife with the edge of his shirt.

“No,” says Cato, pushing away the bow. “I'll do better
with my sword.” I can see the weapon, a short, heavy
blade at his belt.

I give Cato time to hoist himself into the tree before I
begin to climb again. Gale always says I remind him
of a squirrel the way I can scurry up even the
slenderest limb. Part of it’s my weight, but part of it’s
practice. You have to know where to place your hands
and feet. I’m another thirty feet in the air when I hear
the crack and look down to see Cato flailing as he and
a branch go down. He hits the ground hard and I’m
hoping he possibly broke his neck when he gets back
to his feet, swearing like a fiend.

The girl with the arrows, Glimmer I hear someone call
her — ugh, the names the people in District 1 give
their children are so ridiculous — anyway Glimmer
scales the tree until the branches begin to crack
under her feet and then has the good sense to stop.
I’m at least eighty feet high now. She tries to shoot me
and it’s immediately evident that she’s incompetent
with a bow. One of the arrows gets lodged in the tree
near me though and I’m able to seize it. I wave it
teasingly above her head, as if this was the sole
purpose of retrieving it, when actually I mean to use it
if I ever get the chance. I could kill them, everyone of
them, if those silver weapons were in my hands.

174|Page The Hunger Games — Suzanne Collins

The Careers regroup on the ground and I can hear
them growling conspiratorially among themselves,
furious I have made them look foolish. But twilight
has arrived and their window of attack on me is
closing. Finally, I hear Peeta say harshly, “Oh, let her
stay up there. It’s not like she’s going anywhere. We'll
deal with her in the morning.”

Well, he’s right about one thing. I’m going nowhere.
All the relief from the pool water has gone, leaving me
to feel the full potency of my burns. I scoot down to a
fork in the tree and clumsily prepare for bed. Put on
my jacket. Lay out my sleeping bed. Belt myself in
and try to keep from moaning. The heat of the bag’s
too much for my leg. I cut a slash in the fabric and
hang my calf out in the open air. I drizzle water on
the wound, my hands.

All my bravado is gone. I’m weak from pain and
hunger but can’t bring myself to eat. Even if I can last
the night, what will the morning bring? I stare into
the foliage trying to will myself to rest, but the burns
forbid it. Birds are settling down for the night, singing
lullabies to their young. Night creatures emerge. An
owl hoots. The faint scent of a skunk cuts through
the smoke. The eyes of some animal peer at me from
the neighboring tree— a possum maybe — catching
the firelight from the Careers’torches. Suddenly, I’m
up on one elbow. Those are no possum’s eyes, I know
their glassy reflection too well. In fact, those are not
animal eyes at all. In the last dim rays of light, I make
her out, watching me silently from between the
branches. Rue.

How long has she been here? The whole time
probably. Still and unobserved as the action unfolded
beneath her. Perhaps she headed up her tree shortly
before I did, hearing the pack was so close.

175|Page The Hunger Games — Suzanne Collins

For a while we hold each other’s gaze. Then, without
even rustling a leaf, her little hand slides into the
open and points to something above my head.

176| Page The Hunger Games — Suzanne Collins

Ohapler 1y

My eyes follow the line of her finger up into the foliage
above me. At first, I have no idea what she’s pointing
to, but then, about fifteen feet up, I make out the
vague shape in the dimming light. But of ... of what?
Some sort of animal? It looks about the size of a
raccoon, but it hangs from the bottom of a branch,
swaying ever so slightly. There’s something else.
Among the familiar evening sounds of the woods, my
ears register a low hum. Then I know. It’s a wasp
nest.

Fear shoots through me, but I have enough sense to
keep still. After all, I don’t know what kind of wasp
lives there. It could be the ordinary leave-us-alone-
and-we'll-leave-you-alone type. But these are the
Hunger Games, and ordinary isn’t the norm. More
likely they will be one of the Capitol’s muttations,
tracker jackers. Like the jabberjays, thesekiller wasps
were spawned in a lab and strategically placed, like
land mines, around the districts during the war.
Larger than regular wasps, they have a distinctive
solid gold body and a sting that raises a lump the size
of a plum on contact. Most people can’t tolerate more
than a few stings. Some die at once. If you live, the
hallucinations brought on by the venom have actually
driven people to madness. And there’s another thing,
these wasps will hunt down anyone who disturbs
their nest and attempt to kill them. That’s where the
tracker part of the name comes from.

After the war, the Capitol destroyed all the nests
surrounding their city, but the ones near the districts
were left untouched. Another reminder of our
weakness, I suppose, just like the Hunger Games.
Another reason to keep inside the fence of District 12.
177 |Page The Hunger Games — Suzanne Collins

When Gale and I come across a tracker jacker nest,
we immediately head in the opposite direction.

So is that what hangs above me? I look back to Rue
for help, but she’s melted into her tree.

Given my circumstances, I guess it doesn’t matter
what type of wasp nest it is. ’m wounded and
trapped. Darkness has given me a brief reprieve, but
by the time the sun rises, the Careers will have
formulated a plan to kill me. There’s no way they
could do otherwise after I’ve made them look so
stupid. That nest may be the sole option I have left. If
I can drop it down on them, I may be able to escape.
But [ll risk my life in the process.

Of course, Ill never be able to get in close enough to
the actual nest to cut it free. IIl have to saw off the
branch at the trunk and send the whole thing down.
The serrated portion of my knife should be able to
manage that. But can my hands? And will the
vibration from the sawing raise the swarm? And what
if the Careers figure out what I’m doing and move
their camp? That would defeat the whole purpose.

I realize that the best chance Ill have to do the sawing
without drawing notice will be during the anthem.
That could begin any time. I drag myself out of my
bag, make sure my knife is secured in my belt, and
begin to make my way up the tree. This in itself is
dangerous since the branches are becoming
precariously thin even for me, but I persevere. When I
reach the limb that supports the nest, the humming
becomes more distinctive. But it’s still oddly subdued
if these are tracker jackers.It’s the smoke, I think. It’s
sedated them. This was the one defense the rebels
found to battle the wasps.

178 | Page The Hunger Games — Suzanne Collins

The seal of the Capitol shines above me and the
anthem blares out. It’s now or never, I think, and
begin to saw. Blisters burst on my right hand as I
awkwardly drag the knife back and forth. Once I’ve
got a groove, the work requires less effort but is
almost more than I can handle. I grit my teeth and
saw away occasionally glancing at the sky to register
that there were no deaths today. That’s all right. The
audience will be sated seeing me injured and treed
and the pack below me. But the anthem’s running
out and I’m only three quarters of the way through
the wood when the music ends, the sky goes dark,
and I’m forced to stop.

Now what? I could probably finish off the job by sense
of feel but that may not be the smartest plan. If the
wasps are too groggy, if the nest catches on its way
down, if I try to escape, this could all be a deadly
waste of time. Better, I think, to sneak up here at
dawn and send the nest into my enemies.

In the faint light of the Careers’ torches, I inch back
down to my fork to find the best surprise I’ve ever
had. Sitting on my sleeping bag is a small plastic pot
attached to a silver parachute. My first gift from a
sponsor! Haymitch must have had it sent in during
the anthem. The pot easily fits in the palm of my
hand. What can it be? Not food surely. I unscrew the
lid and I know by the scent that it’s medicine.
Cautiously, I probe the surface of the ointment. The
throbbing in my fingertip vanishes.

“Oh, Haymitch,” I whisper. “Thank you.” He has not
abandoned me. Not left me to fend entirely for myself.
The cost of this medicine must be astronomical.
Probably not one but many sponsors have
contributed to buy this one tiny pot. To me, it is
priceless.

179 | Page The Hunger Games — Suzanne Collins

I dip two fingers in the jar and gently spread the balm
over my calf. The effect is almost magical, erasing the
pain on contact, leaving a pleasant cooling sensation
behind. This is no herbal concoction that my mother
grinds up out of woodland plants, it’s high-tech
medicine brewed up in the Capitol’s labs. When my
calf is treated, I rub a thin layer into my hands. After
wrapping the pot in the parachute, I nestle it safely
away in my pack. Now that the pain has eased, it’s all
I can do to reposition myself in my bag before I plunge
into sleep.

A bird perched just a few feet from me alerts me that
a new day is dawning. In the gray morning light, I
examine my hands. The medicine has transformed all
the angry red patches to a soft baby-skin pink. My leg
still feels inflamed, but that burn was far deeper. I
apply another coat of medicine and quietly pack up
my gear. Whatever happens, I’m going to have to
move and move fast. I also make myself eat a cracker
and a strip of beef and drink a few cups of water.

Almost nothing stayed in my stomach yesterday, and
I’m already starting to feel the effects of hunger.

Below me, I can see the Career pack and Peeta asleep
on the ground. By her position, leaning up against
the trunk of the tree, ld guess Glimmer was
supposed to be on guard, but fatigue overcame her.

My eyes squint as they try to penetrate the tree next
to me, but I can’t make out Rue. Since she tipped me
off, it only seems fair to warn her. Besides, if I’m going
to die today, it’s Rue I want to win. Even if it means a
little extra food for my family, the idea of Peeta being
crowned victor is unbearable.

I call Rue’s name in a hushed whisper and the eyes
appear, wide and alert, at once. She points up to the

180 | Page The Hunger Games — Suzanne Collins

nest again. I hold up my knife and make a sawing
motion. She nods and disappears. There’s a rustling
in a nearby tree. Then the same noise again a bit
farther off. I realize she’s leaping from tree to tree. It’s
all I can do not to laugh out loud. Is this what she
showed the Gamemakers? I imagine her flying around
the training equipment never touching the floor. She
should have gotten at least a ten.

Rosy streaks are breaking through in the east. I can’t
afford to wait any longer. Compared to the agony of
last night’s climb, this one is a cinch. At the tree limb
that holds the nest, I position the knife in the groove
and I’m about to draw the teeth across the wood
when I see something moving. There, on the nest. The
bright gold gleam of a tracker jacker lazily making its
way across the papery gray surface. No question, it’s
acting a little subdued, but the wasp is up and
moving and that means the others will be out soon as
well. Sweat breaks out on the palms of my hands,
beading up through the ointment, and I do my best to
pat them dry on my shirt. If I don’t get through this
branch in a matter of seconds, the entire swarm
could emerge and attack me.

There’s no sense in putting it off. I take a deep breath,
grip the knife handle and bear down as hard as I can.
Back, forth, back, forth! The tracker jackers begin to
buzz and I hear them coming out. Back, forth, back,
forth! A stabbing pain shoots through my knee and I
know one has found me and the others will be honing
in.Back, forth, back, forth. And just as the knife cuts
through, I shove the end of the branch as far away
from me as I can. It crashes down through the lower
branches, snagging temporarily on a few but then
twisting free until it smashes with a thud on the
ground. The nest bursts open like an egg, anda
furious swarm of tracker jackers takes to the air.

181 | Page The Hunger Games — Suzanne Collins

I feel a second sting on the cheek, a third on my neck,
and their venom almost immediately makes me
woozy. I cling to the tree with one arm while I rip the
barbed stingers out of my flesh. Fortunately, only
these three tracker jackers had identified me before
the nest went down. The rest of the insects have
targeted their enemies on the ground.

It’s mayhem. The Careers have woken to a full-scale
tracker jacker attack. Peeta and a few others have the
sense to drop everything and bolt. I can hear cries of
“To the lake! To the lake!” and know they hope to
evade the wasps by taking to the water. It must be
close if they think they can outdistance the furious
insects. Glimmer and another girl, the one from
District 4, are not so lucky. They receive multiple
stings before they’re even out of my view. Glimmer
appears to go completely mad, shrieking and trying to
bat the wasps off with her bow, which is pointless.
She calls to the others for help but, of course, no one
returns. The girl from District 4 staggers out of sight,
although I wouldn’t bet on her making it to the lake. I
watch Glimmer fall, twitch hysterically around on the
ground for a few minutes, and then go still.

The nest is nothing but an empty shell. The wasps
have vanished in pursuit of the others. I don’t think
theyll return, but I don’t want to risk it. I scamper
down the tree and hit the ground running in the
opposite direction of the lake. The poison from the
stingers makes me wobbly, but I find my way back to
my own little pool and submerge myself in the water,
just in case any wasps are still on my trail. After
about five minutes, I drag myself onto the rocks.
People have not exaggerated the effects of the tracker
jacker stings. Actually, the one on my knee is closer
to an orange than a plum in size. A foul-smelling
green liquid oozes from the places where I pulled out
the stingers.

182 | Page The Hunger Games — Suzanne Collins

The swelling. The pain. The ooze. Watching Glimmer
twitching to death on the ground. It’s a lot to handle
before the sun has even cleared the horizon. I don’t
want to think about what Glimmer must look like
now. Her body disfigured. Her swollen fingers
stiffening around the bow ...

The bow! Somewhere in my befuddled mind one
thought connects to another and I’m on my feet,
teetering through the trees back to Glimmer. The
bow. The arrows. I must get them. I haven’t heard the
cannons fire yet, so perhaps Glimmer is in some sort
of coma, her heart still struggling against the wasp
venom. But once it stops and the cannon signals her
death, a hovercraft will move in and retrieve her body,
taking the only bow and sheath of arrows I’ve seen
out of the Games for good. And I refuse to let them
slip through my fingers again!

I reach Glimmer just as the cannon fires. The tracker
jackers have vanished. This girl, so breathtakingly
beautiful in her golden dress the night of the
interviews, is unrecognizable. Her features eradicated,
her limbs three times their normal size. The stinger
lumps have begun to explode, spewing putrid green
liquid around her. I have to break several of what
used to be her fingers with a stone to free the bow.
The sheath of arrows is pinned under her back. I try
to roll over her body by pulling on one arm, but the
flesh disintegrates in my hands and I fall back on the
ground.

Is this real? Or have the hallucinations begun? I
squeeze my eyes tight and try to breathe through my
mouth, ordering myself not to become sick. Breakfast
must stay down, it might be days before I can hunt
again. A second cannon fires and I’m guessing the girl
from District 4 has just died. I hear the birds fall
silent and then one give the warning call, which

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means a hovercraft is about to appear. Confused, I
think it’s for Glimmer, although this doesn’t quite
make sense because I’m still in the picture, still
fighting for the arrows. I lurch back onto my knees
and the trees around me begin to spin in circles. In
the middle of the sky, I spot the hovercraft. I throw
myself over Glimmer’s body as if to protect it but then
I see the girl from District 4 being lifted into the air
and vanishing.

“Do this!” I command myself. Clenching my jaw, I dig
my hands under Glimmer’s body, get a hold on what
must be her rib cage, and force her onto her stomach.
I can’t help it, I’m hyperventilating now, the whole
thing is so nightmarish and I’m losing my grasp on
what’s real. I tug on the silver sheath of arrows, but
it’s caught on something, her shoulder blade,
something, and finally yank it free. I’ve just encircled
the sheath with my arms when I hear the footsteps,
several pairs, coming through the underbrush, and I
realize the Careers have come back. They’ve come
back to kill me or get their weapons or both.

But it’s too late to run. I pull a slimy arrow from the
sheath and try to position it on the bowstring but
instead of one string I see three and the stench from
the stings is so repulsive I can’t do it. I can’t do it. I
can’t do it.

I’m helpless as the first hunter crashes through the
trees, spear lifted, poised to throw. The shock on
Peeta’s face makes no sense to me. I wait for the blow.
Instead his arm drops to his side.

“What are you still doing here?” he hisses at me. I
stare uncomprehendingly as a trickle of water drips
off a sting under his ear. His whole body starts
sparkling as if he’s been dipped in dew. “Are you
mad?” He’s prodding me with the shaft of the spear

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now. “Get up! Get up!” I rise, but he’s still pushing at
me. What? What is going on? He shoves me away
from him hard. “Run!”he screams. “Run!”

Behind him, Cato slashes his way through the brush.
He’s sparkling wet, too, and badly stung under one
eye. I catch the gleam of sunlight on his sword and do
as Peeta says. Holding tightly to my bow and arrows,
banging into trees that appear out of nowhere,
tripping and falling as I try to keep my balance. Back
past my pool and into unfamiliar woods. The world
begins to bend in alarming ways. A butterfly balloons
to the size of a house then shatters into a million
stars. Trees transform to blood and splash down over
my boots. Ants begin to crawl out of the blisters on
my hands and I can’t shake them free. They’re
climbing up my arms, my neck. Someone’s
screaming, a long high pitched scream that never
breaks for breath. I have a vague idea it might be me.
I trip and fall into a small pit lined with tiny orange
bubbles that hum like the tracker jacker nest.
Tucking my knees up to my chin, I wait for death.

Sick and disoriented, I’m able to form only one
thought: Peeta Mellark just saved my life.

Then the ants bore into my eyes and I black out.

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Othapler 15

I enter a nightmare from which I wake repeatedly only
to find a greater terror awaiting me. All the things I
dread most, all the things I dread for others manifest
in such vivid detail I can’t help but believe they’re
real. Each time I wake, I think, At last, this is over,
but it isn’t. It’s only the beginning of a new chapter of
torture. How many ways do I watch Prim die? Relive
my father’s last moments? Feel my own body ripped
apart? This is the nature of the tracker jacker venom,
so carefully created to target the place where fear lives
in your brain.

When I finally do come to my senses, I lie still, waiting
for the next onslaught of imagery. But eventually I
accept that the poison must have finally worked its
way out of my system, leaving my body wracked and
feeble. I’m still lying on my side, locked in the fetal
position. I lift a hand to my eyes to find them sound,
untouched by ants that never existed. Simply
stretching out my limbs requires an enormous effort.
So many parts of me hurt, it doesn’t seem worthwhile
taking inventory of them. Very, very slowly I manage
to sit up. lm in a shallow hole, not filled with the
humming orange bubbles of my hallucination but
with old, dead leaves. My clothing’s damp, but I don’t
know whether pond water, dew, rain, or sweat is the
cause. For a long time, all I can do is take tiny sips
from my bottle and watch a beetle crawl up the side of
a honeysuckle bush.

How long have I been out? It was morning when I lost
reason. Now it’s afternoon. But the stiffness in my
joints suggests more than a day has passed, even two
possibly. If so, lIl have no way of knowing which
tributes survived that tracker jacker attack. Not

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Glimmer or the girl from District 4. But there was the
boy from District 1, both tributes from District 2, and
Peeta. Did they die from the stings? Certainly if they
lived, their last days must have been as horrid as my
own. And what about Rue? She’s so small, it wouldn’t
take much venom to do her in. But then again ... the
tracker jackers would’ve had to catch her, and she
had a good head start.

A foul, rotten taste pervades my mouth, and the water
has little effect on it. I drag myself over to the
honeysuckle bush and pluck a flower. I gently pull
the stamen through the blossom and set the drop of
nectar on my tongue. The sweetness spreads through
my mouth, down my throat, warming my veins with
memories of summer, and my home woods and Gale’s
presence beside me. For some reason, our discussion
from that last morning comes back to me.

“We could do it, you know.”
“What?”

“Leave the district. Run off. Live in the woods. You
and I, we could make it.”

And suddenly, I’m not thinking of Gale but of Peeta
and ... Peeta! He saved my life! I think. Because by
the time we met up, I couldn’t tell what was real and
what the tracker jacker venom had caused me to
imagine. But if he did, and my instincts tell me he
did, what for? Is he simply working the Lover Boy
angle he initiated at the interview? Or was he actually
trying to protect me? And if he was, what was he
doing with those Careers in the first place? None of it
makes sense.

I wonder what Gale made of the incident for a
moment and then I push the whole thing out of my

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mind because for some reason Gale and Peeta do not
coexist well together in my thoughts.

So I focus on the one really good thing that’s
happened since I landed in the arena. I have a bow
and arrows! A full dozen arrows if you count the one I
retrieved in the tree. They bear no trace of the
noxious green slime that came from Glimmer’s body
—which leads me to believe that might not have been
wholly real —but they have a fair amount of dried
blood on them. I can clean them later, but I do take a
minute to shoot a few into a nearby tree. They are
more like the weapons in the Training Center than my
ones at home, but who cares? That I can work with.

The weapons give me an entirely new perspective on
the Games. I know I have tough opponents left to
face. But I am no longer merely prey that runs and
hides or takes desperate measures. If Cato broke
through the trees right now, I wouldn’t flee, I’d shoot.
I find I’m actually anticipating the moment with
pleasure.

But first, I have to get some strength back in my
body. I’m very dehydrated again and my water supply
is dangerously low. The little padding I was able to
put on by gorging myself during prep time in the
Capitol is gone, plus several more pounds as well. My
hip bones and ribs are more prominent than I
remember them being since those awful months after
my father’s death. And then there are my wounds to
contend with — burns, cuts, and bruises from
smashing into the trees, and three tracker jacker
stings, which are as sore and swollen as ever. I treat
my burns with the ointment and try dabbing a bit on
my stings as well, but it has no effect on them. My
mother knew a treatment for them, some type of leaf
that could draw out the poison, but she seldom had

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cause to use it, and I don’t even remember its name
let alone its appearance.

Water first, I think.You can hunt along the way now.
It’s easy to see the direction I came from by the path
of destruction my crazed body made through the
foliage. So I walk off in the other direction, hoping my
enemies still lie locked in the surreal world of tracker
jacker venom.

I can’t move too quickly, my joints reject any abrupt
motions. But I establish the slow hunter’s tread I use
when tracking game. Within a few minutes, I spot a
rabbit and make my first kill with the bow and arrow.
It’s not my usual clean shot through the eye, but Ill
take it. After about an hour, I find a stream, shallow
but wide, and more than sufficient for my needs. The
sun’s hot and severe, so while I wait for my water to
purify I strip down to my underclothes and wade into
the mild current. I’m filthy from head to toe, I try
splashing myself but eventually just lay down in the
water for a few minutes, letting it wash off the soot
and blood and skin that has started to peel off my
burns. After rinsing out my clothes and hanging them
on bushes to dry, I sit on the bank in the sun for a
bit, untangling my hair with my fingers. My appetite
returns and I eat a cracker and a strip of beef. With a
handful of moss, I polish the blood from my silver
weapons.

Refreshed, I treat my burns again, braid back my
hair, and dress in the damp clothes, knowing the sun
will dry them soon enough. Following the stream
against its current seems the smartest course of
action. I’m traveling uphill now, which I prefer, with a
source of fresh water not only for myself but possible
game. I easily take out a strange bird that must be
some form of wild turkey. Anyway, it looks plenty
edible to me. By late afternoon, I decide to build a

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small fire to cook the meat, betting that dusk will help
conceal the smoke and I can quench the fire by
nightfall. I clean the game, taking extra care with the
bird, but there’s nothing alarming about it. Once the
feathers are plucked, it’s no bigger than a chicken,
but it’s plump and firm. I’ve just placed the first lot
over the coals when I hear the twig snap.

In one motion, I turn to the sound, bringing the bow
and arrow to my shoulder. There’s no one there. No
one I can see anyway. Then I spot the tip of a child’s
boot just peeking out from behind the trunk of a tree.
My shoulders relax and I grin. She can move through
the woods like a shadow, you have to give her that.
How else could she have followed me? The words
come out of my mouth before I can stop them.

“You know, they’re not the only ones who can form
alliances,” I say.

For a moment, no response. Then one of Rue’s eyes
edges around the trunk. “You want me for an ally?”

“Why not? You saved me with those tracker jackers.
You’re smart enough to still be alive. And I can’t seem
to shake you anyway,” I say. She blinks at me, trying
to decide. “You hungry?” I can see her swallow hard,
her eye flickering to the meat. “Come on then, I’ve had
two kills today.”

Rue tentatively steps out into the open. “I can fix your
stings.”

“Can you?” I ask. “How?”
She digs in the pack she carries and pulls out a

handful of leaves. Im almost certain they’re the ones
my mother uses.“Where’d you find those?”

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“Just around. We all carry them when we work in the
orchards. They left a lot of nests there,” says Rue.
“There are a lot here, too.”

“That’s right. You’re District Eleven. Agriculture,” I
say. “Orchards, huh? That must be how you can fly
around the trees like you’ve got wings.” Rue smiles.
I’ve landed on one of the few things she’ll admit pride
in. “Well, come on, then. Fix me up.”

I plunk down by the fire and roll up my pant leg to
reveal the sting on my knee. To my surprise, Rue
places the handful of leaves into her mouth and
begins to chew them. My mother would use other
methods, but it’s not like we have a lot of options.
After a minute or so, Rue presses a gloppy green wad
of chewed leaves and spit on my knee.

“Ohhh.” The sound comes out of my mouth before I
can stop it. It’s as if the leaves are actually leaching
the pain right out of the sting.

Rue gives a giggle. “Lucky you had the sense to pull
the stingers out or you’d be a lot worse.”

“Do my neck! Do my cheek!” I almost beg.

Rue stuffs another handful of leaves in her mouth,
and soon I’m laughing because the relief is so sweet. I
notice a long burn on Rue’s forearm. “I’ve got
something for that.” I set aside my weapons and
anoint her arm with the burn medicine.

“You have good sponsors,” she says longingly.

“Have you gotten anything yet?” I ask. She shakes her
head. “You will, though. Watch. The closer we get to
the end, the more people will realize how clever you
are.” I turn the meat over.

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“You weren’t joking, about wanting me for an ally?”
she asks.

“No, I meant it,” I say. I can almost hear Haymitch
groaning as I team up with this wispy child. But I
want her. Because she’s a survivor, and I trust her,
and why not admit it? She reminds me of Prim.

“Okay,” she says, and holds out her hand. We
shake.“It’s a deal.”

Of course, this kind of deal can only be temporary,
but neither of us mentions that.

Rue contributes a big handful of some sort of starchy
root to the meal. Roasted over the fire, they have the
sharp sweet taste of a parsnip. She recognizes the
bird, too, some wild thing they call a groosling in her
district. She says sometimes a flock will wander into
the orchard and they get a decent lunch that day. For
a while, all conversation stops as we fill our
stomachs. The groosling has delicious meal that’s so
fatty, the grease drips down your face when you bite
into it.

“Oh,” says Rue with a sigh. “I’ve never had a whole leg
to myself before.”

I'll bet she hasn’t. IlI bet meat hardly ever comes her
way. “Take the other,” I say.

“Really?” she asks.

“Take whatever you want. Now that I’ve got a bow and
arrows, I can get more. Plus I’ve got snares. I can
show you how to set them,” I say. Rue still looks
uncertainly at the leg. “Oh, take it,” I say, putting the
drumstick in her hands. “It will only keep a few days
anyway, and we’ve got the whole bird plus the

192 | Page The Hunger Games — Suzanne Collins

rabbit.”Once she’s got hold of it, her appetite wins out
and she takes a huge mouthful.

‘Td have thought, in District Eleven, you’d have a bit
more to eat than us. You know, since you grow the
food,” I say.

Rue’s eyes widen. “Oh, no, we’re not allowed to eat
the crops.”

“They arrest you or something?” I ask.

“They whip you and make everyone else watch,” says
Rue.“The mayor’s very strict about it.”

I can tell by her expression that it’s not that
uncommon an occurrence. A public whipping’s a rare
thing in District 12, although occasionally one occurs.
Technically, Gale and I could be whipped on a daily
basis for poaching in the woods — well, technically,
we could get a whole lot worse — except all the
officials buy our meat. Besides, our mayor, Madge’s
father, doesn’t seem to have much taste for such
events. Maybe being the least prestigious, poorest,
most ridiculed district in the country has its
advantages. Such as, being largely ignored by the
Capitol as long as we produce our coal quotas.

“Do you get all the coal you want?” Rue asks.

“No,” I answer. “Just what we buy and whatever we
track in on our boots.”

“They feed us a bit extra during harvest, so that
people can keep going longer,” says Rue.

“Don’t you have to be in school?” I ask.

“Not during harvest. Everyone works then,” says Rue.
193 |Page The Hunger Games — Suzanne Collins

It’s interesting, hearing about her life. We have so
little communication with anyone outside our district.
In fact, I wonder if the Gamemakers are blocking out
our conversation, because even though the
information seems harmless, they don’t want people
in different districts to know about one another.

At Rue’s suggestion, we lay out all our food to plan
ahead. She’s seen most of mine, but I add the last
couple of crackers and beef strips to the pile. She’s
gathered quite a collection of roots, nuts, greens, and
even some berries.

I roll an unfamiliar berry in my fingers. “You sure this
is safe?”

“Oh, yes, we have them back home. I’ve been eating
them for days,” she says, popping a handful in her
mouth. I tentatively bite into one, and it’s as good as
our blackberries. Taking Rue on as an ally seems a
better choice all the time. We divide up our food
supplies, so in case we’re separated, we'll both be set
for a few days. Apart from the food, Rue has a small
water skin, a homemade slingshot, and an extra pair
of socks. She also has a sharp shard of rock she uses
as a knife. “I know it’s not much,”she says as if
embarrassed, “but I had to get away from the
Cornucopia fast.”

“You did just right,” I say. When I spread out my gear,
she gasps a little when she sees the sunglasses.

“How did you get those?” she asks.
“In my pack. They’ve been useless so far. They don’t

block the sun and they make it harder to see,” I say
with a shrug.

194|Page The Hunger Games — Suzanne Collins

“These aren’t for sun, they’re for darkness,” exclaims
Rue. “Sometimes, when we harvest through the night,
they'll pass out a few pairs to those of us highest in
the trees. Where the torchlight doesn’t reach. One
time, this boy Martin, he tried to keep his pair. Hid it
in his pants. They killed him on the spot.”

“They killed a boy for taking these?” I say.

“Yes, and everyone knew he was no danger. Martin
wasn't right in the head. I mean, he still acted like a
three-year-old. He just wanted the glasses to play
with,” says Rue.

Hearing this makes me feel like District 12 is some
sort of safe haven. Of course, people keel over from
starvation all the time, but I can’t imagine the
Peacekeepers murdering a simpleminded child.
There’s a little girl, one of Greasy Sae’s grandkids,
who wanders around the Hob. She’s not quite right,
but she’s treated as a sort of pet. People toss her
scraps and things.

“So what do these do?” I ask Rue, taking the glasses.

“They let you see in complete darkness,” says Rue.
“Try them tonight when the sun goes down.”

I give Rue some matches and she makes sure I have
plenty of leaves in case my stings flare up again. We
extinguish our fire and head upstream until it’s
almost nightfall.

“Where do you sleep?” I ask her. “In the trees?” She
nods. “In just your jacket?”

Rue holds up her extra pair of socks. “I have these for
my hands.”

195|Page The Hunger Games — Suzanne Collins

I think of how cold the nights have been. “You can
share my sleeping bag if you want. We'll both easily
fit.” Her face lights up. I can tell this is more than she
dared hope for.

We pick a fork high in a tree and settle in for the
night just as the anthem begins to play. There were
no deaths today.

“Rue, I only woke up today. How many nights did I
miss?”The anthem should block out our words, but
still I whisper. I even take the precaution of covering
my lips with my hand. I don’t want the audience to
know what I’m planning to tell her about Peeta.
Taking a cue from me, she does the same.

“Two,” she says. “The girls from Districts One and
Four are dead. There’s ten of us left.”

“Something strange happened. At least, I think it did.
It might have been the tracker jacker venom making
me imagine things,” I say. “You know the boy from my
district? Peeta? I think he saved my life. But he was
with the Careers.”

“He’s not with them now,” she says. “I’ve spied on
their base camp by the lake. They made it back before
they collapsed from the stingers. But he’s not there.
Maybe he did save you and had to run.”

I don’t answer. If, in fact, Peeta did save me, I’m in his
debt again. And this can’t be paid back. “If he did, it
was all probably just part of his act. You know, to
make people think he’s in love with me.”

“Oh,” says Rue thoughtfully. “I didn’t think that was
an act.”

196 | Page The Hunger Games — Suzanne Collins

“Course it is,” I say. “He worked it out with our
mentor.” The anthem ends and the sky goes dark.
“Let’s try out these glasses.” I pull out the glasses and
slip them on. Rue wasn’t kidding. I can see everything
from the leaves on the trees to a skunk strolling
through the bushes a good fifty feet away. I could kill
it from here if I had a mind to. I could kill anyone.

“I wonder who else got a pair of these,” I say.

“The Careers have two pairs. But they’ve got
everything down by the lake,” Rue says. “And they’re
so strong.”

“We’re strong, too,” I say. “Just in a different way.”
“You are. You can shoot,” she says. “What can I do?”

“You can feed yourself. Can they?” I ask.

“They don’t need to. They have all those supplies,”
Rue says.

“Say they didn’t. Say the supplies were gone. How
long would they last?” I say. “I mean, it’s the Hunger
Games, right?”

“But, Katniss, they’re not hungry,” says Rue.

“No, they’re not. That’s the problem,” I agree. And for
the first time, I have a plan. A plan that isn’t
motivated by the need for flight and evasion. An
offensive plan. “I think we’re going to have to fix that,
Rue.”

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(OCapler 16

Rue has decided to trust me wholeheartedly. I know
this because as soon as the anthem finishes she
snuggles up against me and falls asleep. Nor do I
have any misgivings about her, as I take no particular
precautions. If she’d wanted me dead, all she would
have had to do was disappear from that tree without
pointing out the tracker jacker nest. Needling me, at
the very back of my mind, is the obvious. Both of us
can’t win these Games. But since the odds are still
against either of us surviving, I manage to ignore the
thought.

Besides, I’m distracted by my latest idea about the
Careers and their supplies. Somehow Rue and I must
find a way to destroy their food. I’m pretty sure
feeding themselves will be a tremendous struggle.
Traditionally, the Career tributes’ strategy is to get
hold of all the food early on and work from there. The
years when they have not protected it well — one year
a pack of hideous reptiles destroyed it, another a
Gamemakers’ flood washed it away — those are
usually the years that tributes from other districts
have won. That the Careers have been better red
growing up is actually to their disadvantage, because
they don’t know how to be hungry. Not the way Rue
and I do.

But I’m too exhausted to begin any detailed plan
tonight. My wounds recovering, my mind still a bit
foggy from the venom, and the warmth of Rue at my
side, her head cradled on my shoulder, have given me
a sense of security. I realize, for the first time, how
very lonely I’ve been in the arena. How comforting the
presence of another human being can be. I give in to
my drowsiness, resolving that tomorrow the tables
198| Page The Hunger Games — Suzanne Collins

will turn. Tomorrow, it’s the Careers who will have to
watch their backs.

The boom of the cannon jolts me awake. The sky’s
streaked with light, the birds already chattering. Rue
perches in a branch across from me, her hands
cupping something. We wait, listening for more shots,
but there aren’t any.

“Who do you think that was?” I can’t help thinking of
Peeta.

“I don’t know. It could have been any of the
others,”says Rue. “I guess we'll know tonight.”

“Who’s left again?” I ask.

“The boy from District One. Both tributes from Two.
The boy from Three. Thresh and me. And you and
Peeta,” says Rue.“That’s eight. Wait, and the boy from
Ten, the one with the bad leg. He makes nine.”

There’s someone else, but neither of us can remember
who it is.

“I wonder how that last one died,” says Rue.

“No telling. But it’s good for us. A death should hold
the crowd for a bit. Maybe we'll have time to do
something before the Gamemakers decide things have
been moving too slowly,” I say.“What’s in your
hands?”

“Breakfast,” says Rue. She holds them out revealing
two big eggs.

“What kind are those?” I ask.

199 | Page The Hunger Games — Suzanne Collins

“Not sure. There’s a marshy area over that way. Some
kind of waterbird,” she says.

Itd be nice to cook them, but neither of us wants to
risk a fire. My guess is the tribute who died today was
a victim of the Careers, which means they’ve
recovered enough to be back in the Games. We each
suck out the insides of an egg, eat a rabbit leg and
some berries. It’s a good breakfast anywhere.

“Ready to do it?” I say, pulling on my pack.

“Do what?” says Rue, but by the way she bounces up,
you can tell she’s up for whatever I propose.

“Today we take out the Careers’ food,” I say.

“Really? How?” You can see the glint of excitement in
her eyes. In this way, she’s exactly the opposite of
Prim for whom adventures are an ordeal.

“No idea. Come on, we'll figure out a plan while we
hunt,” I say.

We don’t get much hunting done though because I’m
too busy getting every scrap of information I can out
of Rue about the Careers’ base. She’s only been in to
spy on them briefly, but she’s observant. They have
set up their camp beside the lake. Their supply stash
is about thirty yards away. During the day, they’ve
been leaving another tribute, the boy from District 3,
to watch over the supplies.

“The boy from District Three?” I ask. “He’s working
with them?”

“Yes, he stays at the camp full-time. He got stung,
too, when they drew the tracker jackers in by the

200 | Page The Hunger Games — Suzanne Collins

lake,” says Rue. “I guess they agreed to let him live if
he acted as their guard. But he’s not very big.”

“What weapons does he have?” I ask.

“Not much that I could see. A spear. He might be able
to hold a few of us off with that, but Thresh could kill
him easily,”says Rue.

“And the food’s just out in the open?” I say. She
nods.“Something’s not quite right about that whole
setup.”

“I know. But I couldn’t tell what exactly,” says
Rue.“Katniss, even if you could get to the food, how
would you get rid of it?”

“Burn it. Dump it in the lake. Soak it in fuel.” I poke
Rue in the belly, just like I would Prim. “Eat it!” She
giggles.“Don’t worry, IIl think of something.
Destroying things is much easier than making them.”

For a while, we dig roots, we gather berries and
greens, we devise a strategy in hushed voices. And I
come to know Rue, the oldest of six kids, fiercely
protective of her siblings, who gives her rations to the
younger ones, who forages in the meadows ina
district where the Peacekeepers are far less obliging
than ours. Rue, who when you ask her what she loves
most in the world, replies, of all things, “Music.”

“Music?” I say. In our world, I rank music somewhere
between hair ribbons and rainbows in terms of
usefulness. At least a rainbow gives you a tip about
the weather. “You have a lot of time for that?”

“We sing at home. At work, too. That’s why I love your
pin,” she says, pointing to the mockingjay that I’ve
again forgotten about.

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“You have mockingjays?” I ask.

“Oh, yes. I have a few that are my special friends. We
can sing back and forth for hours. They carry
messages for me,” she says.

“What do you mean?” I say.

‘Tm usually up highest, so I’m the first to see the flag
that signals quitting time. There’s a special little song
I do,” says Rue. She opens her mouth and sings a
little four-note run in a sweet, clear voice. “And the
mockingjays spread it around the orchard. That’s how
everyone knows to knock off,” she continues.“They
can be dangerous though, if you get too near their
nests. But you can’t blame them for that.”

I unclasp the pin and hold it out to her. “Here, you
take it. It has more meaning for you than me.”

“Oh, no,” says Rue, closing my fingers back over the
pin. “I like to see it on you. That’s how I decided I
could trust you. Besides, I have this.” She pulls a
necklace woven out of some kind of grass from her
shirt. On it, hangs a roughly carved wooden star. Or
maybe it’s a flower. “It’s a good luck charm.”

“Well, it’s worked so far,” I say, pinning the
mockingjay back on my shirt. “Maybe you should just
stick with that.”

By lunch, we have a plan. By early afternoon, we are
poised to carry it out. I help Rue collect and place the
wood for the first two campfires, the third she’ll have
time for on her own. We decide to meet afterward at
the site where we ate our first meal together. The
stream should help guide me back to it. Before I
leave, I make sure Rue’s well stocked with food and

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matches. I even insist she take my sleeping bag, in
case it’s not possible to rendezvous by nightfall.

“What about you? Won’t you be cold?” she asks.

“Not if I pick up another bag down by the lake,” I
say.“You know, stealing isn’t illegal here,” I say with a
grin.

At the last minute, Rue decides to teach me her
mockingjay signal, the one she gives to indicate the
day’s work is done. “It might not work. But if you hear
the mockingjays singing it, you'll know I’m okay, only
I can’t get back right away.”

“Are there many mockingjays here?” I ask.

“Haven’t you seen them? They’ve got nests
everywhere,”she says. I have to admit I haven’t
noticed.

“Okay, then. If all goes according to plan, lll see you
for dinner,” I say.

Unexpectedly, Rue throws her arms around me. I only
hesitate a moment before I hug her back.

“You be careful,” she says to me.

“You, too,” I say. I turn and head back to the stream,
feeling somehow worried. About Rue being killed,
about Rue not being killed and the two of us being left
for last, about leaving Rue alone, about leaving Prim
alone back home. No, Prim has my mother and Gale
and a baker who has promised she won't go hungry.
Rue has only me.

Once I reach the stream, I have only to follow it
downhill to the place I initially picked it up after the

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tracker jacker attack. I have to be cautious as I move
along the water though, because I find my thoughts
preoccupied with unanswered questions, most of
which concern Peeta. The cannon that fired early this
morning, did that signify his death? If so, how did he
die? At the hand of a Career? And was that in revenge
for letting me live? I struggle again to remember that
moment over Glimmer’s body, when he burst through
the trees. But just the fact that he was sparkling
leads me to doubt everything that happened.

I must have been moving very slowly yesterday
because I reach the shallow stretch where I took my
bath in just a few hours. I stop to replenish my water
and add a layer of mud to my backpack. It seems
bent on reverting to orange no matter how many
times I cover it.

My proximity to the Careers’ camp sharpens my
senses, and the closer I get to them, the more
guarded I am, pausing frequently to listen for
unnatural sounds, an arrow already fitted into the
string of my bow. I don’t see any other tributes, but I
do notice some of the things Rue has mentioned.
Patches of the sweet berries. A bush with the leaves
that healed my stings. Clusters of tracker jacker nests
in the vicinity of the tree I was trapped in. And here
and there, the black-and-white flash of a mockingjay
wing in the branches high over my head.

When I reach the tree with the abandoned nest at the
foot, I pause a moment, to gather my courage. Rue
has given specific instructions on how to reach the
best spying place near the lake from this point.
Remember,! tell myself. You’re the hunter now, not
them.I get a firmer grasp on my bow and go on. I
make it to the copse Rue has told me about and again
have to admire her cleverness. It’s right at the edge of
the wood, but the bushy foliage is so thick down low I

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can easily observe the Career camp without being
spotted. Between us lies the flat expanse where the
Games began.

There are four tributes. The boy from District 1, Cato
and the girl from District 2, and a scrawny, ashen-
skinned boy who must be from District 3. He made
almost no impression on me at all during our time in
the Capitol. I can remember almost nothing about
him, not his costume, not his training score, not his
interview. Even now, as he sits there fiddling with
some kind of plastic box, he’s easily ignored in the
presence of his large and domineering companions.
But he must be of some value or they wouldn’t have
bothered to let him live. Still, seeing him only adds to
my sense of unease over why the Careers would
possibly leave him as a guard, why they have allowed
him to live at all.

All four tributes seem to still be recovering from the
tracker jacker attack. Even from here, I can see the
large swollen lumps on their bodies. They must not
have had the sense to remove the stingers, or if they
did, not known about the leaves that healed them.
Apparently, whatever medicines they found in the
Cornucopia have been ineffective.

The Cornucopia sits in its original position, but its
insides have been picked clean. Most of the supplies,
held in crates, burlap sacks, and plastic bins, are
piled neatly in a pyramid in what seems a
questionable distance from the camp. Others are
sprinkled around the perimeter of the pyramid,
almost mimicking the layout of supplies around the
Cornucopia at the onset of the Games. A canopy of
netting that, aside from discouraging birds, seems to
be useless shelters the pyramid itself.

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The whole setup is completely perplexing. The
distance, the netting, and the presence of the boy
from District 3. One thing’s for sure, destroying those
supplies is not going to be as simple as it looks. Some
other factor is at play here, and I’d better stay put
until I figure out what it is. My guess is the pyramid
is booby-trapped in some manner. I think of
concealed pits, descending nets, a thread that when
broken sends a poisonous dart into your heart.
Really, the possibilities are endless.

While I am mulling over my options, I hear Cato shout
out. He’s pointing up to the woods, far beyond me,
and without turning I know that Rue must have set
the first campfire. We’d made sure to gather enough
green wood to make the smoke noticeable. The
Careers begin to arm themselves at once.

An argument breaks out. It’s loud enough for me to
hear that it concerns whether or not the boy from
District 3 should stay or accompany them.

“He’s coming. We need him in the woods, and his
job’s done here anyway. No one can touch those
supplies,” says Cato.

“What about Lover Boy?” says the boy from District 1.

“I keep telling you, forget about him. I know where I
cut him. It’s a miracle he hasn’t bled to death yet. At
any rate, he’s in no shape to raid us,” says Cato.

So Peeta is out there in the woods, wounded badly.
But I am still in the dark on what motivated him to
betray the Careers.

“Come on,” says Cato. He thrusts a spear into the
hands of the boy from District 3, and they head off in
the direction of the fire. The last thing I hear as they

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enter the woods is Cato saying, “When we find her, I
kill her in my own way, and no one interferes.”

Somehow I don’t think he’s talking about Rue. She
didn’t drop a nest of tracker jackers on him.

I stay put for a half an hour or so, trying to figure out
what to do about the supplies. The one advantage I
have with the bow and arrow is distance. I could send
a flaming arrow into the pyramid easily enough — I’m
a good enough shot to get it through those openings
in the net — but there’s no guarantee it would catch.
More likely it’d just burn itself out and then what? Pd
have achieved nothing and given them far too much
information about myself. That I was here, that I have
an accomplice, that I can use the bow and arrow with
accuracy.

There’s no alternative. I’m going to have to get in
closer and see if I can’t discover what exactly protects
the supplies. In fact, I’m just about to reveal myself
when a movement catches my eye. Several hundred
yards to my right, I see someone emerge from the
woods. For a second, I think it’s Rue, but then I
recognize Foxface — she’s the one we couldn’t
remember this morning— creeping out onto the plain.
When she decides it’s safe, she runs for the pyramid,
with quick, small steps. Just before she reaches the
circle of supplies that have been littered around the
pyramid, she stops, searches the ground, and
carefully places her feet on a spot. Then she begins to
approach the pyramid with strange little hops,
sometimes landing on one foot, teetering slightly,
sometimes risking a few steps. At one point, she
launches up in the air, over a small barrel and lands
poised on her tiptoes. But she overshot slightly, and
her momentum throws her forward. I hear her give a
sharp squeal as her hands hit the ground, but
nothing happens. In a moment, she’s regained her
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feet and continues until she has reached the bulk of
the supplies.

So, I’m right about the booby trap, but it’s clearly
more complex than I had imagined. I was right about
the girl, too. How wily is she to have discovered this
path into the food and to be able to replicate it so
neatly? She fills her pack, taking a few items from a
variety of containers, crackers from a crate, a handful
of apples from a burlap sack that hangs suspended
from a rope off the side of a bin. But only a handful
from each, not enough to tip off that the food is
missing. Not enough to cause suspicion. And then
she’s doing her odd little dance back out of the circle
and scampering into the woods again, safe and
sound.

I realize I’m grinding my teeth in frustration. Foxface
has confirmed what I’d already guessed. But what
sort of trap have they laid that requires such
dexterity? Has so many trigger points? Why did she
squeal so as her hands made contact with the earth?
You’d have thought ... and slowly it begins to dawn on
me ... you’d have thought the very ground was going
to explode.

“It’s mined,” I whisper. That explains everything. The
Careers’ willingness to leave their supplies, Foxface’s
reaction, the involvement of the boy from District 3,
where they have the factories, where they make
televisions and automobiles and explosives. But
where did he get them? In the supplies? That’s not
the sort of weapon the Gamemakers usually provide,
given that they like to see the tributes draw blood
personally. I slip out of the bushes and cross to one of
the round metal plates that lifted the tributes into the
arena. The ground around it has been dug up and
patted back down. The land mines were disabled after
the sixty seconds we stood on the plates, but the boy

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from District 3 must have managed to reactivate
them. I’ve never seen anyone in the Games do that. I
bet it came as a shock even to the Gamemakers.

Well, hurray for the boy from District 3 for putting
one over on them, but what am I supposed to do
now? Obviously, I can’t go strolling into that mess
without blowing myself sky-high. As for sending in a
burning arrow, that’s more laughable than ever. The
mines are set off by pressure. It doesn’t have to be a
lot, either. One year, a girl dropped her token, a small
wooden ball, while she was at her plate, and they
literally had to scrape bits of her off the ground.

My arm’s pretty good, I might be able to chuck some
rocks in there and set off what? Maybe one mine?
That could start a chain reaction. Or could it? Would
the boy from District 3 have placed the mines in such
a way that a single mine would not disturb the
others? Thereby protecting the supplies but ensuring
the death of the invader. Even if I only blew up one
mine, I’d draw the Careers back down on me for sure.
And anyway, what am I thinking? There’s that net,
clearly strung to deflect any such attack. Besides,
what I'd really need is to throw about thirty rocks in
there at once, setting off a big chain reaction,
demolishing the whole lot.

I glance back up at the woods. The smoke from Rue’s
second fire is wafting toward the sky. By now, the
Careers have probably begun to suspect some sort of
trick. Time is running out.

There is a solution to this, I know there is, if I can
only focus hard enough. I stare at the pyramid, the
bins, the crates, too heavy to topple over with an
arrow. Maybe one contains cooking oil, and the
burning arrow idea is reviving when I realize I could
end up losing all twelve of my arrows and not get a
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direct hit on an oil bin, since I’d just be guessing. I’m
genuinely thinking of trying to re-create Foxface’s trip
up to the pyramid in hopes of finding a new means of
destruction when my eyes light on the burlap bag of
apples. I could sever the rope in one shot, didn’t I do
as much in the Training Center? It’s a big bag, but it
still might only be good for one explosion. If only I
could free the apples themselves ...

I know what to do. I move into range and give myself
three arrows to get the job done. I place my feet
carefully, block out the rest of the world as I take
meticulous aim, The first arrow tears through the side
of the bag near the top, leaving a split in the burlap.
The second widens it to a gaping hole. I can see the
first apple teetering when I let the third arrow go,
catching the torn flap of burlap and ripping it from
the bag.

For a moment, everything seems frozen in time. Then

the apples spill to the ground and I’m blown
backward into the air.

210 | Page The Hunger Games — Suzanne Collins

The impact with the hard-packed earth of the plain
knocks the wind out of me. My backpack does little to
soften the blow. Fortunately my quiver has caught in
the crook of my elbow, sparing both itself and my
shoulder, and my bow is locked in my grasp. The
ground still shakes with explosions. I can’t hear them.
I can’t hear anything at the moment. But the apples
must have set off enough mines, causing debris to
activate the others. I manage to shield my face with
my arms as shattered bits of matter, some of it
burning, rain down around me. An acrid smoke fills
the air, which is not the best remedy for someone
trying to regain the ability to breathe.

After about a minute, the ground stops vibrating. I
roll on my side and allow myself a moment of
satisfaction the sight of the smoldering wreckage that
was recently the pyramid. The Careers aren’t likely to
salvage anything out of that.

I'd better get out of here, I think.They’ll be making a
beeline for the place. But once I’m on my feet, I realize
escape may not be so simple. I’m dizzy. Not the
slightly wobbly kind, but the kind that sends the
trees swooping around you and causes the earth to
move in waves under your feet.

I take a few steps and somehow wind up on my hands
and knees. I wait a few minutes to let it pass, but it
doesn’t.

Panic begins to set in. I can’t stay here. Flight is
essential. But I can neither walk nor hear. I place a
hand to my left ear, the one that was turned toward
the blast, and it comes away bloody. Have I gone deaf
211| Page The Hunger Games — Suzanne Collins

from the explosion? The idea frightens me. I rely as
much on my ears as my eyes as a hunter, maybe
more at times. But I can’t let my fear show.
Absolutely, positively, I am live on every screen in
Panem.

No blood trails, I tell myself, and manage to pull my
hood up over my head, tie the cord under my chin
with uncooperative fingers. That should help soak up
the blood. I can’t walk, but can I crawl? I move
forward tentatively. Yes, if I go very slowly, I can
crawl. Most of the woods will offer insufficient cover.
My only hope is to make it back to Rue’s copse and
conceal myself in greenery. I can’t get caught out here
on my hands and knees in the open. Not only will I
face death, it’s sure to be a long and painful one at
Cato’s hand. The thought of Prim having to watch
that keeps me doggedly inching my way toward the
hideout.

Another blast knocks me flat on my face. A stray
mine, set off by some collapsing crate. This happens
twice more. I’m reminded of those last few kernels
that burst when Prim and I pop corn over the fire at
home.

To say I make it in the nick of time is an
understatement. I have literally just dragged myself
into the tangle of hushes at the base of the trees
when there’s Cato, barreling onto the plain, soon
followed by his companions. His rage is so extreme it
might be comical — so people really do tear out their
hair and beat the ground with their fists — if I didn’t
know that it was aimed at me, at what I have done to
him. Add to that my proximity, my inability to run or
defend myself, and in fact, the whole thing has me
terrified. Pm glad my hiding place makes it impossible
for the cameras to get a close shot of me because I’m
biting my nails like there’s no tomorrow. Gnawing off
212 |Page The Hunger Games — Suzanne Collins

the last bits of nail polish, trying to keep my teeth
from chattering.

The boy from District 3 throws stones into the ruins
and must have declared all the mines activated
because the Careers are approaching the wreckage.

Cato has finished the first phase of his tantrum and
takes out his anger on the smoking remains by
kicking open various containers. The other tributes
are poking around in the mess, looking for anything
to salvage, but there’s nothing. The boy from District
3 has done his job too well. This idea must occur to
Cato, too, because he turns on the boy and appears
to be shouting at him. The boy from District 3 only
has time to turn and run before Cato catches him ina
headlock from behind. I can see the muscles ripple in
Cato’s arms as he sharply jerks the boy’s head to the
side.

It’s that quick. The death of the boy from District 3.

The other two Careers seem to be trying to calm Cato
down. I can tell he wants to return to the woods, but
they keep pointing at the sky, which puzzles me until
I realize, Of course. They think whoever set off the
explosions is dead.

They don’t know about the arrows and the apples.
They assume the booby trap was faulty, but that the
tribute who blew up the supplies was killed doing it. If
there was a cannon shot, it could have been easily
lost in the subsequent explosions. The shattered
remains of the thief removed by hovercraft. They

retire to the far side of the lake to allow the
Gamemakers to retrieve the body of the boy from
District 3. And they wait.

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I suppose a cannon goes off. A hovercraft appears and
takes the dead boy. The sun dips below the horizon.
Night falls. Up in the sky, I see the seal and know the
anthem must have begun. A moment of darkness.
They show the boy from District 3. They show the boy
from District 10, who must have died this morning.
Then the seal reappears. So, now they know. The
bomber survived. In the seal’s light, I can see Cato
and the girl from District 2 put on their night-vision
glasses. The boy from District 1 ignites a tree branch
for a torch, illuminating the grim determination on all
their faces. The Careers stride back into the woods to
hunt.

The dizziness has subsided and while my left ear is
still deafened, I can hear a ringing in my right, which
seems a good sign. There’s no point in leaving my
hiding place, though. I’m about as safe as I can be,
here at the crime scene. They probably think the
bomber has a two- or three-hour lead on them. Still
it’s a long time before I risk moving.

The first thing I do is dig out my own glasses and put
them on, which relaxes me a little, to have at least
one of my hunter’s senses working. I drink some
water and wash the blood from my ear. Fearing the
smell of meat will draw unwanted predators —fresh
blood is bad enough — I make a good meal out of the
greens and roots and berries Rue and I gathered
today.

Where is my little ally? Did she make it back to the
rendezvous point? Is she worried about me? At least,
the sky has shown we're both alive.

I run through the surviving tributes on my fingers.
The boy from 1, both from 2, Foxface, both from 11
and 12. Just eight of us. The betting must be getting
really hot in the Capitol. They'll be doing special
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features on each of us now. Probably interviewing our
friends and families. It’s been a long time since a
tribute from District 12 made it into the top eight.
And now there are two of us. Although from what
Cato said, Peeta’s on his way out. Not that Cato is the
final word on anything. Didn’t he just lose his entire
stash of supplies?

Let the Seventy-fourth Hunger Games begin, Cato, I
think. Let them begin for real.

A cold breeze has sprung up. I reach for my sleeping
bag before I remember I left it with Rue. I was
supposed to pick up another one, but what with the
mines and all, I forgot. I begin to shiver. Since
roosting overnight in a tree isn’t sensible anyway, I
scoop out a hollow under the bushes and cover
myself with leaves and pine needles. I’m still freezing.
I lay my sheet of plastic over my upper body and
position my backpack to block the wind. It’s a little
better. I begin to have more sympathy for the girl from
District 8 that lit the fire that first night. But now it’s
me who needs to grit my teeth and tough it out until
morning. More leaves, more pine needles. I pull my
arms inside my jacket and tuck my knees up to my
chest. Somehow, I drift off to sleep.

When I open my eyes, the world looks slightly
fractured, and it takes a minute to realize that the
sun must be well up and the glasses fragmenting my
vision. As I sit up and remove them, I hear a laugh
somewhere near the lake and freeze. The laugh’s
distorted, but the fact that it registered at all means I
must be regaining my hearing. Yes, my right ear can
hear again, although it’s still ringing. As for my left
ear, well, at least the bleeding has stopped.

I peer through the bushes, afraid the Careers have
returned, trapping me here for an indefinite time. No,

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it’s Foxface, standing in the rubble of the pyramid
and laughing. She’s smarter than the Careers,
actually finding a few useful items in the ashes. A
metal pot. A knife blade. I’m perplexed by her
amusement until I realize that with the Careers’
stores eliminated, she might actually stand a chance.
Just like the rest of us. It crosses my mind to reveal
myself and enlist her as a second ally against that
pack. But I rule it out. There’s something about that
sly grin that makes me sure that befriending Foxface
would ultimately get me a knife in the back. With that
in mind, this might be an excellent time to shoot her.
But she’s heard something, not me, because her head
turns away, toward the drop-off, and she sprints for
the woods. I wait. No one, nothing shows up. Still, if
Foxface thought it was dangerous, maybe it’s time for
me to get out of here, too. Besides, I’m eager to tell
Rue about the pyramid.

Since I’ve no idea where the Careers are, the route
back by the stream seems as good as any. I hurry,
loaded bow in one hand, a hunk of cold groosling in
the other, because I’m famished now, and not just for
leaves and berries but for the fat and protein in the
meat. The trip to the stream is uneventful. Once
there, I refill my water and wash, taking particular
care with my injured ear. Then I travel uphill using
the stream as a guide. At one point, I find boot prints
in the mud along the bank. The Careers have been
here, but not for a while. The prints are deep because
they were made in soft mud, but now they’re nearly
dry in the hot sun. I haven’t been careful enough
about my own tracks, counting on a light tread and
the pine needles to conceal my prints. Now I strip off
my boots and socks and go barefoot up the bed of the
stream.

The cool water has an invigorating effect on my body,
my spirits. I shoot two fish, easy pickings in this slow-
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moving stream, and go ahead and eat one raw even
though I’ve just had the groosling. The second I'll save
for Rue.

Gradually, subtly, the ringing in my right ear
diminishes until it’s gone entirely. I find myself
pawing at my left ear periodically, trying to clean
away whatever deadens its ability to collect sounds. If
there’s improvement, it’s undetectable. I can’t adjust
to deafness in the ear. It makes me feel off-balanced
and defenseless to my left. Blind even. My head keeps
turning to the injured side, as my right ear tries to
compensate for the wall of nothingness where
yesterday there was a constant flow of information.
The more time that passes, the less hopeful I am that
this is an injury that will heal.

When I reach the site of our first meeting, I feel
certain it’s been undisturbed. There’s no sign of Rue,
not on the ground or in the trees. This is odd. By now
she should have returned, as it’s midday.
Undoubtedly, she spent the night in a tree
somewhere. What else could she do with no light and
the Careers with their night-vision glasses tramping
around the woods. And the third fire she was
supposed to set — although I forgot to check for it
last night — was the farthest from our site of all.
She’s probably just being cautious about making her
way back. I wish she’d hurry, because I don’t want to
hang around here too long. I want to spend the
afternoon traveling to higher ground, hunting as we
go. But there’s nothing really for me to do but wait.

I wash the blood out of my jacket and hair and clean
my ever-growing list of wounds. The burns are much
better but I use a bit of medicine on them anyway.
The main thing to worry about now is keeping out
infection. I go ahead and eat the second fish. It isn’t
going to last long in this hot sun, but it should be

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easy enough to spear a few more for Rue. If she would
just show up.

Feeling too vulnerable on the ground with my
lopsided hearing, I scale a tree to wait. If the Careers
show up, this will be a fine place to shoot them from.
The sun moves slowly. I do things to pass the time.
Chew leaves and apply them to my stings that are
deflated but still tender. Comb through my damp hair
with my fingers and braid it. Lace my boots back up.
Check over my bow and remaining nine arrows. Test
my left ear repeatedly for signs of life by rustling a leaf
near it, but without good results.

Despite the groosling and the fish, my stomach’s
growling, and I know I’m going to have what we calla
hollow day back in District 12. That’s a day where no
matter what you put in your belly, it’s never enough.
Having nothing to do but sit in a tree makes it worse,
so I decide to give into it. After all, I’ve lost a lot of
weight in the arena, I need some extra calories. And
having the bow and arrows makes me far more
confident about my future prospects.

I slowly peel and eat a handful of nuts. My last
cracker. The groosling neck. That’s good because it
takes time to pick clean. Finally, a groosling wing and
the bird is history. But it’s a hollow day, and even
with all that I start daydreaming about food.
Particularly the decadent dishes served in the Capitol.
The chicken in creamy orange sauce. The cakes and
pudding. Bread with butter. Noodles in green sauce.
The lamb and dried plum stew. I suck on a few mint
leaves and tell myself to get over it. Mint is good
because we drink mint tea after supper often, so it
tricks my stomach into thinking eating time is over.
Sort of.

218 | Page The Hunger Games — Suzanne Collins

Dangling up in the tree, with the sun warming me, a
mouthful of mint, my bow and arrows at hand ... this
is the most relaxed I’ve been since I’ve entered the
arena. If only Rue would show up, and we could clear
out. As the shadows grow, so does my restlessness.
By late afternoon, I’ve resolved to go looking for her. I
can at least visit the spot where she set the third fire
and see if there are any clues to her whereabouts.

Before I go, I scatter a few mint leaves around our old
campfire. Since we gathered these some distance
away, Rue will understand I’ve been here, while they'll
mean nothing to the Careers.

In less than an hour, I’m at the place where we agreed
to have the third fire and I know something has gone
amiss. The wood has been neatly arranged, expertly
interspersed with tinder, but it has never been lit.

Rue set up the fire but never made it back here.
Somewhere between the second column of smoke I
spied before I blew up the supplies and this point, she
ran into trouble.

I have to remind myself she’s still alive. Or is she?
Could the cannon shot announcing her death have
come in the wee hours of the morning when even my
good ear was too broken to pick it up? Will she
appear in the sky tonight? No, I refuse to believe it.
There could be a hundred other explanations. She
could have lost her way. Run into a pack of predators
or another tribute, like Thresh, and had to hide.
Whatever happened, I’m almost certain she’s stuck
out there, somewhere between the second fire and the
unlit one at my feet. Something is keeping her up a
tree.

I think TIl go hunt it down.

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It’s a relief to be doing something after sitting around
all afternoon. I creep silently through the shadows,
letting them conceal me. But nothing seems
suspicious. There’s no sign of any kind of struggle, no
disruption of the needles on the ground. I’ve stopped
for just a moment when I hear it. I have to cock my
head around to the side to be sure, but there it is
again. Rue’s four-note tune coming out of a
mockingjay’s mouth. The one that means she’s all
right.

I grin and move in the direction of the bird. Another
just a short distance ahead, picks up on the handful
of notes. Rue has been singing to them, and recently.
Otherwise they’d have taken up some other song. My
eyes lift up into the trees, searching for a sign of her. I
swallow and sing softly back, hoping she'll know it’s
safe to join me. A mockingjay repeats the melody to
me. And that’s when I hear the scream.

It’s a child’s scream, a young girl’s scream, there’s no
one in the arena capable of making that sound except
Rue. And now I’m running, knowing this may be a
trap, knowing the three Careers may be poised to
attack me, but I can’t help myself. There’s another
high-pitched cry, this time my name. “Katniss!
Katniss!”

“Rue!” I shout back, so she knows I’m near. So, they
know I’m near, and hopefully the girl who has
attacked them with tracker jackers and gotten an
eleven they still can’t explain will be enough to pull
their attention away from her. “Rue! I’m coming!”

When I break into the clearing, she’s on the ground,
hopelessly entangled in a net. She just has time to
reach her hand through the mesh and say my name
before the spear enters her body.

220 | Page The Hunger Games — Suzanne Collins

(Oapler 1g

The boy from District 1 dies before he can pull out the
spear. My arrow drives deeply into the center of his
neck. He falls to his knees and halves the brief
remainder of his life by yanking out the arrow and
drowning in his own blood. I’m reloaded, shifting my
aim from side to side, while I shout at Rue, “Are there
more? Are there more?”

She has to say no several times before I hear it. Rue
has rolled to her side, her body curved in and around
the spear. I shove the boy away from her and pull out
my knife, freeing her from the net. One look at the
wound and I know it’s far beyond my capacity to heal,
beyond anyone’s probably. The spearhead is buried
up to the shaft in her stomach. I crouch before her,
staring helplessly at the embedded weapon. There’s
no point in comforting words, in telling her she'll be
all right. She’s no fool. Her hand reaches out and I
clutch it like a lifeline. As if it’s me who’s dying
instead of Rue.

“You blew up the food?” she whispers.

“Every last bit,” I say.

“You have to win,” she says.

“Tm going to. Going to win for both of us now,” I
promise. I hear a cannon and look up. It must be for

the boy from District 1.

“Don’t go.” Rue tightens her grip on my hand.

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“Course not. Staying right here,” I say. I move in
closer to her, pulling her head onto my lap. I gently
brush the dark, thick hair back behind her ear.

“Sing,” she says, but I barely catch the word.

Sing? I think. Sing what?I do know a few songs.
Believe it or not, there was once music in my house,
too. Music I helped make. My father pulled me in with
that remarkable voice — but I haven’t sung much
since he died. Except when Prim is very sick. Then I
sing her the same songs she liked as a baby.

Sing. My throat is tight with tears, hoarse from smoke
and fatigue. But if this is Prim’s, I mean, Rue’s last
request, I have to at least try. The song that comes to
me is a simple lullaby, one we sing fretful, hungry
babies to sleep with, It’s old, very old I think. Made up
long ago in our hills. What my music teacher calls a
mountain air. But the words are easy and soothing,
promising tomorrow will be more hopeful than this
awful piece of time we call today.

I give a small cough, swallow hard, and begin:
Deep in the meadow, under the willow

A bed of grass, a soft green pillow

Lay down your head, and close your sleepy eyes
And when again they open, the sun will rise.
Here it’s safe, here it’s warm

Here the daisies guard you from every harm

Here your dreams are sweet and tomorrow brings
them true

222 | Page The Hunger Games — Suzanne Collins

Here is the place where I love you.

Rue’s eyes have fluttered shut. Her chest moves but
only slightly. My throat releases the tears and they
slide down my cheeks. But I have to finish the song
for her.

Deep in the meadow, hidden far away

A cloak of leaves, a moonbeam ray

Forget your woes and let your troubles lay

And when again it’s morning, theyll wash away.
Here it’s safe, here it’s warm

Here the daisies guard you from every harm

The final lines are barely audible.

Here your dreams are sweet and tomorrow brings
them true

Here is the place where I love you.

Everything’s still and quiet. Then, almost eerily, the
mockingjays take up my song.

For a moment, I sit there, watching my tears drip
down on her face. Rue’s cannon fires. I lean forward
and press my lips against her temple. Slowly, as if not
to wake her, I lay her head back on the ground and
release her hand.

They'll want me to clear out now. So they can collect
the bodies. And there’s nothing to stay for. I roll the
boy from District 1 onto his face and take his pack,
retrieve the arrow that ended his life. I cut Rue’s pack

223 |Page The Hunger Games — Suzanne Collins

from her back as well, knowing she’d want me to have
it but leave the spear in her stomach. Weapons in
bodies will be transported to the hovercraft. I’ve no
use for a spear, so the sooner it’s gone from the arena
the better.

I can’t stop looking at Rue, smaller than ever, a baby
animal curled up in a nest of netting. I can’t bring
myself to leave her like this. Past harm, but seeming
utterly defenseless. To hate the boy from District 1,
who also appears so vulnerable in death, seems
inadequate. It’s the Capitol I hate, for doing this to all
of us.

Gale’s voice is in my head. His ravings against the
Capitol no longer pointless, no longer to be ignored.
Rue’s death has forced me to confront my own fury
against the cruelty, the injustice they inflict upon us.
But here, even more strongly than at home, I feel my
impotence. There’s no way to take revenge on the
Capitol. Is there?

Then I remember Peeta’s words on the roof.“Only I
keep wishing I could think of a way to ... to show the
Capital they don’t own me. That I’m more than just a
piece in their Games.” And for the first time, I
understand what he means.

I want to do something, right here, right now, to
shame them, to make them accountable, to show the
Capitol that whatever they do or force us to do there
is a part of every tribute they can’t own. That Rue was
more than a piece in their Games. And so am I.

A few steps into the woods grows a bank of
wildflowers. Perhaps they are really weeds of some
sort, but they have blossoms in beautiful shades of
violet and yellow and white. I gather up an armful
and come back to Rue’s side. Slowly, one stem at a

224|Page The Hunger Games — Suzanne Collins

time, I decorate her body in the flowers. Covering the
ugly wound. Wreathing her face. Weaving her hair
with bright colors.

Theyll have to show it. Or, even if they choose to turn
the cameras elsewhere at this moment, they'll have to
bring them back when they collect the bodies and
everyone will see her then and know I did it. I step
back and take a last look at Rue. She could really be
asleep in that meadow after all.

“Bye, Rue,” I whisper. I press the three middle fingers
of my left hand against my lips and hold them out in
her direction. Then I walk away without looking back.

The birds fall silent. Somewhere, a mockingjay gives
the warning whistle that precedes the hovercraft. I
don’t know how it knows. It must hear things that
humans can’t. I pause, my eyes focused on what’s
ahead, not what’s happening behind me. It doesn’t
take long, then the general birdsong begins again and
I know she’s gone.

Another mockingjay, a young one by the look of it,
lands on a branch before me and bursts out Rue’s
melody.

My song, the hovercraft, were too unfamiliar for this
novice to pick up, but it has mastered her handful of
notes. The ones that mean she’s safe.

“Good and safe,” I say as I pass under its branch. “We
don’t have to worry about her now.” Good and safe.

I’ve no idea where to go. The brief sense of home I had
that one night with Rue has vanished. My feet wander
this way and that until sunset. I’m not afraid, not
even watchful. Which makes me an easy target.
Except I’d kill anyone I met on sight. Without emotion

225|Page The Hunger Games — Suzanne Collins

or the slightest tremor in my hands. My hatred of the
Capitol has not lessened my hatred of my competitors
in the least. Especially the Careers. They, at least,
can be made to pay for Rue’s death.

No one materializes though. There aren’t many of us
left and it’s a big arena. Soon they'll be pulling out
some other device to force us together. But there’s
been enough gore today. Perhaps we’ll even get to
sleep.

I’m about to haul my packs into a tree to make camp
when a silver parachute floats down and lands in
front of me. A gift from a sponsor. But why now? I’ve
been in fairly good shape with supplies. Maybe
Haymitch’s noticed my despondency and is trying to
cheer me up a bit. Or could it be something to help
my ear?

I open the parachute and find a small loaf of bread
It’s not the fine white Capitol stuff. It’s made of dark
ration grain and shaped in a crescent. Sprinkled with
seeds. I flash back to Peeta’s lesson on the various
district breads in the Training Center. This bread
came from District 11. I cautiously lift the still warm
loaf. What must it have cost the people of District 11
who can’t even feed themselves? How many would’ve
had to do without to scrape up a coin to put in the
collection for this one loaf? It had been meant for
Rue, surely. But instead of pulling the gift when she
died, they’d authorized Haymitch to give it to me. Asa
thank-you? Or because, like me, they don’t like to let
debts go unpaid? For whatever reason, this is a first.
A district gift to a tribute who’s not your own.

I lift my face and step into the last falling rays of

sunlight. “My thanks to the people of District Eleven,”
I say. I want them to know I know where it came

226|Page The Hunger Games — Suzanne Collins

from. That the full value of their gift has been
recognized.

I climb dangerously high into a tree, not for safety but
to get as far away from today as I can. My sleeping
bag is rolled neatly in Rue’s pack. Tomorrow I'll sort
through the supplies. Tomorrow I’ll make a new plan.
But tonight, all I can do is strap myself in and take
tiny bites of the bread. It’s good. It tastes of home.

Soon the seal’s in the sky, the anthem plays in my
right ear. I see the boy from District 1, Rue. That’s all
for tonight. Six of us left, I think.Only six. With the
bread still locked in my hands, I fall asleep at once.

Sometimes when things are particularly bad, my
brain will give me a happy dream. A visit with my
father in the woods. An hour of sunlight and cake
with Prim. Tonight it sends me Rue, still decked in
her flowers, perched in a high sea of trees, trying to
teach me to talk to the mockingjays. I see no sign of
her wounds, no blood, just a bright, laughing girl. She
sings songs I’ve never heard in a clear, melodic voice.
On and on. Through the night. There’s a drowsy in-
between period when I can hear the last few strains of
her music although she’s lost in the leaves. When I
fully awaken, I’m momentarily comforted. I try to hold
on to the peaceful feeling of the dream, but it quickly
slips away, leaving me sadder and lonelier than ever.

Heaviness infuses my whole body, as if there’s liquid
lead in my veins. I’ve lost the will to do the simplest
tasks, to do anything but lie here, staring
unblinkingly through the canopy of leaves. For
several hours, I remain motionless. As usual, it’s the
thought of Prim’s anxious face as she watches me on
the screens back home that breaks me from my
lethargy.

227 |Page The Hunger Games — Suzanne Collins

I give myself a series of simple commands to follow,
like “Now you have to sit up, Katniss. Now you have
to drink water, Katniss.” I act on the orders with slow,
robotic motions. “Now you have to sort the packs,
Katniss.”

Rue’s pack holds my sleeping bag, her nearly empty
water skin, a handful of nuts and roots, a bit of
rabbit, her extra socks, and her slingshot. The boy
from District 1 has several knives, two spare
spearheads, a flashlight, a small leather pouch, a
first-aid kit, a full bottle of water, and a pack of dried
fruit. A pack of dried fruit! Out of all he might have
chosen from. To me, this is a sign of extreme
arrogance. Why bother to carry food when you have
such a bounty back at camp? When you will kill your
enemies so quickly you'll be home before you’re
hungry? I can only hope the other Careers traveled so
lightly when it came to food and now find themselves
with nothing.

Speaking of which, my own supply is running low. I
finish off the loaf from District 11 and the last of the
rabbit. How quickly the food disappears. All I have left
are Rue’s roots and nuts, the boy’s dried fruit, and
one strip of beef. Now you have to hunt, Katniss,]I tell
myself.

I obediently consolidate the supplies I want into my
pack. After I climb down the tree, I conceal the boy’s
knives and spearheads in a pile of rocks so that no
one else can use them. I’ve lost my bearings what
with all the wandering around I did yesterday
evening, but I try and head back in the general
direction of the stream. I know I’m on course when I
come across Rue’s third, unlit fire. Shortly thereafter,
I discover a flock of grooslings perched in the trees
and take out three before they know what hit them. I
return to Rue’s signal fire and start it up, not caring

228 |Page The Hunger Games — Suzanne Collins

about the excessive smoke. Where are you, Cato? I
think as I roast the birds and Rue’s roots. I’m waiting
right here.

Who knows where the Careers are now? Either too far
to reach me or too sure this is a trick or ... is it
possible? Too scared of me? They know I have the
bow and arrows, of course, Cato saw me take them
from Glimmer’s body, but have they put two and two
together yet? Figured out I blew up the supplies and
killed their fellow Career? Possibly they think Thresh
did this. Wouldn’t he be more likely to revenge Rue’s
death than I would? Being from the same district? Not
that he ever took any interest in her.

And what about Foxface? Did she hang around to
watch me blow up the supplies? No. When I caught
her laughing in the ashes the next morning, it was as
if someone had given her a lovely surprise.

I doubt they think Peeta has lit this signal fire. Cato’s
sure he’s as good as dead. I find myself wishing I
could tell Peeta about the flowers I put on Rue. That I
now understand what he was trying to say on the
roof. Perhaps if he wins the Games, hell see me on
victor’s night, when they replay the highlights of the
Games on a screen over the stage where we did our
interviews. The winner sits in a place of honor on the
platform, surrounded by their support crew.

But I told Rue I’d be there. For both of us. And
somehow that seems even more important than the
vow I gave Prim.

I really think I stand a chance of doing it now.
Winning. It’s not just having the arrows or
outsmarting the Careers a few times, although those
things help. Something happened when I was holding
Rue’s hand, watching the life drain out of her. Now I

229| Page The Hunger Games — Suzanne Collins

am determined to revenge her, to make her loss
unforgettable, and I can only do that by winning and
thereby making myself unforgettable.

I overcook the birds hoping someone will show up to
shoot, but no one does. Maybe the other tributes are
out there beating one another senseless. Which would
be fine, Ever since the bloodbath, I’ve been featured
on screens most than I care.

Eventually, I wrap up my food and go back to the
stream to replenish my water and gather some. But
the heaviness from the morning drapes back over me
and even though it’s only early evening, I climb a tree
and settle in for the night. My brain begins to replay
the events from yesterday. I keep seeing Rue speared,
my arrow piercing the boy’s neck. I don’t know why I
should even care about the boy.

Then I realize ... he was my first kill.

Along with other statistics they report to help people
place their bets, every tribute has a list of kills. I
guess technically I’d get credited for Glimmer and the
girl from District 4, too, for dumping that nest on
them. But the boy from District 1 was the first person
I knew would die because of my actions. Numerous
animals have lost their lives at my hands, but only
one human. I hear Gale saying, “How different can it
be, really?”

Amazingly similar in the execution. A bow pulled, an
arrow shot. Entirely different in the aftermath. I killed
a boy whose name I don’t even know. Somewhere his
family is weeping for him. His friends call for my
blood. Maybe he had a girlfriend who really believed
he would come back ...

230 | Page The Hunger Games — Suzanne Collins

But then I think of Rue’s still body and I’m able to
banish the boy from my mind. At least, for now.

It’s been an uneventful day according to the sky. No
deaths. I wonder how long well get until the next
catastrophe drives us back together. If it’s going to be
tonight, I want to get some sleep first. I cover my good
ear to block out the strains of the anthem, but then I
hear the trumpets and sit straight up in anticipation.

For the most part, the only communication the
tributes get from outside the arena is the nightly
death toll. But occasionally, there will be trumpets
followed by an announcement. Usually, this will be a
call to a feast. When food is scarce, the Gamemakers
will invite the players to a banquet, somewhere
known to all like the Cornucopia, as an inducement
to gather and fight. Sometimes there is a feast and
sometimes there’s nothing but a loaf of stale bread for
the tributes to compete for. I wouldn’t go in for the
food, but this could be an ideal time to take out a few
competitors.

Claudius Templesmith’s voice booms down from
overhead, congratulating the six of us who remain.
But he is not inviting us to a feast. He’s saying
something very confusing. There’s been a rule change
in the Games. A rule change! That in itself is mind
bending since we don’t really have any rules to speak
of except don’t step off your circle for sixty seconds
and the unspoken rule about not eating one another.
Under the new rule, both tributes from the same
district will be declared winners if they are the last
two alive. Claudius pauses, as if he knows we’re not
getting it, and repeats the change again.

The news sinks in. Two tributes can win this year. If
they’re from the same district. Both can live. Both of
us can live.

231 | Page The Hunger Games — Suzanne Collins

Before I can stop myself, I call out Peeta’s name.

232 |Page The Hunger Games — Suzanne Collins

PART III

“THE VICTOR”

233 |Page The Hunger Games — Suzanne Collins

(CKapler 19

I clap my hands over my mouth, but the sound has
already escaped. The sky goes black and I hear a
chorus of frogs begin to sing. Stupid! I tell
myself.What a stupid thing to do! I wait, frozen, for
the woods to come alive with assailants. Then I
remember there’s almost no one left.

Peeta, who’s been wounded, is now my ally. Whatever
doubts I’ve had about him dissipate because if either
of us took the other’s life now we’d be pariahs when
we returned to District 12. In fact, I know if I was
watching I’d loathe any tribute who didn’t
immediately ally with their district partner. Besides, it
just makes sense to protect each other. And in my
case — being one of the star-crossed lovers from
District 12 — it’s an absolute requirement if I want
any more help from sympathetic sponsors.

The star-crossed lovers ... Peeta must have been
playing that angle all along. Why else would the
Gamemakers have made this unprecedented change
in the rules? For two tributes to have a shot at
winning, our “romance” must be so popular with the
audience that condemning it would jeopardize the
success of the Games. No thanks to me. All I’ve done
is managed not to kill Peeta. But whatever he’s done
in the arena, he must have the audience convinced it
was to keep me alive. Shaking his head to keep me
from running to the Cornucopia. Fighting Cato to let
me escape. Even hooking up with the Careers must
have been a move to protect me. Peeta, it turns out,
has never been a danger to me.

234|Page The Hunger Games — Suzanne Collins

The thought makes me smile. I drop my hands and
hold my face up to the moonlight so the cameras can
be sure to catch it.

So, who is there left to be afraid of? Foxface? The boy
tribute from her district is dead. She’s operating
alone, at night. And her strategy has been to evade,
not attack. I don’t really think that, even if she heard
my voice, she’d do anything but hope someone else
would kill me.

Then there’s Thresh. All right, he’s a distinct threat.
But I haven’t seen him, not once, since the Games
began. I think about how Foxface grew alarmed when
she heard a sound at the site of the explosion. But
she didn’t turn to the Woods, she turned to whatever
lies across from it. To that area of the arena that
drops off into I don’t know what. I feel almost certain
that the person she ran from was Thresh and that is
his domain. He’d never have heard me from there
and, even if he did, I’m up too high for someone his
size to reach.

So that leaves Cato and the girl from District 2, who
are now surely celebrating the new rule. They’re the
only ones left who benefit from it besides Peeta and
myself. Do I run from them now, on the chance they
heard me call Peeta’s name?No,! think. Let them
come. Let them come with their night-vision glasses
and their heavy, branch-breaking bodies.

Right into the range of my arrows. But I know they
won't. If they didn’t come in daylight to my fire, they
won't risk what could be another trap at night. When
they come, it will be on their own terms, not because
I’ve let them know my whereabouts.

235 | Page The Hunger Games — Suzanne Collins

Stay put and get some sleep, Katniss,I instruct
myself, although I wish I could start tracking Peeta
now.Tomorrow, you'll find him.

I do sleep, but in the morning I’m extra-cautious,
thinking that while the Careers might hesitate to
attack me in a tree, they’re completely capable of
setting an ambush for me. I make sure to fully
prepare myself for the day — eating a big breakfast,
securing my pack, readying my weapons — before I
descend. But all seems peaceful and undisturbed on
the ground.

Today Ill have to be scrupulously careful. The
Careers will know I’m trying to locate Peeta. They may
well want to wait until I do before they move in. If he’s
as badly wounded as Cato thinks, I’d be in the
position of having to defend us both without any
assistance. But if he’s that incapacitated, how has he
managed to stay alive? And how on earth will I find
him?

I try to think of anything Peeta ever said that might
give me an indication as to where he’s hiding out, but
nothing rings a bell. So I go back to the last moment I
saw him sparkling in the sunlight, yelling at me to
run. Then Cato appeared, his sword drawn. And after
I was gone, he wounded Peeta. But how did Peeta get
away? Maybe he’d held out better against the tracker
jacker poison than Cato.

Maybe that was the variable that allowed him to
escape. But he’d been stung, too. So how far could he
have gotten, stabbed and filled with venom? And how
has he stayed alive all these days since? If the wound
and the stingers haven’t killed him, surely thirst
would have taken him by now.

236 | Page The Hunger Games — Suzanne Collins

And that’s when I get my first clue to his
whereabouts. He couldn’t have survived without
water. I know that from my first few days here. He
must be hidden somewhere near a source. There’s the
lake, but I find that an unlikely option since it’s so
close to the Careers’ base camp. A few spring-fed
pools. But you’d really be a sitting duck at one of
those. And the stream. The one that leads from the
camp Rue and I made all the way down near the lake
and beyond. If he stuck to the stream, he could
change his location and always be near water. He
could walk in the current and erase any tracks. He
might even be able to get a fish or two.

Well, it’s a place to start, anyway.

To confuse my enemies’ minds, I start a fire with
plenty of green wood. Even if they think it’s a ruse, I
hope they'll decide I’m hidden somewhere near it.
While in reality, I’ll be tracking Peeta.

The sun burns off the morning haze almost
immediately and I can tell the day will be hotter than
usual. The waters cool and pleasant on my bare feet
as I head downstream. I’m tempted to call out Peeta’s
name as I go but decide against it. I will have to find
him with my eyes and one good ear or he will have to
find me. But he’ll know I'l be looking, right? He won’t
have so low of an opinion of me as to think I’d ignore
the new rule and keep to myself. Would he? He’s very
hard to predict, which might be interesting under
different circumstances, but at the moment only
provides an extra obstacle.

It doesn’t take long to reach the spot where I peeled
off to go the Careers’ camp. There’s been no sign of
Peeta, but this doesn’t surprise me. I’ve been up and
down this stretch three times since the tracker jacker
incident. If he were nearby, surely I’d have had some

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suspicion of it. The stream begins to curve to the left
into a part of the woods that’s new to me. Muddy
banks covered in tangled water plants lead to large
rocks that increase in size until I begin to feel
somewhat trapped. It would be no small matter to
escape the stream now. Fighting off Cato or Thresh as
I climbed over this rocky terrain. In fact, I’ve just
about decided I’m on the wrong track entirely, that a
wounded boy would be unable to navigate getting to
and from this water source, when I see the bloody
streak going down the curve of a boulder. It’s long
dried now, but the smeary lines running side to side
suggest someone — who perhaps was not fully in
control of his mental faculties — tried to wipe it away.

Hugging the rocks, I move slowly in the direction of
the blood, searching for him. I find a few more
bloodstains, one with a few threads of fabric glued to
it, but no sign of life. I break down and say his name
in a hushed voice. “Peeta! Peeta!” Then a mockingjay
lands on a scruffy tree and begins to mimic my tones
so I stop. I give up and climb back down to the stream
thinking, He must have moved on. Somewhere farther
down.

My foot has just broken the surface of the water when
I hear a voice.

“You here to finish me off, sweetheart?”

I whip around. It’s come from the left, so I can’t pick
it up very well. And the voice was hoarse and weak.
Still, it must have been Peeta. Who else in the arena
would call me sweetheart? My eyes peruse the bank,
but there’s nothing. Just mud, the plants, the base of
the rocks.

“Peeta?” I whisper. “Where are you?” There’s no
answer. Could I just have imagined it? No, I’m certain

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it was real and very close at hand, too. “Peeta?” I
creep along the bank.

“Well, don’t step on me.”

I jump back. His voice was right under my feet. Still
there’s nothing. Then his eyes open, unmistakably

blue in the brown mud and green leaves. I gasp and
am rewarded with a hint of white teeth as he laughs.

It’s the final word in camouflage. Forget chucking
weights around. Peeta should have gone into his
private session with the Gamemakers and painted
himself into a tree. Or a boulder. Or a muddy bank
full of weeds.

“Close your eyes again,” I order. He does, and his
mouth, too, and completely disappears. Most of what
I judge to be his body is actually under a layer of mud
and plants. His face and arms are so artfully
disguised as to be invisible. I kneel beside him. “I
guess all those hours decorating cakes paid off.”

Peeta smiles. “Yes, frosting. The final defense of the
dying.”

“Youre not going to die,” I tell him firmly. “Says who?”
His voice is so ragged. “Says me. We’re on the same

team now, you know,” I tell him.

His eyes open. “So, I heard. Nice of you to find what’s
left of me.”

I pull out my water bottle and give him a drink. “Did
Cato cut you?” I ask.

“Left leg. Up high,” he answers.

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“Let’s get you in the stream, wash you off so I can see
what kind of wounds you've got,” I say.

“Lean down a minute first,” he says. “Need to tell you
something.” I lean over and put my good ear to his
lips, which tickle as he whispers. “Remember, we’re
madly in love, so it’s all right to kiss me anytime you
feel like it.”

I jerk my head back but end up laughing. “Thanks, TIl
keep it in mind.” At least, he’s still able to joke
around. But when I start to help him to the stream,
all the levity disappears. It’s only two feet away, how
hard can it be? Very hard when I realize he’s unable
to move an inch on his own. He’s so weak that the
best he can do is not to resist. I try to drag him, but
despite the fact that I know he’s doing all he can to
keep quiet, sharp cries of pain escape him. The mud
and plants seem to have imprisoned him and I finally
have to give a gigantic tug to break him from their
clutches. He’s still two feet from the water, lying
there, teeth gritted, tears cutting trails in the dirt on
his face.

“Look, Peeta, I’m going to roll you into the stream. It’s
very shallow here, okay?” I say.

“Excellent,” he says.

I crouch down beside him. No matter what happens, I
tell myself, don’t stop until he’s in the water. “On
three,” I say.“One, two, three!” I can only manage one
full roll before I have to stop because of the horrible
sound he’s making. Now he’s on the edge of the
stream. Maybe this is better anyway.

“Okay, change of plans. I’m not going to put you all
the way in,” I tell him. Besides, if I get him in, who
knows if I’d ever be able to get him out?

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“No more rolling?” he asks.

“That’s all done. Let’s get you cleaned up. Keep an eye
on the woods for me, okay?” I say. It’s hard to know
where to start. He so caked with mud and matted
leaves, I can’t even see his clothes. If he’s wearing
clothes. The thought makes me hesitate a moment,
but then I plunge in. Naked bodies are no big deal in
the arena, right?

I’ve got two water bottles and Rue’s water skin. I prop
them against rocks in the stream so that two are
always filling while I pour the third over Peeta’s body.
It takes a while, but I finally get rid of enough mud to
find his clothes. I gently unzip his jacket, unbutton
his shirt and ease them off him. His undershirt is so
plastered into his wounds I have to cut it away with
my knife and drench him again to work it loose. He’s
badly bruised with a long burn across his chest and
four tracker jacker stings, if you count the one under
his ear. But I feel a bit better. This much I can fix. I
decide to take care of his upper body first, to alleviate
some pain, before I tackle whatever damage Cato did
to his leg.

Since treating his wounds seems pointless when he’s
lying in what’s become a mud puddle, I manage to
prop him up against a boulder. He sits there,
uncomplaining, while I wash away all the traces of
dirt from his hair and skin. His flesh is very pale in
the sunlight and he no longer looks strong and
stocky. I have to dig the stingers out of his tracker
jacker lumps, which causes him to wince, but the
minute I apply the leaves he sighs in relief. While he
dries in the sun, I wash his filthy shirt and jacket and
spread them over boulders. Then I apply the burn
cream to his chest. This is when I notice how hot his
skin is becoming. The layer of mud and the bottles of
water have disguised the fact that he’s burning with

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fever. I dig through the first-aid kit I got from the boy
from District 1 and find pills that reduce your
temperature. My mother actually breaks down and
buys these on occasion when her home remedies fail.

“Swallow these,” I tell him, and he obediently takes
the medicine. “You must be hungry.”

“Not really. It’s funny, I haven’t been hungry for
days,” says Peeta. In fact, when I offer him groosling,
he wrinkles his nose at it and turns away. That’s
when I know how sick he is.

“Peeta, we need to get some food in you,” I insist.

“It'll just come right back up,” he says. The best I can
do is to get him to eat a few bits of dried apple.
“Thanks. I’m much better, really. Can I sleep now,
Katniss?” he asks.

“Soon,” I promise. “I need to look at your leg
first.”Trying to be as gentle as I can, I remove his
boots, his socks, and then very slowly inch his pants
off of him. I can see the tear Cato’s sword made in the
fabric over his thigh, but it in no way prepares me for
what lies underneath. The deep inflamed gash oozing
both blood and pus. The swelling of the leg. And worst
of all, the smell of festering flesh.

I want to run away. Disappear into the woods like I
did that day they brought the burn victim to our
house. Go and hunt while my mother and Prim
attend to what I have neither the skill nor the courage
to face. But there’s no one here but me. I try to
capture the calm demeanor my mother assumes
when handling particularly bad cases.

“Pretty awful, huh?” says Peeta. He’s watching me
closely.

242|Page The Hunger Games — Suzanne Collins

“So-so.” I shrug like it’s no big deal. “You should see
some of the people they bring my mother from the
mines.” I refrain from saying how I usually clear out
of the house whenever she’s treating anything worse
than a cold. Come to think of it, I don’t even much
like to be around coughing. “First thing is to clean it
well.”

I’ve left on Peeta’s undershorts because they’re not in
bad shape and I don’t want to pull them over the
swollen thigh and, all right, maybe the idea of him
being naked makes me uncomfortable. That’s another
thing about my mother and Prim. Nakedness has no
effect on them, gives them no cause for
embarrassment. Ironically, at this point in the
Games, my little sister would be of far more use to
Peeta than I am. I scoot my square of plastic under
him so I can wash down the rest of him. With each
bottle I pour over him, the worse the wound looks.
The rest of his lower body has fared pretty well, just
one tracker jacker sting and a few small burns that I
treat quickly. But the gash on his leg ... what on earth
can I do for that?

“Why don’t we give it some air and then ...” I trail off.

“And then you'll patch it up?” says Peeta. He looks
almost sorry for me, as if he knows how lost I am.

“That’s right,” I say. “In the meantime, you eat
these.”I put a few dried pear halves in his hand and
go back in the stream to wash the rest of his clothes.
When they’re flattened out and drying, I examine the
contents of the first-aid kit. It’s pretty basic stuff.
Bandages, fever pills, medicine to calm stomachs.
Nothing of the caliber Ill need to treat Peeta.

“We’re going to have to experiment some,” I admit. I
know the tracker jacker leaves draw out infection, so I

243 |Page The Hunger Games — Suzanne Collins

start with those. Within minutes of pressing the
handful of chewed-up green stuff into the wound, pus
begins running down the side of his leg. I tell myself
this is a good thing and bite the inside of my cheek
hard because my breakfast is threatening to make a
reappearance.

“Katniss?” Peeta says. I meet his eyes, knowing my
face must be some shade of green. He mouths the
words. “How about that kiss?”

I burst out laughing because the whole thing is so
revolting I can’t stand it.

“Something wrong?” he asks a little too innocently.
“I... I'm no good at this. I’m not my mother. I’ve no
idea what I’m doing and I hate pus,” I say. “Euh!” I
allow myself to let out a groan as I rinse away the first
round of leaves and apply the second. “Euuuh!”

“How do you hunt?” he asks.

“Trust me. Killing things is much easier than this,” I
say. “Although for all I know, I am killing you.”

“Can you speed it up a little?” he asks.

“No. Shut up and eat your pears,” I say.

After three applications and what seems like a bucket
of pus, the wound does look better. Now that the
swelling has gone down, I can see how deep Cato’s
sword cut. Right down to the bone.

“What next, Dr. Everdeen?” he asks.

“Maybe TIl put some of the burn ointment on it. I
think it helps with infection anyway. And wrap it up?”

244|Page The Hunger Games — Suzanne Collins

I say. I do and the whole thing seems a lot more
manageable, covered in clean white cotton. Although,
against the sterile bandage, the hem of his
undershorts looks filthy and teeming with contagion. I
pull out Rue’s backpack. “Here, cover yourself with
this and IIl wash your shorts.”

“Oh, I don’t care if you see me,” says Peeta.

“Youre just like the rest of my family,” I say. “I care,
all right?” I turn my back and look at the stream until
the undershorts splash into the current. He must be
feeling a bit better if he can throw.

“You know, you're kind of squeamish for such a lethal
person,” says Peeta as I beat the shorts clean between
two rocks.“I wish I'd let you give Haymitch a shower
after all.”

I wrinkle my nose at the memory. “What’s he sent you
so far?”

“Not a thing,” says Peeta. Then there’s a pause as it
hits him. “Why, did you get something?”

“Burn medicine,” I say almost sheepishly. “Oh, and
some bread.”

“I always knew you were his favorite,” says Peeta.

“Please, he can’t stand being in the same room with
me,”! say.

“Because you're just alike,” mutters Peeta. I ignore it

though because this really isn’t the time for me to be
insulting Haymitch, which is my first impulse.

245|Page The Hunger Games — Suzanne Collins

I let Peeta doze off while his clothes dry out, but by
late afternoon, I don’t dare wait any longer. I gently
shake his shoulder. “Peeta, we’ve got to go now.”

“Go?” He seems confused. “Go where?”

“Away from here. Downstream maybe. Somewhere we
can hide you until you’re stronger,” I say. I help him
dress, leaving his feet bare so we can walk in the
water, and pull him upright. His face drains of color
the moment he puts weight on his leg. “Come on. You
can do this.”

But he can’t. Not for long anyway. We make it about
fifty yards downstream, with him propped up by my
shoulder, and I can tell he’s going to black out. I sit
him on the bank, push his head between his knees,
and pat his back awkwardly as I survey the area. Of
course, I’d love to get him up in a tree, but that’s not
going to happen. It could be worse though. Some of
the rocks form small cavelike structures. I set my
sights on one about twenty yards above the stream.
When Peeta’s able to stand, I half-guide, half-carry
him up to the cave. Really, I’d like to look around for
a better place, but this one will have to do because
my ally is shot. Paper white, panting, and, even
though it’s only just cooling off, he’s shivering.

I cover the floor of the cave with a layer of pine
needles, unroll my sleeping bag, and tuck him into it.
I get a couple of pills and some water into him when
he’s not noticing, but he refuses to eat even the fruit.
Then he just lies there, his eyes trained on my face as
I build a sort of blind out of vines to conceal the
mouth of the cave. The result is unsatisfactory. An
animal might not question it, but a human would see
hands had manufactured it quickly enough. I tear it
down in frustration.

246 | Page The Hunger Games — Suzanne Collins

“Katniss,” he says. I go over to him and brush the
hair back from his eyes. “Thanks for finding me.”

“You would have found me if you could,” I say. His
forehead’s burning up. Like the medicine’s having no
effect at all. Suddenly, out of nowhere, I’m scared he’s
going to die.

“Yes. Look, if I don’t make it back —” he begins.

“Don’t talk like that. I didn’t drain all that pus for
nothing,” I say.

“I know. But just in case I don’t —” he tries to
continue.

“No, Peeta, I don’t even want to discuss it,” I say,
placing my fingers on his lips to quiet him.

“But I —” he insists.

Impulsively, I lean forward and kiss him, stopping his
words. This is probably overdue anyway since he’s
right, we are supposed to be madly in love. It’s the
first time I’ve ever kissed a boy, which should make
some sort of impression I guess, but all I can register
is how unnaturally hot his lips are from the fever. I
break away and pull the edge of the sleeping bag up
around him.“You’re not going to die. I forbid it. All
right?”

“All right,” he whispers.
I step out in the cool evening air just as the parachute
floats down from the sky. My fingers quickly undo the

tie, hoping for some real medicine to treat Peeta’s leg.
Instead I find a pot of hot broth.

247 | Page The Hunger Games — Suzanne Collins

Haymitch couldn’t be sending me a clearer message.
One kiss equals one pot of broth. I can almost hear
his snarl. “You’re supposed to be in love, sweetheart.
The boy’s dying. Give me something I can work with!”

And he’s right. If I want to keep Peeta alive, I’ve got to
give the audience something more to care about. Star-
crossed lovers desperate to get home together. Two
hearts beating as one. Romance.

Never having been in love, this is going to be a real
trick. I think of my parents. The way my father never
failed to bring her gifts from the woods. The way my
mother’s face would light up at the sound of his boots
at the door. The way she almost stopped living when
he died.

“Peeta!” I say, trying for the special tone that my
mother used only with my father. He’s dozed off
again, but I kiss him awake, which seems to startle
him. Then he smiles as if he’d be happy to lie there
gazing at me forever. He’s great at this stuff.

I hold up the pot. “Peeta, look what Haymitch has
sent you.”

248 | Page The Hunger Games — Suzanne Collins

(OU apler 20

Getting the broth into Peeta takes an hour of coaxing,
begging, threatening, and yes, kissing, but finally, sip
by sip, he empties the pot. I let him drift off to sleep
then and attend to my own needs, wolfing down a
supper of groosling and roots while I watch the daily
report in the sky. No new casualties. Still, Peeta and I
have given the audience a fairly interesting day.
Hopefully, the Gamemakers will allow us a peaceful
night.

I automatically look around for a good tree to nest in
before I realize that’s over. At least for a while. I can’t
very well leave Peeta unguarded on the ground. I left
the scene of his last hiding place on the bank of the
stream untouched — how could I conceal it? — and
we're a scant fifty yards downstream. I put on my
glasses, place my weapons in readiness, and settle
down to keep watch.

The temperature drops rapidly and soon I’m chilled to
the bone. Eventually, I give in and slide into the
sleeping bag with Peeta. It’s toasty warm and I
snuggle down gratefully until I realize it’s more than
warm, it’s overly hot because the bag is reflecting
back his fever. I check his forehead and find it
burning and dry. I don’t know what to do. Leave him
in the bag and hope the excessive heat breaks the
fever? Take him out and hope the night air cools him
off? I end up just dampening a strip of bandage and
placing it on his forehead. It seems weak, but I’m
afraid to do anything too drastic.

I spend the night half-sitting, half-lying next to Peeta,

refreshing the bandage, and trying not to dwell on the
fact that by teaming up with him, I’ve made myself far
249|Page The Hunger Games — Suzanne Collins

more vulnerable than when I was alone. Tethered to
the ground, on guard, with a very sick person to take
care of. But I knew he was injured. And still I came
after him. I’m just going to have to trust that
whatever instinct sent me to find him was a good one.

When the sky turns rosy, I notice the sheen of sweat
on Peeta’s lip and discover the fever has broken. He’s
not back to normal, but it’s come down a few degrees.
Last night, when I was gathering vines, I came upon a
bush of Rue’s berries. I strip off the fruit and mash it
up in the broth pot with cold water.

Peeta’s struggling to get up when I reach the cave. “I
woke up and you were gone,” he says. “I was worried
about you.”

I have to laugh as I ease him back down. “You were
worried about me? Have you taken a look at yourself
lately?”

“I thought Cato and Clove might have found you.
They like to hunt at night,” he says, still serious.

“Clove? Which one is that?” I ask.

“The girl from District Two. She’s still alive, right?”he
says.

“Yes, there’s just them and us and Thresh and
Foxface,”I say. “That’s what I nicknamed the girl from
Five. How do you feel?”

“Better than yesterday. This is an enormous
improvement over the mud,” he says. “Clean clothes
and medicine and a sleeping bag ... and you.”

Oh, right, the whole romance thing. I reach out to
touch his cheek and he catches my hand and presses

250 | Page The Hunger Games — Suzanne Collins

it against his lips. I remember my father doing this
very thing to my mother and I wonder where Peeta
picked it up. Surely not from his father and the witch.

“No more kisses for you until you’ve eaten,” I say.

We get him propped up against the wall and he
obediently swallows the spoonfuls of the berry mush I
feed him. He refuses the groosling again, though.

“You didn’t sleep,” Peeta says.
‘Tm all right,” I say. But the truth is, I’m exhausted.

“Sleep now. I'll keep watch. Ill wake you if anything
happens,” he says. I hesitate. “Katniss, you can’t stay
up forever.”

He’s got a point there. I’ll have to sleep eventually.
And probably better to do it now when he seems
relatively alert and we have daylight on our side. “All
right,” I say. “But just for a few hours. Then you wake
me.”

It’s too warm for the sleeping bag now. I smooth it out
on the cave floor and lie down, one hand on my
loaded bow in case I have to shoot at a moment’s
notice. Peeta sits beside me, leaning against the wall,
his bad leg stretched out before him, his eyes trained
on the world outside. “Go to sleep,” he says softly. His
hand brushes the loose strands of my hair off my
forehead. Unlike the staged kisses and caresses so
far, this gesture seems natural and comforting. I don’t
want him to stop and he doesn’t. He’s still stroking
my hair when I fall asleep.

Too long. I sleep too long. I know from the moment I
open my eyes that we’re into the afternoon. Peeta’s
right beside me, his position unchanged. I sit up,

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feeling somehow defensive but better rested than I’ve
been in days.

“Peeta, you were supposed to wake me after a couple
of hours,” I say.

“For what? Nothing’s going on here,” he says.
“Besides I like watching you sleep. You don’t scowl.
Improves your looks a lot.”

This, of course, brings on a scowl that makes him
grin. That’s when I notice how dry his lips are. I test
his cheek. Hot as a coal stove. He claims he’s been
drinking, but the containers still feel full to me. I give
him more fever pills and stand over him while he
drinks first one, then a second quart of water. Then I
tend to his minor wounds, the burns, the stings,
which are showing improvement. I steel myself and
unwrap the leg.

My heart drops into my stomach. It’s worse, much
worse. There’s no more pus in evidence, but the
swelling has increased and the tight shiny skin is
inflamed. Then I see the red streaks starting to crawl
up his leg. Blood poisoning. Unchecked, it will kill
him for sure. My chewed-up leaves and ointment
won't make a dent in it. We’ll need strong anti-
infection drugs from the Capitol. I can’t imagine the
cost of such potent medicine. If Haymitch pooled
every donation from every sponsor, would he have
enough? I doubt it. Gifts go up in price the longer the
Games continue. What buys a full meal on day one
buys a cracker on day twelve. And the kind of
medicine Peeta needs would have been at a premium
from the beginning.

“Well, there’s more swelling, but the pus is gone,” I
say in an unsteady voice.

252 | Page The Hunger Games — Suzanne Collins

“I know what blood poisoning is, Katniss,” says
Peeta.“Even if my mother isn’t a healer.”

“You're just going to have to outlast the others, Peeta.
Theyll cure it back at the Capitol when we win,” I say.

“Yes, that’s a good plan,” he says. But I feel this is
mostly for my benefit.

“You have to eat. Keep your strength up. I’m going to
make you soup,” I say.

“Don’t light a fire,” he says. “It’s not worth it.”

“We'll see,” I say. As I take the pot down to the
stream, I’m struck by how brutally hot it is. I swear
the Gamemakers are progressively ratcheting up the
temperature in the daytime and sending it
plummeting at night. The heat of the sun-baked
stones by the stream gives me an idea though. Maybe
I won’t need to light a fire.

I settle down on a big flat rock halfway between the
stream and the cave. After purifying half a pot of
water, I place it in direct sunlight and add several
egg-size hot stones to the water. I’m the first to admit
I’m not much of a cook. But since soup mainly
involves tossing everything in a pot and waiting, it’s
one of my better dishes. I mince groosling until it’s
practically mush and mash some of Rue’s roots.
Fortunately, they’ve both been roasted already so they
mostly need to be heated up. Already, between the
sunlight and the rocks, the water’s warm. I put in the
meat and roots, swap in fresh rocks, and go find
something green to spice it up a little. Before long, I
discover a tuft of chives growing at the base of some
rocks. Perfect. I chop them very fine and add them to
the pot, switch out the rocks again, put on the lid,
and let the whole thing stew.

253 |Page The Hunger Games — Suzanne Collins

I’ve seen very few signs of game around, but I don’t
feel comfortable leaving Peeta alone while I hunt, so I
rig half a dozen snares and hope I get lucky. I wonder
about the other tributes, how they’re managing now
that their main source of food has been blown up. At
least three of them, Cato, Clove, and Foxface, had
been relying on it. Probably not Thresh though. I’ve
got a feeling he must share some of Rue’s knowledge
on how to feed yourself from the earth. Are they
fighting each other? Looking for us? Maybe one of
them has located us and is just waiting for the right
moment to attack. The idea sends me back to the
cave.

Peeta’s stretched out on top of the sleeping bag in the
shade of the rocks. Although he brightens a bit when
I come in, it’s clear he feels miserable. I put cool
cloths on his head, but they warm up almost as soon
as they touch his skin.

“Do you want anything?” I ask.
“No,” he says. “Thank you. Wait, yes. Tell me a story.”

“A story? What about?” I say. Pm not much for
storytelling. It’s kind of like singing. But once ina
while, Prim wheedles one out of me.

“Something happy. Tell me about the happiest day
you can remember,” says Peeta.

Something between a sigh and a huff of exasperation
leaves my mouth. A happy story? This will require a
lot more effort than the soup. I rack my brains for
good memories. Most of them involve Gale and me out
hunting and somehow I don’t think these will play
well with either Peeta or the audience. That leaves
Prim.

254|Page The Hunger Games — Suzanne Collins

“Did I ever tell you about how I got Prim’s goat?” I
ask. Peeta shakes his head, and looks at me
expectantly. So I begin. But carefully. Because my
words are going out all over Panem. And while people
have no doubt put two and two together that I hunt
illegally, I don’t want to hurt Gale or Greasy Sae or
the butcher or even the Peacekeepers back home who
are my customers by publicly announcing they’d
breaking the law, too.

Here’s the real story of how I got the money for Prim’s
goat, Lady. It was a Friday evening, the day before
Prim’s tenth birthday in late May. As soon as school
ended, Gale and I hit the woods, because I wanted to
get enough to trade for a present for Prim. Maybe
some new cloth for a dress or a hairbrush. Our
snares had done well enough and the woods were
flush with greens, but this was really no more than
our average Friday-night haul. I was disappointed as
we headed back, even though Gale said we’d be sure
to do better tomorrow. We were resting a moment by
a stream when we saw him. A young buck, probably a
yearling by his size. His antlers were just growing in,
still small and coated in velvet. Poised to run but
unsure of us, unfamiliar with humans. Beautiful.

Less beautiful perhaps when the two arrows caught
him, one in the neck, the other in the chest. Gale and
I had shot at the same time. The buck tried to run
but stumbled, and Gale’s knife slit his throat before
he knew what had happened. Momentarily, I’d felt a
pang at killing something so fresh and innocent. And
then my stomach rumbled at the thought of all that
fresh and innocent meat.

A deer! Gale and I have only brought down three in
all. The first one, a doe that had injured her leg
somehow, almost didn’t count. But we knew from that
experience not to go dragging the carcass into the
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Hob. It had caused chaos with people bidding on
parts and actually trying to hack off pieces
themselves. Greasy Sae had intervened and sent us
with our deer to the butcher, but not before it’d been
badly damaged, hunks of meat taken, the hide riddled
with holes. Although everybody paid up fairly, it had
lowered the value of the kill.

This time, we waited until dark fell and slipped under
a hole in the fence close to the butcher. Even though
we were known hunters, it wouldn’t have been good
to go carrying a 150-pound deer through the streets
of District 12 in daylight like we were rubbing it in the
officials’ faces.

The butcher, a short, chunky woman named Rooba,
came to the back door when we knocked. You don’t
haggle with Rooba. She gives you one price, which
you can take or leave, but it’s a fair price. We took her
offer on the deer and she threw in a couple of venison
steaks we could pick up after the butchering. Even
with the money divided in two, neither Gale nor I had
held so much at one time in our lives. We decided to
keep it a secret and surprise our families with the
meat and money at the end of the next day.

This is where I really got the money for the goat, but I
tell Peeta I sold an old silver locket of my mother’s.
That can’t hurt anyone. Then I pick up the story in
the late afternoon of Prim’s birthday.

Gale and I went to the market on the square so that I
could buy dress materials. As I was running my
fingers over a length of thick blue cotton cloth,
something caughtmyeye. There’s an old man who
keeps a small herd of goats on the other side of the
Seam. I don’t know his real name, everyone just calls
him the Goat Man. His joints are swollen and twisted
in painful angles, and he’s got a hacking cough that

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proves he spent years in the mines. But he’s lucky.
Somewhere along the way he saved up enough for
these goats and now has something to do in his old
age besides slowly starve to death. He’s filthy and
impatient, but the goats are clean and their milk is
rich if you can afford it.

One of the goats, a white one with black patches, was
lying down in a cart. It was easy to see why.
Something, probably a dog, had mauled her shoulder
and infection had set in. It was bad, the Goat Man
had to hold her up to milk her. But I thought I knew
someone who could fix it.

“Gale,” I whispered. “I want that goat for Prim.”
Owning a nanny goat can change your life in District
12. The animals can live off almost anything, the
Meadow’s a perfect feeding place, and they can give
four quarts of milk a day. To drink, to make into

cheese, to sell. It’s not even against the law.

“She’s hurt pretty bad,” said Gale. “We better take a
closer look.”

We went over and bought a cup of milk to share, then
stood over the goat as if idly curious.

“Let her be,” said the man.

“Just looking,” said Gale.

“Well, look fast. She goes to the butcher soon. Hardly
anyone will buy her milk, and then they only pay half

price,” said the man.

“What’s the butcher giving for her?” I asked.

257 |Page The Hunger Games — Suzanne Collins

The man shrugged. “Hang around and see.” I turned
and saw Rooba coming across the square toward us.
“Lucky thing you showed up,” said the Goat Man
when she arrived. “Girl’s got her eye on your goat.”

“Not if she’s spoken for,” I said carelessly.

Rooba looked me up and down then frowned at the
goat.“She’s not. Look at that shoulder. Bet you half
the carcass will be too rotten for even sausage.”

“What?” said the Goat Man. “We had a deal.”

“We had a deal on an animal with a few teeth marks.
Not that thing. Sell her to the girl if she’s stupid
enough to take her,” said Rooba. As she marched off,
I caught her wink.

The Goat Man was mad, but he still wanted that goal
off his hands. It took us half an hour to agree on the
price. Quite a crowd had gathered by then to hand
out opinions. It was an excellent deal if the goat lived;
I’d been robbed if she died. People took sides in the
argument, but I took the goat.

Gale offered to carry her. I think he wanted to see the
look on Prim’s face as much as I did. In a moment of

complete giddiness, I bought a pink ribbon and tied it
around her neck. Then we hurried back to my house.

You should have seen Prim’s reaction when we
walked in with that goat. Remember this is a girl who
wept to save that awful old cat, Buttercup. She was
so excited she started crying and laughing all at once.
My mother was less sure, seeing the injury, but the
pair of them went to work on it, grinding up herbs
and coaxing brews down the animal’s throat.

258 | Page The Hunger Games — Suzanne Collins

“They sound like you,” says Peeta. I had almost
forgotten he was there.

“Oh, no, Peeta. They work magic. That thing couldn’t
have died if it tried,” I say. But then I bite my tongue,
realizing what that must sound like to Peeta, who is
dying, in my incompetent hands.

“Don’t worry. I’m not trying,” he jokes. “Finish the
story.”

“Well, that’s it. Only I remember that night, Prim
insisted on sleeping with Lady on a blanket next to
the fire. And just before they drifted off, the goat
licked her cheek, like it was giving her a good night
kiss or something,” I say. “It was already mad about
her.”

“Was it still wearing the pink ribbon?” he asks.
“I think so,” I say. “Why?”

“I’m just trying to get a picture,” he says thoughtfully.
“I can see why that day made you happy.”

“Well, I knew that goat would be a little gold mine,” 1
say.

“Yes, of course I was referring to that, not the lasting
joy you gave the sister you love so much you took her
place in the reaping,” says Peeta drily.

“The goat has paid for itself. Several times over,” I say
in a superior tone.

“Well, it wouldn’t dare do anything else after you
saved its life,” says Peeta. “I intend to do the same

thing.”

259| Page The Hunger Games — Suzanne Collins

“Really? What did you cost me again?” I ask.

“A lot of trouble. Don’t worry. Youll get it all back,”he
says.

“You're not making sense,” I say. I test his forehead.
The lever’s going nowhere but up. “Youre a little
cooler though.”

The sound of the trumpets startles me. I’m on my feet
and at the mouth of the cave in a flash, not wanting
to miss a syllable. It’s my new best friend, Claudius
Templesmith, and as I expected, he’s inviting us to a
feast. Well, we’re not that hungry and I actually wave
his offer away in indifference when he says,“Now hold
on. Some of you may already be declining my
invitation. But this is no ordinary feast. Each of you
needs something desperately.”

I do need something desperately. Something to heal
Peeta’s leg.

“Each of you will find that something in a backpack,
marked with your district number, at the Cornucopia
at dawn. Think hard about refusing to show up. For
some of you, this will be your last chance,” says
Claudius.

There’s nothing else, just his words hanging in the
air. I jump as Peeta grips my shoulder from behind.
“No,” he says.“You’re not risking your life for me.”

“Who said I was?” I say.
“So, youre not going?” he asks.
“Of course, I’m not going. Give me some credit. Do

you think I’m running straight into some free-for-all
against Cato and Clove and Thresh? Don’t be stupid,”

260 | Page The Hunger Games — Suzanne Collins

I say, helping him back to bed.“I’ll let them fight it
out, we'll see who’s in the sky tomorrow night and
work out a plan from there.”

“You’re such a bad liar, Katniss. I don’t know how
you've survived this long.” He begins to mimic me.“I
knew that goat would be a little gold mine. You’re a
little cooler though. Of course, I’m not going. He
shakes his head. “Never gamble at cards. You'll lose
your last coin,” he says.

Anger flushes my face. “All right, I am going, and you
can’t stop me!”

“I can follow you. At least partway. I may not make it
to the Cornucopia, but if I’m yelling your name, I bet
someone can find me. And then Ill be dead for sure,”
he says.

“You won't get a hundred yards from here on that
leg,” I say.

“Then I'll drag myself,” says Peeta. “You go and I’m
going, too.”

He’s just stubborn enough and maybe just strong
enough to do it. Come howling after me in the woods.
Even if a tribute doesn’t find him, something else
might. He can’t defend himself. I’d probably have to
wall him up in the cave just to go myself. And who
knows what the exertion will do to him?

“What am I supposed to do? Sit here and watch you
die?”I say. He must know that’s not an option. That
the audience would hate me. And frankly, I would
hate myself, too, if I didn’t even try.

“I won't die. I promise. If you promise not to go,” he
says.
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Were at something of a stalemate. I know I can’t
argue him out of this one, so I don’t try. I pretend,
reluctantly, to go along. “Then you have to do what I
say. Drink your water, wake me when I tell you, and
eat every bite of the soup no matter how disgusting it
is!” I snap at him.

“Agreed. Is it ready?” he asks.

“Wait here,” I say. The air’s gone cold even though the
sun’s still up. I’m right about the Gamemakers
messing with the temperature. I wonder if the thing
someone needs desperately is a good blanket. The
soup is still nice and warm in its iron pot. And
actually doesn’t taste too bad.

Peeta eats without complaint, even scraping out the
pot to show his enthusiasm. He rambles on about
how delicious it is, which should be encouraging if
you don’t know what fever does to people. He’s like
listening to Haymitch before the alcohol has soaked
him into incoherence. I give him another dose of fever
medicine before he goes off his head completely.

As I go down to the stream to wash up, all I can think
is that he’s going to die if I don’t get to that feast. TIl
keep him going for a day or two, and then the
infection will reach his heart or his brain or his lungs
and he'll be gone. And Ill be here all alone. Again.
Waiting for the others.

I’m so lost in thought that I almost miss the
parachute, even though it floats right by me. Then I
spring after it, yanking it from the water, tearing off
the silver fabric to retrieve the vial. Haymitch has
done it! He’s gotten the medicine — I don’t know how,
persuaded some gaggle of romantic fools to sell their
jewels —and I can save Peeta! It’s such a tiny vial
though. It must be very strong to cure someone as ill

262 | Page The Hunger Games — Suzanne Collins

as Peeta. A ripple of doubt runs through me. I uncork
the vial and take a deep sniff. My spirits fall at the
sickly sweet scent. Just to be sure, I place a drop on
the tip of my tongue. There’s no question, it’s sleep
syrup. It’s a common medicine in District 12. Cheap,
as medicine goes, but very addictive. Almost
everyone’s had a dose at one time or another. We
have some in a bottle at home. My mother gives it to
hysterical patients to knock them out to stitch up a
bad wound or quiet their minds or just to help
someone in pain get through the night. It only takes a
little. A vial this size could knock Peeta out for a full
day, but what good is that? I’m so furious I’m about
to throw Haymitch’s last offering into the stream
when it hits me. A full day? That’s more than I need.

I mash up a handful of berries so the taste won’t be
as noticeable and add some mint leaves for good
measure. Then I head back up to the cave. “I’ve
brought you a treat. I found a new patch of berries a
little farther downstream.”

Peeta opens his mouth for the first bite without
hesitation. He swallows then frowns slightly. “They’re
very sweet.”

“Yes, they’re sugar berries. My mother makes jam
from them. Haven’t you ever had them before?” I say,
poking the next spoonful in his mouth.

“No,” he says, almost puzzled. “But they taste
familiar. Sugar berries?”

“Well, you can’t get them in the market much, they
only grow wild,” I say. Another mouthful goes down.
Just one more to go.

“They're sweet as syrup,” he says, taking the last
spoonful. “Syrup.” His eyes widen as he realizes the

263 | Page The Hunger Games — Suzanne Collins

truth. I clamp my hand over his mouth and nose
hard, forcing him to swallow instead of spit. He tries
to make himself vomit the stuff up, but it’s too late,
he’s already losing consciousness. Even as he fades
away, I can see in his eyes what I’ve done is
unforgivable.

I sit back on my heels and look at him with a mixture
of sadness and satisfaction. A stray berry stains his
chin and I wipe it away. “Who can’t lie, Peeta?” I say,
even though he can’t hear me.

It doesn’t matter. The rest of Panem can.

264|Page The Hunger Games — Suzanne Collins

the ? e <i

In the remaining hours before nightfall, I gather rocks
and do my best to camouflage the opening of the cave.
It’s a slow and arduous process, but after a lot of
sweating and shifting things around, I’m pretty
pleased with my work, The cave now appears to be
part of a larger pile of rocks, like so many in the
vicinity. I can still crawl in to Peeta through a small
opening, but it’s undetectable from the out« side.
That’s good, because I’ll need to share that sleeping
bag again tonight. Also, if I don’t make it back from
the feast, Peeta will be hidden but not entirely
imprisoned. Although I doubt he can hang on much
longer without medicine. If I die at the feast, District
12 isn’t likely to have a victor.

I make a meal out of the smaller, bonier fish that
inhabit the stream down here, fill every water
container and purify it, and clean my weapons. I’ve
nine arrows left in all. I debate leaving the knife with
Peeta so hell have some protection while I’m gone,
but there’s really no point. He was right about
camouflage being his final defense. But I still might
have use for the knife. Who knows what Ill
encounter?

Here are some things I’m fairly certain of. That at
least Cato, Clove, and Thresh will be on hand when
the feast starts. Pm not sure about Foxface since
direct confrontation isn’t her style or her forte. She’s
even smaller than I am and unarmed, unless she’s
picked up some weapons recently. Shell probably be
hanging somewhere nearby, seeing what she can
scavenge. But the other three ... I’m going to have my
hands full. My ability to kill at a distance is my
greatest asset, but I know I'll have to go right into the
265|Page The Hunger Games — Suzanne Collins

thick of things to get that backpack, the one with the
number 12 on it that Claudius Templesmith
mentioned.

I watch the sky, hoping for one less opponent at
dawn, but nobody appears tonight. Tomorrow there
will be faces up there. Feasts always result in
fatalities.

I crawl into the cave, secure my glasses, and curl up
next to Peeta. Luckily I had that good long sleep
today. I have to stay awake. I don’t really think
anyone will attack our cave tonight, but I can’t risk
missing the dawn.

So cold, so bitterly cold tonight. As if the
Gamemakers have sent an infusion of frozen air
across the arena, which may be exactly what they’ve
done. I lay next to Peeta in the bag, trying to absorb
every bit of his fever heat. It’s strange to be so
physically close to someone who’s so distant. Peeta
might as well be back in the Capitol, or in District 12,
or on the moon right now, he’d be no harder to reach.
I’ve never felt lonelier since the Games began.

Just accept it will be a bad night,I tell myself. I try not
to, but I can’t help thinking of my mother and Prim,
wondering if they'll sleep a wink tonight. At this late
stage in the Games, with an important event like the
feast, school will probably be canceled. My family can
either watch on that static-filled old clunker of a
television at home or join the crowds in the square to
watch on the big, clear screens, They'll have privacy
at home but support in the square. People will give
them a kind word, a bit of food if they can spare it. I
wonder if the baker has sought them out, especially
now that Peeta and I are a team, and made good on
his promise to keep my sister’s belly full.

266 | Page The Hunger Games — Suzanne Collins

Spirits must be running high in District 12. We so
rarely have anyone to root for at this point in the
Games. Surely, people are excited about Peeta and
me, especially now that we’re together. If I close my
eyes, I can imagine their shouts at the screens, urging
us on. I see their faces — Greasy Sac and Madge and
even the Peacekeepers who buy my meat cheering for
us.

And Gale. I know him. He won’t be shouting and
cheering. But he’ll be watching, every moment, every
twist and turn, and willing me to come home. I
wonder if he’s hoping that Peeta makes it as well.
Gale’s not my boyfriend, but would he be, if I opened
that door? He talked about us running away together.
Was that just a practical calculation of our chances of
survival away from the district? Or something more?

I wonder what he makes of all this kissing.

Through a crack in the rocks, I watch the moon cross
the sky. At what I judge to be about three hours
before dawn, I begin final preparations. I’m careful to
leave Peeta with water and the medical kit right
beside him. Nothing else will be of much use if I don’t
return, and even these would only prolong his life a
short time. After some debate, I strip him of his jacket
and zip it on over my own. He doesn’t need it. Not
now in the sleeping bag with his fever, and during the
day, if I’m not there to remove it, he'll be roasting in
it. My hands are already stiff from cold, so I take
Rue’s spare pair of socks, cut holes for my fingers and
thumbs, and pull them on. It helps anyway. I fill her
small pack with some food, a water bottle, and
bandages, tuck the knife in my belt, get my bow and
arrows. I’m about to leave when I remember the
importance of sustaining the star-crossed lover
routine and I lean over and give Peeta a long,
lingering kiss. I imagine the teary sighs emanating

267 | Page The Hunger Games — Suzanne Collins

from the Capitol and pretend to brush away a tear of
my own. Then I squeeze through the opening in the
rocks out into the night.

My breath makes small white clouds as it hits the air.
It’s as cold as a November night at home. One where
I’ve slipped into the woods, lantern in hand, to join
Gale at some prearranged place where we'll sit
bundled together, sipping herb tea from metal flasks
wrapped in quilting, hoping game will pass our way
as the morning comes on. Oh, Gale,I think. If only
you had my back now ...

I move as fast as I dare. The glasses are quite
remarkable, but I still sorely miss having the use of
my left ear. I don’t know what the explosion did, but it
damaged something deep and irreparable. Never
mind. If I get home, Ill be so stinking rich, Ill be able
to pay someone to do my hearing.

The woods always look different at night. Even with
the glasses, everything has an unfamiliar slant to it.
As if the daytime trees and flowers and stones had
gone to bed and sent slightly more ominous versions
of themselves to take their places. I don’t try anything
tricky, like taking a new route. I make my way back
up the stream and follow the same path back to Rue’s
hiding place near the lake. Along the way, I see no
sign of another tribute, not a puff of breath, not a
quiver of a branch. Either I’m the first to arrive or the
others positioned themselves last night. There’s still
more than an hour, maybe two, when I wriggle into
the underbrush and wait for the blood to begin to
flow.

I chew a few mint leaves, my stomach isn’t up for
much more. Thank goodness, I have Peeta’s jacket as
well as my own. If not, ’d be forced to move around to
stay warm. The sky turns a misty morning gray and

268 | Page The Hunger Games — Suzanne Collins

still there’s no sign of the other tributes. It’s not
surprising really. Everyone has distinguished
themselves either by strength or deadliness or
cunning. Do they suppose, I wonder, that I have Peeta
with me? I doubt Foxface and Thresh even know he
was wounded. All the better if they think he’s covering
me when I go in for the backpack.

But where is it? The arena has lightened enough for
me to remove my glasses. I can hear the morning
birds singing. Isn’t it time? For a second, I’m
panicked that I’m at the wrong location. But no, I’m
certain I remember Claudius Templesmith specifying
the Cornucopia. And there it is. And here I am. So
where’s my feast?

Just as the first ray of sun glints off the gold
Cornucopia, there’s a disturbance on the plain. The
ground before the mouth of the horn splits in two and
a round table with a snowy white cloth rises into the
arena. On the table sit four backpacks, two large
black ones with the numbers 2and 11, a medium-size
green one with the number 5, and a tiny orange one
— really I could carry it around my wrist — that must
be marked with a12.

The table has just clicked into place when a figure
darts out of the Cornucopia, snags the green
backpack, and speeds off. Foxface! Leave it to her to
come up with such a clever and risky idea! The rest of
us are still poised around the plain, sizing up the
situation, and she’s got hers. She’s got us trapped,
too, because no one wants to chase her down, not
while their own pack sits so vulnerable on the table.
Foxface must have purposefully left the other packs
alone, knowing that to steal one without her number
would definitely bring on a pursuer. That should have
been my strategy! By the lime I’ve worked through the
emotions of surprise, admiration, anger, jealousy, and
269 | Page The Hunger Games — Suzanne Collins

frustration, I’m watching that reddish mane of hair
disappear into the trees well out of shooting range.
Huh. I’m always dreading the others, but maybe
Foxface is the real opponent here.

She’s cost me time, too, because by now it’s clear that
I must get to the table next. Anyone who beats me to
it will easily scoop up my pack and be gone. Without
hesitation, I sprint for the table. I can sense the
emergence of danger before I see it. Fortunately, the
first knife comes whizzing in on my right side so I can
hear it and I’m able to deflect it with my bow. I turn,
drawing back the bowstring and send an arrow
straight at Clove’s heart. She turns just enough to
avoid a fatal hit, but the point punctures her upper
left arm. Unfortunately, she throws with her right,
but it’s enough to slow her down a few moments,
having to pull the arrow from her arm, take in the
severity of the wound. I keep moving, positioning the
next arrow automatically, as only someone who has
hunted for years can do.

I’m at the table now, my fingers closing over the tiny
orange backpack. My hand slips between the straps
and I yank it up on my arm, it’s really too small to fit
on any other part of my anatomy, and I’m turning to
fire again when the second knife catches me in the
forehead. It slices above my right eyebrow, opening a
gash that sends a gush running down my face,
blinding my eye, filling my mouth with the sharp,
metallic taste of my own blood. I stagger backward
but still manage to send my readied arrow in the
general direction of my assailant. I know as it leaves
my hands it will miss. And then Clove slams into me,
knocking me flat on my back, pinning my shoulders
to the ground, with her knees.

This is it, I think, and hope for Prim’s sake it will be
fast. But Clove means to savor the moment. Even
270 | Page The Hunger Games — Suzanne Collins

feels she has time. No doubt Cato is somewhere
nearby, guarding her, waiting for Thresh and possibly
Peeta.

“Where’s your boyfriend, District Twelve? Still
hanging on?” she asks.

Well, as long as we're talking I’m alive. “He’s out there
now. Hunting Cato,” I snarl at her. Then I scream at
the top of my lungs. “Peeta!”

Clove jams her fist into my windpipe, very effectively
cutting off my voice. But her head’s whipping from
side to side, and I know for a moment she’s at least
considering I’m telling the truth. Since no Peeta
appears to save me, she turns back to me.

“Liar,” she says with a grin. “He’s nearly dead. Cato
knows where he cut him. You’ve probably got him
strapped up in some tree while you try to keep his
heart going. What’s in the pretty little backpack? That
medicine for Lover Boy? Too bad he'll never get it.”

Clove opens her jacket. It’s lined with an impressive
array of knives. She carefully selects an almost
dainty-looking number with a cruel, curved blade. “I
promised Cato if he let me have you, I’d give the
audience a good show.”

I’m struggling now in an effort to unseat her, but it’s
no use. She’s too heavy and her lock on me too tight.

“Forget it, District Twelve. We’re going to kill you.
Just like we did your pathetic little ally ... what was
her name? The one who hopped around in the trees?
Rue? Well, first Rue, then you, and then I think we'll
just let nature take care of Lover Boy. How does that
sound?” Clove asks. “Now, where to start?”

271|Page The Hunger Games — Suzanne Collins

She carelessly wipes away the blood from my wound
with her jacket sleeve. For a moment, she surveys my
face, tilting it from side to side as if it’s a block of
wood and she’s deciding exactly what pattern to carve
on it. I attempt to bite her hand, but she grabs the
hair on the top of my head, forcing me back to the
ground. “I think ...” she almost purrs. “I think we'll
start with your mouth.” I clamp my teeth together as
she teasingly traces the outline of my lips with the tip
of the blade.

I won’t close my eyes. The comment about Rue has
filled me with fury, enough fury I think to die with
some dignity. As my last act of defiance, I will stare
her down as long as I can see, which will probably not
be an extended period of time, but I will stare her
down, I will not cry out. I will die, in my own small
way, undefeated.

“Yes, I don’t think youll have much use for your lips
anymore. Want to blow Lover Boy one last kiss?” she
asks, I work up a mouthful of blood and saliva and
spit it in her face. She flushes with rage. “All right
then. Let’s get started.”

I brace myself for the agony that’s sure to follow. But
as I feel the tip open the first cut at my lip, some great
form yanks Clove from my body and then she’s
screaming. I’m too stunned at first, too unable to
process what has happened. Has Peeta somehow
come to my rescue? Have the Gamemakers sent in
some wild animal to add to the fun? Has a hovercraft
inexplicably plucked her into the air?

But when I push myself up on my numb arms, I see
it’s none of the above. Clove is dangling a foot off the
ground, imprisoned in Thresh’s arms. I let out a gasp,
seeing him like that, towering over me, holding Clove
like a rag doll. I remember him as big, but he seems

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more massive, more powerful than I even recall. If
anything, he seems to have gained weight in the
arena. He flips Clove around and flings her onto the
ground.

When he shouts, I jump, never having heard him
speak above a mutter. “What’d you do to that little
girl? You kill her?”

Clove is scrambling backward on all fours, like a
frantic insect, too shocked to even call for Cato. “No!
No, it wasn’t me!”

“You said her name. I heard you. You kill her?”
Another thought brings a fresh wave of rage to his
features. “You cut her up like you were going to cut
up this girl here?”

“No! No, I —” Clove sees the stone, about the size of a
small loaf of bread in Thresh’s hand and loses it.
“Cato!” she screeches. “Cato!”

“Clove!” I hear Cato’s answer, but he’s too far away, I
can tell that much, to do her any good. What was he
doing? Trying to get Foxface or Peeta? Or had he been
lying in wait for Thresh and just badly misjudged his
location?

Thresh brings the rock down hard against Clove’s
temple. It’s not bleeding, but I can see the dent in her
skull and I know that she’s a goner. There’s still life in
her now though, in the rapid rise and fall of her
chest, the low moan escaping her lips.

When Thresh whirls around on me, the rock raised, I
know it’s no good to run. And my bow is empty, the
last loaded arrow having gone in Clove’s direction. I’m
trapped in the glare of his strange golden brown eyes.
“What’d she mean? About Rue being your ally?”

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“I — I — we teamed up. Blew up the supplies. I tried
to save her, I did. But he got there first. District One,”
I say. Maybe if he knows I helped Rue, he won’t
choose some slow, sadistic end for me.

“And you killed him?” he demands.

“Yes. I killed him. And buried her in flowers,” I
say.“And I sang her to sleep.”

Tears spring in my eyes. The tension, the fight goes
out of me at the memory. And I’m overwhelmed by
Rue, and the pain in my head, and my fear of Thresh,
and the moaning of the dying girl a few feet away.

“To sleep?” Thresh says gruffly.

“To death. I sang until she died,” I say. “Your
district... they sent me bread.” My hand reaches up
but not for an arrow that I know TIl never reach. Just
to wipe my nose. “Do it fast, okay, Thresh?”

Conflicting emotions cross Thresh’s face. He lowers
the rock and points at me, almost accusingly. “Just
this one time, I let you go. For the little girl. You and
me, we’re even then. No more owed. You
understand?”

I nod because I do understand. About owing. About
hating it. I understand that if Thresh wins, he'll have
to go back and face a district that has already broken
all the rules to thank me, and he is breaking the rules
to thank me, too. And I understand that, for the
moment, Thresh is not going to smash in my skull.

“Clove!” Cato’s voice is much nearer now. I can tell by
the pain in it that he sees her on the ground.

“You better run now, Fire Girl,” says Thresh.
274|Page The Hunger Games — Suzanne Collins

I don’t need to be told twice. I flip over and my feet dip
into the hard-packed earth as I run away from Thresh
and Clove and the sound of Cato’s voice. Only when I
reach the woods do I turn back for an instant. Thresh
and both large backpacks are vanishing over the edge
of the plain into the area I’ve never seen. Cato kneels
beside Clove, spear in hand, begging her to stay with
him. In a moment, he will realize it’s futile, she can’t
be saved. I crash into the trees, repeatedly swiping
away the blood that’s pouring into my eye, fleeing like
the wild, wounded creature I am. After a few minutes,
I hear the cannon and I know that Clove has died,
that Cato will be on one of our trails. Either Thresh’s
or mine. I’m seized with terror, weak from my head
wound, shaking. I load an arrow, but Cato can throw
that spear almost as far as I can shoot.

Only one thing calms me down. Thresh has Cato’s
backpack containing the thing he needs desperately.
If I had to bet, Cato headed out after Thresh, not me.
Still I don’t slow down when I reach the water. I
plunge right in, boots still on, and flounder
downstream. I pull off Rue’s socks that I’ve been
using for gloves and press them into my forehead,
trying to staunch the flow of blood, but they’re soaked
in minutes.

Somehow I make it back to the cave. I squeeze
through the rocks. In the dappled light, I pull the
little orange backpack from my arm, cut open the
clasp, and dump the contents on the ground. One
slim box containing one hypodermic needle. Without
hesitating, I jam the needle into Peeta’s arm and
slowly press down on the plunger.

My hands go to my head and then drop to my lap,
slick with blood.

275 |Page The Hunger Games — Suzanne Collins

The last thing I remember is an exquisitely beautiful
green-and-silver moth landing on the curve of my
wrist.

276|Page The Hunger Games — Suzanne Collins

Kapler 22

The sound of rain drumming on the roof of our house
gently pulls me toward consciousness. I fight to
return to sleep though, wrapped in a warm cocoon of
blankets, safe at home. I’m vaguely aware that my
head aches. Possibly I have the flu and this is why I’m
allowed to stay in bed, even though I can tell I’ve been
asleep a long time. My mother’s hand strokes my
cheek and I don’t push it away as I would in
wakefulness, never wanting her to know how much I
crave that gentle touch. How much I miss her even
though I still don’t trust her. Then there’s a voice, the
wrong voice, not my mother’s, and I’m scared.

“Katniss,” it says. “Katniss, can you hear me?”

My eyes open and the sense of security vanishes. I’m
not home, not with my mother. I’m in a dim, chilly
cave, my bare feet freezing despite the cover, the air
tainted with the unmistakable smell of blood. The
haggard, pale face of a boy slides into view, and after
an initial jolt of alarm, I feel better.“Peeta.”

“Hey,” he says. “Good to see your eyes again.”
“How long have I been out?” I ask.

“Not sure. I woke up yesterday evening and you were
lying next to me in a very scary pool of blood,” he
says. “I think it’s stopped finally, but I wouldn’t sit up
or anything.”

I gingerly lift my hand to my head and find it
bandaged. This simple gesture leaves me weak and
dizzy. Peeta holds a bottle to my lips and I drink
thirstily.

277 |Page The Hunger Games — Suzanne Collins

“You're better,” I say.

“Much better. Whatever you shot into my arm did the
trick,” he says. “By this morning, almost all the
swelling in my leg was gone.”

He doesn’t seem angry about my tricking him,
drugging him, and running off to the feast. Maybe I’m
just too beat-up and Ill hear about it later when I’m
stronger. But for the moment, he’s all gentleness.

“Did you eat?” I ask.

“I’m sorry to say I gobbled down three pieces of that
groosling before I realized it might have to last a
while. Don’t worry, I’m back on a strict diet,” he says.

“No, it’s good. You need to eat. I'll go hunting soon,”!
say.

“Not too soon, all right?” he says. “You just let me
take care of you for a while.”

I don’t really seem to have much choice. Peeta feeds
me bites of groosling and raisins and makes me drink
plenty of water. He rubs some warmth back into my
feet and wraps them in his jacket before tucking the
sleeping bag back up around my chin.

“Your boots and socks are still damp and the
weather’s not helping much,” he says. There’s a clap
of thunder, and I see lightning electrify the sky
through an opening in the rocks. Rain drips through
several holes in the ceiling, but Peeta has built a sort
of canopy over my head an upper body by wedging
the square of plastic into the rock above me.

“I wonder what brought on this storm? I mean, who’s
the target?” says Peeta.

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“Cato and Thresh,” I say without thinking. “Foxface
will be in her den somewhere, and Clove ... she cut
me an then ...”My voice trails off.

“I know Clove’s dead. I saw it in the sky last night,” he
says. “Did you kill her?”

“No. Thresh broke her skull with a rock,” I say.
“Lucky he didn’t catch you, too,” says Peeta.

The memory of the feast returns full-force and I feel
sick. “He did. But he let me go.” Then, of course, I
have to tell him. About things I’ve kept to myself
because he was too sick to ask and I wasn’t ready to
relive anyway. Like the explosion and my ear and
Rue’s dying and the boy from District 1 and the
bread. All of which leads to what happened with
Thresh and how he was paying off a debt of sorts.

“He let you go because he didn’t want to owe you
anything?” asks Peeta in disbelief.

“Yes. I don’t expect you to understand it. You’ve
always had enough. But if you’d lived in the Seam, I
wouldn’t have to explain,” I say.

“And don’t try. Obviously I’m too dim to get it.”

“It’s like the bread. How I never seem to get over
owing you for that,” I say.

“The bread? What? From when we were kids?” he
says. “I think we can let that go. I mean, you just
brought me back from the dead.”

“But you didn’t know me. We had never even spoken.
Besides, it’s the first gift that’s always the hardest to
pay back. I wouldn’t even have been here to do it if

279 | Page The Hunger Games — Suzanne Collins

you hadn’t helped me then,” I say. “Why did you,
anyway?”

“Why? You know why,” Peeta says. I give my head a
slight, painful shake. “Haymitch said you would take
a lot of convincing.”

“Haymitch>?” I ask. “What’s he got to do with it?”

“Nothing,” Peeta says. “So, Cato and Thresh, huh? I
guess it’s too much to hope that they'll
simultaneously destroy each other?”

But the thought only upsets me. “I think we would
like Thresh. I think he’d be our friend back in District
Twelve,” I say.

“Then let’s hope Cato kills him, so we don’t have
to,”says Peeta grimly.

I don’t want Cato to kill Thresh at all. I don’t want
anyone else to die. But this is absolutely not the kind
of thing that victors go around saying in the arena.
Despite my best efforts, I can feel tears starting to
pool in my eyes.

Peeta looks at me in concern. “What is it? Are you in
a lot of pain?”

I give him another answer, because it is equally true
but can be taken as a brief moment of weakness
instead of a terminal one. “I want to go home, Peeta,”
I say plaintively, like a small child.

“You will. I promise,” he says, and bends over to give
me a kiss.

“I want to go home now,” I say.

280 | Page The Hunger Games — Suzanne Collins

“Tell you what. You go back to sleep and dream of
home. And you'll be there for real before you know
it,”lie says. “Okay?”

“Okay,” I whisper. “Wake me if you need me to keep
watch.”

“I’m good and rested, thanks to you and Haymitch.
Besides, who knows how long this will last?” he says.

What does he mean? The storm? The brief respite ii
brings us? The Games themselves? I don’t know, but
I’m ion sad and tired to ask.

It’s evening when Peeta wakes me again. The rain has
turned to a downpour, sending streams of water
through our ceiling where earlier there had been only
drips. Peeta has placed the broth pot under the worst
one and repositioned the plastic to deflect most of it
from me. I feel a bit better, able to sit up without
getting too dizzy, and I’m absolutely famished. So is
Peeta. It’s clear he’s been waiting for me to wake up to
eat and is eager to get started.

There’s not much left. Two pieces of groosling, a small
mishmash of roots, and a handful of dried fruit.

“Should we try and ration it?” Peeta asks.

“No, let’s just finish it. The groosling’s getting old
anyway, and the last thing we need is to get sick
offspoilt food,” I say, dividing the food into two equal
piles. We tryand eat slowly, but we’re both so hungry
were done in a couple of minutes. My stomach is in
no way satisfied. “Tomorrow’s a hunting day,” I say.

“I won’t be much help with that,” Peeta says. “I’ve
never hunted before.”

281 | Page The Hunger Games — Suzanne Collins

“Tl kill and you cook,” I say. “And you can always
gather.”

“I wish there was some sort of bread bush out
there,”says Peeta.

“The bread they sent me from District Eleven was still
warm,” I say with a sigh. “Here, chew these.” I hand
him a couple of mint leaves and pop a few in my own
mouth.

It’s hard to even see the projection in the sky, but it’s
clear enough to know there were no more deaths
today. So Cato and Thresh haven’t had it out yet.

“Where did Thresh go? I mean, what’s on the far side
of the circle?” I ask Peeta.

“A field. As far as you can see it’s full of grasses as
high as my shoulders. I don’t know, maybe some of
them are grain. There are patches of different colors.
But there are no paths,”says Peeta.

“I bet some of them are grain. I bet Thresh knows
which ones, too,” I say. “Did you go in there?”

“No. Nobody really wanted to track Thresh down in
that grass. It has a sinister feeling to it. Every time I
look at that field, all I can think of are hidden things.
Snakes, and rabid animals, and quicksand,” Peeta
says. “There could be anything in there.”

I don’t say so but Peeta’s words remind me of the
warnings they give us about not going beyond the
fence in District 12. I can’t help, for a moment,
comparing him with Gale, who would see that field as
a potential source of food as well as a threat. Thresh
certainly did. It’s not that Peeta’s soft exactly, and
he’s proved he’s not a coward. But there are things

282 | Page The Hunger Games — Suzanne Collins

you don’t question too much, I guess, when your
home always smells like baking bread, whereas Gale
questions everything. What would Peeta think of the
irreverent banter that passes between us as we break
the law each day? Would it shock him? The things we
say about Panem? Gale’s tirades against the Capitol?

“Maybe there is a bread bush in that field,” I
say.“Maybe that’s why Thresh looks better fed now
than when we started the Games.”

“Either that or he’s got very generous sponsors,” says
Peeta. “I wonder what we’d have to do to get Haymitch
to send us some bread.”

I raise my eyebrows before I remember he doesn’t
know about the message Haymitch sent us a couple
of nights ago. One kiss equals one pot of broth. It’s
not the sort of thing I can blurt out, either. To say my
thoughts aloud would be tipping off the audience that
the romance has been fabricated to play on their
sympathies and that would result in no food at all.
Somehow, believably, I’ve got to get things back on
track. Something simple to start with. I reach out and
take his hand.

“Well, he probably used up a lot of resources helping
me knock you out,” I say mischievously.

“Yeah, about that,” says Peeta, entwining his fingers
in mine. “Don’t try something like that again.”

“Or what?” I ask.

“Or ... or ...” He can’t think of anything good.“Just
give me a minute.”

“What’s the problem?” I say with a grin.

283 | Page The Hunger Games — Suzanne Collins

“The problem is we’re both still alive. Which only
reinforces the idea in your mind that you did the right
thing,”says Peeta.

“I did do the right thing,” I say.

“No! Just don’t, Katniss!” His grip tightens, hurting
my hand, and there’s real anger in his voice. “Don’t
die for me. You won’t be doing me any favors. All
right?”

I’m startled by his intensity but recognize an excellent
opportunity for getting food, so I try to keep up.
“Maybe I did it for myself, Peeta, did you ever think of
that? Maybe you aren’t the only one who ... who
worries about ... what it would be like if...”

I fumble. I’m not as smooth with words as Peeta. And
while I was talking, the idea of actually losing Peeta
hit me again and I realized how much I don’t want
him to die. And it’s not about the sponsors. And it’s
not about what will happen back home. And it’s not
just that I don’t want to be alone. It’s him. I do not
want to lose the boy with the bread.

“If what, Katniss?” he says softly.

I wish I could pull the shutters closed, blocking out
this moment from the prying eyes of Panem. Even if it
means losing food. Whatever I’m feeling, it’s no one’s
business but mine.

“That’s exactly the kind of topic Haymitch told me to
steer clear of,” I say evasively, although Haymitch
never said anything of the kind. In fact, he’s probably
cursing me out right now for dropping the ball during
such an emotionally charged moment. But Peeta
somehow catches it.

284|Page The Hunger Games — Suzanne Collins

“Then I'll just have to fill in the blanks myself,” he
says, and moves in to me.

This is the first kiss that we’re both fully aware of.
Neither of us hobbled by sickness or pain or simply
unconscious. Our lips neither burning with fever or
icy cold. This is the first kiss where I actually feel
stirring inside my chest. Warm and curious. This is
the first kiss that makes me want another.

But I don’t get it. Well, I do get a second kiss, but it’s
just a light one on the tip of my nose because Peeta’s
been distracted. “I think your wound is bleeding
again. Come on, lie down, it’s bedtime anyway,” he
says.

My socks are dry enough to wear now. I make Peeta
put his jacket back on. The damp cold seems to cut
right down to my bones, so he must be half frozen. I
insist on taking the first watch, too, although neither
of us think it’s likely anyone will come in this
weather. But he won’t agree unless I’m in the bag,
too, and I’m shivering so hard that it’s pointless to
object. In stark contrast to two nights ago, when I felt
Peeta was a million miles away, I’m struck by his
immediacy now. As we settle in, he pulls my head
down to use his arm as a pillow, the other rests
protectively over me even when he goes to sleep. No
one has held me like this in such a long time. Since
my father died and I stopped trusting my mother, no
one else’s arms have made me feel this safe.

With the aid of the glasses, I lie watching the drips of
water splatter on the cave floor. Rhythmic and lulling.
Several times, I drift off briefly and then snap awake,
guilty and angry with myself. After three or four
hours, I can’t help it, I have to rouse Peeta because I
can’t keep my eyes open. He doesn’t seem to mind.

285 | Page The Hunger Games — Suzanne Collins

“Tomorrow, when it’s dry, ll find us a place so high
in the trees we can both sleep in peace,” I promise as
I drift off.

But tomorrow is no better in terms of weather. The
deluge continues as if the Gamemakers are intent on
washing us all away. The thunder’s so powerful it
seems to shake the ground. Peeta’s considering
heading out anyway to scavenge for food, but I tell
him in this storm it would be pointless. He won’t be
able to see three feet in front of his face and he'll only
end up getting soaked to the skin for his troubles. He
knows I’m right, but the gnawing in our stomachs is
becoming painful.

The day drags on turning into evening and there’s no
break in the weather. Haymitch is our only hope, but
nothing is forthcoming, either from lack of money —
everything will cost an exorbitant amount — or
because he’s dissatisfied with our performance.
Probably the latter. ld be the first to admit we’re not
exactly riveting today. Starving, weak from injuries,
trying not to reopen wounds. We're sitting huddled
together wrapped in the sleeping bag, yes, but mostly
to keep warm. The most exciting thing either of us
does is nap.

I’m not really sure how to ramp up the romance. The
kiss last night was nice, but working up to another
will take some forethought. There are girls in the
Seam, some of the merchant girls, too, who navigate
these waters so easily. But I’ve never had much time
or use for it. Anyway, just a kiss isn’t enough
anymore clearly because if it was we’d have gotten
food last night. My instincts tell me Haymitch isn’t
just looking for physical affection, he wants
something more personal. The sort of stuff he was
trying to get me to tell about myself when we were
practicing for the interview. I’m rotten at it, but

286 | Page The Hunger Games — Suzanne Collins

Peeta’s not. Maybe the best approach is to get him
talking.

“Peeta,” I say lightly. “You said at the interview you’d
had a crush on me forever. When did forever start?”

“Oh, let’s see. I guess the first day of school. We were
five. You had on a red plaid dress and your hair ... it
was in two braids instead of one. My father pointed
you out when we were waiting to line up,” Peeta says.

“Your father? Why?” I ask.

“He said, ‘See that little girl? I wanted to marry her
mother, but she ran off with a coal miner,” Peeta
says.

“What? You’re making that up!” I exclaim.

“No, true story,” Peeta says. “And I said, ‘A coal
miner? Why did she want a coal miner if she could’ve
had you?’ And he said, ‘Because when he sings ...
even the birds stop to listen.”

“That’s true. They do. I mean, they did,” I say. I’m
stunned and surprisingly moved, thinking of the
baker telling this to Peeta. It strikes me that my own
reluctance to sing, my own dismissal of music might
not really be that I think it’s a waste of time. It might
be because it reminds me too much of my father.

“So that day, in music assembly, the teacher asked
who knew the valley song. Your hand shot right up in
the air. She stood you up on a stool and had you sing
it for us. And I swear, every bird outside the windows
fell silent,” Peeta says.

“Oh, please,” I say, laughing.

287 |Page The Hunger Games — Suzanne Collins

“No, it happened. And right when your song ended, I
knew— just like your mother — I was a goner,” Peeta
says. “Then for the next eleven years, I tried to work

up the nerve to talk to you.”

“Without success,” I add.

“Without success. So, in a way, my name being drawn
in the reaping was a real piece of luck,” says Peeta.

For a moment, I’m almost foolishly happy and then
confusion sweeps over me. Because we’re supposed to
be making up this stuff, playing at being in love not
actually being in love. But Peeta’s story has a ring of
truth to it. That part about my father and the birds.
And I did sing the first day of school, although I don’t
remember the song. And that red plaid dress ... there
was one, a hand-me-down to Prim that got washed to
rags after my father’s death.

It would explain another thing, too. Why Peeta took a
beating to give me the bread on that awful hollow day.
So, if those details are true ... could it all be true?
“You have a ... remarkable memory,” I say haltingly.
“I remember everything about you,” says Peeta,
tucking a loose strand of hair behind my ear. “You’re
the one who wasn’t paying attention.”

“I am now,” I say.

“Well, I don’t have much competition here,” he says.

I want to draw away, to close those shutters again,

but I know I can’t. It’s as if I can hear Haymitch
whispering in my ear, “Say it! Say it!”

288 | Page The Hunger Games — Suzanne Collins

I swallow hard and get the words out. “You don’t have
much competition anywhere.” And this time, it’s me
who leans in.

Our lips have just barely touched when the clunk
outside makes us jump. My bow comes up, the arrow
ready to fly, but there’s no other sound. Peeta peers
through the rocks and then gives a whoop. Before I
can stop him, lie’s out in the rain, then handing
something in to me. A silver parachute attached to a
basket. I rip it open at once and inside there’s a feast
— fresh rolls, goat cheese, apples, and best of all, a
tureen of that incredible lamb stew on wild rice. The
very dish I told Caesar Flickerman was the most
impressive thing the Capitol had to offer.

Peeta wriggles back inside, his face lit up like the sun.
“I guess Haymitch finally got tired of watching us
starve.”

“I guess so,” I answer.

But in my head I can hear Haymitch’s smug, if

slightly exasperated, words, “Yes, that’s what I’m
looking lot, sweetheart.”

289 | Page The Hunger Games — Suzanne Collins

(OKapler z

Every cell in my body wants me to dig into the stew
and cram it, handful by handful into my mouth. But
Peeta’s voice stops me. “We better take it slow on that
stew. Remember the first night on the train? The rich
food made me sick and I wasn’t even starving then.”

“You're right. And I could just inhale the whole
thing!”I say regretfully. But I don’t. We are quite
sensible. We each have a roll, half an apple, and an
egg-size serving of stew and rice. I make myself eat
the stew in tiny spoonfuls — they even sent us
silverware and plates — savoring each bite. When we
finish, I stare longingly at the dish. “I want more.”

“Me, too. Tell you what. We wait an hour, if it stays
down, then we get another serving,” Peeta says.

“Agreed,” I say. “It’s going to be a long hour.”

“Maybe not that long,” says Peeta. “What was that
you were saying just before the food arrived?
Something about me ... no competition ... best thing
that ever happened to you ...”

“I don’t remember that last part,” I say, hoping it’s too
dim in here for the cameras to pick up my blush.

“Oh, that’s right. That’s what J was thinking,” he says.
“Scoot over, I’m freezing.”

I make room for him in the sleeping bag. We lean
back against the cave wall, my head on his shoulder,
his arms wrapped around me. I can feel Haymitch
nudging me to keep up the act. “So, since we were

290|Page The Hunger Games — Suzanne Collins

five, you never even noticed any other girls?” I ask
him.

“No, I noticed just about every girl, but none of them
made a lasting impression but you,” he says.

‘Tm sure that would thrill your parents, you liking a
girl from the Seam,” I say.

“Hardly. But I couldn’t care less. Anyway, if we make
it back, you won't be a girl from the Seam, you'll be a
girl from the Victor’s Village,” he says.

That’s right. If we win, we’ll each get a house in the
part of town reserved for Hunger Games’ victors. Long
ago, when the Games began, the Capitol had built a
dozen fine houses in each district. Of course, in ours
only one is occupied. Most of the others have never
been lived in at all.

A disturbing thought hits me. “But then, our only
neighbor will be Haymitch!”

“Ah, that'll be nice,” says Peeta, tightening his arms
around me. “You and me and Haymitch. Very cozy.
Picnics, birthdays, long winter nights around the fire
retelling old Hunger Games'’tales.”

“I told you, he hates me!” I say, but I can’t help
laughing at the image of Haymitch becoming my new
pal.

“Only sometimes. When he’s sober, I’ve never heard
him say one negative thing about you,” says Peeta.

“He’s never sober!” I protest.

“That’s right. Who am I thinking of? Oh, I know. It’s
Cinna who likes you. But that’s mainly because you

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didn’t try to run when he set you on fire,” says Peeta.
“On the other hand, Haymitch ... well, if I were you,
Pd avoid Haymitch completely. He hates you.”

“I thought you said I was his favorite,” I say.

“He hates me more,” says Peeta. “I don’t think people
in general are his sort of thing.”

I know the audience will enjoy our having fun at
Haymitch’s expense. He has been around so long,
he’s practically an old friend to some of them. And
after his head-dive off the stage at the reaping,
everybody knows him. By this time, they'll have
dragged him out of the control room for interviews
about us. No telling what sort of lies he’s made up.
He’s at something of a disadvantage because most
mentors have a partner, another victor to help them
whereas Haymitch has to be ready to go into action at
any moment. Kind of like me when I was alone in the
arena. I wonder how he’s holding up, with the
drinking, the attention, and the stress of trying to
keep us alive.

It’s funny. Haymitch and I don’t get along well in
person, but maybe Peeta is right about us being alike
because he seems able to communicate with me by
the timing of his gifts. Like how I knew I must be
close to water when he withheld it and how I knew
the sleep syrup just wasn’t something to ease Peeta’s
pain and how I know now that I have to play up the
romance. He hasn’t made much effort to connect with
Peeta really. Perhaps he thinks a bowl of broth would
just be a bowl of broth to Peeta, whereas I'll see the
strings attached to it.

A thought hits me, and I’m amazed the question’s
taken so long to surface. Maybe it’s because I’ve only

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recently begun to view Haymitch with a degree of
curiosity. “How do you think he did it?”

“Who? Did what?” Peeta asks.

“Haymitch. How do you think he won the Games?” I
say.

Peeta considers this quite a while before he answers.
Haymitch is sturdily built, but no physical wonder
like Cato or Thresh. He’s not particularly handsome.
Not in the way that causes sponsors to rain gifts on
you. And he’s so surly, it’s hard to imagine anyone
teaming up with him. There’s only one way Haymitch
could have won, and Peeta says it just as I’m reaching
this conclusion myself.

“He outsmarted the others,” says Peeta.

I nod, then let the conversation drop. But secretly I’m
wondering if Haymitch sobered up long enough to
help Peeta and me because he thought we just might
have the wits to survive. Maybe he wasn’t always a
drunk. Maybe, in the beginning, he tried to help the
tributes. But then it got unbearable. It must be hell to
mentor two kids and then watch them die. Year after
year after year. I realize that if I get out of here, that
will become my job. To mentor the girl from District
12. The idea is so repellent, I thrust it from my mind.

About half an hour has passed before I decide I have
to eat again. Peeta’s too hungry himself to put up an
argument. While I’m dishing up two more small
servings of lamb stew and rice, we hear the anthem
begin to play. Peeta presses his eyes against a crack
in the rocks to watch the sky.

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“There won’t be anything to see tonight,” I say, far
more interested in the stew than the sky. “Nothing’s
happened or we would’ve heard a cannon.”

“Katniss,” Peeta says quietly.
“What? Should we split another roll, too?” I ask.

“Katniss,” he repeats, but I find myself wanting to
ignore him.

‘Tm going to split one. But Ill save the cheese for
tomorrow,” I say. I see Peeta staring at me.“What>?”

“Thresh is dead,” says Peeta.
“He can’t be,” I say.

“They must have fired the cannon during the thunder
and we missed it,” says Peeta.

“Are you sure? I mean, it’s pouring buckets out there.
I don’t know how you can see anything,” I say. I push
him away from the rocks and squint out into the
dark, rainy sky. For about ten seconds, I catch a
distorted glimpse of Thresh’s picture and then he’s
gone. Just like that.

I stump down against the rocks, momentarily
forgetting about the task at hand. Thresh dead. I
should be happy, right? One less tribute to face. And
a powerful one, too. But I’m not happy. All I can think
about is Thresh letting me go, letting me run because
of Rue, who died with that spear in her stomach... .

“You all right?” asks Peeta.

I give a noncommittal shrug and cup my elbows in my
hands, hugging them close to my body. I have to bury

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the real pain because who’s going to bet on a tribute
who keeps sniveling over the deaths of her opponents.
Rue was one thing. We were allies. She was so young.
But no one will understand my sorrow at Thresh’s
murder. The word pulls me up short. Murder!
Thankfully, I didn’t say it aloud. That’s not going to
win me any points in the arena. What I do say is, “It’s
just ... if we didn’t win ... I wanted Thresh to. Because
he let me go. And because of Rue.”

“Yeah, I know,” says Peeta. “But this means we’re one
step closer to District Twelve.” He nudges a plate of
foot into my hands. “Eat. It’s still warm.”

I take a bite of the stew to show I don’t really care,
but it’s like glue in my mouth and takes a lot of effort
to swallow. “It also means Cato will be back hunting

”

us.
“And he’s got supplies again,” says Peeta.
“He'll be wounded, I bet,” I say.

“What makes you say that?” Peeta asks.

“Because Thresh would have never gone down
without a fight. He’s so strong, I mean, he was. And
they were in his territory,” I say.

“Good,” says Peeta. “The more wounded Cato is the
better. I wonder how Foxface is making out.”

“Oh, she’s fine,” I say peevishly. I’m still angry she
thought of hiding in the Cornucopia and I didn’t.
“Probably be easier to catch Cato than her.”

“Maybe theyll catch each other and we can just go
home,” says Peeta. “But we better be extra careful
about the watches. I dozed off a few times.”

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“Me, too,” I admit. “But not tonight.”

We finish our food in silence and then Peeta offers to
take the first watch. I burrow down in the sleeping
bag next to him, pulling my hood up over my face to
hide it from the cameras. I just need a few moments
of privacy where I can let any emotion cross my face
without being seen. Under the hood, I silently say
good-bye to Thresh and thank him for my life. I
promise to remember him and, if I can, do something
to help his family and Rue’s, if I win. Then I escape
into sleep, comforted by a full belly and the steady
warmth of Peeta beside me.

When Peeta wakes me later, the first thing I register is
the smell of goat cheese. He’s holding out half a roll
spread with the creamy white stuff and topped with
apple slices. “Don’t be mad,” he says. “I had to eat
again. Here’s your half.”

“Oh, good,” I say, immediately taking a huge bite. The
strong fatty cheese tastes just like the kind Prim
makes, the apples are sweet and crunchy. “Mm.”

“We make a goat cheese and apple tart at the bakery,”
he says.

“Bet that’s expensive,” I say.

“Too expensive for my family to eat. Unless it’s gone
very stale. Of course, practically everything we eat is
stale,”says Peeta, pulling the sleeping bag up around
him. In less than a minute, he’s snoring.

Huh. I always assumed the shopkeepers live a soft
life.

And it’s true, Peeta has always had enough to eat.
But there’s something kind of depressing about living

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your life on stale bread, the hard, dry loaves that no
one else wanted. One thing about us, since I bring
our food home on a daily basis, most of it is so fresh
you have to make sure it isn’t going to make a run for
it.

Somewhere during my shift, the rain stops not
gradually but all at once. The downpour ends and
there’s only the residual drippings of water from
branches, the rush of the now overflowing stream
below us. A full, beautiful moon emerges, and even
without the glasses I can see outside. I can’t decide if
the moon is real or merely a projection of the
Gamemakers. I know it was full shortly before I left
home. Gale and I watched it rise as we hunted into
the late hours.

How long have I been gone? I’m guessing it’s been
about two weeks in the arena, and there was that
week of preparation in the Capitol. Maybe the moon
has completed its cycle. For some reason, I badly
want it to be my moon, the same one I see from the
woods around District 12. That would give me
something to cling to in the surreal world of the arena
where the authenticity of everything is to be doubted.

Four of us left.

For the first time, I allow myself to truly think about
the possibility that I might make it home. To fame. To
wealth. To my own house in the Victor’s Village. My
mother and Prim would live there with me. No more
fear of hunger. A new kind of freedom. But then ...
what? What would my life be like on a daily basis?
Most of it has been consumed with the acquisition of
food. Take that away and I’m not really sure who I
am, what my identity is. The idea scares me some. I
think of Haymitch, with all his money. What did his
life become? He lives alone, no wife or children, most

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of his waking hours drunk. I don’t want to end up like
that.

“But you won't be alone,” I whisper to myself. I have
my mother and Prim. Well, for the time being. And
then ... I don’t want to think about then, when Prim
has grown up, my mother passed away. I know I'll
never marry, never risk bringing a child into the
world. Because if there’s one thing being a victor
doesn’t guarantee, it’s your children’s safety. My kids’
names would go right into the reaping balls with
everyone else’s. And I swear I'll never let that happen.

The sun eventually rises, its light slipping through the
cracks and illuminating Peeta’s face. Who will he
transform into if we make it home? This perplexing,
good-natured boy who can spin out lies so
convincingly the whole of Panem believes him to be
hopelessly in love with me, and I'll admit it, there are
moments when he makes me believe it myself? At
least, we'll be friends, I think. Nothing will change the
fact that we’ve saved each other’s lives in here. And
beyond that, he will always be the boy with the bread.
Good friends.Anything beyond that though ... and I
feel Gale’s gray eyes watching me watching Peeta, all
the way from District 12.

Discomfort causes me to move. I scoot over and shake
Peeta’s shoulder. His eyes open sleepily and when
they focus on me, he pulls me down for a long kiss.

“We’re wasting hunting time,” I say when I finally
break away.

“I wouldn’t call it wasting,” he says giving a big

stretch as he sits up. “So do we hunt on empty
stomachs to give us an edge?”

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“Not us,” I say. “We stuff ourselves to give us staying
power.”

“Count me in,” Peeta says. But I can see he’s
surprised when I divide the rest of the stew and rice
and hand a heaping plate to him. “All this?”

“We'll earn it back today,” I say, and we both plow
into our plates. Even cold, it’s one of the best things
I’ve ever tasted. I abandon my fork and scrape up the
last dabs of gravy with my finger. “I can feel Effie
Trinket shuddering at my manners.”

“Hey, Effie, watch this!” says Peeta. He tosses his fork
over his shoulder and literally licks his plate clean
with his tongue making loud, satisfied sounds. Then
he blows a kiss out to her in general and calls, “We
miss you, Effie!”

I cover his mouth with my hand, but I’m laughing.
“Stop! Cato could be right outside our cave.”

He grabs my hand away. “What do I care? I’ve got you
to protect me now,” says Peeta, pulling me to him.

“Come on,” I say in exasperation, extricating myself
from his grasp but not before he gets in another kiss.

Once we’re packed up and standing outside our cave,
our mood shifts to serious. It’s as though for the last
few days, sheltered by the rocks and the rain and
Cato’s preoccupation with Thresh, we were given a
respite, a holiday of sorts. Now, although the day is
sunny and warm, we both sense we’re really back in
the Games. I hand Peeta my knife, since whatever
weapons he once had are long gone, and he slips it
into his belt. My last seven arrows— of the twelve I
sacrificed three in the explosion, two at the feast —

299 | Page The Hunger Games — Suzanne Collins

rattle a bit too loosely in the quiver. I can’t afford to
lose any more.

“Hell be hunting us by now,” says Peeta. “Cato isn’t
one to wait for his prey to wander by.”

“If he’s wounded —” I begin.

“It won’t matter,” Peeta breaks in. “If he can move
? ?
he’s coming.”

With all the rain, the stream has overrun its banks by
several feet on either side. We stop there to replenish
our water. I check the snares I set days ago and come
up empty. Not surprising with the weather. Besides, I
haven’t seen many animals or signs of them in this
area.

“If we want food, we better head back up to my old
hunting grounds,” I say.

“Your call. Just tell me what you need me to do,”
Peeta says.

“Keep an eye out,” I say. “Stay on the rocks as much
as possible, no sense in leaving him tracks to follow.
And listen for both of us.” It’s clear, at this point, that
the explosion destroyed the hearing in my left ear for
good.

Pd walk in the water to cover our tracks completely,
but I’m not sure Peeta’s leg could take the current.
Although the drugs have erased the infection, he’s
still pretty weak. My forehead hurts along the knife
cut, but after three days the bleeding has stopped. I
wear a bandage around my head though, just in case
physical exertion should bring it back.

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As we head up alongside the stream, we pass the
place where I found Peeta camouflaged in the weeds
and mud. One good thing, between the downpour and
the flooded banks, all signs of his hiding place have
been wiped out. That means that, if need be, we can
come back to our cave. Otherwise, I wouldn’t risk it
with Cato after us.

The boulders diminish to rocks that eventually turn
to pebbles, and then, to my relief, we’re back on pine
needles and the gentle incline of the forest floor. For
the first time, I realize we have a problem. Navigating
the rocky terrain with a bad leg —well, you’re
naturally going to make some noise. But even on the
smooth bed of needles, Peeta is loud. And I
meanloudloud, as if he’s stomping his feet or
something. I turn and look at him.

“What?” he asks.

“You’ve got to move more quietly,” I say. “Forget about
Cato, you’re chasing off every rabbit in a ten-mile
radius.”

“Really?” he says. “Sorry, I didn’t know.”

So, we start up again and he’s a tiny bit better, but
even with only one working ear, he’s making me
jump.

“Can you take your boots off?” I suggest.

“Here?” he asks in disbelief, as if I’d asked him to
walk barefoot on hot coals or something. I have to
remind myself that he’s still not used to the woods,
that it’s the scary, forbidden place beyond the fences
of District 12. I think of Gale, with his velvet tread.
It’s eerie how little sound he makes, even when the
leaves have fallen and it’s a challenge to move at all

301 | Page The Hunger Games — Suzanne Collins

without chasing off the game. I feel certain he’s
laughing back home.

“Yes,” I say patiently. “I will, too. That way we'll both
be quieter.” Like I was making any noise. So we both
strip off our boots and socks and, while there’s some
improvement, I could swear he’s making an effort to
snap every branch we encounter.

Needless to say, although it takes several hours to
reach my old camp with Rue, I’ve shot nothing. If the
stream would settle down, fish might be an option,
but the current is still too strong. As we stop to rest
and drink water, I try to work out a solution. Ideally,
Pd dump Peeta now with some simple root-gathering
chore and go hunt, but then he’d be left with only a
knife to defend himself against Cato’s spears and
superior strength. So what I’d really like is to try and
conceal him somewhere safe, then go hunt, and come
back and collect him. But I have a feeling his ego isn’t
going to go for that suggestion.

“Katniss,” he says. “We need to split up. I know I’m
chasing away the game.”

“Only because your leg’s hurt,” I say generously,
because really, you can tell that’s only a small part of
the problem.

“I know,” he says. “So, why don’t you go on? Show me
some plants to gather and that way we'll both be
useful.”

“Not if Cato comes and kills you.” I tried to say it ina
nice way, but it still sounds like I think he’s a
weakling.

Surprisingly, he just laughs. “Look, I can handle
Cato. I fought him before, didn’t I>”

302 | Page The Hunger Games — Suzanne Collins

Yeah, and that turned out great. You ended up dying
in a mud bank. That’s what I want to say, but I can’t.
He did save my life by taking on Cato after all. I try
another tactic. “What if you climbed up in a tree and
acted as a lookout while I hunted?” I say, trying to
make it sound like very important work.

“What if you show me what’s edible around here and
go get us some meat?” he says, mimicking my tone.
“Just don’t go far, in case you need help.”

I sigh and show him some roots to dig. We do need
food, no question. One apple, two rolls, and a blob of
cheese the size of a plum won’t last long. I'll just goa
short distance and hope Cato is a long way off.

I teach him a bird whistle — not a melody like Rue’s
but a simple two-note whistle — which we can use to
communicate that we’re all right. Fortunately, he’s
good at this. Leaving him with the pack, I head off.

I feel like I’m eleven again, tethered not to the safety
of the fence but to Peeta, allowing myself twenty,
maybe thirty yards of hunting space. Away from him
though, the woods come alive with animal sounds.
Reassured by his periodic whistles, I allow myself to
drift farther away, and soon have two rabbits anda
fat squirrel to show for it. I decide it’s enough. I can
set snares and maybe get some fish. With Peeta’s
roots, this will be enough for now.

As I travel the short distance back, I realize we
haven’t exchanged signals in a while. When my
whistle receives no response, I run. In no time, I find
the pack, a neat pile of roots beside it. The sheet of
plastic has been laid on the ground where the sun
can reach the single layer of berries that covers it.
But where is he?

303 |Page The Hunger Games — Suzanne Collins

“Peeta!” I call out in a panic. “Peeta!” I turn to the
rustle of brush and almost send an arrow through
him. Fortunately, I pull my bow at the last second
and it sticks in an oak trunk to his left. He jumps
back, flinging a handful of berries into the foliage.

My fear comes out as anger. “What are you doing?
You’re supposed to be here, not running around in
the woods!”

“I found some berries down by the stream,” he says,
clearly confused by my outburst.

“I whistled. Why didn’t you whistle back?”Isnap at
him.

“I didn’t hear. The water’s too loud, I guess,” he says.
He crosses and puts his hands on my shoulders.
That’s when I feel that I’m trembling.

“I thought Cato killed you!” I almost shout.

“No, I’m fine.” Peeta wraps his arms around me, but I
don’t respond. “Katniss?”

I push away, trying to sort out my feelings. “If two
people agree on a signal, they stay in range. Because
if one of them doesn’t answer, they’re in trouble, all
right?”

“All right!” he says.

“All right. Because that’s what happened with Rue,
and I watched her die!” I say. I turn away from him,
go to the pack and open a fresh bottle of water,
although I still have some in mine. But I’m not ready
to forgive him. I notice the food. The rolls and apples
are untouched, but someone’s definitely picked away
part of the cheese. “And you ate without me!” I really

304|Page The Hunger Games — Suzanne Collins

don’t care, I just want something else to be mad
about.

“What? No, I didn’t,” Peeta says.
“Oh, and I suppose the apples ate the cheese,” I say.

“I don’t know what ate the cheese,” Peeta says slowly
and distinctly, as if trying not to lose his temper, “but
it wasn’t me. I’ve been down by the stream collecting

berries. Would you care for some?”

I would actually, but I don’t want to relent too soon. I
do walk over and look at them. I’ve never seen this
type before. No, I have. But not in the arena. These
aren’t Rue’s berries, although they resemble them.
Nor do they match any I learned about in training. I
lean down and scoop up a few, rolling them between
my fingers.

My father’s voice comes back to me. “Not these,
Katniss. Never these. They’re nightlock. You'll be dead
before they reach your stomach.”

Just then, the cannon fires. I whip around, expecting
Peeta to collapse to the ground, but he only raises his
eyebrows. The hovercraft appears a hundred yards or
so away. What’s left of Foxface’s emaciated body is
lifted into the air. I can see the red glint of her hair in
the sunlight.

I should have known the moment I saw the missing
cheese... .

Peeta has me by the arm, pushing me toward a

tree.“Climb. He'll be here in a second. We’ll stand a
better chance fighting him from above.”

305| Page The Hunger Games — Suzanne Collins

I stop him, suddenly calm. “No, Peeta, she’s your kill,
not Cato’s.”

“What? I haven’t even seen her since the first day,” he
says. “How could I have killed her?”

In answer, I hold out the berries.

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OKapler 24

It takes a while to explain the situation to Peeta. How
Foxface stole the food from the supply pile before I
blew it up, how she tried to take enough to stay alive
but not enough that anyone would notice it, how she
wouldn’t question the safety of berries we were
preparing to eat ourselves.

“I wonder how she found us,” says Peeta. “My fault, I
guess, if I’m as loud as you say.”

We were about as hard to follow as a herd of cattle,
but I try to be kind. “And she’s very clever, Peeta.
Well, she was. Until you outfoxed her.”

“Not on purpose. Doesn’t seem fair somehow. I mean,
we would have both been dead, too, if she hadn’t
eaten the berries first.” He checks himself. “No, of
course, we wouldn’t. You recognized them, didn’t
you?”

I give a nod. “We call them nightlock.”

“Even the name sounds deadly,” he says. “I’m sorry,
Katniss. I really thought they were the same ones
you'd gathered.”

“Don’t apologize. It just means we’re one step closer to
home, right?” I ask.

“TIl get rid of the rest,” Peeta says. He gathers up the
sheet of blue plastic, careful to trap the berries inside,
and goes to toss them into the woods.

“Wait!” I cry. I find the leather pouch that belonged to
the boy from District 1 and fill it with a few handfuls

307 | Page The Hunger Games — Suzanne Collins

of berries from the plastic. “If they fooled Foxface,
maybe they can fool Cato as well. If he’s chasing us or
something, we can act like we accidentally drop the
pouch and if he eats them—”

“Then hello District Twelve,” says Peeta.
“That’s it,” I say, securing the pouch to my belt.

“Hell know where we are now,” says Peeta. “If he was
anywhere nearby and saw that hovercraft, hell know
we killed her and come after us.”

Peeta’s right. This could be just the opportunity
Cato’s been waiting for. But even if we run now,
there’s the meat to cook and our fire will be another
sign of our whereabouts. “Let’s make a fire. Right
now.” I begin to gather branches and brush.

“Are you ready to face him?” Peeta asks.

“I’m ready to eat. Better to cook our food while we
have the chance. If he knows we’re here, he knows.
But he also knows there’s two of us and probably
assumes we were hunting Foxface. That means you’re
recovered. And the fire means we're not hiding, we’re
inviting him here. Would you show up?” I ask.

“Maybe not,” he says.

Peeta’s a whiz with fires, coaxing a blaze out of the
damp wood. In no time, I have the rabbits and
squirrel roasting, the roots, wrapped in leaves, baking
in the coals. We take turns gathering greens and
keeping a careful watch for Cato, but as I anticipated,
he doesn’t make an appearance.

When the food’s cooked, I pack most of it up, leaving
us each a rabbit’s leg to eat as we walk.

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I want to move higher into the woods, climb a good
tree, and make camp for the night, but Peeta resists.
“I can’t climb like you, Katniss, especially with my leg,
and I don’t think I could ever fall asleep fifty feet
above the ground.”

“It’s not safe to stay in the open, Peeta,” I say.

“Can’t we go back to the cave?” he asks. “It’s near
water and easy to defend.”

I sigh. Several more hours of walking — or should I
say crashing — through the woods to reach an area
we'll just have to leave in the morning to hunt. But
Peeta doesn’t ask for much. He’s followed my
instructions all day and I’m sure if things were
reversed, he wouldn’t make me spend the night ina
tree. It dawns on me that I haven’t been very nice to
Peeta today. Nagging him about how loud he was,
screaming at him over disappearing. The playful
romance we had sustained in the cave has
disappeared out in the open, under the hot sun, with
the threat of Cato looming over us. Haymitch has
probably just about had it with me. And as for the
audience ...

I reach up and give him a kiss. “Sure. Let’s go back to
the cave.”

He looks pleased and relieved. “Well, that was easy.”

I work my arrow out of the oak, careful not to damage
the shaft. These arrows are food, safety, and life itself
now.

We toss a bunch more wood on the fire. It should be
sending off smoke for a few more hours, although I
doubt Cato assumes anything at this point. When we
reach the stream, I see the water has dropped

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considerably and moves at its old leisurely pace, so I
suggest we walk back in it. Peeta’s happy to oblige
and since he’s a lot quieter in water than on land, it’s
a doubly good idea. It’s a long walk back to the cave
though, even going downward, even with the rabbit to
give us a boost. We’re both exhausted by our hike
today and still way too underfed. I keep my bow
loaded, both for Cato and any fish I might see, but the
stream seems strangely empty of creatures.

By the time we reach our destination, our feet are
dragging and the sun sits low on the horizon. We fill
up our water bottles and climb the little slope to our
den. It’s not much, but out here in the wilderness, it’s
the closest thing we have to a home. It will be warmer
than a tree, too, because it provides some shelter
from the wind that has begun to blow steadily in from
the west. I set a good dinner out, but halfway through
Peeta begins to nod off. After days of inactivity, the
hunt has taken its toll. I order him into the sleeping
bag and set aside the rest of his food for when he
wakes. He drops off immediately. I pull the sleeping
bag up to his chin and kiss his forehead, not for the
audience, but for me. Because I’m so grateful that
he’s still here, not dead by the stream as I’d thought.
So glad that I don’t have to face Cato alone.

Brutal, bloody Cato who can snap a neck with a twist
of his arm, who had the power to overcome Thresh,
who has had it out for me since the beginning. He
probably has had a special hatred for me ever since I
outscored him in training. A boy like Peeta would
simply shrug that off. But I have a feeling it drove
Cato to distraction. Which is not that hard. I think of
his ridiculous reaction to finding the supplies blown
up. The others were upset, of course, but he was
completely unhinged. I wonder now if Cato might not
be entirely sane.

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The sky lights up with the seal, and I watch Foxface
shine in the sky and then disappear from the world
forever. He hasn’t said it, but I don’t think Peeta felt
good about killing her, even if it was essential. I can’t
pretend I’ll miss her, but I have to admire her. My
guess is if they had given us some sort of test, she
would have been the smartest of all the tributes. If, in
fact, we had been setting a trap for her, I bet she’d
have sensed it and avoided the berries. It was Peeta’s
own ignorance that brought her down. I’ve spent so
much time making sure I don’t underestimate my
opponents that I’ve forgotten it’s just as dangerous to
overestimate them as well.

That brings me back to Cato. But while I think I had
a sense of Foxface, who she was and how she
operated, he’s a little more slippery. Powerful, well
trained, but smart? I don’t know. Not like she was.
And utterly lacking in the control Foxface
demonstrated. I believe Cato could easily lose his
judgment in a fit of temper. Not that I can feel
superior on that point. I think of the moment I sent
the arrow flying into the apple in the pig’s mouth
when I was so enraged. Maybe I do understand Cato
better than I think.

Despite the fatigue in my body, my mind’s alert, so I
let Peeta sleep long past our usual switch. In fact, a
soft gray day has begun when I shake his shoulder.
He looks out, almost in alarm. “I slept the whole
night. That’s not fair, Katniss, you should have woken
me.”

I stretch and burrow down into the bag. “I'll sleep
now. Wake me if anything interesting happens.”

Apparently nothing does, because when I open my
eyes, bright hot afternoon light gleams through the
rocks. “Any sign of our friend?” I ask.

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Peeta shakes his head. “No, he’s keeping a
disturbingly low profile.”

“How long do you think we'll have before the
Gamemakers drive us together?” I ask.

“Well, Foxface died almost a day ago, so there’s been
plenty of time for the audience to place bets and get
bored. I guess it could happen at any moment,” says
Peeta.

“Yeah, I have a feeling today’s the day,” I say. I sit up
and look out at the peaceful terrain. “I wonder how
they'll do it.”

Peeta remains silent. There’s not really any good
answer.

“Well, until they do, no sense in wasting a hunting
day. But we should probably eat as much as we can
hold just in case we run into trouble,” I say.

Peeta packs up our gear while I lay out a big meal.
The rest of the rabbits, roots, greens, the rolls spread
with the last bit of cheese. The only thing I leave in
reserve is the squirrel and the apple.

By the time we're done, all that’s left is a pile of rabbit
bones. My hands are greasy, which only adds to my
growing feeling of grubbiness. Maybe we don’t bathe
daily in the Seam, but we keep cleaner than I have of
late. Except for my feet, which have walked in the
stream, I’m covered in a layer of grime.

Leaving the cave has a sense of finality about it. I
don’t think there will be another night in the arena
somehow. One way or the other, dead or alive, I have
the feeling TIl escape it today. I give the rocks a pat
good-bye and we head down to the stream to wash

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up. I can feel my skin, itching for the cool water. I
may do my hair and braid it back wet. I’m wondering
if we might even be able to give our clothes a quick
scrub when we reach the stream. Or what used to be
the stream. Now there’s only a bone-dry bed. I put my
hand down to feel it.

“Not even a little damp. They must have drained it
while we slept,” I say. A fear of the cracked tongue,
aching body and fuzzy mind brought on by my
previous dehydration creeps into my consciousness.
Our bottles and skin are fairly full, but with two
drinking and this hot sun it won’t take long to deplete
them.

“The lake,” says Peeta. “That’s where they want us to
go.”

“Maybe the ponds still have some,” I say hopefully.

“We can check,” he says, but he’s just humoring me.
I’m humoring myself because I know what Ill find
when we return to the pond where I soaked my leg. A
dusty, gaping mouth of a hole. But we make the trip
anyway just to confirm what we already know.

“You're right. They’re driving us to the lake,” I say.
Where there’s no cover. Where they’re guaranteed a
bloody fight to the death with nothing to block their
view. “Do you want to go straightaway or wait until
the water’s tapped out?”

“Let’s go now, while we’ve had food and rest. Let’s just
go end this thing,” he says.

I nod. It’s funny. I feel almost as if it’s the first day of
the Games again. That I’m in the same position.
Twenty-one tributes are dead, but I still have yet to
kill Cato. And really, wasn’t he always the one to kill?

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Now it seems the other tributes were just minor
obstacles, distractions, keeping us from the real
battle of the Games. Cato and me.

But no, there’s the boy waiting beside me. I feel his
arms wrap around me.

“Two against one. Should be a piece of cake,” he says.
“Next time we eat, it will be in the Capitol,” I answer.
“You bet it will,” he says.

We stand there a while, locked in an embrace, feeling
each other, the sunlight, the rustle of the leaves at
our feet. Then without a word, we break apart and
head for the lake.

I don’t care now that Peeta’s footfalls send rodents
scurrying, make birds take wing. We have to fight
Cato and I’d just as soon do it here as on the plain.
But I doubt I'll have that choice. If the Gamemakers
want us in the open, then in the open we will be.

We stop to rest for a few moments under the tree
where the Careers trapped me. The husk of the
tracker jacker nest, beaten to a pulp by the heavy
rains and dried in the burning sun, confirms the
location. I touch it with the tip of my boot, and it
dissolves into dust that is quickly carried off by the
breeze. I can’t help looking up in the tree where Rue
secretly perched, waiting to save my life. Tracker
jackers. Glimmer’s bloated body. The terrifying
hallucinations ...

“Let’s move on,” I say, wanting to escape the darkness
that surrounds this place. Peeta doesn’t object.

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Given our late start to the day, when we reach the
plain it’s already early evening. There’s no sign of
Cato. No sign of anything except the gold Cornucopia
glowing in the slanting sun rays. Just in case Cato
decided to pull a Foxface on us, we circle the
Cornucopia to make sure it’s empty. Then obediently,
as if following instructions, we cross to the lake and
fill our water containers.

I frown at the shrinking sun. “We don’t want to fight
him after dark. There’s only the one pair of glasses.”

Peeta carefully squeezes drops of iodine into the
water.“Maybe that’s what he’s waiting for. What do
you want to do? Go back to the cave?”

“Either that or find a tree. But let’s give him another
half an hour or so. Then we'll take cover,” I answer.

We sit by the lake, in full sight. There’s no point in
hiding now. In the trees at the edge of the plain, I can
see the mockingjays flitting about. Bouncing melodies
back and forth between them like brightly colored
balls. I open my mouth and sing out Rue’s four-note
run. I can feel them pause curiously at the sound of
my voice, listening for more. I repeat the notes in the
silence. First one mockingjay trills the tune back,
then another. Then the whole world comes alive with
the sound.

“Just like your father,” says Peeta.

My fingers find the pin on my shirt. “That’s Rue’s
song,” I say. “I think they remember it.”

The music swells and I recognize the brilliance of it.
As the notes overlap, they compliment one another,
forming a lovely, unearthly harmony. It was this
sound then, thanks to Rue, that sent the orchard

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workers of District 11 home each night. Does
someone start it at quitting time, I wonder, now that
she is dead?

For a while, I just close my eyes and listen,
mesmerized by the beauty of the song. Then
something begins to disrupt the music. Runs cut off
in jagged, imperfect lines. Dissonant notes intersperse
with the melody. The mockingjays’ voices rise up ina
shrieking cry of alarm.

We’re on our feet, Peeta wielding his knife, me poised
to shoot, when Cato smashes through the trees and
bears down on us. He has no spear. In fact, his hands
are empty, yet he runs straight for us. My first arrow
hits his chest and inexplicably falls aside.

“He’s got some kind of body armor!” I shout to Peeta.

Just in time, too, because Cato is upon us. I brace
myself, but he rockets right between us with no
attempt to check his speed. I can tell from his
panting, the sweat pouring off his purplish face, that
he’s been running hard a long time. Not toward us.
From something. But what?

My eyes scan the woods just in time to see the first
creature leap onto the plain. As I’m turning away, I
see another half dozen join it. Then I am stumbling
blindly after Cato with no thought of anything but to
save myself.

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Muttations. No question about it. I’ve never seen
these mutts, but they’re no natural-born animals.
They resemble huge wolves, but what wolf lands and
then balances easily on its hind legs? What wolf
waves the rest of the pack forward with its front paw
as though it had a wrist? These things I can see ata
distance. Up close, I’m sure their more menacing
attributes will be revealed.

Cato has made a beeline for the Cornucopia, and
without question I follow him. If he thinks it’s the
safest place, who am I to argue? Besides, even if I
could make it to the trees, it would be impossible for
Peeta to outrun them on that leg — Peeta! My hands
have just landed on the metal at the pointed tail of
the Cornucopia when I remember I’m part of a team.
He’s about fifteen yards behind me, hobbling as fast
as he can, but the mutts are closing in on him fast. I
send an arrow into the pack and one goes down, but
there are plenty to take its place.

Peeta’s waving me up the horn, “Go, Katniss! Go!”

He’s right. I can’t protect either of us on the ground. I
start climbing, scaling the Cornucopia on my hands
and feet. The pure gold surface has been designed to
resemble the woven horn that we fill at harvest, so
there are little ridges and seams to get a decent hold
on. But after a day in the arena sun, the metal feels
hot enough to blister my hands.

Cato lies on his side at the very top of the horn,
twenty feet above the ground, gasping to catch his
breath as he gags over the edge. Now’s my chance to
finish him off. I stop midway up the horn and load

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another arrow, but just as I’m about to let it fly, I
hear Peeta cry out. I twist around and see he’s just
reached the tail, and the mutts are right on his heels.

“Climb!” I yell. Peeta starts up hampered by not only
the leg but the knife in his hand. I shoot my arrow
down the throat of the first mutt that places its paws
on the metal. As it dies the creature lashes out,
inadvertently opening gashes on a few of its
companions. That’s when I get a look at the claws.
Four inches and clearly razor-sharp.

Peeta reaches my feet and I grab his arm and pull
him along. Then I remember Cato waiting at the top
and whip around, but he’s doubled over with cramps
and apparently more preoccupied with the mutts
than us. He coughs out something unintelligible. The
snuffling, growling sound coming from the mutts isn’t
helping.

“What?” I shout at him.

“He said, ‘Can they climb it?” answers Peeta, drawing
my focus back to the base of the horn.

The mutts are beginning to assemble. As they join
together, they raise up again to stand easily on their
back legs giving them an eerily human quality. Each
has a thick coat, some with fur that is straight and
sleek, others curly, and the colors vary from jet black
to what I can only describe as blond. There’s
something else about them, something that makes
the hair rise up on the back of my neck, but I can’t
put my finger on it.

They put their snouts on the horn, sniffing and
tasting the metal, scraping paws over the surface and
then making high-pitched yipping sounds to one
another. This must be how they communicate

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because the pack backs up as if to make room. Then
one of them, a good-size mutt with silky waves of
blond fur takes a running start and leaps onto the
horn. Its back legs must be incredibly powerful
because it lands a mere ten feet below us, its pink
lips pulled back in a snarl. For a moment it hangs
there, and in that moment I realize what else
unsettled me about the mutts. The green eyes
glowering at me are unlike any dog or wolf, any
canine I’ve ever seen. They are unmistakably human.
And that revelation has barely registered when I
notice the collar with the number 1 inlaid with jewels
and the whole horrible thing hits me. The blonde hair,
the green eyes, the number ... it’s Glimmer.

A shriek escapes my lips and I’m having trouble
holding the arrow in place. I have been waiting to fire,
only too aware of my dwindling supply of arrows.
Waiting to see if the creatures can, in fact, climb. But
now, even though the mutt has begun to slide
backward, unable to find any purchase on the metal,
even though I can hear the slow screeching of the
claws like nails on a blackboard, I fire into its throat.
Its body twitches and flops onto the ground with a
thud.

“Katniss?” I can feel Peeta’s grip on my arm.
“It’s her!” I get out.
“Who?” asks Peeta.

My head snaps from side to side as I examine the
pack, taking in the various sizes and colors. The
small one with the red coat and amber eyes ...
Foxface! And there, the ashen hair and hazel eyes of
the boy from District 9 who died as we struggled for
the backpack! And worst of all, the smallest mutt,
with dark glossy fur, huge brown eyes and a collar

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that reads 11 in woven straw. Teeth bared in hatred.
Rue ...

“What is it, Katniss?” Peeta shakes my shoulder.

“It’s them. It’s all of them. The others. Rue and
Foxface and ... all of the other tributes,” I choke out.

I hear Peeta’s gasp of recognition. “What did they do
to them? You don’t think ... those could be their real
eyes?”

Their eyes are the least of my worries. What about
their brains? Have they been given any of the real
tributes memories? Have they been programmed to
hate our faces particularly because we have survived
and they were so callously murdered? And the ones
we actually killed ... do they believe they’re avenging
their own deaths?

Before I can get this out, the mutts begin a new
assault on the horn. They’ve split into two groups at
the sides of the horn and are using those powerful
hindquarters to launch themselves at us. A pair of
teeth ring together just inches from my hand and
then I hear Peeta cry out, feel the yank on his body,
the heavy weight of boy and mutt pulling me over the
side. If not for the grip on my arm, he’d be on the
ground, but as it is, it takes all my strength to keep
us both on the curved back of the horn. And more
tributes are coming.

“Kill it, Peeta! Kill it!” ’'m shouting, and although I
can’t quite see what’s happening, I know he must
have stabbed the thing because the pull lessens. I’m
able to haul him back onto the horn where we drag
ourselves toward the top where the lesser of two evils
awaits.

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Cato has still not regained his feet, but his breathing
is slowing and I know soon he'll be recovered enough
to come for us, to hurl us over the side to our deaths.
I arm my bow, but the arrow ends up taking out a
mutt that can only be Thresh. Who else could jump
so high? I feel a moment’s relief because we must
finally be up above the mutt line and I’m just turning
back to face Cato when Peeta’s jerked from my side.
I’m sure the pack has got him until his blood
splatters my face.

Cato stands before me, almost at the lip of the horn,
holding Peeta in some kind of headlock, cutting off his
air. Peeta’s clawing at Cato’s arm, but weakly, as if
confused over whether it’s more important to breathe
or try and stem the gush of blood from the gaping
hole a mutt left in his calf.

I aim one of my last two arrows at Cato’s head,
knowing itll have no effect on his trunk or limbs,
which I can now see are clothed in a skintight, flesh-
colored mesh. Some high-grade body armor from the
Capitol. Was that what was in his pack at the feast?
Body armor to defend against my arrows? Well, they
neglected to send a face guard.

Cato just laughs. “Shoot me and he goes down with
me.”

He’s right. If I take him out and he falls to the mutts,
Peeta is sure to die with him. We’ve reached a
stalemate. I can’t shoot Cato without killing Peeta,
too. He can’t kill Peeta without guaranteeing an arrow
in his brain. We stand like statues, both of us seeking
an out.

My muscles are strained so tightly, they feel they
might snap at any moment. My teeth clenched to the

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breaking point. The mutts go silent and the only thing
I can hear is the blood pounding in my good ear.

Peeta’s lips are turning blue. If I don’t do something
quickly, hel die of asphyxiation and then TIl have
lost him and Cato will probably use his body as a
weapon against me. In fact, I’m sure this is Cato’s
plan because while he’s stopped laughing, his lips are
set in a triumphant smile.

As if in a last-ditch effort, Peeta raises his fingers,
dripping with blood from his leg, up to Cato’s arm.
Instead of trying to wrestle his way free, his forefinger
veers off and makes a deliberate X on the back of
Cato’s hand. Cato realizes what it means exactly one
second after I do. I can tell by the way the smile drops
from his lips. But it’s one second too late because, by
that time, my arrow is piercing his hand. He cries out
and reflexively releases Peeta who slams back against
him. For a horrible moment, I think they’re both going
over. I dive forward just catching hold of Peeta as
Cato loses his footing on the blood-slick horn and
plummets to the ground.

We hear him hit, the air leaving his body on impact,
and then the mutts attack him. Peeta and I hold on to
each other, waiting for the cannon, waiting for the
competition to finish, waiting to be released. But it
doesn’t happen. Not yet. Because this is the climax of
the Hunger Games, and the audience expects a show.

I don’t watch, but I can hear the snarls, the growls,
the howls of pain from both human and beast as Cato
takes on the mutt pack. I can’t understand how he
can be surviving until I remember the body armor
protecting him from ankle to neck and I realize what a
long night this could be. Cato must have a knife or
sword or something, too, something he had hidden in
his clothes, because on occasion there’s the death

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scream of a mutt or the sound of metal on metal as
the blade collides with the golden horn. The combat
moves around the side of the Cornucopia, and I know
Cato must be attempting the one maneuver that
could save his life — to make his way back around to
the tail of the horn and rejoin us. But in the end,
despite his remarkable strength and skill, he is
simply overpowered.

I don’t know how long it has been, maybe an hour or
so, when Cato hits the ground and we hear the mutts
dragging him, dragging him back into the
Cornucopia. Now they'll finish him off, I think. But
there’s still no cannon.

Night falls and the anthem plays and there’s no
picture of Cato in the sky, only the faint moans
coming through the metal beneath us. The icy air
blowing across the plain reminds me that the Games
are not over and may not be for who knows how long,
and there is still no guarantee of victory.

I turn my attention to Peeta and discover his leg is
bleeding as badly as ever. All our supplies, our packs,
remain down by the lake where we abandoned them
when we fled from the mutts. I have no bandage,
nothing to staunch the flow of blood from his calf.
Although I’m shaking in the biting wind, I rip off my
jacket, remove my shirt, and zip back into the jacket
as swiftly as possible. That brief exposure sets my
teeth chattering beyond control.

Peeta’s face is gray in the pale moonlight. I make him
lie down before I probe his wound. Warm, slippery
blood runs over my fingers. A bandage will not be
enough. I’ve seen my mother tie a tourniquet a
handful of times and try to replicate it. I cut free a
sleeve from my shirt, wrap it twice around his leg just
under his knee, and tie a half knot. I don’t have a

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stick, so I take my remaining arrow and insert it in
the knot, twisting it as tightly as I dare. It’s risky
business — Peeta may end up losing his leg —but
when I weigh this against him losing his life, what
alternative do I have? I bandage the wound in the rest
of my shirt and lay down with him.

“Don’t go to sleep,” I tell him. I’m not sure if this is
exactly medical protocol, but I’m terrified that if he
drifts off hell never wake again.

“Are you cold?” he asks. He unzips his jacket and I
press against him as he fastens it around me. It’s a
bit warmer, sharing our body heat inside my double
layer of jackets, but the night is young. The
temperature will continue to drop.

Even now I can feel the Cornucopia, which burned so
when I first climbed it, slowly turning to ice.

“Cato may win this thing yet,” I whisper to Peeta.

“Don’t you believe it,” he says, pulling up my hood,
but he’s shaking harder than I am.

The next hours are the worst in my life, which if you
think about it, is saying something. The cold would be
torture enough, but the real nightmare is listening to
Cato, moaning, begging, and finally just whimpering
as the mutts work away at him. After a very short
time, I don’t care who he is or what he’s done, all I
want is for his suffering to end.

“Why don’t they just kill him?” I ask Peeta.

“You know why,” he says, and pulls me closer to him.

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And I do. No viewer could turn away from the show
now. From the Gamemakers’ point of view, this is the
final word in entertainment.

It goes on and on and on and eventually completely
consumes my mind, blocking out memories and
hopes of tomorrow, erasing everything but the
present, which I begin to believe will never change.
There will never be anything but cold and fear and
the agonized sounds of the boy dying in the horn.

Peeta begins to doze off now, and each time he does, I
find myself yelling his name louder and louder
because if he goes and dies on me now, I know I'll go
completely insane. He’s fighting it, probably more for
me than for him, and it’s hard because
unconsciousness would be its own form of escape.
But the adrenaline pumping through my body would
never allow me to follow him, so I can’t let him go. I
just can’t.

The only indication of the passage of time lies in the
heavens, the subtle shift of the moon. So Peeta begins
pointing it out to me, insisting I acknowledge its
progress and sometimes, for just a moment I feel a
flicker of hope before the agony of the night engulfs
me again.

Finally, I hear him whisper that the sun is rising. I
open my eyes and find the stars fading in the pale
light of dawn. I can see, too, how bloodless Peeta’s
face has become. How little time he has left. And I
know I have to get him back to the Capitol.

Still, no cannon has fired. I press my good ear against
the horn and can just make out Cato’s voice.

“I think he’s closer now. Katniss, can you shoot
him?”Peeta asks.

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If he’s near the mouth, I may be able to take him out.
It would be an act of mercy at this point.

“My last arrow’s in your tourniquet,” I say.

“Make it count,” says Peeta, unzipping his jacket,
letting me loose.

So I free the arrow, tying the tourniquet back as
tightly as my frozen fingers can manage. I rub my
hands together, trying to regain circulation. When I
crawl to the lip of the horn and hang over the edge, I
feel Peeta’s hands grip me for support.

It takes a few moments to find Cato in the dim light,
in the blood. Then the raw hunk of meat that used to
be my enemy makes a sound, and I know where his
mouth is. And I think the word he’s trying to say is
please.

Pity, not vengeance, sends my arrow flying into his
skull. Peeta pulls me back up, bow in hand, quiver
empty.

“Did you get him?” he whispers.

The cannon fires in answer.

“Then we won, Katniss,” he says hollowly.

“Hurray for us,” I get out, but there’s no joy of victory
in my voice.

A hole opens in the plain and as if on cue, the

remaining mutts bound into it, disappearing as the
earth closes above them.

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We wait, for the hovercraft to take Cato’s remains, for
the trumpets of victory that should follow, but
nothing happens.

“Hey!” I shout into air. “What’s going on?” The only
response is the chatter of waking birds.

“Maybe it’s the body. Maybe we have to move away
from it,” says Peeta.

I try to remember. Do you have to distance yourself
from the dead tribute on the final kill? My brain is too
muddled to be sure, but what else could be the
reason for the delay?

“Okay. Think you could make it to the lake?” I ask.

“Think I better try,” says Peeta. We inch down to the
tail of the horn and fall to the ground. If the stiffness
in my limbs is this bad, how can Peeta even move? I
rise first, swinging and bending my arms and legs
until I think I can help him up. Somehow, we make it
back to the lake. I scoop up a handful of the cold
water for Peeta and bring a second to my lips.

A mockingjay gives the long, low whistle, and tears of
relief fill my eyes as the hovercraft appears and takes
Cato’s body away. Now they will take us. Now we can
go home.

But again there’s no response.

“What are they waiting for?” says Peeta weakly.
Between the loss of the tourniquet and the effort it
took to get to the lake, his wound has opened up
again.

“I don’t know,” I say. Whatever the holdup is, I can’t
watch him lose any more blood. I get up to find a

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stick but almost immediately come across the arrow
that bounced off Cato’s body armor. It will do as well
as the other arrow. As I stoop to pick it up, Claudius
Templesmith’s voice booms into the arena.

“Greetings to the final contestants of the Seventy-
fourth Hunger Games. The earlier revision has been
revoked. Closer examination of the rule book has
disclosed that only one winner may be allowed,” he
says. “Good luck and may the odds be ever in your
favor.”

There’s a small burst of static and then nothing more.
I stare at Peeta in disbelief as the truth sinks in. They
never intended to let us both live. This has all been
devised by the Gamemakers to guarantee the most
dramatic showdown in history. And like a fool, I
bought into it.

“If you think about it, it’s not that surprising,” he
says softly. I watch as he painfully makes it to his
feet. Then he’s moving toward me, as if in slow
motion, his hand is pulling the knife from his belt —

Before I am even aware of my actions, my bow is
loaded with the arrow pointed straight at his heart.
Peeta raises his eyebrows and I see the knife has
already left his hand on its way to the lake where it
splashes in the water. I drop my weapons and take a
step back, my face burning in what can only be
shame.

“No,” he says. “Do it.” Peeta limps toward me and
thrusts the weapons back in my hands.

“I can’t, I say. “I won't.”

“Do it. Before they send those mutts back or
something. I don’t want to die like Cato,” he says.

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“Then you shoot me,” I say furiously, shoving the
weapons back at him. “You shoot me and go home
and live with it!”And as I say it, I know death right
here, right now would be the easier of the two.

“You know I can’t,” Peeta says, discarding the
weapons.“Fine, Il go first anyway.” He leans down
and rips the bandage off his leg, eliminating the final
barrier between his blood and the earth.

“No, you can’t kill yourself,” I say. Pm on my knees,
desperately plastering the bandage back onto his
wound.

“Katniss,” he says. “It’s what I want.”

“You're not leaving me here alone,” I say. Because if
he dies, I’ll never go home, not really. I’ll spend the
rest of my life in this arena trying to think my way
out.

“Listen,” he says pulling me to my feet. “We both
know they have to have a victor. It can only be one of
us. Please, take it. For me.” And he goes on about
how he loves me, what life would be without me but
I’ve stopped listening because his previous words are
trapped in my head, thrashing desperately around.

We both know they have to have a victor.

Yes, they have to have a victor. Without a victor, the
whole thing would blow up in the Gamemakers’ faces.
They’d have failed the Capitol. Might possibly even be
executed, slowly and painfully while the cameras
broadcast it to every screen in the country.

If Peeta and I were both to die, or they thought we
were ...

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My fingers fumble with the pouch on my belt, freeing
it. Peeta sees it and his hand clamps on my wrist.
“No, I won’t let you.”

“Trust me,” I whisper. He holds my gaze for a long
moment then lets me go. I loosen the top of the pouch
and pour a few spoonfuls of berries into his palm.
Then I fill my own. “On the count of three?”

Peeta leans down and kisses me once, very gently.
“The count of three,” he says.

We stand, our backs pressed together, our empty
hands locked tight.

“Hold them out. I want everyone to see,” he says.

I spread out my fingers, and the dark berries glisten
in the sun. I give Peeta’s hand one last squeeze as a
signal, as a good-bye, and we begin counting. “One.”
Maybe I’m wrong. “Two.” Maybe they don’t care if we
both die. “Three!” It’s too late to change my mind. I lift
my hand to my mouth, taking one last look at the
world. The berries have just passed my lips when the
trumpets begin to blare.

The frantic voice of Claudius Templesmith shouts
above them. “Stop! Stop! Ladies and gentlemen, I am
pleased to present the victors of the Seventy-fourth
Hunger Games, Katniss Everdeen and Peeta Mellark! I
give you — the tributes of District Twelve!”

330| Page The Hunger Games — Suzanne Collins

“OKapler 26

I spew the berries from my mouth, wiping my tongue
with the end of my shirt to make sure no juice
remains. Peeta pulls me to the lake where we both
flush our mouths with water and then collapse into
each other’s arms.

“You didn’t swallow any?” I ask him.
He shakes his head. “You?”

“Guess I’d be dead by now if I did,” I say. I can see his
lips moving in reply, but I can’t hear him over the
roar of the crowd in the Capitol that they’re playing
live over the speakers.

The hovercraft materializes overhead and two ladders
drop, only there’s no way I’m letting go of Peeta. I
keep one arm around him as I help him up, and we
each place a foot on the first rung of the ladder. The
electric current freezes us in place, and this time I’m
glad because I’m not really sure Peeta can hang on for
the whole ride. And since my eyes were looking down,
I can see that while our muscles are immobile,
nothing is preventing the blood from draining out of
Peeta’s leg. Sure enough, the minute the door closes
behind us and the current stops, he slumps to the
floor unconscious.

My fingers are still gripping the back of his jacket so
tightly that when they take him away it tears leaving
me with a fistful of black fabric. Doctors in sterile
white, masked and gloved, already prepped to
operate, go into action. Peeta’s so pale and still ona
silver table, tubes and wires springing out of him
every which way, and for a moment I forget we’re out
331|Page The Hunger Games — Suzanne Collins

of the Games and I see the doctors as just one more
threat, one more pack of mutts designed to kill him.
Petrified, I lunge for him, but I’m caught and thrust
back into another room, and a glass door seals
between us. I pound on the glass, screaming my head
off. Everyone ignores me except for some Capitol
attendant who appears behind me and offers me a
beverage.

I stump down on the floor, my face against the door,
staring uncomprehendingly at the crystal glass in my
hand. Icy cold, filled with orange juice, a straw witha
frilly white collar. How wrong it looks in my bloody,
filthy hand with its dirt-caked nails and scars. My
mouth waters at the smell, but I place it carefully on
the floor, not trusting anything so clean and pretty.

Through the glass, I see the doctors working
feverishly on Peeta, their brows creased in
concentration. I see the flow of liquids, pumping
through the tubes, watch a wall of dials and lights
that mean nothing to me. I’m not sure, but I think his
heart stops twice.

It’s like being home again, when they bring in the
hopelessly mangled person from the mine explosion,
or the woman in her third day of labor, or the
famished child struggling against pneumonia and my
mother and Prim, they wear that same look on their
faces. Now is the time to run away to the woods, to
hide in the trees until the patient is long gone and in
another part of the Seam the hammers make the
coffin. But I’m held here both by the hovercraft walls
and the same force that holds the loved ones of the
dying. How often I’ve seen them, ringed around our
kitchen table and I thought, Why don’t they leave?
Why do they stay to watch?

And now I know. It’s because you have no choice.
332 | Page The Hunger Games — Suzanne Collins

I startle when I catch someone staring at me from
only a few inches away and then realize it’s my own
face reflecting back in the glass. Wild eyes, hollow
cheeks, my hair in a tangled mat. Rabid. Feral. Mad.
No wonder everyone is keeping a safe distance from
me.

The next thing I know we’ve landed back on the roof
of the Training Center and they’re taking Peeta but
leaving me behind the door. I start hurling myself
against the glass, shrieking and I think I just catch a
glimpse of pink hair — it must be Effie, it has to be
Effie coming to my rescue — when the needle jabs me
from behind.

When I wake, I’m afraid to move at first. The entire
ceiling glows with a soft yellow light allowing me to
see that I’m in a room containing just my bed. No
doors, no windows are visible. The air smells of
something sharp and antiseptic. My right arm has
several tubes that extend into the wall behind me. I’m
naked, but the bedclothes arc soothing against my
skin. I tentatively lift my left hand above the cover.
Not only has it been scrubbed clean, the nails are
filed in perfect ovals, the scars from the burns are
less prominent. I touch my cheek, my lips, the
puckered scar above my eyebrow, and am just
running my fingers through my silken hair when I
freeze. Apprehensively I ruffle the hair by my left ear.
No, it wasn’t an illusion. I can hear again.

I try and sit up, but some sort of wide restraining
band around my waist keeps me from rising more
than a few inches. The physical confinement makes
me panic and I’m trying to pull myself up and wriggle
my hips through the band when a portion of the wall
slides open and in steps the redheaded Avox girl
carrying a tray. The sight of her calms me and I stop
trying to escape. I want to ask her a million

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questions, but I’m afraid any familiarity would cause
her harm. Obviously I am being closely monitored.
She sets the tray across my thighs and presses
something that raises me to a sitting position. While
she adjusts my pillows, I risk one question. I say it
out loud, as clearly as my rusty voice will allow, so
nothing will seem secretive. “Did Peeta make it?” She
gives me a nod, and as she slips a spoon into my
hand, I feel the pressure of friendship.

I guess she did not wish me dead after all. And Peeta
has made it. Of course, he did. With all their
expensive equipment here. Still, I hadn’t been sure
until now.

As the Avox leaves, the door closes noiselessly after
her and I turn hungrily to the tray. A bowl of clear
broth, a small serving of applesauce, and a glass of
water.This is it? I think grouchily. Shouldn’t my
homecoming dinner be a little more spectacular? But
I find it’s an effort to finish the spare meal before me.
My stomach seems to have shrunk to the size of a
chestnut, and I have to wonder how long I’ve been out
because I had no trouble eating a fairly sizable
breakfast that last morning in the arena. There’s
usually a lag of a few days between the end of the
competition and the presentation of the victor so that
they can put the starving, wounded, mess of a person
back together again. Somewhere, Cinna and Portia
will be creating our wardrobes for the public
appearances. Haymitch and Effie will be arranging
the banquet for our sponsors, reviewing the questions
for our final interviews. Back home, District 12 is
probably in chaos as they try and organize the
homecoming celebrations for Peeta and me, given that
the last one was close to thirty years ago.

334|Page The Hunger Games — Suzanne Collins

Home! Prim and my mother! Gale! Even the thought
of Prim’s scruffy old cat makes me smile. Soon I will
be home!

I want to get out of this bed. To see Peeta and Cinna,
to find out more about what’s been going on. And why
shouldn't I? I feel fine. But as I start to work my way
out of the band, I feel a cold liquid seeping into my
vein from one of the tubes and almost immediately
lose consciousness.

This happens on and off for an indeterminate amount
of time. My waking, eating, and, even though I resist
the impulse to try and escape the bed, being knocked
out again. I seem to be in a strange, continual
twilight. Only a few things register. The redheaded
Avox girl has not returned since the feeding, my scars
are disappearing, and do I imagine it? Or do I hear a
man’s voice yelling? Not in the Capitol accent, but in
the rougher cadences of home. And I can’t help
having a vague, comforting feeling that someone is
looking out for me.

Then finally, the time arrives when I come to and
there’s nothing plugged into my right arm. The
restraint around my middle has been removed and I
am free to move about. I start to sit up but am
arrested by the sight of my hands. The skin’s
perfection, smooth and glowing. Not only are the
scars from the arena gone, but those accumulated
over years of hunting have vanished without a trace.
My forehead feels like satin, and when I try to find the
burn on my calf, there’s nothing.

I slip my legs out of bed, nervous about how they will
bear my weight and find them strong and steady.
Lying at the foot of the bed is an outfit that makes me
flinch. It’s what all of us tributes wore in the arena. I

335| Page The Hunger Games — Suzanne Collins

stare at it as if it had teeth until I remember that, of
course, this is what I will wear to greet my team.

I’m dressed in less than a minute and fidgeting in
front of the wall where I know there’s a door even if I
can’t see it when suddenly it slides open. I step into a
wide, deserted hall that appears to have no other
doors on it. But it must. And behind one of them
must be Peeta. Now that I’m conscious and moving,
Pm growing more and more anxious about him. He
must be all right or the Avox girl wouldn’t have said
so. But I need to see him for myself.

“Peeta!” I call out, since there’s no one to ask. I hear
my name in response, but it’s not his voice. It’s a
voice that provokes first irritation and then eagerness.
Effie.

I turn and see them all waiting in a big chamber at
the end of the hall — Effie, Haymitch, and Cinna. My
feet take off without hesitation. Maybe a victor should
show more restraint, more superiority, especially
when she knows this will be on tape, but I don’t care.
I run for them and surprise even myself when I
launch into Haymitch’s arms first. When he whispers
in my ear, “Nice job, sweetheart,” it doesn’t sound
sarcastic. Effie’s somewhat teary and keeps patting
my hair and talking about how she told everyone we
were pearls. Cinna just hugs me tight and doesn’t say
anything. Then I notice Portia is absent and get a bad
feeling.

“Where’s Portia? Is she with Peeta? He is all right,
isn’t he? I mean, he’s alive?” I blurt out.

“He’s fine. Only they want to do your reunion live on
air at the ceremony,” says Haymitch.

336|Page The Hunger Games — Suzanne Collins

“Oh. That’s all,” I say. The awful moment of thinking
Peeta’s dead again passes. “I guess I’d want to see
that myself.”

“Go on with Cinna. He has to get you ready,” says
Haymitch.

It’s a relief to be alone with Cinna, to feel his
protective arm around my shoulders as he guides me
away from the cameras, down a few passages and to
an elevator that leads to the lobby of the Training
Center. The hospital then is far underground, even
beneath the gym where the tributes practiced tying
knots and throwing spears. The windows of the lobby
are darkened, and a handful of guards stand on duty.
No one else is there to see us cross to the tribute
elevator. Our footsteps echo in the emptiness. And
when we ride up to the twelfth floor, the faces of all
the tributes who will never return flash across my
mind and there’s a heavy, tight place in my chest.

When the elevator doors open, Venia, Flavius, and
Octavia engulf me, talking so quickly and ecstatically
I can’t make out their words. The sentiment is clear
though. They are truly thrilled to see me and I’m
happy to see them, too, although not like I was to see
Cinna. It’s more in the way one might be glad to see
an affectionate trio of pets at the end of a particularly
difficult day.

They sweep me into the dining room and I get a real
meal— roast beef and peas and soft rolls — although
my portions are still being strictly controlled. Because
when I ask for seconds, I’m refused.

“No, no, no. They don’t want it all coming back up on
the stage,” says Octavia, but she secretly slips me an
extra roll under the table to let me know she’s on my
side.

337 |Page The Hunger Games — Suzanne Collins

We go back to my room and Cinna disappears for a
while as the prep team gets me ready.

“Oh, they did a full body polish on you,” says Flavius
enviously. “Not a flaw left on your skin.”

But when I look at my naked body in the mirror, all I
can see is how skinny I am. I mean, I’m sure I was
worse when I came out of the arena, but I can easily
count my ribs.

They take care of the shower settings for me, and they
go to work on my hair, nails, and makeup when I’m
done. They chatter so continuously that I barely have
to reply, which is good, since I don’t feel very
talkative. It’s funny, because even though they’re
rattling on about the Games, it’s all about where they
were or what they were doing or how they felt when a
specific event occurred. “I was still in bed!” “I had just
had my eyebrows dyed!” “I swear I nearly fainted!”
Everything is about them, not the dying boys and
girls in the arena.

We don’t wallow around in the Games this way in
District 12. We grit our teeth and watch because we
must and try to get back to business as soon as
possible when they’re over. To keep from hating the
prep team, I effectively tune out most of what they’re
saying.

Cinna comes in with what appears to be an
unassuming yellow dress across his arms.

“Have you given up the whole ‘girl on fire’ thing?” I
ask.

“You tell me,” he says, and slips it over my head. I
immediately notice the padding over my breasts,

338 | Page The Hunger Games — Suzanne Collins

adding curves that hunger has stolen from my body.
My hands go to my chest and I frown.

“I know,” says Cinna before I can object. “But the
Gamemakers wanted to alter you surgically.
Haymitch had a huge fight with them over it. This
was the compromise.” He stops me before I can look
at my reflection. “Wait, don’t forget the shoes.”Venia
helps me into a pair of flat leather sandals and I turn
to the mirror.

I am still the “girl on fire.” The sheer fabric softly
glows. Even the slight movement in the air sends a
ripple up my body. By comparison, the chariot
costume seems garish, the interview dress too
contrived. In this dress, I give the illusion of wearing
candlelight.

“What do you think?” asks Cinna.

“I think it’s the best yet,” I say. When I manage to pull
my eyes away from the flickering fabric, I’m in for
something of a shock. My hair’s loose, held back by a
simple hairband. The makeup rounds and fills out the
sharp angles of my face. A clear polish coats my nails.
The sleeveless dress is gathered at my ribs, not my
waist, largely eliminating any help the padding would
have given my figure. The hem falls just to my knees.
Without heels, you can see my true stature. I look,
very simply, like a girl. A young one. Fourteen at the
most. Innocent. Harmless. Yes, it is shocking that
Cinna has pulled this off when you remember I’ve just
won the Games.

This is a very calculated look. Nothing Cinna designs

is arbitrary. I bite my lip trying to figure out his
motivation.

339| Page The Hunger Games — Suzanne Collins

“I thought it’d be something more ... sophisticated-
looking,” I say.

“I thought Peeta would like this better,” he answers
carefully.

Peeta? No, it’s not about Peeta. It’s about the Capitol
and the Gamemakers and the audience. Although I do
not yet understand Cinna’s design, it’s a reminder the
Games are not quite finished. And beneath his benign
reply, I sense a warning. Of something he can’t even
mention in front of his own team.

We take the elevator to the level where we trained. It’s
customary for the victor and his or her support team
to rise from beneath the stage. First the prep team,
followed by the escort, the stylist, the mentor, and
finally the victor. Only this year, with two victors who
share both an escort and a mentor, the whole thing
has had to be rethought. I find myself in a poorly lit
area under the stage. A brand-new metal plate has
been installed to transport me upward. You can still
see small piles of sawdust, smell fresh paint. Cinna
and the prep team peel off to change into their own
costumes and take their positions, leaving me alone.
In the gloom, I see a makeshift wall about ten yards
away and assume Peeta’s behind it.

The rumbling of the crowd is loud, so I don’t notice
Haymitch until he touches my shoulder. I spring
away, startled, still half in the arena, I guess.
“Easy, just me. Let’s have a look at you,” Haymitch
says. I hold out my arms and turn once. “Good

enough.”

It’s not much of a compliment. “But what?” I say.

340 | Page The Hunger Games — Suzanne Collins

Haymitch’s eyes shift around my musty holding
space, and he seems to make a decision. “But
nothing. How about a hug for luck?”

Okay, that’s an odd request from Haymitch but, after
all, we are victors. Maybe a hug for luck is in order.
Only, when I put my arms around his neck, I find
myself trapped in his embrace. He begins talking,
very fast, very quietly in my ear, my hair concealing
his lips.

“Listen up. You're in trouble. Word is the Capitol’s
furious about you showing them up in the arena. The
one thing they can’t stand is being laughed at and
they’re the joke of Panem,”says Haymitch.

I feel dread coursing through me now, but I laugh as
though Haymitch is saying something completely
delightful because nothing is covering my mouth. “So,
what?”

“Your only defense can be you were so madly in love
you weren't responsible for your actions.” Haymitch
pulls back and adjusts my hairband. “Got it,
sweetheart?” He could be talking about anything now.

“Got it,” I say. “Did you tell Peeta this?”
“Don’t have to,” says Haymitch. “He’s already there.”

“But you think I’m not?” I say, taking the opportunity
to straighten a bright red bow tie Cinna must have
wrestled him into.

“Since when does it matter what I think?” says
Haymitch.“Better take our places.” He leads me to the
metal circle. “This is your night, sweetheart. Enjoy it.”
He kisses me on the forehead and disappears into the
gloom.

341 | Page The Hunger Games — Suzanne Collins

I tug on my skirt, willing it to be longer, wanting it to
cover the knocking in my knees. Then I realize it’s
pointless. My whole body’s shaking like a leaf.
Hopefully, it will be put down to excitement. After all,
it’s my night.

The damp, moldy smell beneath the stage threatens
to choke me. A cold, clammy sweat breaks out on my
skin and I can’t rid myself of the feeling that the
boards above my head are about to collapse, to bury
me alive under the rubble. When I left the arena,
when the trumpets played, I was supposed to be safe.
From then on. For the rest of my life. But if what
Haymitch says is true, and he’s got no reason to lie,
I’ve never been in such a dangerous place in my life.

It’s so much worse than being hunted in the arena.
There, I could only die. End of story. But out here
Prim, my mother, Gale, the people of District 12,
everyone I care about back home could be punished if
I can’t pull off the girl-driven-crazy-by-love scenario
Haymitch has suggested.

So I still have a chance, though. Funny, in the arena,
when I poured out those berries, I was only thinking
of outsmarting the Gamemakers, not how my actions
would reflect on the Capitol. But the Hunger Games
are their weapon and you are not supposed to be able
to defeat it. So now the Capitol will act as if they’ve
been in control the whole time. As if they orchestrated
the whole event, right down to the double suicide. But
that will only work if I play along with them.

And Peeta ... Peeta will suffer, too, if this goes wrong.
But what was it Haymitch said when I asked if he had
told Peeta the situation? That he had to pretend to be
desperately in love?

“Don’t have to. He’s already there.”
342 | Page The Hunger Games — Suzanne Collins

Already thinking ahead of me in the Games again and
well aware of the danger we’re in? Or ... already
desperately in love? I don’t know. I haven’t even
begun to separate out my feelings about Peeta. It’s too
complicated. What I did as part of the Games. As
opposed to what I did out of anger at the Capitol. Or
because of how it would be viewed back in District 12.
Or simply because it was the only decent thing to do.
Or what I did because I cared about him.

These are questions to be unraveled back home, in
the peace and quiet of the woods, when no one is
watching. Not here with every eye upon me. But I
won't have that luxury for who knows how long. And
right now, the most dangerous part of the Hunger
Games is about to begin.

343 |Page The Hunger Games — Suzanne Collins

(Oapler 27

The anthem booms in my ears, and then I hear
Caesar Flickerman greeting the audience. Does he
know how crucial it is to get every word right from
now on? He must. He will want to help us. The crowd
breaks into applause as the prep teams are
presented. I imagine Flavius, Venia, and Octavia
bouncing around and taking ridiculous, bobbing
bows. It’s a safe bet they’re clueless. Then Effie’s
introduced. How long she’s waited for this moment. I
hope she’s able to enjoy it because as misguided as
Effie can be, she has a very keen instinct about
certain things and must at least suspect we’re in
trouble. Portia and Cinna receive huge cheers, of
course, they’ve been brilliant, had a dazzling debut. I
now understand Cinna’s choice of dress for me for
tonight. IIl need to look as girlish and innocent as
possible. Haymitch’s appearance brings a round of
stomping that goes on at least five minutes. Well, he’s
accomplished a first. Keeping not only one but two
tributes alive. What if he hadn’t warned me in time?
Would I have acted differently? Flaunted the moment
with the berries in the Capitol’s face? No, I don’t think
so. But I could easily have been a lot less convincing
than I need to be now. Right now. Because I can feel
the plate lifting me up to the stage.

Blinding lights. The deafening roar rattles the metal
under my feet. Then there’s Peeta just a few yards
away. He looks so clean and healthy and beautiful, I
can hardly recognize him. But his smile is the same
whether in mud or in the Capitol and when I see it, I
take about three steps and fling myself into his arms.
He staggers back, almost losing his balance, and
that’s when I realize the slim, metal contraption in his
hand is some kind of cane. He rights himself and we
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just cling to each other while the audience goes
insane. He’s kissing me and all the time I’m thinking,
Do you know? Do you know how much danger we’re
in? After about ten minutes of this, Caesar
Flickerman taps on his shoulder to continue the
show, and Peeta just pushes him aside without even
glancing at him. The audience goes berserk. Whether
he knows or not, Peeta is, as usual, playing the crowd
exactly right.

Finally, Haymitch interrupts us and gives us a good-
natured shove toward the victor’s chair. Usually, this
is a single, ornate chair from which the winning
tribute watches a film of the highlights of the Games,
but since there are two of us, the Gamemakers have
provided a plush red velvet couch. A small one, my
mother would call it a love seat, I think. I sit so close
to Peeta that I’m practically on his lap, but one look
from Haymitch tells me it isn’t enough. Kicking off my
sandals, I tuck my feet to the side and lean my head
against Peeta’s shoulder. His arm goes around me
automatically, and I feel like I’m back in the cave,
curled up against him, trying to keep warm. His shirt
is made of the same yellow material as my dress, but
Portia’s put him in long black pants. No sandals,
either, but a pair of sturdy black boots he keeps
solidly planted on the stage. I wish Cinna had given
me a similar outfit, I feel so vulnerable in this flimsy
dress. But I guess that was the point.

Caesar Flickerman makes a few more jokes, and then
it’s time for the show. This will last exactly three
hours and is required viewing for all of Panem. As the
lights dim and the seal appears on the screen, I
realize I’m unprepared for this. I do not want to watch
my twenty-two fellow tributes die. I saw enough of
them die the first time. My heart starts pounding and
I have a strong impulse to run. How have the other
victors faced this alone? During the highlights, they
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periodically show the winner’s reaction up on a box in
the corner of the screen. I think back to earlier years
... some are triumphant, pumping their fists in the
air, beating their chests. Most just seem stunned. All
I know is that the only thing keeping me on this love
seat is Peeta — his arm around my shoulder, his
other hand claimed by both of mine. Of course, the
previous victors didn’t have the Capitol looking for a
way to destroy them.

Condensing several weeks into three hours is quite a
feat, especially when you consider how many cameras
were going at once. Whoever puts together the
highlights has to choose what sort of story to tell.
This year, for the first time, they tell a love story. I
know Peeta and I won, but a disproportionate amount
of time is spent on us, right from the beginning. I’m
glad though, because it supports the whole crazy-in-
love thing that’s my defense for defying the Capitol,
plus it means we won’t have as much time to linger
over the deaths.

The first half hour or so focuses on the pre-arena
events, the reaping, the chariot ride through the
Capitol, our training scores, and our interviews.
There’s this sort of upbeat soundtrack playing under
it that makes it twice as awful because, of course,
almost everyone on-screen is dead.

Once we’re in the arena, there’s detailed coverage of
the bloodbath and then the filmmakers basically
alternate between shots of tributes dying and shots of
us. Mostly Peeta really, there’s no question he’s
carrying this romance thing on his shoulders. Now I
see what the audience saw, how he misled the
Careers about me, stayed awake the entire night
under the tracker jacker tree, fought Cato to let me
escape and even while he lay in that mud bank,
whispered my name in his sleep. I seem heartless in

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comparison — dodging fireballs, dropping nests, and
blowing up supplies — until I go hunting for Rue.
They play her death in full, the spearing, my failed
rescue attempt, my arrow through the boy from
District 1’s throat, Rue drawing her last breath in my
arms. And the song. I get to sing every note of the
song. Something inside me shuts down and I’m too
numb to feel anything. It’s like watching complete
strangers in another Hunger Games. But I do notice
they omit the part where I covered her in flowers.

Right. Because even that smacks of rebellion.

Things pick up for me once they’ve announced two
tributes from the same district can live and I shout
out Peeta’s name and then clap my hands over my
mouth. If I’ve seemed indifferent to him earlier, I
make up for it now, by finding him, nursing him back
to health, going to the feast for the medicine, and
being very free with my kisses. Objectively, I can see
the mutts and Cato’s death are as gruesome as ever,
but again, I feel it happens to people I have never met.

And then comes the moment with the berries. I can
hear the audience hushing one another, not wanting
to miss anything. A wave of gratitude to the
filmmakers sweeps over me when they end not with
the announcement of our victory, but with me
pounding on the glass door of the hovercraft,
screaming Peeta’s name as they try to revive him.

In terms of survival, it’s my best moment all night.

The anthem’s playing yet again and we rise as
President Snow himself takes the stage followed by a
little girl carrying a cushion that holds the crown.
There’s just one crown, though, and you can hear the
crowd’s confusion — whose head will he place it on?
— until President Snow gives it a twist and it

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separates into two halves. He places the first around
Peeta’s brow with a smile. He’s still smiling when he
settles the second on my head, but his eyes, just
inches from mine, are as unforgiving as a snake’s.

That’s when I know that even though both of us
would have eaten the berries, I am to blame for
having the idea. I’m the instigator. I’m the one to be
punished.

Much bowing and cheering follows. My arm is about
to fall off from waving when Caesar Flickerman finally
bids the audience good night, reminding them to tune
in tomorrow for the final interviews. As if they have a
choice.

Peeta and I are whisked to the president’s mansion
for the Victory Banquet, where we have very little time
to eat as Capitol officials and particularly generous
sponsors elbow one another out of the way as they try
to get their picture with us. Face after beaming face
flashes by, becoming increasingly intoxicated as the
evening wears on. Occasionally, I catch a glimpse of
Haymitch, which is reassuring, or President Snow,
which is terrifying, but I keep laughing and thanking
people and smiling as my picture is taken. The one
thing I never do is let go of Peeta’s hand.

The sun is just peeking over the horizon when we
straggle back to the twelfth floor of the Training
Center. I think now TI finally get a word alone with
Peeta, but Haymitch sends him off with Portia to get
something fitted for the interview and personally
escorts me to my door.

“Why can’t I talk to him?” I ask.

“Plenty of time for talk when we get home,” says
Haymitch. “Go to bed, you’re on air at two.”

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Despite Haymitch’s running interference, I’m
determined to see Peeta privately. After I toss and
turn for a few hours, I slip into the hall. My first
thought is to check the roof, but it’s empty. Even the
city streets far below are deserted after the
celebration last night. I go back to bed for a while and
then decide to go directly to his room, but when I try
to turn the knob, I find my own bedroom door has
been locked from the outside. I suspect Haymitch
initially, but then there’s a more insidious fear that
the Capitol may by monitoring and confining me. I’ve
been unable to escape since the Hunger Games
began, but this feels different, much more personal.
This feels like I’ve been imprisoned for a crime and
I’m awaiting sentencing. I quickly get back in bed and
pretend to sleep until Effie Trinket comes to alert me
to the start of another “big, big, big day!”

I have about five minutes to eat a bowl of hot grain
and stew before the prep team descends. All I have to
say is, “The crowd loved you!” and it’s unnecessary to
speak for the next couple of hours. When Cinna
comes in, he shoos them out and dresses me ina
white, gauzy dress and pink shoes. Then he
personally adjusts my makeup until I seem to radiate
a soft, rosy glow. We make idle chitchat, but I’m
afraid to ask him anything of real importance because
after the incident with the door, I can’t shake the
feeling that I’m being watched constantly.

The interview takes place right down the hall in the
sitting room. A space has been cleared and the love
seat has been moved in and surrounded by vases of
red and pink roses. There are only a handful of
cameras to record the event. No live audience at least.

Caesar Flickerman gives me a warm hug when I.
come in.“Congratulations, Katniss. How are you
faring?”

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“Fine. Nervous about the interview,” I say.

“Don’t be. We’re going to have a fabulous time,” he
says, giving my cheek a reassuring pat.

‘Tm not good at talking about myself,” I say.
“Nothing you say will be wrong,” he says.

And I think, Oh, Caesar, if only that were true. But
actually, President Snow may be arranging some sort
of“accident” for me as we speak.

Then Peeta’s there looking handsome in red and
white, pulling me off to the side. “I hardly get to see
you. Haymitch seems bent on keeping us apart.”

Haymitch is actually bent on keeping us alive, but
there are too many ears listening, so I just say, “Yes,
he’s gotten very responsible lately.”

“Well, there’s just this and we go home. Then he can’t
watch us all the time,” says Peeta.

I feel a sort of shiver run through me and there’s no
time to analyze why, because they’re ready for us. We
sit somewhat formally on the love seat, but Caesar
says, “Oh, go ahead and curl up next to him if you
want. It looked very sweet.” So I tuck my feet up and
Peeta pulls me in close to him.

Someone counts backward and just like that, we’re
being broadcast live to the entire country. Caesar
Flickerman is wonderful, teasing, joking, getting
choked up when the occasion presents itself. He and
Peeta already have the rapport they established that
night of the first interview, that easy banter, so I just
smile a lot and try to speak as little as possible. I

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mean, I have to talk some, but as soon as I can I
redirect the conversation back to Peeta.

Eventually though, Caesar begins to pose questions
that insist on fuller answers. “Well, Peeta, we know,
from our days in the cave, that it was love at first
sight for you from what, age five?” Caesar says.

“From the moment I laid eyes on her,” says Peeta.

“But, Katniss, what a ride for you. I think the real
excitement for the audience was watching you fall for
him. When did you realize you were in love with him?”
asks Caesar.

“Oh, that’s a hard one ...” I give a faint, breathy laugh
and look down at my hands. Help.

“Well, I know when it hit me. The night when you
shouted out his name from that tree,” says Caesar.

Thank you, Caesar! I think, and then go with his idea.
“Yes, I guess that was it. I mean, until that point, I
just tried not to think about what my feelings might
be, honestly, because it was so confusing and it only
made things worse if I actually cared about him. But
then, in the tree, everything changed,” I say.

“Why do you think that was?” urges Caesar.

“Maybe ... because for the first time ... there was a
chance I could keep him,” I say.

Behind a cameraman, I see Haymitch give a sort of
huff with relief and I know I’ve said the right thing.
Caesar pulls out a handkerchief and has to take a
moment because he’s so moved. I can feel Peeta press
his forehead into my temple and he asks, “So now

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that you’ve got me, what are you going to do with
me?”

I turn in to him. “Put you somewhere you can’t get
hurt.” And when he kisses me, people in the room
actually sigh.

For Caesar, this is a natural place to segue into all
the ways we did get hurt in the arena, from burns, to
stings, to wounds. But it’s not until we get around to
the mutts that I forget I’m on camera. When Caesar
asks Peeta how his “new leg” is working out.

“New leg?” I say, and I can’t help reaching out and
pulling up the bottom of Peeta’s pants. “Oh, no,” I
whisper, taking in the metal-and-plastic device that
has replaced his flesh.

“No one told you?” asks Caesar gently. I shake my
head.

“I haven’t had the chance,” says Peeta with a slight
shrug.

“It’s my fault,” I say. “Because I used that tourniquet.”
“Yes, it’s your fault I’m alive,” says Peeta.

“He’s right,” says Caesar. “He’d have bled to death for
sure without it.”

I guess this is true, but I can’t help feeling upset
about it to the extent that I’m afraid I might cry and
then I remember everyone in the country is watching
me so I just bury my face in Peeta’s shirt. It takes
them a couple of minutes to coax me back out
because it’s better in the shirt, where no one can see
me, and when I do come out, Caesar backs off

352 | Page The Hunger Games — Suzanne Collins

questioning me so I can recover. In fact, he pretty
much leaves me alone until the berries come up.

“Katniss, I know you've had a shock, but I’ve got to
ask. The moment when you pulled out those berries.
What was going on in your mind ... hm?” he says.

I take a long pause before I answer, trying to collect
my thoughts. This is the crucial moment where I
either challenged the Capitol or went so crazy at the
idea of losing Peeta that I can’t be held responsible for
my actions. It seems to call for a big, dramatic
speech, but all I get out is one almost inaudible
sentence. “I don’t know, I just ... couldn’t bear the
thought of ... being without him.”

“Peeta? Anything to add?” asks Caesar.
“No. I think that goes for both of us,” he says.

Caesar signs off and it’s over. Everyone’s laughing
and crying and hugging, but I’m still not sure until I
reach Haymitch.“Okay>?” I whisper.

“Perfect,” he answers.

I go back to my room to collect a few things and find
there’s nothing to take but the mockingjay pin Madge
gave me. Someone returned it to my room after the
Games. They drive us through the streets in a car
with blackened windows, and the train’s waiting for
us. We barely have time to say good-bye to Cinna and
Portia, although we'll see them in a few months, when
we tour the districts for a round of victory
ceremonies. It’s the Capitol’s way of reminding people
that the Hunger Games never really go away. We'll be
given a lot of useless plaques, and everyone will have
to pretend they love us.

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The train begins moving and we’re plunged into night
until we clear the tunnel and I take my first free
breath since the reaping. Effie is accompanying us
back and Haymitch, too, of course. We eat an
enormous dinner and settle into silence in front of the
television to watch a replay of the interview. With the
Capitol growing farther away every second, I begin to
think of home. Of Prim and my mother. Of Gale. I
excuse myself to change out of my dress and into a
plain shirt and pants. As I slowly, thoroughly wash
the makeup from my face and put my hair in its
braid, I begin transforming back into myself. Katniss
Everdeen. A girl who lives in the Seam. Hunts in the
woods. Trades in the Hob. I stare in the mirror as I try
to remember who I am and who I am not. By the time
I join the others, the pressure of Peeta’s arm around
my shoulders feels alien.

When the train makes a brief stop for fuel, we’re
allowed to go outside for some fresh air. There’s no
longer any need to guard us. Peeta and I walk down
along the track, hand in hand, and I can’t find
anything to say now that we’re alone. He stops to
gather a bunch of wildflowers for me. When he
presents them, I work hard to look pleased. Because
he can’t know that the pink-and-white flowers are the
tops of wild onions and only remind me of the hours
I’ve spent gathering them with Gale.

Gale. The idea of seeing Gale in a matter of hours
makes my stomach churn. But why? I can’t quite
frame it in my mind. I only know that I feel like I’ve
been lying to someone who trusts me. Or more
accurately, to two people. I’ve been getting away with
it up to this point because of the Games. But there
will be no Games to hide behind back home.

“What’s wrong?” Peeta asks.

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“Nothing,” I answer. We continue walking, past the
end of the train, out where even I’m fairly sure there
are no cameras hidden in the scrubby bushes along
the track. Still no words come.

Haymitch startles me when he lays a hand on my
back. Even now, in the middle of nowhere, he keeps
his voice down. “Great job, you two. Just keep it up in
the district until the cameras are gone. We should be
okay.” I watch him head back to the train, avoiding
Peeta’s eyes.

“What’s he mean?” Peeta asks me.

“It’s the Capitol. They didn’t like our stunt with the
berries,” I blurt out.

“What? What are you talking about?” he says.

“It seemed too rebellious. So, Haymitch has been
coaching me through the last few days. So I didn’t
make it worse,”I say.

“Coaching you? But not me,” says Peeta.

“He knew you were smart enough to get it right,” I
say.

“I didn’t know there was anything to get right,” says
Peeta. “So, what you’re saying is, these last few days
and then I guess ... back in the arena ... that was just
some strategy you two worked out.”

“No. I mean, I couldn’t even talk to him in the arena,
could I?” I stammer.

“But you knew what he wanted you to do, didn’t
you?”says Peeta. I bite my lip. “Katniss?” He drops my
hand and I take a step, as if to catch my balance.

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“It was all for the Games,” Peeta says. “How you
acted.”

“Not all of it,” I say, tightly holding onto my flowers.

“Then how much? No, forget that. I guess the real
question is what’s going to be left when we get home?”
he says.

“I don’t know. The closer we get to District Twelve, the
more confused I get,” I say. He waits, for further
explanation, but none’s forthcoming.

“Well, let me know when you work it out,” he says,
and the pain in his voice is palpable.

I know my ears are healed because, even with the
rumble of the engine, I can hear every step he takes
back to the train. By the time I’ve climbed aboard,
Peeta has disappeared into his room for the night. I
don’t see him the next morning, either. In fact, the
next time he turns up, we’re pulling into District 12.
He gives me a nod, his face expressionless.

I want to tell him that he’s not being fair. That we
were strangers. That I did what it took to stay alive, to
keep us both alive in the arena. That I can’t explain
how things are with Gale because I don’t know
myself. That it’s no good loving me because I’m never
going to get married anyway and he’d just end up
hating me later instead of sooner. That if I do have
feelings for him, it doesn’t matter because I'll never be
able to afford the kind of love that leads to a family, to
children. And how can he? How can he after what
we've just been through?

I also want to tell him how much I already miss him.
But that wouldn’t be fair on my part.

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So we just stand there silently, watching our grimy
little station rise up around us. Through the window,
I can see the platform’s thick with cameras. Everyone
will be eagerly watching our homecoming.

Out of the corner of my eye, I see Peeta extend his
hand. I look at him, unsure. “One more time? For the
audience?” he says. His voice isn’t angry. It’s hollow,
which is worse. Already the boy with the bread is
slipping away from me.

I take his hand, holding on tightly, preparing for the

cameras, and dreading the moment when I will finally
have to let go.

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END OF BOOK ONE

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